The Supreme State of Unconsciousness: Classical Enlightenment from the Point of View of Valence Structuralism

The following is an exchange of text messages with Roger Thisdell, a 26 year old accomplished meditator. He claims that this year he finally broke through into abiding in what he describes as an entirely new category of experience that matches the descriptions of classical Buddhist 4th path.


For context, Daniel Ingram of Mastering the Core Teachings of the Buddha fame describes 4th path as:

1) Utter centerlessness: no watcher, no sense of a watcher, no subtle watcher, no possibility of a watcher. This is immediately obvious just as color is to a man with good eyesight as the old saying goes. Thus, anything and everything simply and obviously manifests just where they are. No phenomena observe any others and never did or could.

2) Utter agencylessness: meaning no agency, no sense of doing, no sense of doer, no sense that there could be any agent or doer, no way to find anything that seems to be in control at all. Whatever effort or intent or anything like that that arises does so naturally, causally, inevitably, as it always actually did. This is immediately obvious, though not always the forefront of attention.

3) No cycles change or stages or states or anything else like that do anything to this direct comprehension of simple truths at all.

4) There is no deepening in it to do. The understanding stands on its own and holds up over cycles, moods, years, etc and doesn’t change at all. I have nothing to add to my initial assessment of it from 9 years ago.

5) There is nothing subtle about it: anything and everything that arises exhibits these same qualities directly, clearly. When I was on the third path, particularly late in it, those things that didn’t exhibit these qualities were exceedingly subtle, and trying to find the gaps in the thing was exceedingly difficult and took years and many cycles. I had periods from weeks to months where it felt done and then some subtle exception would show up and I would realize I was wrong yet again, so this is natural and understandable, and if someone claims 4th as I define it here and later says they got it wrong, have sympathy for them, as this territory is not easy and can easily fool people, as it did me many, many times over about 5 years or so. However, 4th, as I term it, ended that and 9 years later that same thing holds, which is a very long time in this business.

There are other aspects that may be of value to discuss at some other time, but those are a great place to start for those who wish to claim this. If you truly have those, then perhaps we can talk about a few other points that are less central and essential.


[Links added to aid reader’s comprehension – lightly edited for clarity]

In the beginning… Roger joined a private group where we discuss consciousness and started to get familiar with the vocabulary of the Qualia Research Institute (e.g. discussing meditation in terms of valence). He then posted this video, which caught my attention:

Pleasure does not exist how you think it does (positive valence explained as an anti-phenomenon)

Where he claims that “Pleasure as a positive, as an actual added experience, does not exist. It certainly does not exist how a lot of us think it does … [whereas] negative valence experiences do exist as contractions.

Based on that very interesting video, I decided to invite him to Phenomenology Club (a private gathering where we discuss exotic states of consciousness and try to make sense of them in a think-tank fashion – see Healing Trauma with Neural Annealing).

Conversation

Roger: 

Andrés! This is Roger Thisdell […]. Thanks for giving me your number.

Do add me to the Phenomenology Club. That sounds like my jam! Cheers!

Andrés:

Excellent! Will do! 🙂

[…time…]

Roger

Hey Andrés, it was great to hang out online last night and hear your explanations. A bunch of you are really elite thinkers. I’m inspired to learn how to speak more of your qualia language.

I would love to get into the topic of paradises with you. You seem to really sing their praise.

I said yesterday that I hold the view that actually what is most desirable is just the elimination of negative valence. As someone who frequently has cessations (when consciousness blanks out for a moment) where there is no subjective experience (no negative, no positive valence) in my book this is good enough. My thinking is also informed via complete ego death experiences in which there is still consciousness but no judgement on any part of experience (bad or good). At a local individual level these are the most desirable states. Out of all the states I have experienced (including bliss trips, jhanas, 5-MeO, MDMA, staring into the eyes of a lover without insecurities, laughing fits 🤣) if I had to choose a state to be in permanently it would either be cessation or ego death. I may have curated my brain too much to a Buddhist view and my level of emptiness insight is well entrenched, so that it is hard for me to really believe the ultimate good is to keep the cosmic consciousness party going and fueling it with positive valence.

I think that while consciousness is online we better make the best out of it and try to exist in as few low negative valence states as possible and help all sentient beings with this as well; all the while the positive valence that comes along is merely instrumentally valuable, like a compliment or added bonus.

For example if you are hungry it is nice to eat something tasty. But if you were never hungry in the first place then who cares how tasty something is – don’t need it 💁‍♂️ (this may be my strongly consolidated non-attachment showing).

I guess what I’m really asking is: can you convince me to intrinsically care for paradise states? I do believe I have experienced what you are referring to as paradise states, but maybe I just have too much non-attachment for them to think they are the goal/prize.

(apologies for being long-winded 🙏)

Andrés:

Perhaps:

  1. You lost the ability to get excited about future experiences. You learned this because you were taught and you practiced techniques that associate being excited about the future with dukkha. Alas, the hedonic theories around the time of Buddha were incomplete and as a consequence a lot of the claims and teachings underfit reality (meaning that they generalize too much). In contrast, it turns out that there are a manifold of ways of experiencing excitement about the future in an epistemologically clear way and no delusions. More so, with that orientation one can see more clearly larger parts of the state-space of consciousness as one is not inhibiting them. I know you have experience with high valence states. But I suspect you have deconstructed a lot of the microcognitive apparatus that allow the insights coming from the reality of their existence from propagating across the entire nervous system.
  2. Just as lack of awareness about e.g. cluster headaches phenomenology can give you the impression that reality has no stakes, so does acute lack of access to the ultra-positive realms. I think for many, Buddhism has a certain effect in how one conceptualizes such experiential realms after the fact that perhaps is not quite in tune with how they truly were. Interestingly, one could here examine Buddhism as an aesthetic itself, and renunciation as a kind of Soulmaking, where under the hood one is still pursuing a kind of high-dimensional meaning qualia of positive valence. Which takes me to:
  3. Rob Burbea’s Soulmaking talking about how exploring not exhaustively breaking down dukkha always but letting a bit of e.g. Eros/passion for reality opens up new ways of seeing that recontextualize Buddhism. Not that we shouldn’t get rid of dukkha, of course. But it’s good to see the underlying aesthetic influences on how one generalizes about reality based on one’s experience.

What do you think? 😄

Thank you for joining! And also for sharing your thoughts. 🤠👌

See: Soulmaking part 1, part 2.

Roger:

Ah Andrés, so many thoughts 🙈

First of all, I am so impressed with Burbea. His lectures were incredibly useful for me while learning the jhanas. And now I’m picking through his book ‘Seeing That Frees’.

I think his ontology and how he builds on Buddhism is sophisticated and gorgeous.

Reminds me of a remark about Hemingway, by his grandson – he quit journalism to dedicate himself to fiction because he was more interested in truth than facts. I relate this to Soulmaking in a way.

I love his notion of skillful fabrication. But it seems like it’s a compromise in a way. We can’t fully live without self, and thoughtforms, and conceptual frameworks, and so, while we are alive and have them, let’s learn to use them skillfully/beautifully. I’m on board! 🚂

Re your 2nd point: I would add that a lack of awareness of the existence of cessations, or Nirodha, or ego death experiences is another topographical blind spot which prevents people from making a more comprehensive assessment of what is most desirable. (I know that many people who say they’ve experienced ego death, when I enquire about it, it turns out to be more of just a partial ego loss experience, and not the full annihilation). I suppose we really need those who have deep expertise in bliss states and dukkha-less/unfabricated states to compare and contrast.

For what it’s worth, and to give you more a sense of my bias, I would claim to be someone who has explored a wide range of state-spaces: from suicidal depression, to psychosis-like damnation bad trips, to K-holes, to peak experiences, and now as of 21st of May [2021] I’m claiming Frank Yang-style MCTB [see: Scott Alexander’s book review] 4th path permanent abiding in centreless consciousness (IDK what that says about my nervous system and fully propagating insights as you mentioned).

Hands down 🙌, this is the best shift in my life that has ever taken place without a doubt (I thought stream entry was good, but this is another magnitude). My hedonic set tone is persistently so high. I’m often walking around smiling for no apparent reason. 11/10 I recommend this.

And 4th path gets you an ability to adopt a new perspective where you simultaneously see the Yin and the Yang and vice sera (emptiness is form and samsara is nirvana). It’s all one place, there is not out. All the while, still we quite obviously make value judgements between states. I know you speak of hellish corners of consciousness that shouldn’t be touched. And so, although we can/should adopt flexibility of perspectives on aesthetic frames (as Rob speaks about, which is helpful) and see value in many different views as best as we can… must we still do the hard job of really judging what is best? What is most desirable? (to talk from a metamodern perspective).

Ultimately, I still come down on: lights out unconsciousness tops everything 🤷‍♂️ [emphasis mine]. Getting all beings to Parinirvana would objectively be preferable for all beings rather than keeping the play going – if such a plan is possible or sensible or sensical even.

It’s funny though, at some point I think it may just come down to some split difference in intuition among people (perhaps that difference can be reconciled somehow). For me this was apparent when I hear from Kenneth Folk vs. Culadasa. Kenneth holds antinatalist sentiments (or he did when I emailed him a couple of years ago and actually asked him) which speaks to a siding with a belief that there is an asymmetry of weighted value between negative and positive valence. While Culadasa seems to emphasize the joyous journey and adventure of life, which may speak to an opposite weighting in favor of the positive valence being worth the negative valence that comes along with it. Certainly not all spiritual roads lead to Rome.

I am very open to the idea that I am missing something though, and I may just need to be led by the hand like a child to these heaven realms for me to change perspective 😇😂

Thanks for engaging, this is fun!

Andrés

Thank you for engaging! This is super interesting! Let me think about what else I can say 🙂

[…time…]

Total valence vs. pureness of valence: see Principia Qualia pg. 41. It could be that during cessations consciousness disappears and the state literally does not exist in any way. But the states immediately before and immediately after do and have at least a tiny bit of information so they are mixed valence states. Yet, perhaps they are massively positive valence on net.

An alternative view is that unconsciousness is still ‘real’ in a way, in which case we could think of it as consciousness but with no content whatsoever. But it’s still there. The analogy would be like combing a vector field in a torus. Most states have the vector field collide with itself and therefore feel less than perfect valence (due to [the Symmetry Theory of Valence, aka.] STV). Only when the field is completely combed without any self-collisions (which would not be possible in a sphere) you get perfect positive valence. And although there is no information encoded in the field, it still exists just as it did before. There’s just nothing to report.

In that case paradise could actually still exist. Meaning, higher and more refined versions of this kind of experience. In particular, we could look for other mathematical objects where the field can also be combed perfectly. They would then be strangely a different kind of ‘unconsciousness’ perhaps capable of fitting more energy and higher dimensions. Still, they would have maximum positive valence.

What do you think?

Oh, I also forgot if I’ve asked you whether you’ve tried 5-MeO-DMT and how it compares to your new baseline.

Images from Michael E. Johnson’s Principia Qualia

Roger

Ah, yes, I see the kind of framework you’re thinking from now – anti-symmetry, symmetry, and asymmetry.

From Principia Qualia pg. 39: [paraphrasing] “…if we take our hypothesis and apply it to IIT, and then we attempt to maximize pleasure/symmetry, consciousness/[phi] drops very rapidly.”

All the way to the point that maximum pleasure entails no consciousness??? [emphasis mine]

I don’t have a lot of experience with 5-MeO. I only did it once at about a 6mg range.

My impression of 5-MeO was that it had a visual brightening effect somewhat similar to the 4th Jhana. And there was that psychedelic mirroring effect with eyes open. It also had the reduction of conceptual understanding that comes when you get into 8th [Jhana]. I interpret that as a significant down-regulation in top-down information processing??

5-MeO has the sense that it’s going somewhere, moving towards something, while the effects build and then dissipate. Like it’s growing into something (I guess this is before a peak breakthrough – which I didn’t have).

My current consciousness abode isn’t going anywhere. There isn’t a sense that things are building towards something. It has a forever ‘this is it’, locked-in quality. Like a somewhat superposition of emptiness and fullness simultaneously. (Before 4th path I always felt like I was flickering between form and emptiness, now the two cohabitate the experiential space at the same time).

5-MeO also seemed very hedonically volatile; like any subtle thought or movement could disrupt the peace.

Meanwhile my current state is super unperturbable. In the past 2.5 months I haven’t found something that has rocked my well-being.

A couple of weeks ago I listened to an interview of a North Korean defector tell her story of starvation and human trafficking and for a good 30 minutes I was crying at this tragedy. But it was crying from a place of still really high well-being. I didn’t feel like I was suffering and I didn’t mind that crying state at all. (Which is quite weird, I suppose).

In my normal state now, there are no more papañca attacks. Thoughts don’t capture the mind like they used to.

And another thing I love about this new state is that I still have all my cognitive functions intact and I can operate in the world totally normally – which can’t be said about being on 5-MeO.

I feel super sober; while on 5-MeO I don’t believe you do (if I remember correctly).

I would say I prefer my new baseline to what I experienced on 5-MeO because of the lack of volatility and practicality of still having my intellect on hand, all the while with the constant sense of ‘this is it’ and high, high well-being.

[…time…]

Roger and Andrés have a video call

We discussed a number of things: his meditation journey, his thoughts on various philosophies, exploring QRI frameworks, and his interest in music. Curiously, Roger said that unlike other people who spend a lot of time in meditation healing traumas and processing past experiences, he was able to largely just focus on progress on the path. This, along with a very rigorous and consistent practice, is why he got to where he is at so early in life (26 years old).

One of my main interests in the discussion was to flesh out how 4th path states/traits and the Symmetry Theory of Valence (STV) were connected. If I recall correctly, there were three main ideas connected to this topic I shared with him:

  1. Discussing the “levels of consciousness” experienced on a psilocybin trip and the way they might mirror some of Frank Yang’s descriptions of the levels of consciousness on the path to awakening, 
  2. A model of equanimity I’ve been developing where impedance matching is a key ingredient, and
  3. The difference between a “recipe” of a state or transformation of consciousness and its “review”

Let’s briefly elaborate on these topics.

(1) Frank Yang talks about undergoing a meditative process with the following stages: (a) standard sense of self, (b) awareness of awareness, (c) God/Oneness/Being/Non-Duality/Self, (d) Emptiness/Non-Beng/Uni-Locality, (e) Neither Being Nor Non-Being, and finally (f) Enlightenment.

(source)

What makes his descriptions so incredible is that he provides very raw and unfiltered phenomenological accounts of the process without really trying to force them into any pre-existing framework. From the point of view of the mission of QRI this is very valuable. In particular, it allows us to examine his process of transformation with the framework of Qualia Formalism: we ought to ask, not what kind of spiritual/mystical/transcendent process is going on here (which will certainly take us nowhere), but rather, wonder if we can cast his descriptions in terms of *structural changes to the field of awareness*. For example, Frank talks about “the screen of God” that becomes apparent in (c), where waves of energy seem to travel without resistance across one’s experiential field. He also talks about phase transitions (similarly to Shinzen Young, he talks about a process of liquefaction and gasification of the field of awareness). If, as we believe at QRI, valence is a structural property of experience, these transformations would have profound effects on one’s sense of wellbeing. So, the reason why “the screen of God” is a profound experience is not because you literally merge with a divine being (which might not be possible if we assume indirect realism about perception), but because the field of awareness is now in a phase that allows an entirely new level of efficient stress dissipation.

I shared with Roger some details from a particularly interesting psilocybin trip report that described rapid phase transitions between (what appears to be) several of the levels Frank describes. In particular, “the screen of God” state seems to have the capacity to stresslessly locate sensations without generating reverbarions with a represented “small self to which those sensations belong”.

(2) In turn, this led to discussing a new model (we haven’t really touched upon in QRI publications yet, but which is coming) of equanimity based on experiences I had during a two-week retreat earlier this year (see: Buddhist Annealing). This model has at its core the idea that equanimity is a mental tool that increases impedance matching between nervous system harmonics. Ask yourself: why is it that when you pluck a guitar string it sounds louder if it is connected to a guitar? It is not, as many would think, that the “resonance box amplifies the sound” (for where would the extra energy come from?). Rather, the energy is the same; what changes is the speed at which it is discharged! The resonance box vibrates and dissipates the energy of the string much faster than the string could on its own (as an aside, this is exactly why you can sustain a note for so much longer in an electric guitar). We could thus postulate that a lot of inner dissonance comes from resonance in the nervous system that has no means of dissipating its stored stress. To an extent, this is because involuntary subliminal contractions in our nervous system compartmentalize and modularize its components. Equanimity is the practice of relaxing those contractions, and thus slowly allowing the nervous system to undergo a search process where it finds structures that can resonate with the stored stress, and in turn allow it to dissipate faster. More so, over time, you entrain (and rewire!) the nervous system to become highly efficient at stress-dissipation. Dissonance is still there, but it “unfolds” and gets “metabolized” so fast that it barely counts as suffering. Highly annealed nervous systems are powerful stress-dissipation engines!

(3) Finally, we also discussed the idea that there is a distinction between the “recipe” of a state of consciousness and its “review”. A recipe is the steps you take in order to achieve a certain state (or transformation) of consciousness. A review is instead an account of what the resulting state feels like. Just as the instructions for baking a cake are quite different from a Chef’s review of what the resulting cake tastes like, we can expect that meditation instructions (e.g. focusing on the three characteristics) will not necessarily reflect the nature of the transformations of consciousness that result from them. Thus, while a lot of the meditative path is nominally about “renouncing” the pursuit of high-valence states of consciousness (and thus avoid the pleasure paradox), the result is nonetheless a state of consciousness that is high-valence in nature! Paradoxical? I don’t think so. The confusion is merely the result of conflating recipe and review.

Thus, we can still apply valence theories to states of consciousness that are allegedly beyond valence. Frank Yang, for example, seems to resonate a lot with STV. See his December 2020 interview at The Stoa. There (and in other videos) he describes “God mind” consciousness as a very positive experience, which is very symmetrical but not perfect. But his true awakening is perfectly symmetrical (in the realm of space, observer, and sense of time, even if not in content). His experience became like a “hologram that has no center”. Quote:

“Have you seen those illustrations of a sphere or a circle, where one point connects to all of the other points? […] if you wanted me to describe my day to day, moment to moment, experience, well, it’s pretty symmetrical. As in, there is no center to experience. There is hearing but no hearer; there is just the seeing, there is no seer; on thinking there is just thinking and no thinker. It’s not, like, processed or filtered through a subject in the center. And it’s very immediate in the sense that all of the sensations, all 360 degrees, are synched up to themselves, without any delay, 24/7. And all the sensations, where there is body, you know sight, sound, thoughts, emotions… they are all on equal footing to each other […inaudible…] in symmetry, and that is for me an aesthetic experience. I would say a suffering mind is a mind that isn’t symmetrical. If your mind is asymmetrical, it means it’s defiled somewhere. So for me aesthetics runs in all different kinds of domains, not only on the perceptual domain, not only on the visual aesthetics domain, but even on the emotional and how you think.”

Yes, God Mind (left) is good, but have you tried no-self (right)? It is so much more symmetrical!

As we’ve discussed before, the homogeneity of phenomenal space and time might be a very large component of what accounts for positive valence. And what Frank is describing here suggests that’s the case. Disturbances in the attention field lines and the saliency of specific components of a mind can break the underlying symmetry of the phenomenal space and time of the resulting experience. Anxiety, for example, in this paradigm is described as unpleasant because it involves the bubbling up of low-level prediction errors causing “attention pinches” across your experience, and thus disturbing the free-flow of energy that would exist in a homogeneous field. Prediction errors are not inherently unpleasant; they are unpleasant only to the extent that they cause asymmetries in your field of awareness!

Frank Yang also says that his big awakening felt like a “quantum jump”. It makes sense that a strong anti-fragile attractor for a new network topology would be self-reinforcing (a new lowest-energy state, metaphorically speaking, perhaps akin to a false vacuum collapse inside one’s mind!). Again, this is all very compatible with valence structuralism, if not STV.

Roger said that he will have to think about all of this. In the meantime, he shared with me some (amazing!) pictures he made to illustrate how his field of awareness has been transformed with meditation over time. Like Frank Yang, he identifies several discrete phase transitions. These are: (a) standard perception, (b) The Witness, (c) Big Mind, (d) No Self, and finally (e) No Self & Centreless Awareness (4th path!):

[…time…]

Roger

[uploads this video – Jhanas 1-9 Experienced and Described In Real Time]

[…time…]

Roger

Considering more what you said about impedance matching and adding resonance to experience:

Perhaps this is merely an analogy, but still: consider the tautness of a spider’s web. If a fly lands on it, at one part, the whole web will shake and the energy will transfer throughout in such a way that the spider can locate where on the web the fly landed. If the web is too taut then the energy of the fly landing won’t dissipate far enough for the spider to receive the information. However, if the web is too slack the fly could just break the structure of the web.

It might be interesting to consider why spiders build webs with a centre point and not as a straight or criss-crossing lattice.

So to relate this to consciousness and metabolizing stress… I would say my consciousness now feels like it’s more taut and lattice-woven rather than spider web-shaped with a middle [emphasis mine]. So this means when a stress point is activated somewhere in the experiential space, its energy doesn’t ripple as far out as it would have before, thus not being as disruptive.

And if we aliken the spider on the web to the epistemic agent, if he is situated on one spot and for all goings-on on the web to be known their information must travel to him, then the web must be not too taut so that all the ripples can reach him and he knows what’s going on. The problem with this set-up is that it means that knowing requires instability.

However, if we do away with the spider (a single point considered the epistemic agent) and make it so that the knowledge is attributed to the web itself, then the web can afford to be much more taut/less shaky/more robust, causing less negative valence.

So in some way I could say my experience (centerless consciousness) is more taut in this way, but this tautness doesn’t feel rigid or stiff, but rather very airy.

Indra’s net can have too much slack in it, if it’s not sewn together tightly and uniformly.

Pre-Awakening: The mind uses a fictitious “self-as-epistemic-agent” in a field of awareness that has slack and vibrates in unpleasant ways in the process of integrating information. The field of awareness relies on a network topology that is suboptimal for efficient stress dissipation.

Post-Awakening: The mind lacks any kind of center or self-as-epistemic-agent. The field of awareness is tout and extremely efficient at stress dissipation. The network topology has permanently changed to a far more symmetrical and regular configuration.

[…time…]

Roger:

Roger talks with Brendan Graham Dempsey: watch video here. He explains in more detail the spider web metaphor at 34:44.

[…and then in an email later…]

Roger:

Just for interest’s sake, and I don’t know if this bears any significance, but I’m ambidextrous by the way.

I know symmetry plays a major role in your hypotheses of valence and such.

In some way, I have thought that not having such a prioritization and weightiness to just one side of the body has balanced out my experience and perception (perhaps more than others), I’m not sure.

R


(As of the 23rd of November 2021, Roger states that he continues to be in the blissful state of centreless consciousness)


Commentary by Andrés, after the fact:

This conversation (and further exchanges I may share in the future) has reinvigorated my quest to describe states (and transformations) of consciousness in terms of changes to the network topology that underlies our field of awareness. Enlightenment might be described in “mystical” ways, but this could be simply due to lack of an adequate formal conceptual framework to make sense of it. But perhaps STV, impedance matching, and efficient stress dissipation through radical network topology reorganization without compromising self-epistemics could take us much further than before in this quest.

Also, if Roger was able to achieve these transformations at the tender age of 26, what is stopping the rest of us from doing the same?

Perhaps, what Marcin Kowrygo says is true: “Techno-boosted Arhatship: The rest is commentary”. (See also this fun story about enlightenment in Slate Star Codex). 

If I were to add one thing to the wish-list, I’d say (in unison with people like Nick Cammarata and David Pearce): if we could have access to MDMA-like states of emotional wellbeing and empathy on tap, that would be fantastic (for many reasons). Plus, non-addictive real pain relief might very well be right behind the corner. So to revise our (admittedly cartoonish and partial) wish-list for the medium-term future of sentience: “MDMA-like emotional palette, non-addictive pain relief, and physiological Arhatship: The rest is commentary”. See you there, my friends!

Happy Thanksgiving Everyone (including the Turkeys, of course)!

On Dark Rooms, Jhanas, Ecstasy, and the Symmetry Theory of Valence

I recently had a chance to talk with Scott Alexander of SSC and ACX fame at a Berkeley meetup this past summer. He’d been watching my videos and had some questions for me. In particular, he had questions about how literally we took the Symmetry Theory of Valence (STV), and whether the counter-examples he had in mind really went against the theory, or were perhaps also explained by it in non-obvious ways. Afterwards, he sent me a draft of his Jhanas and the Dark Room Problem post for me to preview before he published it. I had a look and offered some clarifications in case he wanted to discuss these ideas more deeply. Just a couple days ago he published it. Seeing that the topic could be explored much more deeply, I then asked him if he was ok with me posting (a lightly edited version of) the email I sent him. He said, “of course”. Thus, you can find it below, which I recommend reading after you read his post in ACX.

Note: For people mostly curious about how STV deals with harsh artforms e.g. death metal and Japanoise, we recommend reading Harmonic Society, an article we published in Art Against Art which explains how all kinds of exotic artforms ultimately cash out in (often counter-intuitive) valence effects via messing with the energy parameter and kick-starting cycles of neural annealing (see also “worldview annealing” to make sense of the often outsized effect of transformative festivals in people’s conception of the world). For those extra-curious about psychedelics and the free energy principle, I recommend watching our video specifically on that topic.

Without further ado….


Hi Scott!

Thank you for reaching out! And thank you for the conversation on Saturday. […] Please feel free to post your excerpt, but also I am sharing below information that you can use to edit it so that it is a more accurate portrayal of what we are up to (feel free to quote me below or quote any article or video we have online).

I’ll structure this email in the following way: (1) general clarifications about STV, (2) addressing your excerpt specifically, and (3) some of the meeting notes from our conversation in case you find it valuable to remember what we discussed (or what I can remember of it anyhow).

(1) General Clarifications

The first thing to mention is that the Symmetry Theory of Valence (STV) is really easy to strawman. It really is the case that there are many near enemies of STV that sound exactly like what a naïve researcher who is missing developmental stages (e.g. is a naïve realist about perception) would say. That we like pretty symmetrical shapes of course does not mean that symmetry is at the root of valence; that we enjoy symphonic music does not mean harmony is “inherently pleasant”; that we enjoy nice repeating patterns of tactile stimulation does not mean, well, you get the idea…

The truth of course is that at QRI we really are meta-contrarian intellectual hipsters (you know this link of course). So the weird and often dumb-sounding things we say are already taking into account the criticisms people in our people-cluster would make and are taking the conversation one step further. For instance, we think digital computers cannot be conscious, but this belief comes from entirely different arguments than those that justify such beliefs out there. We think that the “energy body” is real and important, except that we interpret it within a physicalist paradigm of dynamic systems. We take seriously the possible positive-sum game-theoretical implications of MDMA, but not out of a naïve “why can’t we all love each other?” impression, but rather, based on deep evolutionary arguments. And we take seriously non-standard views of identity, not because “we are all Krishna”, but because the common-sense view of identity turns out to, in retrospect, be based on illusion (cf. Parfit, Kolak, “The Future of Personal Identity“) and a true physicalist theory of consciousness (e.g. Pearce’s theory) has no room for enduring metaphysical egos. This is all to say that strawmanning the paradigms explored at QRI is easy; steelmanning them is what’s hard. I trust you can make a Titanium Man out of them! 🙂

Now, I am indeed happy to address any mischaracterization of STV. Sadly, to my knowledge very few people outside of QRI really “get it”, so I don’t think there is anyone other than us (and possibly you!) who can make a steelman of STV. My promise is that “there is something here” and that to “get it” is not merely to buy into the theory blindly, but rather, it is what happens when you give it enough benefit of the doubt, share a sufficient number of background assumptions, and have a wide enough experience base that it actually becomes a rather obvious “good fit” for all of the data available.

For a bit of history (and properly giving due credit), I should clarify that Michael Johnson is the one who came up with the hypothesis in Principia Qualia (for a brief history see: STV Primer). I started out very skeptical of STV myself, and in fact it took about three years of thinking it through in light of many meditation and high-energy/high-valence experiences to be viscerally convinced that it’s pointing in the right direction. I’m talking about a process of elimination where, for instance, I checked if what feels good is at the computational level of abstraction (such as prediction error minimization) or if it’s at the implementation level (i.e. dissonance). I then developed a number of technical paradigms for how to translate STV into something we could actually study in neuroscience and ultimately try out empirically with non-invasive neurotech (in our case, light-sound-vibration systems that produce multi-modally coherent high-valence states of consciousness). […]

For clarification, I should point out that what is brilliant (IMO) about Mike’s Principia Qualia is that he breaks down the problem of consciousness in such a way that it allows us to divide and conquer the hard problem of consciousness. Indeed, once broken down into his 8 subproblems, calling it the “hard problem of consciousness” sounds as bizarre as it would sound to us to hear about “the hard problem of matter”. We do claim that if we are able to solve each of these subproblems, that indeed the hard problem will dissolve. Not the way illusionists would have it (where the very concept of consciousness is problematic), but rather, in the way that electricity and lightning and magnets all turned out to be explained by just 4 simple equations of electromagnetism. Of course the further question of why do those equations exist and why consciousness follows such laws remains, but even that could IMO be fully explained with the appropriate paradigm (cf. Zero Ontology).

The main point to consider here w.r.t. STV is that symmetry is posited to be connected with valence at the implementation level of analysis. This squarely and clearly distinguishes STV from behaviorist accounts of valence (e.g. “behavioral reinforcement”) and also from algorithmic accounts (e.g. compression drive or prediction error minimization). Indeed, with STV you can have a brain (perhaps a damaged brain, or one in an exotic state of consciousness) where prediction errors are not in fact connected to valence. Rather, the brain evolved to recruit valence gradients in order to make better predictions. Similarly, STV predicts that what makes activation of the pleasure centers feel good is precisely that doing so gives rise to large-scale harmony in brain activity. This is exciting because it means the theory predicts we can actually observe a double dissociation: if we inhibit the pleasure centers while exogenously stimulating large-scale harmonic patterns we expect that to feel good, and we likewise expect that even if you activate the pleasure centers you will not feel good if something inhibits the large-scale harmony that would typically result. Same with prediction errors, behavior, etc.: we predict we can doubly-dissociate valence from those features if we conduct the right experiment. But we won’t be able to dissociate valence from symmetry in the formalism of consciousness.

Now, of course we currently can’t see consciousness directly, but we can infer a lot of invariants about it with different “projections”, and so far all are consistent with STV:

Of special note, I’d point you to one of the studies discussed in the 2020 STV talkThe Human Default Consciousness and Its Disruption: Insights From an EEG Study of Buddhist Jhāna Meditation. It shows a very tight correspondence between jhanas and various smoothly-repeating EEG patterns (including a seizure-like activity that unlike normal seizures (of typically bad valence) shows up as having a harmonic structure, but does not seem to have a direct conscious correlate – still worth mentioning in this context). Here we find a beautiful correspondence between (a) sense of peace/jhanic bliss, (b) phenomenological descriptions of simplicity and smoothness, (c) valence, and (d) actual neurophysiological data mirroring these phenomenological accounts. At QRI we have observed something quite similar studying the EEG patterns of other ultra-high-valence meditation states […]. I expect this pattern to hold for other exotic high-valence states in one way or another, ranging from quality of orgasm to exogenous opioids. 

Phenomenologically speaking, STV is not only capable of describing and explaining why certain meditation or psychedelic states of consciousness feel good or bad, but in fact it can be used as a navigation aid! You can introspect on the ways energy does not flow smoothly, or how the presence of blockages and pinch points make it reflect in discordant ways, or zone in on areas of the “energy body” that are out of sync with one another and then specifically use attention in order to “comb the field of experience”. This approach – the purely secular climbing of the harmony gradient – leads all on its own to amazing high-valence states of consciousness (cf. Buddhist Annealing). I’ll probably make a video series with meditation instructions for people to actually experience this by themselves first hand. It doesn’t take very long, actually. Also, apparently STV as a paradigm can be used in order to experience more pleasant trajectories along the “Energy X Complexity landscape” of a DMT trip (something I even talked about at the SSC meetup online!). In a simple quip, I’d say “there are good and bad ways of vibing on DMT, and STV gives you the key to the realms of the good vibes” 🙂

Another angle: we can find subtle ways of dissociating valence from e.g. chemicals: if you take stimulants but don’t feel the nice buzz that provides a “working frame” for your mental activity, they will not feel good. At the same time, without stimulants you can get that pleasant productivity-enhancing buzz with the right tactile patterns of stimulation. Indeed this “buzz” that characterizes the effects of many euphoric drugs (and the quality of e.g. metta meditation) is precisely a valence effect, one that provides a metronome to self-organize around and which can feel bad when you don’t follow where it takes you. Literally, one of the core reasons why MDMA feels better than LSD, which feels better than DOB, is precisely because the “quality of the buzz” of each of these highs is different. MDMA’s buzz is beautiful and harmonious; DOB’s buzz is harsh and dissonant. More so, such a buzz can work as task-specific dissonance guide-rails, if you will. Meaning that when you do buzz-congruent behaviors you feel a sense of inner harmony, whereas when you do buzz-incongruent behaviors you feel a sense of inner turmoil. Hence what kind of buzz one experiences is deeply consequential! All of this falls rather nicely within STV – IMO other theories need to keep adding epicycles to keep up.

Hopefully this all worked as useful clarifications. Now let me address your excerpt more specifically:

(2) The Excerpt

The Dark Room Problem in neuroscience goes something like this: suppose the brain is minimizing prediction error, or free energy, or whatever. You can minimize lots of things by sitting quietly in a dark room. Everything will be very, very predictable. So how come people do other things?

The usual workaround is inbuilt biological drives, considered as “set points”. You “predict” that you will be well-fed, so getting hungry registers as prediction error and brings you out of your dark room to eat. Et cetera.

Andrés Gómez Emilsson recently shared a perspective I hadn’t considered before, which is: actually, sitting quietly in a dark room is really great.

Indeed usually the Dark Room causes massive prediction errors (since our model of the world is one where being in a Dark Room is truly not expected!). But these prediction errors feel bad because of the dissonance they induce in our experience (which you can get rid of with drugs or meditation!). If you make the Dark Room an “expected” thing, then eventually it will start feeling great. In fact, something like this happens when you meditate a lot in a dark room and settle in. Alternatively, taking 5-MeO-DMT for the first 10 times can be very disconcerting, as it takes you to “the ultimate void of reality”. It’s surprising and dissonant to “find out” that the void is the ultimate truth (I’m not saying that’s true, just that it feels that way in that state!). But once you’ve done it enough times that you know what to expect, you can in fact receive with two open arms the void of ultimate reality. You learn to expect it and not code it as a prediction error, and then you can deeply, deeply “align” to it, which results in unfathomably positive valence that discharges tons of stored internal stress, the very source of low-level dissonance before the trip (again, STV here fits the data rather nicely). 

The Buddha discussed states of extreme bliss attainable through meditation:

> Secluded from sensual pleasures, secluded from unwholesome states, a bhikkhu enters and dwells in the first jhāna, which is accompanied by thought and examination, with rapture and happiness born of seclusion (Samyutta Nikaya)

I had always figured that “sensual pleasures” here meant things like sex. But I think maybe he just means stimuli, full stop. The meditator cuts themselves from all sensory stimuli, eg by meditating really hard on a single object like the breath and ignoring everything else, and as a result gets “rapture and happiness born of seclusion”.

The serious meditators I know say this is real, meaningful, and you can experience it after a few months of careful practice. You become really good at concentrating on one stimulus and ignoring all other stimuli, and eventually your brain kind of gets “in tune” with that stimulus and it’s really blissful. They say this seems to have something to do with the regularity or predictability of the stimulus; if you’re concentrating really hard on something, regularity/predictability/symmetry is just viscerally very good, better than anything you’ve felt before.

[….]

Something like regularity/predictability/symmetry is really good. So why doesn’t a metronome make you bliss out? Andrés says it’s because you can’t concentrate on it hard enough. It’s not engaging enough to occupy your whole brain / entire sensorium /whatever.

Exactly, this is true. The one twist I’ll add is that the regularity that matters is not, as I explained above, the regularity of the stimuli, but rather, the regularity of the inner state. In fact, I currently think that we can get a glimpse of the true shape of our consciousness precisely by studying how different meditation objects work better or worse for the purpose of meditative absorption! Indeed, more symmetrical objects are easier meditation objects (cf. QRI can steelman “sacred geometry” ). Likewise, the hallucinations one gets near or close to states of high-absorption are also reflections of our inner shape! (cf. Fire Kasina qualia). 

Symphonies are beautiful, and we intuitively feel like it’s because they have some kind of deep regularity or complicated pattern. But they’re less regular/predictable/symmetrical than a metronome. Andrés thinks this is because they hit a sweet spot: regular/symmetrical/predictable enough to be beautiful, but complex/unpredictable enough to draw and hold our attention. Compare to eg games, which are most fun when they’re hard enough to be challenging but easy enough to be winnable.

Indeed! We need unpredictability in order to disable the boredom mechanism, which prevents us from fully absorbing into patterns (or rather, prevents our experience from shaping itself in a way that perfectly predicts the stimuli – in a way when you reach absorption with a stimuli, you are in fact becoming its “complement” – a shape that can predict it perfectly). An important twist is that prediction errors give rise to energy spikes, and high-energy states of consciousness can give rise to pleasant resonance (think about the bodily euphoria that comes from eating spicy enough hot peppers). Plus, cooling down from high-energy states can lead to euphoric neural annealing (as explained here). In all cases, however, the thing that is the most closely related to valence is the regularity/smoothness of the internal (instantaneous) state, even though there might be other complex dynamics guiding the state from one configuration to another. 

But this sweet spot is the fault of your own inattentiveness. If you could really concentrate on the metronome, it would be even more blissful than the symphony. Emilsson says he’s achieved these levels of concentration and can confirm. I talked to another meditator who agrees metronomes can be pretty blissful with the right amount of (superhuman) focus, although – as per the Buddha quote above – total silence is best of all.

Agreed! An interesting note is that the first time this happened to me, it was not in meditation, but during a sleep paralysis! See: Dream Music where I discuss how a simple tone can sound amazing if you are in the right reverb-filled state of mind. See also: people with anhedonia often report feeling “back to normal” in dreams, and IMO that’s precisely because the neuroacoustic profile of dreams can be very reverb-filled and thus have significant valence effects (see below).

I find this to be an elegant explanation of what the heck is going on with jhanas, more convincing than my previous theory. It’s also a strong contender as a theory of beauty – a little different in emphasis from Schmidhuber’s theory, but eventually arriving at the same place: beauty is that which is compressible but has not already been compressed.

A brief comment here: your “going loopy” theory foreshadows our tracer tool and psychedelic cryptography, where psychedelics seem to activate a “delay overlay” of recent experiences on top of the current one. DMT gives rise to ~30hz loops, LSD to around ~18hz loops, and 2C-B closer to ~10hz loops. We hypothesize that there are a discrete number of serotonin-mediated metronomes that precisely modulate the degree to which experience is fed back to itself with a specific delay. Antidepressants may flatten affect by disrupting these loops, and thus eliminating sources of symmetry for the inner state. People describe the sense of “missing an echo”; quite literally having a more “flat” experience as a result!

Enhanced neuroacoustics (as with psychedelics) generally increase the range of valence because more loopy experiences are more intense and also more capable of pure dissonance or pure consonance. Dissociatives (nmda antagonism more generally) seem to instead do a low-frequency looping (around 8hz) together with a generalized reverb effect. Much as in music, adding reverb to almost literally anything makes it sound less harsh (like the baby crying vs. baby crying + reverb sounds I referenced in the presentation). And also much as in music, *compounding* delay and reverb effects gives rise to synergistic outcomes, often with crazy standing wave attractors (e.g. exactly what you see on LSD + nitrous or LSD + ketamine).

Importantly, STV is *not* a theory that lives at the computational or algorithmic level of analysis, which is unlike Schmidhuber’s theory. If I recall correctly, Schmidhuber’s theory doesn’t even care about phenomenal valence or consciousness. And it has no mechanism of binding or any sense of how the “reward” is implemented or who or what receives such reward. Its flavor is functionalist and concludes that beauty is to be found in the act of compression. But STV instead says that compression is merely correlated with valence: our brains are set up in such a way that making excellent compressions reduces dissonance! This is because there is (a) an inherent dissonance cost to complexity, and (b) there is a dissonance cost to prediction errors. But again, take the right drug, and all of a sudden you can experience high-valence while making tons of prediction errors or having models that are much more complex than the sensory data would suggest is necessary.

In particular, what makes good compressions feel good beyond reducing prediction errors is that they select for internal states that have simple sets of symmetries as the best generators which anticipate the stimuli. This is highly related to the concept of Harmonic Entropy (i.e. the entropy of the inner state, not of the stimuli). And here is where we find a stark and amazing difference between STV and compression drive: we in fact expect there to be a sort of “minimal construction” path where you get specific “complexity scores” for phenomenal objects based on the number of operations of the sort the brain can do that are needed to construct such phenomenal objects. The brain needs to explicitly render phenomenal objects, rather than merely encode them. So there is a harmonic entropy associated with each experience, which more-or-less correlates with Kolmogorov complexity but is different in that it uses resonance as the building block rather than arbitrary operations. We also predict that the valence associated with specific patterns of stimulation will be best correlated with a sort of “perceptual harmonic entropy” than with complexity in general: how well you can compress an input depends on what building blocks you have to reconstruct it. In the case of the brain, the building blocks seem to be patterns of resonance. So even if something is “highly compressible” but cannot be compressed with resonance (e.g. the prime numbers), you will not experience it as beautiful or “easy on the eye”.

Importantly, free energy minimization is a computational level analysis and we would say at QRI that it therefore is mistaken on “where to look”. Consequence: compressing information feels good *because* it often (but not always) reduces dissonance. But if your brain is set up in the wrong way, minimizing dissonance may not lead to good compressions, or doing good compressions may not in fact feel good. But reducing dissonance will always feel better, and having high-energy high-harmony patterns internally will always feel good. What this does at the algorithmic and computational level is tricky, but it generally implies that we can see “artifacts” of our resonance-based compression system all over the place when in exotic states of consciousness, which is what we observe (and at the end of the day this may explain why psychedelic fractals and Indra’s Net type experiences are so hedonically loaded! See: psychedelics and the free energy principle).

To sum it up: STV claims that what matters is the regularity of the conscious experience and not of the stimuli – the stimuli is only in a certain sense a “projection” of the inner state, but it can deviate from it in many ways. Prediction errors feel bad because our brain is set up in such a way that they cause dissonance. And compressions only feel good to the extent that they avoid prediction errors *and* minimize the internal dissonance cost of the internal representations used for prediction. In other words, STV explains the other theories, but not the other way around.

Finally…

(3) Meeting notes, in case you find them useful…

  • You asked if I knew whether taking a lot of 5-MeO-DMT is compatible with sanity for most people: the answer is probably not. That said, we do know of some notable exceptions of very smart and sane individuals who have experimented heavily with the drug with no obvious cost to their sanity (e.g. see conversation with Ingram, Yang, McMullen, and Taft which touches upon the effects of daily use of 5-MeO-DMT).
  • I brought up anti-tolerance drugs, of which black seed oil is promising (but a low-tier player). Most promising of all are ibogaine and proglumide. Opioids + anti-tolerance drugs are IMO the most promising long-term therapy for severe chronic pain. 
  • Brought up Chanca Piedra as a promising highly cost-effective intervention to prevent kidney stones in the context of “hell must be destroyed” (other interventions we are fairly confident are in the category of “enormous if true, seem true, yet nobody is trying”: flumazenil for benzoscooling gloves for MDMA neurotoxicityDMT for cluster headaches, etc.)
  • I shared that the three goals/pillars of QRI are to (1) reduce negative extremes, (2) increase baseline, and (3) achieve new heights.
  • I gifted you a High-Entropy Alloy with unique material properties: much like looking for names of God, or amazing new perfumes, or indeed finding gems hidden in the state-space of consciousness, we must figure out clever ways of exploring large combinatorial spaces without going insane. You obviously have thought a lot about this 🙂
  • We talked about “nausea annealing” (pro-tip: drinking ginger juice right when you take a psychedelic seems to drastically reduce how much nausea and body-load it causes).
  • Overfitting.
  • Information is in the coupling between harmonics; de-couple them and you can experience the “zero state” while still being awake.
  • Meaning of the QRI logo (i.e. having a clear view of the entire state-space of consciousness; bridging quality/color and quantity/lines as a symbol for qualia formalism).
  • You asked “can you tell me what are brainwaves in simple terms a child could understand?” (I answered with “they are the signature of resonance in the holistic field behavior of experience” and immediately realized I had miserably failed to “explain in simple terms”). 
  • “Would listening to a pure tone be blissful?” Yes, you can absorb yourself into it. Second half of an orchestral song repeated could be better if it allows you to go deeper into absorption. Touched upon: Boredom mechanism. Harmonic entropy. Controlling for energy.
  • 3D harmonics, STV presentation, symmetry of the mathematical object is what truly matters.
  • Encoding vs. rendering.

Ok, that was rather long; I hope that you found it useful and clarifying! Please feel free to ask any questions and I promise I won’t send you another equally long email 🙂 Again, feel free to write about any and all of this.

Best of luck in your travels! 🙂

Infinite Bliss!

Ikigai

Excerpt from Awakening Your Ikigai: How the Japanese wake up to joy and purpose every day (2017) by Ken Mogi (pgs. 67-73, 79-81)

NOTE TO THE READER

The Five Pillars of Ikigai

Throughout this book, I refer to the Five Pillars of ikigai. They are:

  • Pillar 1: Starting small
  • Pillar 2: Releasing yourself
  • Pillar 3: Harmony and sustainability
  • Pillar 4: The joy of small things
  • Pillar 5: Being in the here and now

These pillars come up frequently, because each one provides the supportive framework—the very foundations—that allows ikigai to flourish. They are not mutually exclusive or exhaustive, nor do they have a particular order or hierarchy. But they are vital to our understanding of ikigai, and will provide guidance as you digest what you read in the forthcoming pages and reflect on your own life. Each time they will come back to you with a renewed and deepened sense of significance.

I hope you enjoy this journey of exploration.


CHAPTER 4: The sensory beauty of ikigai

A starry bowl in good condition, if put in an auction, would fetch millions of dollars. Of the ones that remain, the Inaba starry bowl (inaba tenmoku) is regarded as the finest of the three. It was handed down from the Tokugawa Shogunate to the house of Inaba, and would fetch tens of millions of dollars if put on the market today.

Koyata Iwasaki, the fourth president of Mitsubishi Conglomerate, and one of the richest men in modern Japan, became the owner of that particular bowl in 1934. However, considering himself unworthy of it, Iwasaki never used it at his tea ceremonies.

The Japanese certainly make a fuss of pretty bowls. After all, a bowl is just a bowl, and its function is to contain liquid.

In terms of that capacity, it is no different from any ordinary bowl in the market. And while the enthusiasm surrounding these receptacles would surely find parallels in other cultures, one feels that there is something unique in the Japanese culture that makes the passion for them quite extraordinary. Where does this kind of sensory enthusiasm come from?

In Chapter 1, we referred to this lexical hypothesis, which states that expressions for important personalty traits in life gradually and eventually come to constitute a part of everyday language, as is the case with ikigai. There is another interesting aspect of the Japanese language, worth focusing on and particularly pertinent here.

In Japanese, a dog barks wan wan, while a cat goes nya nya. In English, they go bowwow and meow respectively. Every language has its share of such onomatopoeic expressions, but it is generally considered that the Japanese language has an inordinately abundant variety of them.

They are sometimes referred to as Japanese sound symbolism, and they are often made up of the same word said twice.

For example, bura bura means a nonchalant, carefree way of walking, while teka teka describes a shiny surface. Kira kira refers to the glittering of light, whereas gira gira refers to a more intense, almost blinding source of light, such as the headlight of a motorbike at night. Ton ton refers to a light tapping sound, whereas don don refers to a heavy, thudding one. A dictionary of onomatopoeia edited by Masahiro Ono lists 4,500 instances of sound symbolism.

With the growing popularity of Japanese manga and anime, an increasing number of people around the world are interested in Japanese sound symbolism, as many of the expressions are frequently used in popular manga and anime works. However, Japanese onomatopoeia is difficult to master, partly because of the subtlety in the way it is used and partly because there is so much of it. Unlike in some cultures, the Japanese continue to use sound symbolism in their adult life, as well as in childhood. Indeed, it is not uncommon for the Japanese to use sound symbolism when discussing things in a professional context. Such a perception structure has certainly developed more in some fields of industry than others, for example, in gastronomy. You can imagine sushi chefs such as Jiro Ono and experienced fish brokers such as Hiroki Fujita using onomatopoeia in their conversation, because sound symbolism is often used to describe the texture and flavor of food. Similarly, you can be sure samurai warriors used onomatopoeia to discuss the quality of swords, from the glitter to the texture of the blade surface. Manga artists make frequent use of it, too, using words such as ton ton and don don to reflect the subtle nuances of the actions of their characters.

The fact that there is so much sound symbolism in the Japanese language implies, according to the lexical hypothesis, that there is a correlation between it and the way in which the Japanese perceive the world. The Japanese seem to distinguish between many different nuances of experience, paying attention to the plethora of sensory qualities. The proliferation of onomatopoeia reflects the importance of detailed sensory nuances in the life of the Japanese.

Such attention to detail has nurtured a culture in which craftspeople continue to receive respect in an era where waves of innovation promise to change our lives.

Japan continues to have a large number of traditional products made by craftspeople. Craftspeople, although no outspoken or flamboyant, are held in high esteem and play pivotal roles in Japanese society. Often, their lives are regarded as the embodiment of ikigai—lives devoted to creating just one thing properly, however small.

The work of craftspeople is often very labor-intensive and time-consuming. As a result, the product tends to be highly refined and of excellent quality. Japanese consumers recognize that time and effort has gone into the creation of these goods and appreciate the quality, in such diverse areas as the crafting of knives, swords, blades, ceramics, lacquerware, washi paper, and of weaving.

The ethics and work of craftspeople continue to have an impact on a wide range of economic activities. Similarly, the Japanese understanding and handling of the great variety of sensory qualities have led to correspondingly fine artisanship and manufacturing techniques.

Although Japanese companies have been losing out for many years in the field of consumer electronics, one area in which the Japanese are still preeminent is the manufacturing of intricate instruments such as medical cameras. High-end precision engineering and commitment to perfection makes Japanese medical cameras among the best in the world. Likewise, in the case of semiconductor devices, Japanese manufacturers have the advantage, the accumulation of knowhow and carefully coordinated operations being a must for efficient and high quality production.

Paying attention to the multitude of sensory experiences is necessary to execute the finely tuned operations supporting craftsmanship and high-tech manufacturing. As with craftsmanship, these cognitive capabilities are reflected in the linguistic make-up of the language. The richness of the Japanese language as regards onomatopoeia reflects such fine-tuned sensibilities.

***

As we will see in Chapter 8, in the Japanese mind, each sensory quality is equivalent to a god [emphasis mine]. The Japanese tend to believe that there is an infinite depth to the nuances displayed by the multitudes of colors in nature and artifacts, just as the story of God creating the whole universe is deep.

[…]

The Cambridge-based neuroscientist Nicholas Humphrey, who discussed the functional significance of consciousness in his book Soul Dust: The Magic of Consciousness, argues that consciousness is functionally significant because it gives us sensory pleasure—a reason to carry on with life. Humphrey takes up the extraordinary example of the ritual prisoners’ last breakfast before their execution in the United States. The prisoners have the final privilege of choosing their own personal menu. Humphrey quotes the prisoner’s last menu as posted on the Texas Department of Criminal Justice website. One inmate might select fried fish fillet, French fries, orange juice, and German chocolate cake, another might go for a plate of chicken katsu. The point is that they give considerable thought to the very last meal of their life, a testimony of the importance of the sensory pleasures we derive from our food. It can be said to be an ultimate form of being in the here and now. It is almost as though finding ikigai in a given environment could be regarded as a form of biological adaptation. You could find your ikigai in a wide range of conditions, and the key to that resilience is sensory pleasure.

In the contemporary science of consciousness, sensory qualities that accompany an experience, including those in culinary consumption, are called “qualia”. The term refers to the phenomenological properties of sensory experience: the redness of red, the fragrance of a rose, or the coolness of water are all examples of qualia. How qualia arise from the activities of neurons in the brain is the greatest unsolved mystery in neuroscience, or, indeed, in the whole of science [emphasis mine]. Nothing turns us on like a great mystery. If you put a strawberry in your mouth (it does not have to be one of the expensive perfect fruits sold at Sembikiya), you have a certain spectrum of qualia, which would presumably give you pleasure. And the pleasure is equal to the mystery of life.

Earlier, we drew our attention to the fact that there are many examples of onomatopoeia (sound symbolism) in the Japanese language. Onomatopoeia, after all, is just representation of various qualia encountered in life.

There is a deep link here. In a mysterious way, releasing oneself is linked to the discovery of the sensory pleasures. The Japanese culture, with its abundance of onomatopoeia, has cultivated this linkage, nurturing a very robust system of ikigai in its course. By relieving ourselves of the burden of the self, we can open up to the infinite universe of sensory pleasure. 


See also:


Key quote from his manifesto:

The elucidation of the origin of qualia-rich subjectivity is important not only as an activity in the natural sciences, but also as a foundation and the ultimate justification of the whole world of the liberal arts. Bridging the gap between the two cultures (C. P. Snow) is made possible only through a clear understanding of the origin of qualia and subjectivity.


Qualia symbolize the essential intellectual challenge for humanity in the future. The impact of its elucidation will not be limited to the natural sciences. The liberal arts, religion, and the very concept of what a man is will be reassessed from their very foundations.


– Ken Mogi in The Qualia Manifesto (1998)

Gaze upon the vast landscape of unexplored qualia – delight in the treasures and hidden gems waiting to be found in the state-space of consciousness.

Healing Trauma with Neural Annealing

The folks at QRI have recently given a string of presentations. Before I jump to the main topic of this article, I will briefly mention a few of these presentations that are likely to be of interest to the reader. Quintin Frerichs recently presented about Neural Annealing at the Wellcome Center for Human Neuroimaging at UCL. I recently presented about Mapping the Heaven Realms at the SSC/ACX online meetup organized by Joshua Fox. Also, a few weeks ago I participated in the U.S. Transhumanist Party Virtual Enlightenment Salon (the live conversation was so engaging we ended up talking for four hours). And finally, as the main topic of this article, the talk I gave at the Oxford Psychedelic Society on May 6th, 2021:

Healing Trauma with Neural Annealing: Is Annealing the Key Condition for Successful Psychedelic Psychotherapy?

Abstract of the Talk:

Mystical-type experiences mediate the therapeutic benefit of psychedelic-assisted psychotherapy (Griffiths, 2016; Ross, 2016; Yaden, 2020). In this talk we will explore why this may be the case and how we might improve this effect. On the one hand we can interpret the effect of mystical-type experiences through the lens of belief and attitude change (Carhart-Harris and K. J. Friston, 2019). But beliefs that are not deeply felt are unlikely to have much of an effect. Why would mystical-type experiences in particular cause deeply felt belief changes? On the other hand, one can interpret the effect of these experiences to be healing at a low-level: they allow the reconfiguration of the microstructure of our experience in beneficial ways. The first lens suggests that these experiences change what we believe and think about, whereas the second lens suggests that the experiences change how we feel. In this talk we will unify these two lenses and argue that neural annealing (Johnson, 2019) underlies high-level changes in beliefs and attitudes as well as low-level microstructural healing of internal representations. This paradigm ties together the puzzling effects of mystical-type experiences by interpreting them as uniquely strong versions of neural annealing. We suggest that traumatic memories are indeed implemented with low-level microstructural dissonance in the internal representations (Gomez-Emilsson, 2017). Not only are they about something bad, they also feel bad. In turn, neural annealing targeted towards these internal representations can heal and transform them from dissonance-producing to consonance-producing. More so, neural annealing also enhances the information propagation fidelity of the nervous system, allowing the healed representations to update the state of the rest of the nervous system. This insight, along with careful study of annealing dynamics under psychedelics, can allow us to target the annealing process in order to heal these internal representations more effectively. We conclude with empirical predictions for what to look for in order to identify the signatures of successful neural annealing under psychedelics and suggest methods to piggyback on the natural well-trodden paths of beneficial annealing (e.g. meditation, yoga, music, creativity) to optimize such experiences.


Why This Is Important

There are two main reasons I think sharing this work as soon as possible with the world is very beneficial. The first is that it genuinely advances a new model for how to optimize psychedelic therapy. In particular, I think that being aware of this model can be very useful for people who intend to self-medicate with psychedelics. Although there is a vast literature for psychedelic psychotherapy, it is largely laced with metaphysical views, implicit background philosophical assumptions incompatible with science, and in my view, questionable ethics.

The second point is that this model can be used as an antidote to psychedelic brainwashing. If a friend of yours has been taking a lot of psychedelics (with or without a shaman) and now has a web of unfalsifiable beliefs that do not seem to help them, this presentation might work to help them understand what is going on in their mind. Additionally, once you understand how psychedelic annealing works, you can anticipate irrational belief changes based on the texture of the experience and proactively prevent them. Indeed, being showered with bliss consciousness by a DMT entity might be healing to your nervous system, but alas, it also anneals in you a conviction in the independent existence of such entities. With this presentation, the hope is that you can keep the healing while discarding the irrational beliefs (because you will now be able to see how they are implemented!). If we want to indeed create a truth-seeking psychonaut shanga (aka. a Super-Shulgin Academy) we *have to* have an adequate model of how exotic states of consciousness modify one’s belief networks. The penalty of not modeling this accurately leads to the loss of one’s critical faculties. I have seen it happen (see Appendix A & B), and I am not impressed. We can do better.

Without further ado, here is the video:

And here are the slides (with some light comments along the way on the topics that have not been previously discussed):


Many thanks to the Oxford Psychedelic Society for the invitation to give this talk. 🙂

Model (1) has the problem that the researchers themselves are not exposed to the exotic states of consciousness, and as such, what they write and theorize about comes from second-hand accounts. More so, the bulk of the direct phenomenological information the participants gain access to is generally discarded as it goes through the low-dimensional information filters of standardized questionnaires. There is no real buildup of phenomenological information or an effort to integrate it across participants (participants don’t generally talk to each other). The model does excel at generating copious high-quality neuroimaging data.

Model (2) suffers from the problem that the idiosyncratic beliefs of the psychonaut tend to “anneal more deeply” (see the next slide for a more through description of this) with each trip. Unless they were to focus on the phenomenal character of the experience rather than the intentional content, what tends to happen is that specific high-level beliefs become energy sinks and they dominate the exploration. Recall how DMT’s world-sheet “crystallizes” around objects and ideas you can recognize. Thus, as you take psychedelics over and over, the realms of experience one goes to will tend to follow recurring themes along the lines of what the most successful energy sinks from previous experiences have been. The explorer usually does not develop technical models of the phenomenological effects, but rather, tends to focus on the metaphysical or philosophical implications of the experiences.

Model (3) is like that of a think tank. Ever since writing articles like How to Secretly Communicate with People on LSD, we have received a lot of correspondence from pretty smart people who enjoy exploring exotic states of consciousness. The multi-year dialogue between us and them and each other has resulted in a lot of generative model building for which we can then get feedback. Grounded in common background philosophical assumptions and a drive towards phenomenological accuracy, the type of output of this model tends to look much more like The Hyperbolic Geometry of DMT Experiences than either a neuroscience paper (model 1) or a book about the Earth Coincidence Control Office (model 2).

Which of these information-processing architectures would you use if you were trying to figure out the truth of how psychedelics work? If they were diagrams for a neural network architecture, which one do you think would model and integrate information most effectively? Ultimately, we should think of these models as complementary. But since model 3 is novel and largely unexplored, it might be sensible to pay attention to what it outputs.

(H/T Quintin Frerichs for this slide)

This slides illustrates the sort of topics and problems that a “Good Annealing Manual” would need to cover. As an integrated “energy management” strategy, such a manual would describe how to raise energy, how to dampen it, how to translate it from one domain into another, how to stabilize a state, how to get knocked out of an unhelpful limit cycle, and so on.

(H/T Quintin Frerichs for this slide)

Note: I should have cited Michael Schartner’s work (and more generally the work coming out of Anil Seth‘s lab which applies the predictive processing paradigm and neural network feature visualization to model the effects of psychedelics). Apologies for this omission. Importantly, all of that work (in addition to REBUS and SEBUS) lives at the computational level of analysis. What QRI is bringing into the picture is how the implementation level based on principles of harmonic resonance and the Symmetry Theory of Valence underlie predictive processing. More on this below.

One of the interesting ideas of Steven Lehar is applying the duality between standing wave patterns and resonant modes of objects to the brain. A lot of psychedelic phenomenology suggests that there is a duality between the vibe of the state and the geometric layout of the multi-modal hallucinations. In other words, each phenomenal object has a corresponding way of vibrating, and this is experienced as a holistic signature of such objects. (cf. Resonance and vibration of [phenomenal] objects). (See also: Hearing the shape of a drum).

In the context of this presentation, the most important idea of this slide is that the duality between standing wave patterns and the vibe of the experience showcases how symmetry and valence are related. Blissful “heavenly realms” on DMT are constructed in ways where the resonance of the phenomenal objects with each other is consonant and their structure is symmetrical. Likewise, the screechy and painful quality of the DMT “hell realms” comes along with asymmetries, discontinuities, and missing components in the phenomenal objects that make up experiences. The overall vibe of the space is the result of the intrinsic vibratory modes of each phenomenal object in addition to each of the possible interactions between them (weighted by their phenomenal distance). An analogy readily comes to mind of an orchestra and the challenges that come with making it sound consonant.

From Mike’s Why we seek out pleasure:

A good algorithmic theory of cognition will collect, unify, and simplify a lot of things that look like odd psychological quirks, and recast them as deeply intertwined with, and naturally arising out of, how our brains process information. I’m optimistic that Symmetry Theory will be able to do just this- e.g.,

* Cognitive dissonance happens when two (or more) patterns in your head are battling for your neural real estate, and they’re incompatible– i.e., they’re collectively dissonant/asymmetrical.

* Denial is what happens when your brain attempts to isolate/quarantine such patterns, and is actively working to prevent this tug-of-war for neurons.

This model implies that your brain can evaluate the “internal consistency/harmony” of a neural pattern, and reject it if there’s a negative result- and also the “simulated relative compatibility/harmony” of two neural patterns, and try to keep them isolated if there’s a negative result. I’d suggest the best way to understand this is in terms of projective geometry, resonance, and symmetry: i.e., to evaluate a pattern’s “internal harmony” and whether it ‘runs well (is stable) on existing hardware’, the brain uses principles of resonance to apply certain geometric projections (high-dimensional-to-lower-dimensional transformations) to the pattern to see if the result is stable (unchanged, or predictably oscillating, or still strongly resonant) under these transforms. Stable patterns are allocated territory; unstable ones (=dangerous neural code) are not. The internal mechanics of this will vary across brain areas (based on the specific resonance profile of each area) and emotional states, which might contribute to how certain types of information tend to end up in certain brain regions. Likewise, this could explain how moods coordinate information processing– by changing the resonance landscape in the brain, thus preferentially selecting for certain classes of patterns over others. A core implication of this model is that different kinds of dissonance will drive different kinds of behavior (feel like different kinds of imperatives), and based on what action is needed, a mood may create (or be the creation of) a certain kind of dissonance.


Why we seek out pleasure: the Symmetry Theory of Homeostatic Regulation, Michael Johnson (2017)

Now applying annealing to the above, we hypothesize that: (1) On the one hand, at the implementation level neural annealing works as a method to reduce dissonance by escaping local minima. (2) On the other hand, at the computational level simulated annealing can be used as a method to reduce prediction errors (cf. message passing and belief propagation). We hypothesize that there is a kind of duality between these two levels of abstraction. We are very interested in cleanly formalizing it so it can be empirically tested. But the facts seem to suggest that there is something here. What this duality says is that for any transformation that you do to the resonance network there will be a corresponding effect on the belief network and vice versa. For example, in this light, you will always find that denial or cognitive dissonance will come along with the phenomenology of “resistance” in one of its many guises (such as muscle tension, feelings of viscosity, or hardness). If you can address the muscle tension directly with progressive relaxation (or yoga, massage, etc.) you will also be implicitly addressing the integration of information into your world-model. At the same time, you may use specific beliefs in order to relax specific muscles, and some aspects of meditation may involve doing this to an extent (e.g. “now is all there is” and “the self is illusory” are beliefs that would seem to result in particular patterns of mental and physical relaxation).

We might succinctly explain how a resonance network trying to minimize dissonance could implement the free energy principle. Namely, we could maximize “accuracy – complexity” in the following way: If complex models require complex networks of resonance to be implemented, then there might be an inherent dissonance cost to complexity. More symmetrical configurations lower this cost, which makes more compact and coherent models preferable. At the same time, to take care of the accuracy, prediction errors themselves might be implemented with dissonance (e.g. via out-of-phase communication between layers of the hierarchy). Together, these two effects favor both accurate and simple models.

An interesting contrast that illustrates this duality between the computational and implementational level of abstraction is that between the effects of DMT and 5-MeO-DMT. Particularly, DMT seems to give rise to the chaotic generation of information and this can be seen in something as simple as the style of the tracer effects it induces (richly-colored flip-flopping between positive and negative afterimages). 5-MeO-DMT’s tracer effects are generally monochromatic and the same color as that of the input. (See: Modeling Psychedelic Tracers with QRI’s Psychophysics Toolkit: The Tracer Replication Tool).

We hypothesize that DMT’s effects at the implementation level can be understood as the result of competing clusters of coherence across the hierarchy, whereas the main attractors of 5-MeO-DMT seem to involve global coherence. Modulating the average synaptic path length in a system of coupled oscillators can give rise to this sort of effect. By randomly adding connections to a network of coupled oscillators one first sees an emergent state of many competing patches of synchrony, and then, after a threshold is crossed, one starts seeing global synchrony emerge. Despite both drugs making the brain “more interconnected”, the slight difference in just how interconnected it makes it, may be the difference between the colorful chaos of DMT and the peaceful nothingness of 5-MeO-DMT.

The competing clusters of coherence across the hierarchy can evolve to adapt to each other. The DMT realm is more of an ecosystem than it is a state per se (ex: Hyperspace Lexicon). And due to the duality between dissonance minimization and prediction error minimization, avoiding updating one’s belief in the direction of these realms being real causes intense cognitive dissonance. Some level of belief updating to fit the content of the hallucinations might be very difficult to resist. Indeed, the forced coherence across the layers of the hierarchy would be bypassing one’s normal ability to resist information coming from the lower layers.

On peak experiences such as those induced by 5-MeO-DMT, global coherence will generally have the effect of dissolving internal boundaries. In turn, due to the duality proposed, belief updating in the direction of extreme simplicity is very difficult to resist. Global annealing without sensorial chaos results in the minimization of model complexity; high accuracy is taken care of thanks to the low information content of the state. As a consequence, one experiences very high-valence, high-energy, high-symmetry states of consciousness that come along with belief updating towards ideas with close to zero information content.

The high-valence nature of the state can be very useful to heal dissonance in the network, so therapeutic benefits seem very promising (notwithstanding the somewhat forced belief updates the state induces).

Unfortunately a nearby attractor of the globally coherent states is when there are two incompatible coherent states competing with one another. This can result in extremely negative valence and belief updating in the direction of “everything being bad”.

We now see how the typical belief changes caused by these two drugs have a dual counterpart in how they feel. I am of the opinion that a commitment towards truth and careful attention to one’s state of mind can prevent (or at least substantially lessen) the epistemological failure modes of these drugs. But since this kind of model is not known by the general population, for most people these drugs do tend to act as “epistemological hand grenades”.

See Appendix A & B at the bottom of this article for examples of each of these failure modes.

Now on to the therapeutic applications: practicing loving-kindness meditation consistently for weeks before a trip seems to substantially change its phenomenal character. It feels that metta practice over time anneals a consonant metronome which can become massively amplified during a psychedelic experience. In turn, a brightly shinning metta metronome emits “healing waves of energy” within one’s world-simulation (I know how crazy this sounds!), which impact the contents of one’s subconscious in ways that reduces their internal dissonance.

Similar benefits can be obtained from other meditation practices, as long as their emphasis is on high-valence and coherent states of mind. See also: Buddhist Annealing (video).

Importantly, you can “work smart” if you manage to use the seeds of consonance as the nucleation sources for alignment cascades. This can heal at a very deep level, and it is what people are talking about when they say things like “all is love”.

A secular Good Annealing Manual would ideally have very detailed information for how to move around in the state-space of consciousness.

Apparently, equanimity is also highly beneficial during psychedelic experiences. But rather than merely repeating the mantras that everyone in the psychedelic community chants (“just let go”, “surrender”, “accept”), we can use a More Dakka approach and aim to maximize equanimity rather than merely invoking it. Taking psilocybin during a meditation retreat in which you do a lot of equanimity exercises will allow you to “let go” with much greater skill than what you could do in normal everyday life. As a result, one is able to “learn one’s lessons” with much greater ease and a lot less resistance. This, I think, is generally good. After all, the point is not to punish oneself, but to learn from one’s mistakes.

In turn, Shinzen Young says that experiencing pleasure with equanimity is very healing. By not grasping, one is letting the consonant waves propagate freely throughout one’s nervous system, which results in positive annealing. So a possible therapeutic modality might be to combine peak states together with high levels of equanimity. If we want to bump the therapeutic effect sizes of psychedelic psychotherapy, this is the sort of thing I consider to be very promising.

I conclude by providing some annealing targets that are generically good for one’s mental health. Practice them consistently before a psychedelic experience so that they can be the nucleation points of sane and hedonically beneficial psychedelic annealing. Being bathed by love is good. Being bathed by love and equanimity at the same time is even better. Being bathed by love and all Seven Factors of Awakening at the same time might be still even better. The ceiling of wholesome happiness is not currently known by science. It is probably much higher than we can imagine.

If you found this talk inspiring, generative, or clarifying for your own work, please cite it! If you want to see more work like this and help us transform the alchemy of consciousness into a chemistry of the mind, please consider donating to QRI. Every dollar takes us closer to being able to empirically test these models and use them to develop technology to alleviate suffering in bulk.

Thank you!!!


Appendix A: What Happens When You Take Too Much DMT – What Does Overfitting Look Like?

  • A case study of a psychiatrist case who self-medicated his depression with a regiment of 1g of DMT (along with MAOIs) and 4mg of clonazepam a day:
    • “On arrival, the patient was nonverbal, combative, and required six security guards to restrain him. When less restrictive measures failed, he was given propofol 1,000 mg IV, ketamine 500 mg IM, midazolam 5 mg IV, diazepam 20 mg IV, and fentanyl 4 mg IV with minimal effect.”
    • “Psychiatry was consulted after the patient’s delirium resolved and he was medically stabilized as he exhibited symptoms of mania and psychosis. He was pressured in his speech, hyperreligious, and delusional. He believed that demons were leeching into his soul and asked the medical staff for an exorcism. It was recommended that the patient be admitted to the behavioral health unit for mood stabilization.”
  • How can I help my friend understand that what he is seeing is a side effect of smoking DMT on a daily basis? (from Quora – note: it is impossible for me to verify the accuracy of this report). From the comment thread:
    • “He has been smoking it every day and night for the past 3 months that I know of. He sees these little beings everywhere and says they are trying to destroy his house pushing it over. He also says they spray mace and fairy dust and little balls in his face and other peoples too. He doesn’t believe that nobody else sees this happening, he says we have all been compromised and can’t be trusted. I’m worried about him and also his girlfriend that has to deal with him and he’s delusional. His daughter is scared to come home, his parents want to have him committed, and he doesn’t believe it has anything to do with dmt! He absolutely believes it is real.”
    • “He is always under the influence of DMT, he smokes it all day every day. He says it no longer makes him hallucinate like when he first tried it, now it just takes away pain . NOT TRUE!! it’s like now he believes that this altered state of mind is reality and he’s losing everything. He is even destroying his own house to get them out from behind the walls.the other night he stood up and started stabbing his ceiling saying he was going to get them. It’s very disturbing to see him like this.”
    • “He’s doing about the same. Last time I went to see him he was showing me how the moon was following him into his back yard and then back to the front yard . He also sees a bunch of drones in the sky that I can’t see. He still doesn’t believe that we can’t see the walls and countertops moving, or feel the fairy dust being sprayed in our faces.”
  • The YouTube channel C.U.E. COMPREHENSIVELY UNCOVERING EVIDENCE seems to exemplify quite accurately what DMT-induced overfitting looks like (e.g. see his DMT-informed numerological musings)
  • Reddit user ClockJoule: see an interview with him about his daily DMT use and the beliefs that he developed as a consequence: Magic Mushroom Cloud – THE MAN WHO SMOKED DMT FOR 120 DAYS STRAIGHT.
  • [Report(s)] A warning to my fellow psychonauts regarding hyperspace entities (wall of text alert!) – excerpt:
    • “It all culminated in one long, elaborate, and highly dramatic visionary experience in which I was essentially ‘recruited,’ initiated in some grand ceremony alongside a large group of others presumably in my same situation (which may have just been “actors” ). It was all part of some kind of vast organization, which could best be described as ‘universal consciousness transcendental cosmic hippie space religion.’ [Read Lehar’s warning against believing what the DMT entities tell you]. It all had a very attractive but vaguely cult-like Scientology kind of feel to it. They even had their own music (which was actually pretty cool; see my comments on “the director” in part 4 for more details), propaganda, regular meetings and rituals, the whole works. They even seemed to revere a deity of some sort, their version of The Source (more detail on that in part 5), but this whole experience was so full of illusion and misdirection that I have no idea what their ‘deity’ really was, nor their true relation to it.”
    • “I’ve gone on way to long already and need to start wrapping things up here, but long story short, in light of their new demands of allegiance, and through a separate series of bizarre synchronicities in ‘real life’ (what that means to me now, I have no idea) that I still can’t quite explain, I began to have some serious doubts and questions that needed answers. As I reflected on all that they had taught me, I began to realize that there were some major gaps in my knowledge, and that I had unwittingly filled in a lot of the blanks with my own speculation while assuming the picture I was being given was much more complete than it actually was. To summarize, over a series of increasingly confrontational and unpleasant experiences, I became less and less satisfied with their vague and evasive answers to my direct (and I think perfectly reasonable) questions, and we had something of a falling out, to put it very mildly. They eventually dropped all pretenses and flat-out turned on me, beginning a long period of harsh punishment.”
    • “The results weren’t pretty. Their facade began to crumble as I saw through more and more of what I now recognized as deceptive illusions. What truly lay behind it was hideous, repulsive, monstrously evil, relentlessly manipulative, filled with petty malicious intent, and not nearly as righteous, enlightened, or omnipotent as they pretended to be. I’m actually still pretty uncomfortable with going into detail regarding what followed, but suffice it to say that I’ve basically been to hell and back. They did everything they could to ‘punish’ me, and some of the things they came up with were uniquely and creatively traumatic. If they had put half as much effort and sophistication into ‘teaching’ me as they did into attacking and tormenting me, I probably would still be happily and obliviously under their control today, a fresh new convert of their admittedly impressive sci-fi space religion.”
    • “It took all the willpower I had just to stay focused and not become a completely broken wreck through all of this. Most of the ‘abilities’ I had acquired under their guidance gradually faded away over the course of a few weeks, with the exception of a number of lucid dream skills that I had picked up along the way. As I began to approach something resembling recovery, all kinds of memories and perspective started coming back to me that I had lost along the way (which may have been intentionally withheld from me). I felt like a toxic fog had been lifted from me, and everything looked so different now. I looked back on the last couple years of my life, especially the preceding four months or so, and was shocked to find that it wasn’t what I thought it was.”
    • “I had seen some mind-blowingly incredible things and progressed in so many ways in what I thought represented cognitive and spiritual development, but the consequences were now apparent. Without realizing it, my personality had changed so much, and not for the better. I had alienated myself from many of my close friends, my romantic relationship had suffered, I had been much more depressed than I wanted to admit, and I had spent way too much of my free time alone and in the dark, becoming obsessed with progressively darker and weirder esoteric knowledge. I had been able to maintain a token amount of social interaction, just enough to convince myself I was still ‘normal,’ but it frequently left me feeling drained, and bored with the mere ‘meat puppets’ in this material plane who were but a pale reflection of what existed beyond it.”

Appendix B: What Happens When You Take Too Much 5-MeO-DMT – What Does Underfitting Look Like?

While I agree that oneness is really important (and indeed I have written extensively about philosophy of personal identity and I generally advocate for Open Individualism), I do not think that realizing we are God is going to solve everything. In particular, we still need ruthlessly pragmatic solutions to the problem of intense suffering.

Insofar as non-duality is used as a mood-enhancer, it seems to be unreliable. Oneness can lead to bad trips of loneliness, a fact that tends to be brushed off by its advocates. My assessment is that this effect is the result of negative valence rather than an inherent effect of the concept (or truth?) of oneness. Shaman Oak‘s Bad LSD Experience – NIRVANA SUCKS video is a rather typical version of this effect and it highlights its true underlying cause: since he took the LSD during a comedown from cocaine, his entire trip was colored by the negative valence of that state. The world “felt inherently lonely” because it had depression qualia all over it. Amplified and magnified through the kaleidoscopic funhouse of LSD’s annealing dynamics, such a feeling of loneliness can look universal and omniprevalent “no matter how you look at it”. But if you were to replace that feeling with something blissful, then the concept of oneness would be experienced as wonderful and enlightening. It is always important to remember the Tyranny of the Intentional Object: ideas and beliefs seem to us as having inherent goodness or badness, but how this is implemented under the surface relies on hedonic tone/valence “painting” those ideas. As David Pearce likes to say, “take care of happiness and the meaning of life will take care of itself”.

Counterexamples: We do know a number of people who have used these compounds extensively and who do not seem to exhibit noticeable underfitting or overfitting. In particular, we have interviewed someone who took 5-MeO-DMT in high doses everyday for six months and who does not seem to suffer from any serious epistemological issues (they contacted me because they had read my analysis of Gura’s month-long experiment and wanted to share their even more extreme experience). The same person has extensive experience (including daily use for months) with DMT, Salvia, DPT and their combinations. They can still hold a technically demanding job and sustain a family despite this. Needless to say, such a level of psychological robustness is exceedingly rare.

Appendix C: The Abstract of the Other Talks

DMTX as a 21st Century Mystery School

A talk by Carl Hayden Smith

This talk will focus on the prospects of being one of the first participants in the world to try DMTX (X=Extended) at Imperial College London (ICL). After being part of the DMT phase 1 and phase 2 trials (over the last 5 years) this research now moves into a whole new level of immersion. During this experiment the peak of the DMT state will be extended thanks to a continuous intravenous drip feeding of the entheogen. This arguably turns this ancient medicine into a new form of technology. Early findings of the research from Chris Timmerman (ICL) suggests that nnDMT produces the same brain signature as the dreaming state. During the extended state we may be better able to explore the hypothesis from Andrew Gallimore that nnDMT actually opens up an entirely novel, orthogonal reality.

The DMTX experiment potentially means that nnDMT could become the base layer of our subjective reality, being combined, exponentially, with everything in life. What are the implications of this? Is there a danger that the psychedelic state is being overly romanticised and that DMTX could be regarded as a new form of bio chemical VR? How will DMTX help with the integration problem? Maybe the problem of bringing our insight back from the liminal space isn’t that these experiences defy verbalization, but that our languages are not yet sufficient enough to describe these experiences.

Increased cortical signal diversity during psychedelic states and visually realistic neural network models of hallucinations

A talk by Michael Schartner

Global states of consciousness – such as general anaesthesia or REM sleep – can be characterised by metrics of signal diversity, showing that diverse cortical activity is a hallmark of consciousness. We found that signal diversity is elevated in classical psychedelic states, possibly explained by a larger repertoire of brain states – which would be in line with reports about openness, novel associations and levelled salience of all experiences during psychedelic states. This coarse description of the brain as a dynamical system with various degrees of diversity in activity is only one dimension to characterise such global states of consciousness. Neural network models of visual perception and its pharmacological perturbation may provide a more mechanistic model, showing how the balanced integration of prior and sensory information into conscious perception is regulated by serotonin.


Note: I am still open to e.g. the external reality of DMT beings. I find it unlikely, but evidence could convince me otherwise. We are not dogmatic about the models we present. Rather, they simply are the current “best fit” for the available evidence in conjunction with parsimony considerations (yes, we could even say that this model is what minimizes our free energy!). Cheers!


References (abstract & talk; Chicago Style):

Atasoy, S., Donnelly, I. and Pearson, J. (2016). Human brain networks function in connectome-specific harmonic waves. Nat Commun 7, 10340. https://doi.org/10.1038/ncomms10340

Atasoy, S., Roseman, L., Kaelen, M. et al. (2017). Connectome-harmonic decomposition of human brain activity reveals dynamical repertoire re-organization under LSD. Sci Rep 7, 17661. https://doi.org/10.1038/s41598-017-17546-0

Carhart-Harris, R. L. (2018). The entropic brain -revisited. Neuropharmacology142, 167–178. doi:10.1016/j.neuropharm.2018.03.010.

Carhart-Harris, R. L., and Friston, K. J. (2019). REBUS and the Anarchic Brain: Toward a Unified Model of the Brain Action of Psychedelics. Pharmacol. Rev.71, 316–344. doi:10.1124/pr.118.017160.

Gomez-Emilsson, A. (2017). Quantifying Bliss. https://qualiacomputing.com/2017/06/18/quantifying-bliss-talk-summary/ [Accessed April 30, 2021].

Gomez-Emilsson, A. (2020). Modeling Psychedelic Tracers with QRI’s Psychophysics Toolkit: The Tracer Replication Tool. Qualia Computing. https://qualiacomputing.com/2020/10/09/modeling-psychedelic-tracers-with-qris-psychophysics-toolkit-the-tracer-replication-tool/

Gomez-Emilsson, A. (2020). 5-MeO-DMT vs. N,N-DMT: The 9 Lenses. https://qualiacomputing.com/2020/07/01/5-meo-dmt-vs-nn-dmt-the-9-lenses/ [Accessed April 30, 2021].

Griffiths, R. R., Johnson, M. W., Carducci, M. A., Umbricht, A., Richards, W. A., Richards, B. D., Cosimano, M. P., and Klinedinst, M. A. (2016). Psilocybin produces substantial and sustained decreases in depression and anxiety in patients with life-threatening cancer: A randomized double-blind trial. Journal of psychopharmacology (Oxford, England)30(12), 1181–1197. https://doi.org/10.1177/0269881116675513

Johnson, M. E. (2016). Principia Qualia. https://opentheory.net/PrincipiaQualia.pdf [Accessed April 30, 2021].

Johnson, M. E. (2017). Why we seek out pleasure: the Symmetry Theory of Homeostatic Regulation https://opentheory.net/2017/05/why-we-seek-out-pleasure-the-symmetry-theory-of-homeostatic-regulation [Accessed April 30, 2021].

Johnson, M. E. (2019). Neural Annealing: Toward a Neural Theory of Everything. https://opentheory.net/2019/11/neural-annealing-toward-a-neural-theory-of-everything/ [Accessed April 30, 2021].

Lehar, S. (1999). Harmonic Resonance Theory: An Alternative to the “Neuron Doctrine” Paradigm of Neurocomputation to Address Gestalt properties of perception. http://slehar.com/wwwRel/webstuff/hr1/hr1.html [Accessed April 30, 2021].

Luppi, A. I., Vohryzek, J., Kringelbach, M. L., Mediano, P. A. M., Craig, M. M., Adapa, R., Carhart-Harris, R. L., Roseman, L., Pappas, I., Finoia, P., Williams, G. B., Allanson, J., Pickard, J. D., Menon, D. K., Atasoy, S., & Stamatakis, E. A. (2020). Connectome Harmonic Decomposition of Human Brain Dynamics Reveals a Landscape of Consciousness [Preprint]. Neuroscience. https://doi.org/10.1101/2020.08.10.244459

Ross, S., Bossis, A., Guss, J., Agin-Liebes, G., Malone, T., Cohen, B., Mennenga, S. E., Belser, A., Kalliontzi, K., Babb, J., Su, Z., Corby, P., & Schmidt, B. L. (2016). Rapid and sustained symptom reduction following psilocybin treatment for anxiety and depression in patients with life-threatening cancer: a randomized controlled trial. Journal of psychopharmacology (Oxford, England)30(12), 1165–1180. https://doi.org/10.1177/0269881116675512

Safron, A. (2020). “Strengthened Beliefs Under Psychedelics (SEBUS)? A Commentary on “REBUS and the Anarchic Brain: Toward a Unified Model of the Brain Action of Psychedelics”” PsyArXiv. November 30. doi:10.31234/osf.io/zqh4b.

Simler, K. (2013). Neurons Gone Wild. Melting Asphalt. https://meltingasphalt.com/neurons-gone-wild/ [Accessed April 30, 2021].

Wu, L., Gomez-Emilsson, A., and Zuckerman, A. (2020). QRI Psychophysics Toolkit, Qualia Research Institutehttps://psychophysics.qualiaresearchinstitute.org

Yaden, D., and Griffiths, R. R. (2020) The Subjective Effects of Psychedelics Are Necessary for Their Enduring Therapeutic Effects. CS Pharmacol. Transl. Sci. 2021, 4, 2, 568–572 https://doi.org/10.1021/acsptsci.0c00194

Buddhist Annealing: Wireheading Done Right with the Seven Factors of Awakening

Hi everyone!

I recently went on a two-week meditation retreat. I’m on the grid again, slowly catching up with things (please be patient if you sent me messages – I will get to them eventually).

Seven Factors of Awakening

I had a great retreat. There is a lot that clicked into place, and in time I will share it in posts, articles, and videos. For now I just wanted to share an interesting insight I got. In brief, I found that there is a seamless way to blend the Buddhist “Seven Factors of Awakening” and QRI paradigms, in particular those of Wireheading Done Right and Neural Annealing:

Seven Factors of Awakening and Wireheading Done Right

The overall idea here is that in order to sustain a state of consciousness where meditation has benefits one needs to have a state of mind that has a lot of control over itself. In particular, there is a zone in the valence / arousal space that is ideal for meditation, namely, the region that is positive valence and middle-of-the-road arousal. In this light, when your mind is too excited and restless you should put emphasis on the tranquilizing factors (concentration, equanimity, and tranquility). When your mind is too sluggish or sleepy, you put extra emphasis on the exciting factors (investigation, energy, and joy). And the balancing factor (mindfulness) is what allows you to keep track of this process without getting distracted by the hindrances. This allows you to cybernetically stay in the zone most conducive to meditative development.

Importantly, I think that the factors themselves are best developed in that zone. So it may be futile to ask someone who is panicking to focus on tranquility IF they have not focused on tranquility before when they were in the optimal zone. So for a lot of people developing the seven factors is going to be a bootstrapping process. Pragmatically, I expect that e.g. people with chronic pain might benefit from actual painkillers in order to reduce the pain enough to then be close to the zone where they can actually practice and develop the seven factors effectively. When the painkillers wear off at least they will have gotten some practice time, and then applying equanimity to the pain will be easier (I think that it is both ineffective and cruel to ask someone in pain to “just have equanimity about it” if they haven’t already developed equanimity when they were in the zone).

In addition to valence and arousal, the seven factors also allow you to cybernetically stay in the zone for two additional key dimensions. Namely the dimension of “clinging vs. letting go” and the dimension of “noise vs. purity”. In this light, we have that energy increases fast euphoria (positive valence and positive arousal), joy increases valence, investigation identifies trends that take you out of the zone and maintains purity, concentration increases purity, equanimity increases valence a little and “letting go” a lot, tranquility induces slow euphoria (positive valence and negative arousal), and mindfulness oversees the whole process while also increasing “letting go”. Together they can help you stay in the optimal zone along these four dimensions! They are, in effect, a “natural way” to do Wireheading Done Right. 

Seven Factors of Awakening and Neural Annealing

In addition to the lens of Wireheading Done Right, Neural Annealing also interfaces with the Seven Factors of Awakening quite well. Namely, you can think of them as “welding tools” for wholesome annealing!

In brief, you first need to use “flow” which “melts” the structures of your world-simulation and makes them flexible and amenable to modifications. Then you use the seven factors in order to direct the evolution of the flow into healing and harmonious dynamics. Doing this over and over will, over time, allow you to create a very wholesome and healing flow. More specifically, here are the seven factors as seen through the lens of Neural Annealing:

Balancing Factor

  1. Mindfulness
    1. Maintain flow in the foreground
    2. Focus on the texture rather than the content of flow
    3. Monitor for the arising of hindrances and inclining the mind away from them

Energizing Factors

  1. Energy
    1. This is what happens when you “pluck” the flow. Naturally, this energizes the eigenmodes of the flow! It is like the light that gets trapped between two parallel mirrors. Energy illuminates the harmonics of the flow you are cultivating.
  2. Joy
    1. The judicious selection of sets of eigenmodes that are consonant together
    2. Given joyous flow, deepening the joy entails energization, blending, and annealing of the consonant gestalt (cf. Focus on Positive)
  3. Investigation
    1. Examining the texture of flow. Testing it to determine the presence of hindrances.
    2. It is listening for the ring of the flow (with its objects) and diagnosing what is in it

Tranquilizing Factors

  1. Tranquility
    1. Cultivating tranquility entails developing highly-efficient cooling structures that channel flow and dissipate energy quickly (cf. Focus on Rest)
  2. Equanimity
    1. Not interfering with energy transit and dissipation by letting it recruit as large of a piece of flow as possible for its diffusion
    2. At a high-enough concentration (in my experience), equanimity undergoes a phase change. It becomes very fluid which balances out the forces inside you. I can see how in large enough amounts this would significantly reduce the suffering associated with intense pain.
  3. Concentration
    1. It is hard to tell “what you do” to increase concentration. As far as I can tell it requires a lot of skillful rhythmicity that guides awareness in a way that prevents its falling away.
    2. A rough metric for concentration might be: amount of energy of flow that is in phase, in harmonic relationship, and synchronized. Thus, for any level of concentration there are many possible “solutions”. Only on the very high-levels of concentration do experiences become constrained to only a few types. The combinatorial space becomes smaller as concentration increases.

The holy grail here would be the creation of a high-entropy alloy that blends together all seven factors. It’s a bootstrapping process. As you start developing some of the factors, you can use them to weld the flow in such a way that developing the other factors becomes easier. Then you can start developing two or more factors simultaneously (e.g. “tranquil equanimity” or “joyous concentration”). In time, one climbs the gradient that fortifies the presence of the factors in the mind, making it a home for wholesome qualia computing.

Wishing you all a wonderful Sunday!

The Goal: To Anneal a Wholesome Annealing Toolkit
(the Holy High-Entropy Alloy of the Seven Factors of Awakening)


References:

Guide to Writing Rigorous Reports of Exotic States of Consciousness

Cross-Posted in QRI’s Blog

[Context: This is a guide to writing useful trip reports. If you read the trip report archives of Erowid, Bluelight, and PsychonautWiki, you notice a wide range of styles, interpretative lenses, and focus. We believe that a few relatively simple considerations can drastically improve the usefulness of written reports in ways that can open up novel research directions. This document is meant to extend and complement the Subjective Effect Index of PsychonautWiki in order to maximize the scientific utility of the written reports. If unconvinced of the importance of writing high quality reports, we recommend first reading David Pearce’s “Their Scientific Significance is Hard to Overstate.]

The first few trip reports you write may not be very detailed, but you will improve over time. It is best to adopt a growth mindset when it comes to translating exotic forms of thinking into sober thinking others can understand. If learning to speak takes years and mastering a new human language in adulthood takes just as long, why would competence in translating psychedelic patterns of thought be something you acquire on the first trip? Thus, it is no surprise that practice and patience are essential ingredients to becoming a psychonaut that is capable of sharing scientifically useful information to the world at large.

So how do you write a useful trip report? Let us start with perhaps the single most important instruction.

Focusing on the Phenomenal Character, Rather than on the Intentional Content of the Experience

The first and most important instruction is to focus on the phenomenal character as opposed to the intentional content of the experience. The intentional content of an experience is what the experience is about, whereas its phenomenal character is what it feels like. While it is worthwhile to discuss the content of your thoughts at a narrative level (e.g. you hallucinated being in an art museum where giant ladybugs were performing in a jazz quartet), the narrative alone will not be very useful to anyone. This is because a narrative description of what your trip was about drastically underdetermines what the experience felt like.

Hence, it is critical to enrich any narrative description with an account of the texture and structure of your experience. People often say things such as: “I went to DMT hell” or “I experienced an LSD paradise”. But what if you probe these statements further? What made the “DMT hell” so unpleasant? What made the “LSD paradise” so blissful? Most people, when asked, tend to be overly focused on saying things along the lines of: “Well, I was meeting angels and strange creatures” or “there were people sobbing”, and they think that this explains why the experience was unpleasant or blissful. You have to understand that when explaining why a certain narrative felt a certain way, you cannot ultimately rely on more narrative. At some point, the explanation should be grounded by the texture of the experience rather than the experience’s narrative[1]. Instead of those previous stories, we think a more useful description would be: “There’s this 3D matrix of resonance that created a lot of green-magenta Moiré patterns, and the sense of harmony and bliss seems to have come from that texture of my experience, and that texture is what made me interpret where I was as a kind of Heaven Realm.” The reason why the angels you saw felt so loving and benevolent comes down to the particular texture of your experience expressing that emotional palette. In other words, the angel is an expression of that sense of harmony and not the other way around.

An analogy is that if you’re listening to pleasurable music, you may hear guitar or piano sounds. The specific instruments definitely matter, but the bulk of what’s making the sound so pleasant and comforting may actually be the reverb quality of the music. Think of the angel like the sound of a guitar. The angel, like the guitar sound, has its own specific qualities (a certain vibe). But in addition to seeing an angel, your entire subjective experience contains this reverb pattern of reverberating (phenomenal) space-time. A phenomenal space-time that feels really wonderful will make you feel like you are in heaven.

Image made by Matthew Smith

Thus, we recommend that you pay attention to the nature of the phenomenal space and time you experienced and do two things:

  1. Try to describe it in as much detail as possible in the language of frequency, dimensionality, fractality, reverb, etc.
  2. Explain how the texture of the phenomenal space you inhabited influenced your emotions and semantic interpretations of what was going on.

Numbers and images taken from: List of fractals by Hausdorff dimension

Try to reverse-engineer the generators of your experience.

A very simple example would be if you were experiencing some kind of strobing effect, like seeing flickering lights. If so, it would be ideal to figure out the frequency of those lights. QRI developed a psychophysics tool to help people quantitatively measure the visual effects of psychoactive substances. Ideally, you can use this tool while experiencing exotic state of consciousness (such as DMT or the states induced by a Fire Kasina retreat), so that you can confidently report (for example) that you experienced a 20 Hz strobing effect.

Left: 10hz replay. Right: 7hz strobe.

Likewise, if you are experiencing replay effects and you enter a thought loop (cf. short-term memory tracers), it’s very helpful if you can tell how big the loop is instead of saying “I was stuck in a loop”. Was the loop a fraction of a second or was it an elaborate narrative that you were circling around over the course of minutes? Those feel very different even though they are both technically thought loops.

Here is a very concrete example: imagine that your DMT trip looked like this lightshow from 2:27 to 5:12[2].

What would you say about it? A lot of people would become overly focused on explaining that at around 4:20, amazing lights felt like an angel, or that it was “richly colored and bright”. But the sort of information we believe is more helpful comes when you can point out simple and plausible ways the experience might have been constructed out of elementary building blocks. In this case, we refer you to one of the Youtube comments: “It is unbelievable that such a magnificent show could be made with just 5 lasers!”. Indeed! Most people would be mesmerized by the light show, come up with some elaborate narrative for “what happened” and go about their day without ever realizing that the entirety of the visual content was generated by just five sources of light fixed in place the whole time! Now that is the sort of obvious-in-retrospect observation that can help us make tangible progress. For instance, it only took one clever math student to notice “oh dear, the walls of the DMT palace I’m in are tessellated by heptagons” to kick-start the explanation space where DMT’s odd effects involve an alteration to the curvature of phenomenal space and time (see: The Hyperbolic Geometry of DMT Experiences). A lot of big insights start with seemingly innocent observations that are obvious in retrospect.

Examples of Statements That Do a Good Job Describing Phenomenal Character

The tracer effects clearly had replays equally spaced apart, calculated around 14hz with the tracer tool. I could make out three replays with precision, but there might have been four or five counting faint ones I couldn’t always see.
Whenever I would focus on my breath my visual field seemed to express a Kelvin–Helmholtz instability: thanks to tactile-visual synesthesia, the sensation of each breath would manifest as disturbances in my visual field, which in turn seemed to have a higher density than their surroundings, and this would give rise to turbulent flow very similar to the Kelvin–Helmholtz instability simulations I’ve seen online.
The left part of my visual field had a vertical wall I was attending to with peripheral vision. The wall felt like it was about 1 meter to my left and at a right angle. This hallucinated wall was vibrating at around 8hz and it had two alternating layers that looked about 1cm apart[3], one blue and one yellow. Their colors were alternating at about half the speed at which the wall was vibrating.
The ceiling was tessellated with a highly detailed texture organized along the 632 wallpaper symmetry group. More so, this tessellation was dynamic, in that all of the shapes were shifting and morphing. In sequence, a symmetry element type would be selected by attention (such as all of the copies of the 6-rotational symmetry element) and each repeating region of the texture in the entire ceiling would change by the rotation around the copy of the symmetry element that corresponds to it (example). Then another symmetry element would be selected and the pattern would morph by rotation around that new symmetry element, and so on. This lasted for about 1 minute and it faded as soon as I turned on some music.
By selecting features of my hallucinatory environment and attending to them, I could make them grow and in a way “reify them”, meaning that they would feel more and more real and vibrant the more I paid attention to them. I noticed that I could transform the walls of the hallucinated environment into glass walls with a peculiar property: when light goes through the wall in one direction it becomes lighter and when it goes in the other direction it becomes darker. This resulted in the room being filled with what I later recognized to be cohomology fractals
I was able to more easily separate the various “facets” of essential oils. In particular, rather than experiencing lemongrass as just a “unified block” (a single feeling of “herbal citrus scent”), I could break it down into three independent facets: a sharp citrus scent with peaks of sensation (probably citral or d-limonene), a soft and smooth alcoholic character impact background (probably neral and linalool), and an earthy almost clove-like spice facet (probably centered around myrcene). It was noteworthy that these facets were far more cleanly separate than normal yet by focusing on any two of them at once I could blend them independently in a sort of “qualia chemistry”. It felt like each perfume in turn could be used to experience 5 or 6 different compositions depending on how I would attend and try to merge its different facets all inside of my mind!
My sense of time passing seemed to be constructed out of three distinct elements interacting with one another. One was based on the rate at which the color scheme evolved. The other two were based on the pulsing of visual sensations, which constructed the scene in a manner consistent with a temporal raster plot. The “vertical time” would take about two seconds to complete a cycle, whereas the “horizontal time” would be incredibly fast, doing perhaps a hundred cycles per second. The raster plot had adjustable height and width and this allowed me to visualize (much akin to an actual raster plot) how rhythms in my mind were coupled despite having frequencies at different orders of magnitude: the vertical direction would represent changes across hundreds of milliseconds whereas the horizontal direction would visualize rhythms going on at just a few milliseconds as long as they repeated for long enough.
The auralization of the sound loops I hallucinated would continuously and coherently transform in tandem with the 3-dimensional space group I found myself in. This led me to interpret the auditory reverb effects as being consistent with the aggregate echo reflections inside a polygon in 3D hyperbolic spaces.

Personal Matters

Of course, psychedelic trips are intensely personal experiences. It is in the nature of psychedelic states to connect intellectual content with deep personal emotional processing. Nonetheless, when it comes to contributing to the commons with high-quality trip reports, you can lessen the impact of personal matters. Without ever mentioning that “it was about your grandmother”, you can just focus instead on the phenomenal character of your trip and provide the bulk of information to the scientific community. Of course, if there was something about the texture of the experience that made your emotional processing easier or harder, you should ideally point that out. But at no point do you need to delve into the specifics of your social circumstance.

Write It Like a Book Report

Think about the task of writing a trip report in the same way you would write a book report in middle school[4]. The teacher assigns a book to read and then they provide a guide for writing your book report with the help of some basic questions everyone needs to answer. This is so that you do not forget to provide some of the critical information needed to interpret your report. We recommend reflecting on these questions and writing their answers before the trip so that your report of the set and setting that gave rise to the trip is not influenced post-hoc by the contents of the trip. Let’s apply this “write it like a book report” framing to reporting exotic experiences. Please provide:

Demographic Information[5]

At the bare minimum, start by including basic demographic information: approximate age, gender, height, weight, genetics (national origin might be a good approximation, e.g. half-Mexican half-Icelandic), and health conditions.

Set and Setting Information

In addition to demographic information, make sure to include set and setting information: drug, dose, when it was taken, what method of intake was used (ingestion, smoking, etc.), social context, sleep deprivation status (well rested, just had a 20 minute nap after an all-nighter, etc.) how many times you have taken this drug and at what doses, time of the year, indoors/outdoors, and what the weather was like at the time.

After that, here are six basic questions that should ideally be addressed in every trip report:

1. Background Philosophical Assumptions

The most important thing is to start with clarity about what you believe. Most people have background beliefs that govern the way they think about reality even though they don’t really notice them most of the time. These assumptions will heavily influence what happens on a psychedelic trip. What are your background philosophical assumptions? What do you believe? Why do you believe what you believe? In particular, we suggest that you mention:

Recent Media Consumption

What people and media have influenced you the most? For example, recently reading a lot of Alan Watts books versus Richard Feynman’s Lectures on Physics may lead to very different experiences on LSD. Your recent media exposure cannot be neglected. And this is less about volume than about influence: you may have read a single quote a year ago that you still think about when showering while the daily consumption of your favorite television show is barely noticed by your subconscious. Therefore, share, most of all, how the media you’ve been consuming is influencing how you think about life, the universe, and everything else.

Direct vs Indirect Realism 

Probably the most important belief to address is your stance on direct versus indirect realism about perception. If you read a lot of trip reports, many seem to be implicitly assuming direct realism about perception. This means that people believe they can access the world directly. When they see a flower breathe in and out, they may interpret this experience as the result of being given access to another set of frequencies of light or aspects of reality that we usually ignore. For example, Albert Hoffman seems to have thought about LSD in this way: in the last chapter of LSD: My Problem Child, Hoffman speculates:

If one continues with the conception of reality as a product of sender and receiver, then the entry of another reality under the influence of LSD may be explained by the fact that the brain, the seat of the receiver, becomes biochemically altered. The receiver is thereby tuned into another wavelength than that corresponding to normal, everyday reality. Since the endless variety and diversity of the universe correspond to infinitely many different wavelengths, depending on the adjustment of the receiver, many different realities, including the respective ego, can become conscious.

One gets the impression that Hoffman really believed that LSD’s trippy visuals were revealing true information about the environment around us rather than telling us, perhaps, something about the way our brains construct a world-simulation we confuse for reality itself. This is not to say that one cannot in fact notice true details about the environment with LSD, but we can conceive of this as a trade-off between forms of attending to and processing the environment through our normal conventional senses rather than as being given access to new sense organs yet uncharted by science. This is an important distinction.

We should note that variants of direct realism about perception can be steelmanned to some extent. For example, you may look at a tree on a psychedelic and see a mythological creature embedded into the tree. When you come down, you can also verify it by observing that the tree actually kind of resembles the creature you saw on your trip and shows up when you’re not tripping. Once you notice that sort of thing, you cannot unsee it. And maybe other sober people might also see it too once you point it out. In other words, psychedelics will very likely, within some parameters, allow you to see patterns in the real world that you may be missing out on otherwise. It doesn’t mean that you’re perceiving the world directly through a new sense organ. It just means you’re processing that information in a slightly different way.

We would generally suggest to approach a trip report with an indirect realism mindset, where you assume, until proven otherwise, that you are experiencing states of your own internal world-simulation. This allows you to have much better clarity about many strange phenomena. For example, if you feel that you are somehow entangled with your environment, you would in this lens interpret that feeling as an entanglement with yourself. You are just entangled with a part of yourself that you usually interpret as being the external environment.

Indeed, one of the trickiest things about life that we don’t realize for the most part is that the very sense of an external environment itself is part of your internal world-simulation[6]. So for your trip report, make sure to point out if you are interpreting your experience through this lens, the lens of direct realism, or perhaps a hybrid lens (where some aspects are perceived directly and some aren’t).

2. Emotional and Cognitive State

What is your background emotional and cognitive state like? What is your preferred cognitive style? For example, do you naturally have a high baseline well-being or are you more melancholic? Do you identify as a people person or are you a mathematician with no interest in people?[7] It’s actually quite important to note and can result in quite different experiences. 

Observing Your Emotions 

Paying attention to how emotions are expressed on psychedelics is one of the most important things you can do. People regularly project their emotions onto the nature of reality. Be mindful of this as a failure mode. It’s helpful advice both for better phenomenology and psychologically to try to notice the way emotions manifest in your world-simulation. Emotions will be modifying the way your attention is directed, and noticing this can allow you to gain some control over this process. You can tell the difference between physical suffering and mental suffering in terms of whether these patterns have dissonance[8] located in your (phenomenal) body or in the part of your experiential field that represents thoughts.

It sounds kind of strange. When we’re caught up in mental suffering, we usually don’t realize that it’s a type of unpleasant sensation or dissonance. It is not ineffable. There’s actually a location, region, or subcomponent of the phenomenal field that is vibrating in a strange and unpleasant way. In many ways, noticing how emotions modify the structure of either your felt-sense of your body or your thought patterns will prevent you from being controlled by the emotions without you knowing it.

It’s very important to notice this, and noting this can be helpful for avoiding a bad experience. Often, the reason why you feel terrible in your psychedelic state is not because you realized a big, deep truth about reality or due to anything bad you did. It is frequently the case that you entered some kind of dissonant attractor, and there’s probably a way out of it.

Often, one is advised to “let go and embrace whatever is happening”. This advice does allow you to reduce that dissonance and lessen the grip that mental or physical suffering has on you. It allows you to let it just vibrate on its own for a while without you feeding it energy. And that is helpful. We think it’s even more helpful if you can diagnose the source of dissonance and address it directly. Thus, at an even deeper level, “disengage from dissonant patterns” is better advice than “just let go” because there are some states where letting go is actually a bad idea. If you’re actually very close to making a psychological or intellectual breakthrough, letting go is probably not optimal. Instead, have the mindset of being gentle to yourself by letting go of the dissonant component of the experience rather than its intentional content.

3. Temporal Progression

What was the overall temporal progression of the experience? Draw a graph where the x-axis is time and the y-axis is a variable you want to track, such as “intensity of effects”, “brightness of visual field”, or “emotional valence” and update the graph every half hour. This will help you remember where you were at each stage of the trip and allow you to place your thoughts and ideas along the timeline.

Right after the trip, spend some time making sense of the general structure of what you experienced. That is, identify what kind of arc or main stages the trip involved. Outline how your beliefs and emotions changed throughout each of the stages. Try to recall how long each physical hour felt like[9] (e.g. “1st hour felt like 90 minutes, 2nd hour felt like two hours, 3rd hour felt like two hours, etc”).

Example graph of self-reported valence over time. You can also label points and sections of the graph and then describe them in more detail in your written report. Image by Andrew Zuckerman.

4. The Theme

Was the trip primarily philosophical, self-introspective, investigative, or focused on emotional processing? Go into as much detail as you feel comfortable. Obviously, there are going to be very personal things, so record only as much as feels comfortable or useful to you.

5. Valence 

What did you learn about valence? What was the connection between the way the trip unfolded, the quality of each level, and the various thoughts and feelings? How did those contribute to a sense of well being, despair, or neutrality?

We’re very interested in confirming the idea that it feels really good when all your attention centers are synchronized and flickering at the same frequency. If that was the case, then please let us know. If it wasn’t, also please let us know![10]

6. Qualia and Binding Patterns

In what way did the trip allow you to experience qualia that you have never experienced before (like impossible colors)? Let’s say that you experienced a new combination of touch and auditory sensations. This is really significant! Don’t overlook it, note it down! During the trip, if you’re experiencing new qualia, do as much as you can to explore and investigate it by testing when it arises, when it dissolves, and what actions, if any, can multiply or intensify it.

Buddhists have names for a lot of the novel qualia that arise during meditation. One of those is equanimity. Equanimity feels like something; it’s not just a word. There’s actually a facet of experience that corresponds to it.[11] Likewise, on psychedelics you probably experience a ton of new qualia. We need a glossary for uniquely-psychedelic qualia!

In addition to novel qualia, notice and report any novel patterns of binding. This is about how sensations become coupled together or dissociate in unexpected ways—how sensations are linked together in phenomenal time and space to form coherent phenomenal objects. A special case of “exotic patterns of binding” is synesthesia, where two or more of the sensory modalities become coupled together (such as experiencing phenomenal objects that are sound-touch hybrids). But patterns of binding can also be exotic even when they are expressed within the same modality, such as how the visual field seems to acquire extra virtual dimensions on DMT. We would also consider alterations of the sense of space and time as the result of exotic patterns of binding. So, this is a very general effect with many possible manifestations. If you notice anything of this sort, pay attention to it! How were your sensations bound or unbound in ways that are unusual? Be as detailed as possible.

A Meta Consideration

We suggest that you do not get caught up in the obligation to report things during the experience. Or worse, to believe that in order to be a good trip reporter you have to be able to write everything in real time. Trying to write your trip report in real time is likely to make you feel quite miserable! This is because whether we like it or not, we derive a lot of our self-worth from our feeling of verbal competence. So when you are under the influence of something as powerful as LSD and your verbal skills break down, the feeling that you “are not yourself anymore” gives you a sense of personal failure. But this will only arise if you begin your trip with the expectation that you will be able to report on it in real time. Instead, acknowledge that you will probably be terrible at verbalizing on psychedelics and instead focus your energy on remembering the properties of the state in non-verbal ways. Don’t feel compelled to write extensively because that’s going to be difficult. Just take note of the time or make a drawing or mark that you will understand later.

We do recommend recording the experience as much as you can (short of showing yourself on camera handling or consuming the chemical… don’t do that!). Recording the entirety of your experience unobtrusively in the background may be really helpful for reconstructing what happened afterwards. We have heard that not doing this is a common regret, especially for trips involving high doses where you genuinely wonder what was happening around you in consensus reality (if anything, the footage will help ground you in the certainty that at least the God that visited you wasn’t emitting regular photons that were visible to other people in the room). If you’re comfortable with it, leave at least an audio recording on.

We encourage you to record any important ideas, especially if you suspect that there’s any chance you may forget them. Take your insights seriously. They matter. Don’t feel that you lack the qualifications nor the background for your insights to matter. You are in a very exotic state that’s largely unexplored. What you are experiencing probably matters immensely for the collective understanding of humanity.

Additional Resources for Writing High-Quality Trip Reports

If you’d like some inspiration, here are examples of great trip reports:

  1. Typical N,N-DMT Trip Progression According to an Anonymous Reader
  2. Detailed 2C-B Trip Report
  3. Rational 4-AcO-DMT Trip Report
  4. Lucid LSD Trip Report
  5. Self-Locatingly Uncertain Psilocybin Trip Report

And here are more resources for trip reports and strengthening your phenomenological skills:

Acknowledgements

Special thanks to Mackenzie Dion and Andrew Zuckerman for their feedback, suggestions, and copious edits to this document.


Footnotes:

[1]  In fact, we would claim that the mechanism by which “seeing people sob” feels sad can be explained by how this narrative element influences the texture of your experience.

[2]  Beware that it is very loud right before 2:27.

[3]  The ideal units to report would be degrees, depth, and location within one’s visual field. In practice, most people will be better at reporting estimates of distances gauged as if they were physical distances out there in the world. In the future we will provide conversion tables to unify the units of phenomenological reporting.

[4]  Thanks to Ryan Ragnar for providing the analogy between trip reports and middle school book reports. 

[5]  Skip demographic data if you do not feel comfortable sharing it. It will be helpful in order to identify idiosyncratic responses to psychedelics and other compounds, but privacy is also very important. Share approximate information if that makes you feel more comfortable (e.g. “between 20 and 25 years old” rather than “21 years and 3 months old”).

[6]  Steven Lehar’s “Cartoon Epistemology” provides a great visual demonstration and argument for indirect realism about perception.

[7]  See: empathizing-systemizing theory, autism spectrum quotient, systematic empathy.

[8]  Dissonance emerges when two incompatible patterns of resonance try to interact with one another. See Principia Qualia and Quantifying Bliss for an in-depth discussion.

[9]  Physical time being the objective passage of time according to clocks in consensus reality, whereas phenomenal time is how the passage of time feels like in a given experience.

[10]  In particular, pay attention to the temporal and spatial frequency of synchronized patterns, and whether there are competing patterns that cause dissonance with one another (for more, see: Symmetry Theory of Valence: 2020 Presentation and Why Does DMT Feel So Real?).

[11] See Mike Johnson’s interview of Shinzen Young for a discussion on the way equanimity feels.

7 Recent Videos: Rational Analysis of 5-MeO-DMT, Utility Monsters, Neroli, Phenomenal Time, Benzo Withdrawal, Scale-Specific Network Geometry, and Why DMT Feels So Real

5-MeO-DMT: A Rational Analysis at Last (link)

Topics covered: Non-Duality, Symmetry, Valence, Neural Annealing, and Topological Segmentation.

See also:


Befriending Utility Monsters: Being the Adult in the Room When Talking About the Hedonic Extremes (link)

In this episode I connect a broad variety of topics with the following common thread: “What does it mean to be the adult in the room when dealing with extremely valenced states of consciousness?” Essentially, a talk on Utility Monsters.

Concretely, what does it mean to be responsible and sensible when confronted with the fact that pain and pleasure follow a long tail distribution? When discussing ultra-painful or ultra-blissful experiences one needs to take off the glasses we use to reason about “room temperature consciousness” and put on glasses that actually take these states with the seriousness they deserve.

Topics discussed include: The partial 5HT3 antagonism of ginger juice, kidney stones from vitamin C supplementation, 2C-E nausea, phenibut withdrawal, akathisia as a remarkably common side effect of psychiatric medication (neuroleptics, benzos, and SSRIs), negative 5-MeO-DMT trips, the book “LSD and the Mind of the Universe”, turbulence and laminar flow in the “energy body”, being a “mom” at a festival, and more.

Further readings on these topics:


Mapping State-Spaces of Consciousness: The Neroli Neighborhood (link)

What would it be like to have a scent-based medium of thought, with grammar, generative syntax, clauses, subordinate clauses, field geometry, and intentionality? How do we go about exploring the full state-space of scents (or any other qualia variety)?

Topics Covered in this Video: The State-space of Consciousness, Mapping State-Spaces, David Pearce at Oxford, Qualia Enrichment Kits, Character Impact vs. Flavors, Linalool Variants, Clusters of Neroli Scents, Neroli in Perfumes, Neroli vs. Orange Blossom vs. Petigrain vs. Orange/Mandarin/Lemon/Lime, High-Entropy Alloys of Scent, Musks as Reverb and Brown Noise, “Neroli Reconstructions” (synthetic), Semi-synthetic Mixtures, Winner-Takes-All Dynamics in Qualia Spaces, Multi-Phasic Scents, and Non-Euclidean State-Spaces.

Neroli Reconstruction Example:

4 – Linalool
3 – Linalyl Acetate
3 – Valencene
3 – Beta Pinene
2 – Nerolione
2 – Nerolidol
2 – Geraniol Coeur
2 – Hedione
2 – Farnesene
1 – D-Limonene
1 – Nerol
1 – Ambercore
1 – Linalool Oxyde
70 – Ethanol

Further readings:


What is Time? Explaining Time-Loops, Moments of Eternity, Time Branching, Time Reversal, and More… (link)

What is (phenomenal) time?

The feeling of time passing is not the same as physical time.

Albert Einstein discovered that “Newtonian time” was a special case of physical time, since gravity, relativity, and the constancy of the speed of light entails that space, time, mass, and gravity are intimately connected. He, in a sense, discovered a generalization of our common-sense notion of physical time; a generalization which accounts for the effects of moving and accelerating frames of reference on the relative passage of time between observers. Physical time, it turns out, could manifest in many more (exotic) ways than was previously thought.

Likewise, we find that our everyday phenomenal time (i.e. the feeling of time passing) is a special case of a far more general set of possible time-like qualities of experience. In particular, in this video I discuss “exotic phenomenal time” experiences, which include oddities such as time-loops, moments of eternity, time branching, and time reversal. I then go on to explain these exotic phenomenal time experiences with a model we call the “pseudo-time arrow”, which involves implicit causality in the network of sensations we experience on each “moment of experience”. Thus we realize that phenomenal time is an incredibly general property! It turns out that we haven’t even scratched the surface of what’s possible here… it’s about time we do so.

Further readings on this topic:


Benzos: Why the Withdrawal is Worse than the High is Good (+ Flumazenil/NAD+ Anti-Tolerance Action) (link)

Most people have low-resolution models of how drug tolerance works. Folk theories that “what goes up must come down” and theories in the medical establishment about how you can “stabilize a patient on a dose” and expect optimal effects long term get in the way of actually looking at how tolerance works.

In this video I explain why benzo withdrawal is far worse than the high they give you is good.

Core arguments presented:

  1. Benzos can treat anxiety, insomnia, palpitations, seizures, hallucinations, etc. If you use them to treat one of these symptoms, the rebound will nonetheless involve all of them.
  2. Kindling – How long-term use leads to neural annealing of the “withdrawal neural patterns”.
  3. Amnesia effects prevent you from remembering the good parts/only remembering the bad parts.
  4. Neurotoxicity from long-term benzo use makes it harder for your brain to heal.
  5. Arousal as a multiplier of consciousness: on benzos the “high” is low arousal and the withdrawal is high arousal (compared to stimulants where you at least will “sleep through the withdrawal”).
  6. Tolerance still builds up even when you don’t have a “psychoactive dose” in your body – meaning that the extremely long half-life of clonazepam and diazepam and their metabolites (50h+) entails that you still develop long-term tolerance even with weekly or biweekly use!

I then go into how the (empirically false) common-sense view of drug tolerance is delaying promising research avenues, such as “anti-tolerance drugs” (see links below). In particular, NAD+ IV and Flumazenil seem to have large effect sizes for treating benzo withdrawals. I AM NOT CONFIDENT THAT THEY WORK, but I think it is silly to not look into them with our best science at this point. Clinical trials for NAD+ IV therapy for drug withdrawal are underway, and the research to date on flumazenil seems extremely promising. Please let me know if you have any experience using either of these two tools and whether you had success with them or not.

Note: These treatments may also generalize to other GABAergic drugs like gabapentin, alcohol, and phenibut (which also have horrible withdrawals, but are far shorter than benzo withdrawal).

Further readings:

Epileptic patients who have become tolerant to the anti-seizure effects of the benzodiazepine clonazepam became seizure-free for several days after treatment with 1.5 mg of flumazenil.[14] Similarly, patients who were dependent on high doses of benzodiazepines […] were able to be stabilised on a low dose of clonazepam after 7–8 days of treatment with flumazenil.[15]”

Flumazenil has been tested against placebo in benzo-dependent subjects. Results showed that typical benzodiazepine withdrawal effects were reversed with few to no symptoms.[16] Flumazenil was also shown to produce significantly fewer withdrawal symptoms than saline in a randomized, placebo-controlled study with benzodiazepine-dependent subjects. Additionally, relapse rates were much lower during subsequent follow-up.[17]

Source: Flumazenil: Treatment for benzodiazepine dependence & tolerance

Scale-Specific Network Geometry (link)

Is it possible for the “natural growth” of a pandemic to be slower than exponential no matter where it starts? What are ways in which we can leverage the graphical properties of the “contact network” of humanity in order to control contagious diseases? In this video I offer a novel way of analyzing and designing networks that may allow us to easily prevent the exponential growth of future pandemics.

Topics covered: The difference between the aesthetic of pure math vs. applied statistics when it comes to making sense of graphs. Applications of graph analysis. Identifying people with a high centrality in social networks. Klout scores. Graphlets. Kinds of graphs: geometric, small world, scale-free, empirical (galactic core + “whiskers”). Pandemics being difficult to control due to exponential growth. Using a sort of “pandemic Klout score” to prioritize who to quarantine, who to vaccinate first. The network properties that made the plague spread so slowly in the Middle Ages. Toroidal planets as having linear pandemic growth after a certain threshold number of infections. Non-integer graph dimensionality. Dimensional chokes. And… kitchen sponges.

Readings either referenced in the video or useful to learn more about this topic:

Leskovec’s paper (the last link above):

Main Empirical Findings: Our results suggest a rather detailed and somewhat counterintuitive picture of the community structure in large networks. Several qualitative properties of community structure are nearly universal:

• Up to a size scale, which empirically is roughly 100 nodes, there not only exist well-separated communities, but also the slope of the network community profile plot is generally sloping downward. (See Fig. 1(a).) This latter point suggests, and empirically we often observe, that smaller communities can be combined into meaningful larger communities.

• At size scale of 100 nodes, we often observe the global minimum of the network community profile plot. (Although these are the “best” communities in the entire graph, they are usually connected to the remainder of the network by just a single edge.)

• Above the size scale of roughly 100 nodes, the network community profile plot gradually increases, and thus there is a nearly inverse relationship between community size and community quality. This upward slope suggests, and empirically we often observe, that as a function of increasing size, the best possible communities as they grow become more and more “blended into” the remainder of the network.

We have also examined in detail the structure of our social and information networks. We have observed that an ‘jellyfish’ or ‘octopus’ model [33, 7] provides a rough first approximation to structure of many of the networks we have examined.

Ps. Forgot to explain the sponge’s relevance: the scale-specific network geometry of a sponge is roughly hyperbolic at a small scale. Then the material is cubic at medium scale. And at the scale where you look at it as flat (being a sheet with finite thickness) it is two dimensional.


Why Does DMT Feel So Real? Multi-modal Coherence, High Temperature Parameter, Tactile Hallucinations (link)

Why does DMT feel so “real”? Why does it feel like you experience genuine mind-independent realities on DMT?

In this video I explain that we all implicitly rely on a model of which signals are trustworthy and which ones are not. In particular, in order to avoid losing one’s mind during an intense exotic experience (such as those catalyzed by psychedelics, dissociatives, or meditation) one needs to (a) know that you are altered, (b) have a good model of what that alteration entails, and (c) that the alteration is not strong enough that it breaks down either (a) or (b). So drugs that make you forget you are under the influence, or that you don’t know how to model (or have a mistaken model of) can deeply disrupt your “web of trusted beliefs”.

I argue that one cannot really import the models that one learned from other psychedelics about “what psychedelics do” to DMT; DMT alters you in a far broader way. For example, most people on LSD may mistrust what they see, but they will not mistrust what they touch (touch stays a “trusted signal” on LSD). But on DMT you can experience tactile hallucinations that are coherent with one’s visions! “Crossing the veil” on DMT is not a visual experience: it’s a multi-modal experience, like entering a cave hiding behind a waterfall.

Some of the signals that DMT messes with that often convince people that what they experienced was mind-independent include:

  1. Hyperbolic geometry and mathematical complexity; experiencing “impossible objects”.
  2. Incredibly high-resolution multi-modal integration: hallucinations are “coherent” across senses.
  3. Philosophical qualia enhancement: it alters not only your senses and emotions, but also “the way you organize models of reality”.
  4. More “energized” experiences feel inherently more real, and DMT can increase the energy parameter to an extreme degree.
  5. Highly valenced experiences also feel more real – the bliss and the horror are interpreted as “belonging to the vibe of a reality” rather than being just a property of your experience.
  6. DMT can give you powerful hallucinations in every modality: not only visual hallucinations, but also tactile, auditory, scent, taste, and proprioception.
  7. Novel and exotic feelings of “electromagnetism”.
  8. Sense of “wisdom”.
  9. Knowledge of your feelings: the entities know more about you than you yourself know about yourself.

With all of these signals being liable to chaotic alterations on DMT it makes sense that even very bright and rational people may experience a “shift” in their beliefs about reality. The trusted signals will have altered their consilience point. And since each point of consilience between trusted signals entails a worldview, people who believe in the independent reality of the realms disclosed by DMT share trust in some signals most people don’t even know exist. We can expect some pushback for this analysis by people who trust any of the signals altered by DMT listed above. Which is fine! But… if we want to create a rational Super-Shulgin Academy to really make some serious progress in mapping-out the state-space of consciousness, we will need to prevent epistemological mishaps. I.e. We have to model insanity so that we ourselves can stay sane.

[Skip to 4:20 if you don’t care about the scent of rose – the Qualia of the Day today]

Further readings:

“The most common descriptive labels for the entity were being, guide, spirit, alien, and helper. […] Most respondents endorsed that the entity had the attributes of being conscious, intelligent, and benevolent, existed in some real but different dimension of reality, and continued to exist after the encounter.”

Source: Survey of entity encounter experiences occasioned by inhaled N,N-dimethyltryptamine: Phenomenology, interpretation, and enduring effects

That’s it for now!

Please feel free to suggest topics for future videos!

Infinite bliss!

– Andrés

The Symmetry Theory of Valence: 2020 Presentation

Presentation Given at the Centre for Psychedelic Research at Imperial College London by Andrés Gómez Emilsson (December 8th 2020)

 www.qualiaresearchinstitute.org

Transcribed with otter.ai. Edited for grammar and clarity by Mackenzie Dion.

Watch the talk on our Youtube channel.


So, the Symmetry Theory of Valence. Just defining terms so that we’re all on the same page. There’s this thing called core affect which is basically what you get when you apply dimensionality reduction techniques to any one of many areas of psychology. There’s a surprisingly robust pair of dimensions that emerge in co-occurrences of words or even descriptions of behavior. These two axes, arousal and valence, seem to account for about 60% of the variance in terms of what information emotional words contain. And I mean, roughly speaking, arousal is the level of activation, how energetic you are, and valence is how good you feel. Most of what I’m going to be talking about is valence. That said, you need to also consider arousal in the picture to know what this is all about. Just a few examples: you have high arousal, high valence, so that would be kind of excitement and anticipation. But you also can have high energy, but not feeling really good, and that would be kind of anxiety or anger or irritation. Likewise, you have depression, which is low arousal, low valence, and serenity is peaceful, blissful calm, that would be low arousal, high valence. 

This is just one example of one of the ways in which you can recover these dimensions of valence and arousal. This was a little study we conducted years ago. We were studying people who have experiences with all kinds of substances online. We were giving them the survey, where they were going to describe a particular substance along something like 70 different dimensions. Then I conducted factor analysis on that data set. Interestingly, we have three core dimensions of valence or valence-related axes, which give you a sense of, okay, what is the space of possible effects that you can get from some substances. There were actually six dimensions that emerged, but three of them are valence-related:

We have slow euphoria, which is equivalent to low arousal, high valence with top terms like calming and relieving. The negative predictors of it would be something like anxiety, producing difficult bodily discomfort. Fast euphoria is the sort of thing you get with stimulants, you know, energizing, sociable, the opposite of feeling spaced out and confused.

The other axis that kind of emerged was this notion of spiritual euphoria. That’s the term I used back then. I also used the term significance, or saliency nowadays. Now I would actually use the term criticality for other reasons that we can go into. There’s this other kind of axis for how you can experience intense valence with substances, which is different from slow and fast euphoria, which would roughly correspond to the psychedelic space. And that, you know, gets marked with things such as mystical, incredible, life changing. The opposite of that is trivial, self-centered, or irrelevant or something like that. This is just to complete the cube. And, you know, in a sense…

This is just a kind of change of basis, where you still get, in a sense, the valence dimension emerging out of this dimensionality reduction analysis. If you were to apply just one dimension, you know, if you ask the factor analysis to just give you one factor, it is going to be the valence factor. That’s the axis that accounts for most of the variance for the effects of drugs.

I’ve got to say that I absolutely acknowledge that emotions are far more complex and intricate than just valence and arousal. This is the result of my master’s thesis where we were analyzing this thing called mood updates, how people feel over time, day after day. I was computing the transition probabilities between emotions, and you can do cluster analysis here and finding attractors. You’ll see that there’s additional information. That said, we concluded that a big chunk of the additional information that is not valence and arousal is actually information about your trajectory in the valence arousal space. For example, we found there would be emotions that because of what they tell you about your emotional dynamics we called gateway emotions, like feeling relieved and feeling hopeful. These terms contain information that you were in a negative, kind of depressive attractor, and you’re moving towards the positive high arousal attractor. In essence, the terms we use for emotions give you not only information about where you are in the valence-arousal space but also what is your trajectory in that space. But in a sense, valence and arousal still account for a very, very big chunk of what an emotion is. Okay, so hopefully I’ve convinced you of the importance of valence, at least in this context.

Now, let’s jump into the Symmetry Theory of Valence (STV). The overall hypotheses and the first explicit argument for it appeared in this really, really awesome work by my collaborator, Michael Johnson, Principia Qualia. He has a really interesting skeleton of an argument that points to a lot of research threads that are really worth getting into. I highly recommend digging into this work.

One of the things that it lays out is the kind of conceptual framework to make sense of what type of thing valence might be. I’ll just define a couple terms, which is, first qualia formalism. If there’s one thing at QRI we are married to, you could say, it would be qualia formalism. That is, for any conscious experience, there exists a mathematical object isomorphic to it. We can make an analogy here to something like electromagnetism where we used to have lightning, and electricity, and magnets, and all of that seemed sort of somehow thinly related. But, it turns out that there’s actually just four equations of electromagnetism that tie together all of that phenomena. And you can compare it to something like élan vital, the essence of life. People used to think that maybe there is some kind of a substance that determines whether you’re alive or not. And we would say that, well, that kind of fell through, you know, in the end there is molecular complexity under more molecular complexity. There doesn’t seem to be such a thing as “life itself”. Life is not formalizable in the same way as electromagnetism is, but something that we would claim at QRI or we could even say something that we assume at QRI, because we believe it is a very generative frame, is that yes, there will be a set of deep mathematical structures to consciousness. In particular, if you expand this into other areas, we also think this is going to apply to valence: that there is going to be a deep and rich mathematical structure to valence, and that notion is called valence structuralism.

In Principia Qualia by Mike Johnson, he has this argument for it, which I definitely recommend reading, especially if you have the aesthetic of a physicist. I think you’ll really like this work, because I think it’s really, really good in that sense. What I’m going to do now is try to give you a kind of intuition for it. And then the whole empirical argument.

Importantly, there are a lot of theories of what valence is. Mike looked at the literature, did a very deep dive into it, and realized that they’re usually unsatisfactory, or at the very least, they don’t get at the true core of what an explanation for valence should be like. So basically, you have these accounts of, for example, valence sees how the brain represents value. Ultimately, that’s just a correlation. Value is a fuzzy abstraction. Some people think valence is the presence of opioids in the brain. But if you inject opioids in different parts of the brain, it doesn’t always feel good. It actually needs to be injected in a very narrow range of stripes in the pleasure centers, and otherwise, it just causes strange feelings or wanting, but it’s not the signature of valence itself. Or, for example, the pleasure centers. Just because you’re calling something “the pleasure center”, and it’s correlated with feeling good, it doesn’t mean you have an explanation. It’s not a very insightful, illuminating, account of valence. 

So what could it be? I’ll focus to a large extent on what we are going to call bliss, which is just very positive valence. What is that? What is very positive valence? What is the sense of ecstasy, bliss, intense happiness? There’s a lot of intuitions. Definitely a lot of people think it’s some kind of spiritual signal, and I wouldn’t want to convince you out of that view. But the truth is that there are a lot of different spiritualities, and they sometimes say contradictory things. So it’s kind of strange to expect that there’s this underlying universal spiritual signal that whenever you’re doing something aligned with spirit, you feel good. Because sometimes you can do something very different than somebody else and still have that feeling. Also, the idea that it is “merely” chemical reactions in the brain, again, is not a super satisfactory explanation… same as with pleasure centers, health, few prediction errors, etc. Well, and in the end, I add, yes, symmetry and consciousness, which is what I will be arguing.

I also want to point out, and this is super important, that valence is not the same as healing, and it’s not the same as meaning. However, they’re correlated. I would also go as far as to say that high valence is necessary for healing and for meaning to a large extent. In a sense, you can have a lot of very high valence states that are actually very unhealthy for you. Just an example would be methamphetamine. It can feel great, but it’s unsustainable. To the extent that your nervous system is self-organizing around that high valence experience, it makes it kind of the center of your life. And, you know, it’s a dopamine releaser. It’s obviously unsustainable. You can’t actually do that long-term and expect good results. Whereas, something like meditation, or even psychedelics, because their tolerance mechanism is very, very different. You could say that, yeah, those might be high valence, highly meaningful, and also healing experiences.

So I just want to say that, you know, high valence doesn’t entail healing. And that in that sense, you might say, “Okay, why are we so interested in this?”, but I would say that high valence is a necessary condition for deep healing. And I would even go as far as to say that, for a psychedelic experience to be deeply healing, it has to involve high valence in one context or another. Of course, you may end up processing a lot of very difficult emotions. But ideally, it would be something that basically allows you to heal those difficult emotions and transform them into a state of mind that has many more of the positive qualities. 

And more so, high valence, even according to the Buddha, is an important factor for awakening. Of the seven factors for awakening, I would actually say about five of them are very connected to valence. Mindfulness, joy, relaxation, concentration, equanimity; they are kind of different flavors of high valence. They’re different ways in which a very high valence experience can manifest. The Buddha says that these are important things. Even if you only care about awakening, enlightenment, you may also care about the mathematics of valence. It might point you in the right direction as well.

I’ll also mention, there’s a big difference between the recipe of a state of consciousness and what you might call the review, or the description, of that state of consciousness. I’ll make an analogy with cooking: if you have cooking instructions for how to make a cake, sometimes it’s very counterintuitive what the cake is going to taste based on those instructions. Like “add yeast” for example. A lot of things in the recipe you may not know exactly how are going to actually affect the result. So, the recipe may look very different from the review of the state. I would say that for a lot of meditation states, or even just general life advice, this idea of don’t mindlessly chasing pleasure or trying to satisfy all of your existing desires compulsively gives counter-intuitive results. Yeah, chasing pleasure compulsively is not going to result in a sustainable high valence. To some extent, a lot of meditation instructions tell you to neither approach nor withdraw from emotions to develop equanimity. Since you are not engaging with your emotions, it sounds like the result is a fully neutral experience, right? It sounds like it’s unrelated to valence, almost cutting out the valence. But I would say: that’s just the recipe. Those are the instructions for how you manage your attention in order to eventually change your brain to actually generate these very healthy, sustainable, high valence states. So I definitely want to overcome this prejudice of thinking that high valence is unrelated to spirituality. No, I think they’re actually very deeply, intimately connected. 

Okay, so let’s go into the Symmetry Theory of Valence. I’ll just read these, but we will go into more depth into all of these. So, you know, we talked about qualia formalism, there is a mathematical object whose features are isomorphic to phenomenology. We believe that, yeah, harmony basically feels good because it’s symmetry over time. And basically, there’s kind of this duality between symmetry and space and synchrony in time. We will go over pleasure centers. The way we explain pleasure centers in this theory is that they are kind of tuning knobs (this was first proposed in Principia Qualia). They are there these bridges that, basically, when they get activated, they enable global large-scale synchrony in the brain. This is something that ultimately is very testable. Because if you can activate the pleasure centers, or inhibit whole brain harmony, we predict that’s going to actually negate the positive valence effects of the pleasure centers. Likewise, if we can induce large scale harmony, without activating the pleasure centers, or maybe even inhibiting the pleasure centers, we expect that to be a high valence state. So, it’s a cool, testable interpretation of what pleasure centers even are. 

Boredom is kind of an anti symmetry mechanism. So that’s why even if you look at a cathedral or something like that, you’re not going to be happy forever. You’re going to be happy for a little bit. Because your brain realizes that you’re not learning anything, and adds kind of this dissonance in order to make you move on to something else. We are wired in such a way that what helps us reproduce symmetrifies our consciousness. So, it’s not that high calorie food in and of itself is symmetrical, it’s not that it in and of itself is pleasant. It’s more that the way our nervous system is programmed is such that when you eat high calorie food, it triggers high valence. And that triggered high valence is what would be symmetrical, not necessarily the chemicals that you’re eating.

Importantly, valence, we think, has these three dimensions, which is positive, neutral, and negative. And you can actually have highly mixed experiences. You can have experiences, I don’t know, an example is you’re at a concert, enjoying yourself, but also you have to go to the bathroom, and you just broke up with your boyfriend. You can have these very complex mixed valence experiences, where parts of your experience are very pleasant, parts are very distressing, parts of those are very neutral, and that’s fine. At the same time, it still kind of collapses into this ultimately, “Hey, are you having a good time or not?”.

And something that the Symmetry Theory of Valence would say, and this is a pretty interesting kind of relationship, and I’ll explain it in a couple slides. This is just to kind of put it out there in your head to bounce around as we go on, which is that we expect there to be a very, very intimate relationship between information content, and basically the range of valence that you have access to. So in brief, for very, very high valence states of consciousness, we expect those to have very close to zero information. Whereas, when you have this state that is close to pure white noise, we expect that to be basically zero valence. Hopefully, this will make more sense as we go along.

These are just some illustrations of this principle. Actually, we expect that some of the most negative experiences out there will actually be pretty close to very, very highly symmetrical. I put this disjointed lattice at the bottom. And I would claim that something like a bad 5-MeO-DMT experience is actually something that is very regular, except for some strange disjoints, or imperfections, that cause profound dissonance. Whereas, if you’re in the pure noise kind of range, it all feels blah, it all feels really close to neutral.

When we say the state of consciousness is highly symmetrical and such, you know, let’s say, 5-MeO-DMT, or jhanas, or something like that, we expect these to actually show up in many ways. If you look at the biorhythms, like heart rate and breathing, that’s going to show up, symmetry is going to show up in some ways, being a different kind of projection of the latent state. I mean, ultimately, the formalism, you know, this mathematical object corresponds to consciousness is not observable directly, at least not right now. So we have to kind of rely on these projections, these interpretations of what’s going on, these ways of getting at this unobservable, underlying state. And EEG, connectome harmonics, biorhythms, and so on, are different ways of getting at it. I’ll show you at least empirically that it’s all so far consistent with the Symmetry Theory of Valence.

Here’s kind of the big plan. All of these different projections of this underlying state. So we have basically this stimulus. These are kind of visualized also to give you an intuition. So there’s stimuli, basically more symmetrical stimuli with higher valence, then there’s the endogenous bodily state, you know, biorhythms, as well. The CNS State, the actual, okay, what’s going on in your brain, then the formalism, and then the phenomenology of valence. When you have high valence, we expect (and what we see is) that there’s symmetry all across the board, in each of these different ways of looking at the state of consciousness. In each of these projections of the latent state.

So I’ll go on and start with phenomenology. I know that phenomenology is such a tricky thing. It’s so difficult to do, right. It’s so difficult to do. You make a lot of mistakes in phenomenology, get confused, and become self-deceived. So I mean, hopefully, the observation I’ll relate to you is going to show you that at least we’re taking care of some of the failure modes of phenomenology.

So, first of all, we distinguish between intentional content and phenomenal character. So, if you smoke DMT, and you experience, you know, you say something like “I saw a dragon with my own eyes” that doesn’t mean there was actually a mind-independent dragon out there. And, you know, I take seriously your report that you saw a dragon, but I don’t know how significant that is necessarily. On the other hand, if you describe “Oh, and by the way, the dragon had scales that had a symmetry group of what’s called the glide mirror symmetry group, and it had a 17 hertz strobing effect“. Okay, yes, so we’re getting more into the phenomenal character. You’re actually describing what it felt like, not only what it was about. I would make the claim that these observations of symmetry being related to valence are about the phenomenal character. I don’t care that much about, you know, “What was the journey? What was the content of the experience?” I care more about what it felt like, what are the features of it, and what we observe is that there’s a deep connection here.

So I’ll just give you some examples. Basically, introspect. You know, the difference between massage and bodily pain. Massage is kind of this very, very pleasant, harmonious, tactile pattern throughout your body that gives you these very nice waves of pleasure, as opposed to bodily pain. Bodily pain, if you introspect on it, it’s almost kind of like there’s like pinch points and discontinuities and fragmentations and deformations in your sense of self and the continuity of your skin or your felt sense of your inner organs. Basically, I would make the claim that bodily pain always manifests in one way or another as a kind of symmetry breaking operation. Now, definitely keep this in mind if you ever have a pain again, hopefully not.

Also, let’s say anxiety versus relaxation. Anxiety, you could almost describe it as, constant prediction errors. “Oh, did my heart do something strange? Is my leg positioned properly?”. It’s a state of mind where all of these little imperfections bubble up to your awareness. I would say it’s interrupting the flow of your attention and creating these pinch points and deformations in the way you experience the world. As opposed to relaxation, where you’re almost kind of just completely melted into it. And it’s so regular, you can almost filter out most of your bodily sensations. And in that sense I would argue it has a very symmetrical quality.

There’s also this whole argument Mike brings up which is the phenomenology concerning non-adaptiveness, the non-adaptiveness principle, which is that basically, there’s a bunch of things out there that feel really good, but that weren’t in our evolutionary environment. Those are hints; we consider those hints that hey, if something wasn’t in the African savanna but feels great, it probably means that it’s kind of directly hacking into the patterns of valence somehow. We didn’t evolve to filter those out or to not get absorbed by them. And yeah, here are some examples, but I’ll go deeper into those. 

Now, there’s also this exotic valence. Bodily pain, anxiety, relaxations: those would be examples of “normal valence”. It’s the valence that we’re all used to. But I would say that also in “strange valences”, like valences in weird states of consciousness, they also follow this pattern. That in some sense, symmetry explains their pleasantness. And I’ll give you some examples.

So, dream music. I’ve had the pleasure or displeasure, you could say, of having had a lot of sleep paralysis and lucid dreams, and this effect is something you can experience in either sleep paralysis or lucid dreams. If you’ve had a lucid dream, where you were making music, or you heard, you’re hallucinating that there was a radio playing, you will notice that, “Oh my gosh, the music can be beautiful, like… incredible”. And this music, maybe you have heard it before, maybe not. Maybe your brain is generating it on the fly. But it has a quality to it that is extraordinarily hedonic and pleasant. And I remember studying this on myself over many lucid dreaming experiences. At first, I thought, “Oh my gosh, my brain is just unlocking this ability to create awesome harmonies and melodies”. But then I ended up realizing that even if I just make a kind of an “om”, this meditation sound, even though that sound is extremely simple, the quality of the sound in the lucid dream is profound. I mean, it’s almost kind of a surround sound, like 360 surround sound, and stereoscopic and full of reverb and richness. 

I would claim that it’s actually because, during a dream state, your brain is more resonant. You can kind of enter into these very, very resonant attractors, and it’s that quality that makes the music so compelling, not the melody. If you transcribe the melody, the melody may not be very significant. It was how it sounded that was so profound in the music in the dream.

Then you have meditation. Even these images, maybe, I don’t know if this is cheating, but representations of meditation, like high attainments, and so on, they usually come with these beautiful symmetries and whatnot. If you examine the phenomenology of jhanas, how they’re described, there seems to be kind of this projection of less and less information content in your experience. Going from having all of your attention concentrated in one point to then the experience of completely perfectly smooth, boundless space to then just pure consciousness, and then the experience of neither nothing nor something. In a sense, that’s kind of approaching the limit of zero information. And then people report these jhana experiences, they’re not pleasant in a conventional sense. It’s not like eating ice cream or something like that, but they’re still very, very high valence. They’re blissful, in an exotic way. But, I do want to point out that there’s this fascinating, strange relationship here between low information content and the blissfulness and the healing quality of the state.

And then there is exotic valence from psychedelics. I mean, again, I don’t want you to focus on the intentional content, what was the experience about. What you thought, of course, can influence your valence, but it’s more about the phenomenal character. There’s this phenomena of tracers, you move your hand around, and you see copies laying around, and in a sense, it’s giving a temporal depth to your experience. It’s almost kind of adding a new dimension of time, where qualia can pile up. And usually, if the trip is good, you’ll notice that these tracers are in a harmonic relationship with each other. That is kind of the essence of what makes them feel so good.

Likewise, there’s a psychedelic texture repetition. You stare at a piece of grass on LSD, and it starts to symmetrify. And I would totally say this is exotic valence because you ask the person, and they will say “the ground was symmetrifying, and I don’t know why, but it was awesome”. There was something really cool about it, and why would that be? Our interpretation here is that psychedelics are, in a sense, unlocking the valence capacity of your visual cortex. It’s kind of transforming your cortex into a pleasure machine, basically allowing it to exhibit these profound symmetries, and that is what actually is making them feel so compelling. People will struggle to explain “Why were the visuals cool? Why were they interesting?”. When it comes down to it, I think it is the symmetry.

Interestingly, these are called the wallpaper symmetry groups. There’s 17 possible ways of tessellating a two dimensional space. From subjective reports, we know that any of these can be experienced on a psychedelic. The ground, kind of chaotically, will arrive at one attractor of symmetry. It could be any of these 17, and they all feel great. They’re all extremely aesthetic and beautiful and blissful in one way or another. But it’s kind of a testament to just how general this effect is.

I would make the claim, and this is obviously a strong claim, but it matters for something like therapy, psychedelic therapy. We recently saw this fascinating research on psilocybin for major depression, and that a lot of these effects are mediated by whether you had a mystical experience or not. I would say that if you did have a mystical experience, and it was healing, I would bet that while you were having that experience, the sense of space and time was basically extremely, extremely symmetrical. And here is kind of why it’s so confusing. Because you come back and you say, “Well, I saw Jesus”, and you think that you got healed because of Jesus. I don’t want to dissuade you from that view, but I would basically ask you “Okay, but when you experienced Jesus, what was the feeling of space and time?”. They might say something like, “Oh, it had a beautiful light. It had this beautiful harmony and rainbows”. And I’ll claim that if you introspect on them then that it’s actually the quality of phenomenal space and time that is healing and blissful. The meaning, the religious meaning, is something that is helping your mind basically concentrate on that space, and take it seriously as a way of propagating this negentropy in your nervous system.

Now, another place where this shows up super, super clearly, phenomenologically, is on DMT. I definitely recommend this article we wrote that basically charts the DMT space. You can know a lot about where you are in the DMT space by describing what is your energy level on the one hand, and then what is the information content on the other. I would say DMT states that have close to zero information content would be kind of these geometric, perfectly repeating, symmetry groups, either 2D or 3D. Whereas, more chaotic states would be kind of in the middle. The energy level would be a matter of dose. The “height” you reach is very, very dose-dependent. But then the valence, I think it’s very, very dependent on actually where in the axis of information content you find yourself in.

Here again, there’s this diagram that the most blissful experiences you may have on DMT are going to be on these kinds of honeycombs and perfectly symmetrical patterns. The most unpleasant experiences are going to be just right next to those, they are going to be kind of dissonant honeycombs. Whereas you know, when you get to complex narratives, like machine elves and alien realms and all of that stuff, those experiences would be very mixed in their valence. There’s both dissonance, consonance, symmetry, anti-symmetry; those are very complex experiences.

Now, the information content, we think of them as basically attractors in feedback systems. You may end up in a chaotic attractor, you may end up in a limit cycle or a fixed point. And that will determine how much information content the state has. 

Interestingly, this also can be used to describe the difference between DMT and 5-MeO-DMT. We think DMT tends to have a lot more information content. 

So you have these very rich patterns, and I would say competing synchronies. On DMT, there’s all of these slightly different frequencies that are competing for your attention and creating a narrative out of that. That is like a very mixed experience; it is both blissful and distressing at the same time.

Whereas 5-MeO-DMT, which is described as far more powerful emotionally, tends to give you this sense of pure space, like the feeling of the insight into emptiness, the feeling of infinite boundless consciousness, very little information content. Yet, it’s so emotionally impactful to such an extreme extent.

Interestingly, I would say, the reports do come out that on 5-MeO-DMT, you may have the best experience of your time, or you may have the worst experience of your life. It’s kind of bimodal. It’s either amazing or it’s extremely bad. Often, it starts out really bad and then it gets amazing. I would describe that in terms of kind of this annealing process where it basically starts with dissonance, and, over time, things synchronize, and you do end up where all of your nervous system is entrained to the same frequency, and that feels very, very blissful. Whereas DMT is always kind of in this mixed state. It is very difficult for DMT to be pure negative or pure positive. It’s always this mixed state. So I would say, yeah, this is kind of the phenomenological case for the Symmetry Theory of Valence.

I’m two thirds of the way through the presentation. I’m just gonna walk you through the empirical evidence. So we were talking about phenomenology; that’s one of the projections of this formalism and its symmetry. There’s symmetry in the formalism. It’s gonna manifest in some forms of phenomenological symmetry. Likewise, you know, if you use external stimuli in order to generate a state, like, let’s say, watching a movie, playing music, playing stroboscopic stimulation, there’s a lot of evidence that indicates that the symmetry of the stimuli is the leading factor for how pleasant or unpleasant the resulting state is. We have all of this research in vision.

These are just some examples. It’s so stunning, right? Even if you know the effect, you still get the valence response. You go to a cathedral and think “Okay, I’m not gonna get high valence, I’m not going to get high valence”. You still get the response. It’s pretty automatic. As long as it has this rich, deep symmetry, oftentimes, it’s going to be very beautiful. There’s something very compelling about this.

Just some random pictures to give you a sense of this.

Why does this feel good? It really has very little to do with our ancestral environment.

Anyway, this is such a robust effect that, with the symmetry of faces, for example, even face paint can be used to modify the valence. So, if you don’t have a perfectly symmetrical face, but you add symmetrical face paint with beautiful patterns, you’re going to be judged as more beautiful. It’s just such a strong effect, that it can actually modify your perception of how beautiful somebody is. Likewise, if you add asymmetrical patterns, you look less beautiful. Now, this, I wouldn’t say this is that strong of evidence because this actually does have an evolutionary reason. Symmetry in faces is a marker of mutational load. So I don’t put that much stock in, symmetry of faces being that relevant. But symmetry in other forms is where I think it’s so stunning. 

You also see this in symmetry in audio, basically, regular rhythms. Harmony is the leading predictor for whether a sound is going to be pleasant or unpleasant.

You know, this is Helmholtz’s big idea. He was the first one to figure out why playing two notes in a piano that are one semitone apart feels unpleasant. It’s because the harmonics are basically within what’s called the critical window. They generate beat patterns and the beat patterns can be described as basically symmetry breaking operations in the waveform. Those symmetry breaking operations, in essence, cause irritation. So basically, the more beating there is in sound, and the more beating across the spectrum, the more irritating and distracting and rough the sound is going to sound like. Whereas, when you have these harmonic relationships, you play one note, one piano note, and another at an octave of difference, the harmonics line up perfectly. Actually, the sound is very compressible because you don’t have this extra information of where all the other harmonics lie. They’re just the harmonic sequence. And that is universally described as a more pleasant sound.

When you add up all the harmonics, you get these interesting curves. The height here is the amount of dissonance. When you have a relationship of one to two, basically an octave, you have zero dissonance, and that feels really good. Now, music is very complicated. We have to factor in the boredom mechanism. If you just play the same octave over and over, you get bored, and there’s an inner sense of restlessness and dissonance. But if you just hear it for the first time, then there’s a super, super strong relationship between symmetry and valence.

These are just examples of a piano chord.

Dissonant sounds. I can send you a link to all of these sounds after the presentation*, but I have some links for a SoundCloud account where you can kind of get convinced that “Oh gosh, these are actually really bad sounds”. It’s not that I’m saying they’re bad. If you ask 100 people, like 99% of people will say they’re awful. 

Likewise, reverb basically symmetrifies any waveform. Reverb is almost kind of this hack that you take almost any dissonant sound and you add reverb to it and is going to sound a lot less bad, a lot less distracting, irritating, and so on. So this is comparing the sound of a baby crying, which by the way, like in our analysis, it shows that babies crying, it’s almost like their sound is optimized for dissonance. It’s almost kind of as dissonant as it gets for a sound made by a human. For good evolutionary reasons, it has to be distracting, and catch your attention, bring the desire to stop it. But you add reverb and to give you a sense, that’s like if the baby was in a huge cave, you get all these echoes averaging out the beat patterns. It sounds way better, way less distracting, probably not good from an evolutionary standpoint. But, it’s just a fascinating kind of transformation you can apply to any waveform.

And here, I just want to illustrate that valence can happen across the spectrum. So I also have this file**, and you’re welcome to listen to it after the presentation where you can have consonance anywhere in the spectrum, mixed in with dissonance anywhere in the spectrum, mixed in with noise anywhere in the spectrum. That ends up basically creating these very mixed states. 

So basically, when I say “Oh, I had a mixed experience, a mixed valence experience” that underdetermines what I experienced because we don’t know if the positive part was in the high frequencies or in the low frequencies. We don’t know that. That’s why the full picture of valence would also include the spectrum for positive, negative, and neutral valence. You can have high frequency pleasure, you can have low frequency pleasure, etc. So that kind of explains why there’s a tremendous diversity of possible mixed experiences even though ultimately they’d still come down to symmetry. Deep down, they can all still be explained with symmetry.

Now, endogenously generated symmetry, this is fascinating research. That when you have this “biorhythm coherence” you feel happier. And the way of computing biorhythm coherence is very related to musical consonance. Breathing entrained with heart rate variability is reported as giving rise to a just much, much better positive mood, and is one of the things that long-term meditation achieves. Meditation entrains these biorhythms and basically makes them interlock with one another. That is reported as giving rise to positive mood which is an interesting finding and very consistent with STV.

Here are just some quotes. Cool.

And you know, the heart palpitations. I mean, it’s similar to anxiety in that if you have like this usually regular metronome, and it’s failing, is generating these imperfections, that gives rise to unpleasant states of mind. I’m sure heart disease is terrible for your valence. Likewise, meditation is a wonderful tool for heart disease because it allows you to overcome those imperfections and still feel good despite the problem.

In terms of other endogenously generated symmetry, I will mention orgasm and flow. Orgasm is a powerful generator of endogenous resonance. It’s the entrainment of motor systems to near hallucinations, to synchronizing feedback processes across multiple functional networks. With an orgasm, there’s a deep, deep level of synchrony and symmetry across the nervous system. I highly recommend introspecting on this (not to get into your sex life or anything, though). I mean, it’s something you can actually pay attention to, and it becomes very obvious once you notice it. 

Likewise with flow, there’s this evidence that symmetry is deeply related to flow. Two physiological metrics for measuring flow are cortical muscular coherence and a degree of coupling between neural EEG waves and EMG oscillations of muscle activity. So, there’s also these interlocking patterns, lower information content, more symmetry. Yeah, it’s a strong predictor of flow. So like, hey, go figure flow is also symmetrical.

Okay, let’s get into the symmetry in the brain. So this is kind of the other projection you could take of the latent state. If you look at the central nervous system of high valence states, how does the valence show up? And, you know, meditation, like all over the place, basically pretty much any kind of meditation, if done for a long enough time, leads to some kind of EEG coherence. Whether it’s gamma coherence, delta coherence, or alpha coherence, depends on which kind of meditation you do. But they all generate some form of coherence, and coherence in EEG is intimately related with symmetry. I mean, basically, two signals are coherent when they’re both reflections of a shared signal through a reverb pattern, meaning that they’re encoding the same information just through a different filter, which is, again, deeply, deeply connected to symmetry. 

Here’s a fascinating study from 2019 that I recommend reading which to me was really stunning. It was stunning in just how clear the connection with the Symmetry Theory of Valence was. The study is about the EEG recordings of the first and second jhanas and the interesting patterns that emerged in them. One of them is this seizure-like activity. Now, seizure-like activity is three to five hertz, and it doesn’t have harmonic structure. I mean most seizures don’t have their harmonics together with them. But the type of seizure-like activity you see on jhanas does have harmonic structure. And the picture here is basically the Fourier transform of the independent components of the EEG recordings. You can see there’s a very clean 5.6 hertz signal, together with its harmonic of 11.23 hertz. This is kind of stunning. Why would this happen? And jhanas feel really blissful. Without the Symmetry Theory of Valence, this is just super surprising and strange. With the Symmetry Theory of Valence it’s like, “Oh, yeah, you’re, feeling a really great symmetrical attractor of your brain and sustaining it”. So that’s going to feel good. 

Even you know, ketamine showing high levels of a gamma coherence.

For 5-MeO-DMT, the only dataset I’m aware of, of EEG and 5-MeO-DMT, shows coherence across the spectrum, not only gamma coherence, but also beta coherence, and especially delta coherence. Again, why on earth? The Symmetry Theory of Valence would explain this. It would say, “Yes, this is expected”. Other theories might struggle a bit. Now, I’ve got to say that just because you have high coherence doesn’t mean it’s going to be high valence. We expect also very negative valence could also be high coherence. Except that when you have total coherence, then we expect that to be always positive valence. Again, it’s going to have that relationship because you could still have a high average coherence, but have half of your channels coherent in a certain frequency and half of the other channels coherent in a slightly different frequency. That might actually maximize dissonance. So just average coherence is not enough. You also need to tell whether it’s in harmonic structure or not.

Pleasure in the brain seems to be kind of this distributed effect that also from our point of view would mean it’s actually a whole brain phenomena. 

This is about what I was mentioning about the pleasure centers from our point of view. I mean, there’s this research of if you tried to synchronize clocks, and you tried to synchronize neurons, and you put them in a geometric grid. If it’s large enough, you’re not going to usually get full scale synchrony. You might have emergent patches of synchrony or traveling waves of synchrony. But if you also add these random connections across the network and reduce the synaptic path length, then you can unlock the ability for the entire network to enter synchrony. So we think of the pleasure centers as kind of these bridges that are, in a sense, lowering the average synaptic path length across your brain, and therefore enabling similar synchrony across the brain. And that’s the reason why we think the pleasure centers generally feel good when you activate them. 

Okay, getting to the end of the presentation. So I’ll just talk about a few near “enemies”. I put “enemies” in quotes, because we actually admire these people. They’re part of our research lineages. I think they’re a very, very key component of any good theory of consciousness. But I think when it comes to valence itself, there’s some explanations in the space that are really close to the Symmetry Theory of Valence, but they’re not exactly what we’re getting at. So there’s this whole account of computational efficiency. The brain likes computational efficiency, but in a sense, you still have to explain why the brain likes computational efficiency- what does this liking manifest as? We use this argument of “passing the bucket” which ideally your theory of valence should avoid. The theory should explain what valence itself is, not only when it gets triggered. These theories of computational efficiency, energy efficiency, we would claim, they’re telling you under what conditions positive valence gets triggered, but they don’t tell you what positive valence itself is. And that’s what the Symmetry Theory of Valence is getting at. 

So yeah, these are some of the issues with those, at least as complete theories.

Finally, okay, counter examples. There’s this whole theory I recommend reading called Neural Annealing (by Mike Johnson). But even very neutral energy that neither has harmony or dissonance, can still give rise to very positive feelings because it can give rise to this annealing process. And that’s actually what we believe is going on with psychedelics. Psychedelics gives you what Mike would call semantically neutral energy. And that gives rise to basically this entropic disintegration, a term from Robin Carhart-Harris and the entropic brain hypotheses, which then gives rise to kind of this search, or self-reorganisation that basically will settle on these basins of symmetry. And it’s those that feel good, not the energy that feels good. It is the end result, the attractor that it takes you to.

And this explains, I think, why even somebody can like hot sauce. Hot sauce is kind of this unpleasant stimuli, but it can lead to euphoria. It can lead to this heightened state of energy. If you introspect on the euphoria of hot sauce, it’s not the unpleasant pain in the mouth, it’s that it raises all of your energy, your entire amount of the intensity of your consciousness. You can then notice these resonant waves, and it is those resonant waves that feel good, not the hot sauce itself. So there’s this kind of a step that basically separates one from the other.

I’ll just very quickly, briefly describe one way we’re trying to test the Symmetry Theory of Valence. It is not the only way to test it. I would even argue that, you know, the argument that I here presented is itself a potentially strong argument. But ideally, you know, we generate novel predictions. And this is one of them, which is that we basically expect that the very positive states of consciousness will have a harmonic relationship, basically a consonant relationship between the brain harmonics. Yeah, using the work of Selen Atasoy.

This algorithm of quantifying the amount of consonance in brain harmonics, which is something we were working with, and hopefully will get resolved soon.

We anticipate that, again, if this is true, the Symmetry Theory of Valence would be validated. If it’s not, it doesn’t invalidate it, because there’s many ways in which it can manifest. But when you have harmonics that are in a consonant relationship with each other, and those are the main drivers of your experience, we expect that to be pleasant.

That is, euphoric.

Whereas, when you have harmonics that are dissonant with each other, they generate these intense beating patterns. So we expect that to be described as unpleasant. Again, we don’t know, but we want to check if this is true. 

Just a couple testable predictions based on this, which is that we expect psychedelics to enhance the range of valence. Basically, psychedelics enhance energy across the board. Just all of the harmonics have more energy. We expect that some of those combinations will be just very consonant and reported to be very pleasant, some of those will be very dissonant, reported to be unpleasant. Then SSRIs, there’s a lot of research on SSRIs and their blunting effects. They cut the extremes of valence. So, we expect when it comes to harmonics that the SSRIs will be more noisy, less consonant, less dissonant. MDMA, we expect it to be a stable attractor of a few resonant modes that are very consonant with each other. Stimulants would be kind of high frequency consonance. Opiates would be low frequency consonance. Again, this idea that you can be in a good state leaves underdetermined whether there are symmetries in the high frequencies or the low frequencies, and this would disentangle these types of mixed experiences.

These are the last two or three slides which is kind of a case study which is SSRI’s. Roughly speaking, we interpret them as being noise inducers which is why things like orgasm on SSRIs are less intense. Crying is hard. I mean, crying itself is a kind of a dissonant and sometimes consonant, kind of resonant state. On SSRIs you feel kind of spaced out and music enjoyment goes down. So yeah, the way we think of SSRIs is that they’re almost kind of like listening to a white noise machine along your life, so it’s gonna cut off the extremes. It’s gonna blunt both very positive and very negative valence, and it’s gonna just kind of center you in neutral valence.

Whereas psychedelics, they basically kind of purify and intensify your harmonics. And in that sense, you get to have more pleasant and more unpleasant states and both extremes.

Just to remind you: introspect. I compel you, next time you’re on a psychedelic having a mystical experience, introspect on the quality of space and time. I suggest that you will probably be experiencing these kinds of beautiful ripples that are in a harmonic relationship to each other. Please email me if this is true or not true. But that’s the experience so far. And that’s the reason why this can feel so amazing.