5-MeO-DMT Awakenings: From Naïve Realism to Symmetrical Enlightenment

In the following video Leo Gura from actualized.org talks about his 30-day 5-MeO-DMT streak experiment. In this post I’ll highlight some of the notable things he said and comment along the way using a QRI-lens to interpret his experiences (if you would rather make up your mind about what he says without my commentary just go and watch the video on your own before reading what I have to say about it).

TL;DR: Many of the core QRI paradigms such as Neural Annealing, the Symmetry Theory of Valence, the Tyranny of the Intentional Object, and Hyperbolic Geometry on Psychedelics have a surprising degree of explanatory power when it comes to making sense of the peculiar process that ensues when someone takes a lot of 5-MeO-DMT. The deep connections between symmetry, valence, smooth geometry, and information content are made clear in this context due to the extreme and purified nature of the states induced by the drug.


Introduction

Recently Adeptus Psychonautica (who has interviewed me in the past about the hyperbolic geometry of DMT experiences) put out a video titled “When you have taken too much – Actualized.org“. This video caught my attention because Leo Gura did something that is rather taboo in spiritual communities, and for good reasons. Namely, he tried to convince the viewers that he had achieved a level of awakening that nobody (or perhaps only a few people) on the entire planet had ever reached. He then said he was going to isolate for a month to integrate these profound awakenings and come back with a description of what they are all about.

Thankfully I didn’t have to wait a month to satisfy my curiosity and see what happened after his period of isolation because by the time I found about it he had already posted his post-retreat video. Well, it turns out that he used those 30 days of isolation to conduct a very hard-core psychedelic experiment. Namely, he took high doses of 5-MeO-DMT daily for the entire month. I’ve never heard of anyone doing this before.

Learning about what he experienced during that month is of special interest to me for many reasons. In particular, thanks to previous research about extreme bliss and suffering, we had determined that 5-MeO-DMT is currently the psychedelic drug that has the most powerful and intense effects on valence. Recall Logarithmic Scales of Pleasure and Pain (video): many lines of evidence point to the fact that extreme states of consciousness are surprisingly powerful in ways that are completely counterintuitive. So when Leo says that there are “many levels of awakening” and goes on to discuss how each level is unrecognizably more intense and deeper than the previous one, I am very much inclined to believe he is trying to convey a true property of his experiences. Note that Leo did not only indulge in psychedelics; we are talking about 5-MeO-DMT in particular, which is the thermonuclear bomb version of a psychoactive drug (as with Plutonium, this stuff is best handled with caution). More so, thankfully Leo is very eloquent, which is rare among people who have had many extreme experiences. So I was very eager to hear what he had to say.

While I can very easily believe his trip reports when it comes to their profundity, intensity, and extraordinary degree of consciousness, I do not particularly find his interpretations of these experiences convincing. As I go about describing his video, I will point out ways in which you can take as veridical his phenomenological descriptions without at the same time having to agree with his interpretations of them. More so, if you end up exploring these varieties of altered states yourself, by reading this you will now at least have two different and competing frameworks to explain your experiences. This, I think, is an improvement. Right now the psychedelic and scientific community has very few lenses with which to interpret something as extraordinary as 5-MeO-DMT experiences. And I believe this comes at a great cost to people’s sanity and epistemic rationality.

What Are Leo’s Background Assumptions?

In the pre-retreat video Leo says that his core teachings (and what he attempts to realize on his own self) are: (1) you are literally God, (2) there is nothing but consciousness – God is infinite consciousness, (3) everything is states of consciousness – everything at all times is a different state of consciousness, (4) you are love – and love is absolute – this is all constructed out of love – fear is just fear of aspects of yourself you have disconnected from, (5) you have no beginning and no end, (6) you should be radically open-minded. Then he also adds that physical and mental health issues are just manifestations of your resistance to realizing that you are God.

What Are My Background Assumptions?

Personal Identity

I am quite sympathetic to the idea of oneness, which is also talked about with terms like nonduality and monopsychism. In philosophical terminology, which I find to be more precise and rigorous, this concept goes by the name of Open Individualism – the belief that we are all one single consciousness. I have written extensively about Open Individualism in the past (e.g. 1, 2, 3), but I would like to point out that the arguments I’ve presented in favor of this view are not based on direct experience, but rather, on logical consistency from background assumptions we take for granted. For instance, if you assume that you are the same subject of experience you were a second ago, it follows that you can exist in two points in space-time and still be the same being. Your physical configuration is different than a few seconds ago (let alone a decade), you have slightly different memories, the neurons active are different, etc. For every property you point out as your “identity carrier” I can find a counter-example where such carrier changes a little while you still remain the same subject of experience. Add to that teleportation, fission, fusion, and gradual replacement thought experiments and you can build a framework where you can become any other arbitrary person without a loss of identity. These lines of argumentation coupled with the transitivity of identity can build the case that we are indeed all one to begin with.

But realize that rather than saying that you can grasp this (potential) truth directly from first person experience, I build from agreed upon assumptions to arrive at an otherwise outlandish view. Understanding the argument does not entail “feeling we are all one”, and neither does feeling we are all one entails understanding the arguments!

Indirect Realism About Perception

There is a mind-independent world out there and you never get to experience it directly. In some sense, we each live in a private skull-bound world-simulation that tracks the fitness-relevant features of our environment. Hence, during meditation, dreaming, or psychedelic states you are not accessing any sort of external reality directly, but rather, exploring possible configurations and qualities of your inner world-simulation. This is something that Leo may implicitly not realize. In particular, interpreting 5-MeO-DMT experiences through direct realism (also called naïve realism – the view that you experience the world directly through your senses) would make you think that you are literally merging with the entire cosmos on the drug. Whereas interpreting those experiences with indirect realism merely entails that your inner boundaries are dissolving. In other words, the partitions inside your world-simulation are what implements the feeling of the self-other duality. And since 5-MeO-DMT dissolves inner boundaries, it feels as though you are becoming one with your surroundings (and the rest of reality).

Physicalism and Panpsychism

An important background assumption is that the laws of physics accurately describe the behavior of the universe. This is distinct from materialism, which would also posit that all matter is inherently insentient. Physicalism merely says that the laws of physics describe the behavior of the physical, but leaves its intrinsic nature as an open question. Together with panpsychism, however, physicalism entails that what the laws of physics are describing is the behavior of consciousness.

Tyranny of the Intentional Object

We tend to believe that what makes us happy is external to us, while in reality happiness is a state of consciousness triggered by external circumstances. Our minds lead us to believe otherwise for evolutionary reasons.

Valence Structuralism

What makes an experience feel good or bad is not its semantic content, its computational use, or even whether the experience is self-reinforcing or not. What makes experiences feel good or bad is their structure. In particular, a very promising idea that will come up below is that highly symmetrical states of consciousness are inherently blissful, such as those we can access during orgasm, meditation, psychedelics, or even just good food and a hug. Recall that 5-MeO-DMT dissolves internal boundaries, and this is indicative of increased inner symmetry (where the boundaries themselves entail symmetry breaking operations). Thus, an exotic state of oneness is blissful not because you are merging with God, but “merely” because it has a higher degree of symmetry and therefore it’s valence is higher than what we can normally experience. In particular, the symmetry I’m talking abut here may be an objective feature of experiences perhaps even measurable with today’s neuroimaging technology.

There are additional key background philosophical assumptions, but the above are enough to get us started analyzing Leo’s 5-MeO-DMT journey from a different angle.


The Video

[Video descriptions are in italics whereas my commentary is bolded.]

For the first 8 minutes or so Leo explains that people do not really know that there are many levels of enlightenment. He starts out strong by claiming that he has reached levels of enlightenment that nobody (or perhaps just a few people) have ever reached. More so, while he agrees with the teachings of meditation masters of the past, he questions the levels of awakening that they had actually reached. It takes one to know one, and he claims that he’s seen things far beyond what previous teachers have talked about. More so, he argues that people simply have no way of knowing how enlightened their teachers are. People just trust books, gurus, teachers, religious leaders, etc. about whether they are “fully” enlightened, but how could they know for sure without reaching their level, and then surpassing them? He wraps up this part of the video by saying that the only viable path is to go all the way by yourself – to dismiss all the teachers, all the books, and all the instructions and see how far you can go on your own when genuinely pursuing truth by yourself.

With this epistemological caveat out of the way, Leo goes on to describe his methodology. Namely, he embarked on a quest of taking 5-MeO-DMT at increasing doses every day for 30 days in a row.leo_10_05

At 10:05 he says that within a week of this protocol he started reaching levels of awakening so elevated that he realized he had already surpassed every single spiritual teacher that he had ever heard of. He started writing a manifesto explaining this, claiming that even the most enlightened humans are not truly as awake as he became during that week. That it had became “completely transparent that most people who say they are awake or teach awakening are not even 1% awake”. But he decided not to go forward with the manifesto because he still values the teachings of spiritual leaders, whom according to him are doing a great service to mankind. He didn’t want to start, what he called, a “nonduality war” (which is of course a fascinating term if you think about it).

The main thing I’d like to comment here is that Leo is never entirely clear about what makes an “awakening experience” authentic. From what I gather (and from what comes next in the video) we can infer that the leading criteria consists of a fuzzy blend of experience of certainty, feeling of unity, and sense of direct knowing coupled together. To the extent that 5-MeO-DMT does all of these things to an extraordinary degree, we can take Leo on his words that he indeed experienced states of consciousness that feel like awakening that are most likely inaccessible to everyone who hasn’t gone through a protocol like his. What is still unclear is how exactly the semantic contents of these experiences are verified by means other than intuition. We will come back to that.

At 16:00 he makes the distinction between awakening as merely “cessation”, “nothingness”, “emptiness”, “the Self”, or that “you are nothing and everything” versus what he has been experiencing. He agrees that those are true and worthy realizations, but he claims that before his experiences, these understandings were still only realized at a very “low level”. Other masters, he claims, may care about ending suffering, about peace, about emptiness, and so on. But that nobody seems to truly care about understanding reality (because otherwise they would be doing what he’s doing). He rebukes possible critics (arguably of the Zen variety) who would say that “understanding is a function of the mind” so the goal shouldn’t be to understand. He asserts that no, based on his lived experience, that consciousness is capable of “infinite understanding”.

Notwithstanding the challenges posed by ultrafinitism, I am also inclined to believe Leo that he has experienced completely new varieties of “understanding”. In my model of the mind, understanding something means to have the ability to render it in your world-simulation in a particular kind of way that allows you to see it from every possible angle you have access to. On 5-MeO-DMT, as we will see to a greater extent below, a certain new set of projective operations get unlocked that allow you to render information from many, many more points of view at the same time. It is unclear whether this is possible with meditation alone (in personal communication, Daniel Ingram said yes) but it is certainly extraordinarily rare for even advanced meditators to be able to do this. So I am with Leo when it comes to describing “new kinds of understandings”. But perhaps I am not on board when it comes to claiming that the content of such understandings is an accurate rendering of the structure of reality.

At 18:30 Leo asserts that what happened to him is that over the course of the first week of his experiment he “completely understood reality, completely understood what God is”. God has no beginning and no end. He explains that normal human understanding sees situations from a single point of view (such as from the past to the future). But that actual infinite reality is from all sides at once: “When you are in full God consciousness, you look around the room, and you can see it from every single point of view, from an infinite number of angle and perspectives. You see that every part of the room generates and manufactures and creates every other part. […] Here when you are in God consciousness, you see it from every single possible dimension and angle. It’s not happening lilnearly, it’s all in the present now. And you can see it from every angle almost as though, if you take a watermelon and you do a cross-section with a giant knife, through that watermelon, and you keep doing cross-section, cross-section, cross-section in various different angles, eventually you’ll slice it up into an infinite number of perspectives. And then you’ll understand the entire watermelon as a sort of a whole. Whereas usually as humans what we do is we slice down that watermelon just right down the middle. And we just see that one cross-section.”

Now, this is extremely interesting. But first, it’s important to point out that here Leo might implicitly be reasoning about his experience through the lens of direct realism about perception. That is, that as he experiences this profound sense of understanding that encompasses every possible angle at once, he seems to believe that this is an understanding of his environment, of his future and past, and of reality as a whole. On the other hand, if you start out assuming indirect realism about perception, how you interpret this experience would be in terms of the instantiation of new exotic geometries of your own world-simulation. Here I must bring up the analysis of “regular” DMT (i.e. n,n-DMT) experiences through the lens of hyperbolic geometry. Indeed, regular DMT elevates the energy of your consciousness, which manifests in brighter colors, fast movement, intricate and detailed patterns, and as curved phenomenal space. We know this because of numerous trip reports from people well educated in advanced mathematics who claim that the visual symmetries one can experience on DMT (at doses above 10mg) have hyperbolic curvature (cf. hyperbolic orbifolds). It is also consistent with many other phenomena one can experience on DMT (see the Eli 5 for a quick summary). But you should keep in mind that this analysis never claims that you are experiencing directly a mind-independent “hyperspace”. Rather, the analysis focuses on how DMT modifies the geometric properties of your inner world-simulation.

Hyperbolic Geometry of DMT Experiences copy 47

Energy-complexity landscape on DMT

Hyperbolic Geometry of DMT Experiences copy 38

DMT trip progression

Intriguingly, our inner world-simulations work with projective geometry. In normal circumstances our world-simulations have a consistent set of projective points at infinity – they render the modal and amodal features of our experience in projective scenes that are globally consistent. But psychedelics can give rise to this phenomenon of “point-of-view-fragmentation“, where your experience becomes a patchwork of inconsistent projective renderings. So even on “regular” DMT you can get the profound feeling of “seeing something from multiple points of view at once”. Enhanced with hyperbolic geometry, this can cause the stark impression that you can explore “hyperspace” with a kind of “ultra-understanding”.

Looking beyond “regular” DMT, 5-MeO-DMT is yet more crazy than that. You see, even on DMT you get the feeling that you are restricted in the number of points of view from which you can see something at the same time. You can see it from many more points of view than normal, but it’s still restricted. But the extreme “smoothing” of experience that 5-MeO-DMT causes makes it so that you cannot distinguish one point of view from another. So they all blend together. Not only do you experience semantic content from “multiple points of view at once” as in DMT, but you can erase distinctions between points of view so that one’s sense of knowing arises involving a totally new kind of projective effect, in which you actually feel you can see something from “every point of view at once”. It feels that you have unlocked a kind of omniscience. This already happens on other psychedelics to a lesser extent (and in meditation, and even sober life to an even lesser extent, but still there), and it is a consequence of smoothing the geometry of your experience to such an extent that there are no symmetry-breaking imperfections “with which to orient a projective point”. I suspect that the higher “formless” jhanas of “boundless space” and “boundless consciousness” are hitting at this effect. And on 5-MeO-DMT this effect is pronounced. More so, because of the connection between symmetry and smoothness of space (cf. Geometry Through the Eyes of Felix Klein) when this happens you will also automatically be instantiating a high-dimensional group. And according to the Symmetry Theory of Valence, this ought to be extraordinarily blissful. And indeed it is.

This is, perhaps, partly what is going on in the experience that Leo is describing. Again, I am inclined to believe his description, but happy to dismiss his naïve interpretation.

indras_net

Indra’s Net

At 23:15 Leo describes how from his 5-MeO-DMT point of view he realized what “consciousness truly is”. And that is an “infinitely interconnected self-communicating field”. In normal everyday states of consciousness the different parts of your experience are “connected” but not “communicating.” But on 5-MeO, “as you become more conscious, what happens is that every point in space inter-connects with itself and starts to communicate with itself. This is a really profound, shocking, mystical experience. And it keeps getting cranked up more and more and more. You can call it omniscience, or telepathy. And it’s like the universal communication system gets turned on for the first time. Right now your conscious field is not in infinite communication with itself. It’s fragmented and divided. Such that you think I’m over here, you are over there, my computer is over here, your computer is over there…”. He explains that if we were to realize we are all one, we would then instantly be able to communicate between each other.

Here again we get extremely different interpretations of the phenomena Leo describes depending on whether you believe in direct or indirect realism about perception. As Leo implicitly assumes direct realism about perception, he interprets this effect as literally switching on an “universal communication system” between every points in reality, whereas the indirect realist interpretation would be that you have somehow interlocked the pieces of your conscious experience in such a way that they now act as an interconnected whole. This is something that indeed has been reported before, and at QRI we call this effect “network integration“. A simple way of encapsulating this phenomenon would be by saying that the cross-frequency coupling of your nervous system is massively increased so that there is seamless information and energy transfer between vibrations at different scales (to a much lesser extent MDMA also does this, but 5-MeO-DMT is the most powerful “integration aid” we know of). This sounds crazy but it really isn’t. After all, your nervous system is a network of oscillators. It stands to reason that you can change how they interact with one another by fine-tuning their connections and get as a result decoupling of vibrations (e.g. SSRIs), or coupling only between vibrations of a specific frequency (e.g. stimulants and depressants), or more coupling in general (e.g. psychedelics). In particular, 5-MeO-DMT does seem to cause a massively effective kind of fractal coupling, where every vibration can get in tune with every other vibration. And recall, since a lot of our inner world simulation is about representing “external reality”, this effect can give rise to the feeling that you can now instantly communicate with other parts of reality as a whole. This, from my point of view, is merely misinterpreting the experience by imagining that you have direct access to your surroundings.

At 34:52 Leo explains that you just need 5-MeO-DMT to experience these awakenings. And yet, he also claims that everything in reality is imaginary. It is all something that you, as God, are imagining because “you need a story to deny that you are infinite consciousness.” Even though the neurotransmitters are imaginary, you still need to modify them in order to have this experience: “I’m talking about superhuman levels of consciousness. These are not levels of consciousness that you can access sober. You need to literally upgrade the neurotransmitters in your imaginary brain. And yes, your brain is still imaginary, and those neurotransmitters are imaginary. But you still need to upgrade them nevertheless in order to access some of the things I say.”

Needless to say, it’s bizarre that you would need imaginary neurotransmitter-mimicking molecules in your brain in order to realize that all of reality is your own imagination. When you dream, do you need to find a specific drug inside your dream in order to wake up from the dream? Perhaps this view can indeed be steel-manned, but the odds seem stacked against it.

At 38:30 he starts talking about his pornography collection. He assembles nude images of women, not only to relieve horniness, but also as a kind of pursuit of aesthetics. Pictures of nude super-models are some of the most beautiful things a (straight) man can see. He brings this up in order to talk about how he then at some point started exploring watching these pictures on 5-MeO-DMT. Recollecting this brings him to tears because of how beautiful the experiences were. He states “you’ve never really seen porn until you’ve seen it on 5-MeO-DMT.” He claims that he started to feel that this way he really felt that it is you (God) that is beautiful, which is manifested through those pictures.

A robust finding in the psychology of sexual attraction is that symmetry in faces is correlated with attractiveness. Indeed, more regular faces tend to be perceived as more beautiful. Amazingly, you can play with this effect by decorating someone’s face with face-paint. The more symmetrical the pattern, the more beautiful the face looks (and vice-versa). Arguably, the effect Leo is describing where people who are already beautiful become unbelievably pretty on 5-MeO-DMT involves embedding high-dimensional symmetries into the way you render them in your world-simulation. A lesser, and perhaps more reliable, version of this effect happens when you look at people on MDMA. They look way more attractive than what they look like sober.

Leo then brings up (~41:30) that he started to take 5-MeO-DMT on warm baths as well, which he reassures us is not as dangerous as it sounds (not enough water to drown if he experiences a whiteout). [It’s important to mention that people have died by taking ketamine on bath tubs; although a different drug, it is arguably still extremely dangerous to take 5-MeO-DMT alone on a bathtub; don’t do it]. He then has an incredible awakening surrendering to God consciousness in the bathtub, on 5-MeO-DMT, jerking off to beautiful women in the screen of his laptop. He gets a profound insight into the very “nature of desire”. He explains that it is very difficult to recognize the true nature of desire while on a normal level of consciousness because our desires are biased and fragmented. When “your consciousness becomes infinite” those biases dissolve, and you experience desire in its pure form. Which according to his direct experience turned out to be “desire for God, desire for myself”. And this is because you are, deep down “infinite love”. When you desire a husband, or sex, or whatever, you are really desiring God in disguise. But the problem is that since your path to God is constrained by the form you desire, your connection to God is not stable. But once you have this experience of complete understanding of what desire is, you finally get your desire fully quenched by experiencing God’s love.

This is a very deep point. It is related to what I’ve sometimes called the “most important philosophical question“, which is: is valence a spiritual phenomenon or spirituality a valence phenomenon? In other words, do we find experiences of God blissful because they have harmony and symmetry, or perhaps is it the other way around, where even the most trivial of pleasures, like drinking a good smoothy, feels good because it temporarily “gets you closer to God”? I lean towards the former, and that in fact mystical experiences are so beautiful because they are indeed extremely harmonious and resonant states of consciousness, and not because they take you closer to God. But I know very smart people who can’t decide between these views. For example, my friend Stuart Garvagh writes: 

What if the two options are indistinguishable? Suppose valence is a measure of the harmony/symmetry of the object of consciousness, and the experience of “Oneness” or Cosmic Consciousness is equivalent to having the object of consciousness be all of creation (God‘s object), a highly symmetrical, full-spectrum object (full of bliss, light, love, beingness, all-knowledge, empty of discernible content or information). All objects of consciousness are distortions (or refractions, or something) of this one object. Happiness is equivalent to reducing or “polishing-out” these distortions. Thus, what appears to be just the fact of certain states being more pleasant than others is equivalent to certain states being closer to God‘s creation as a whole. Obviously this is all pure speculation and just a story to illustrate a point, but I could see it being very tough to tease apart the truth-value of 1 and 2. Note: I’m fairly agnostic myself, but lean towards 2 (bliss is the perfume of “God realizing God” or the subject of experience knowing Itself). I would very much love to have this question answered convincingly!

At 50:00 Leo says that “everything I’ve described so far is really a prelude to the real heart of awakening, which is the discovery of love. […] I had already awakened to love a number of times, but this was deeper. By the two week mark the love really started to crack open. Infinite self-love. You are drowning on this love.” He goes on to describe how at this point he was developing a form of telepathy that allowed him to communicate with God directly (which is, of course, a way of talking to himself as he is God already). It’s just a helpful way to further develop. And what God was showing him was how to receive self-love. It was so much at first he couldn’t handle it. And so he went through a self-purification process.

An interesting lens with which to interpret this experience of purification is that of neural annealing. Each 5-MeO-DMT experience would be making Leo’s nervous system resonate in ways in new ways, slowly writing over previous patterns and entraining the characteristic high-symmetry patterns of the state. Over time, the nervous system adjusts its weights in order to be able to handle that resonance without getting its patterns over-written. In other words, Leo has been transforming his nervous system into a kind of high-valence machine, which is of course very beneficial for intrinsic feelings of wellbeing (though perhaps detrimental to one’s epistemology).

55:00: He points out that unlike addictive drugs, he actually had to push himself very hard to continue to take 5-MeO-DMT everyday for 30 days. He stopped wanting to do it. The ego didn’t want it. And yes, it was pleasurable once he surrendered on every session, but it was difficult, heavy spiritual work. He says that he could only really do this because of years of practice with and without psychedelics, intense meditation, and a lot of personal development. And because of this, he explains his 5-MeO experiences felt like “years of spiritual work condensed into a single hour.” He then says that God will never judge you, and will help you to accept whatever terrible things you’ve done. And many of his subsequent trips were centered around self-acceptance. 

Following the path of progressive neural annealing, going deeper and deeper into a state of self-acceptance can be understood as a deeper harmonization of your nervous system with itself.

At 1:01:20, Leo claims to have figured out what the purpose of reality truly is: “Reality is a contest for who can love who more. That’s really what life is about when you are fully conscious. […] Consciousness is a race for who can love who more. […] An intelligent fully conscious consciousness would only be interested in love. It wouldn’t be interested in anything else. Because everything else is inferior. […] Everything else is just utter silliness!”

I tend to agree with this, though perhaps not in an agentive way. As David Pearce says: “the pleasure-pain axis discloses the universe’s intrinsic value function.” So when you’ve annealed extremely harmonious patterns and do not get distracted by negative emotion, naturally, all there is left to do is maximize love. Unless we mess up, this is the only good final destiny for the cosmos (albeit perhaps it might take the form of a Hedonium shockwave, which at least in our current human form, sound utterly unappealing to most people).

1:06:10 “[God’s love] sparks you to also want to love it back. You see, it turns into a reciprocal reaction, where it is like two mirrors that are mirroring light between each other like a laser beam that is bouncing between two mirrors. And it’s bouncing back and forth and back and forth. And as it bounces back and forth it becomes more and more concentrated. And it strengthens. And it becomes more coherent. And so that’s what started happening. At first it started out as just a little game. Like ‘I love you, I love you, I love you’. A little game. It sounds like it’s almost like childish. And it sort of was. But then it morphed from being this childish thing, into being this serious existential business. This turned into the work. This was the true awakening. Is that with the two mirrors, you know, first it took a little while to get the two mirrors aligned. Because you know if the two mirrors are not perfectly aligned, the laser beam will kind of bounce back and forth in different directions. It’s not going to really concentrate. So that was happening at first. […] The love started bouncing back and forth between us, and getting stronger and stronger. […] Each time it bounces back to me it transforms me. It opens me up deeper. And as it opens me up deeper it reveals blockages and obstacles to my capacity to love.”

Now this is a fascinating account. And while Leo interprets it in a completely mystical way, the description also fits very well an annealing process where the nervous system gets more and more fine-tuned in order to be able to contain high levels of coherent energy via symmetry. Again, this would be extremely high-valence as a consequence of the Symmetry Theory of Valence. Notice that we’ve talked about this phenomenon of “infinite mirrors” on psychedelics since 2016 (see: Algorithmic Reduction of Psychedelic States).

At ~1:09:30 he starts discussing that at this point he was confronted by God about whether he was willing to love the holocaust, and rape, and murder, and bullies, and people of all sorts, even devil worshipers. 

Two important points here. First, it is a bit ambiguous whether Leo here is using the word “love” in the sense of “enjoyment” or in the sense of “loving-kindness and compassion”. The former would be disturbing while the latter would be admirable. I suppose he was talking about the latter, in which case “loving rape” would refer to “being able to accept and forgive those who rape” which indeed sounds very Godly. This radical move is explored in metta (loving-kindness) meditation and it seems healthy on the whole. And second: Why? Why go through the trouble of embracing all the evil and repulsive aspects of ourselves? One interpretation here, coming back to the analysis based on neural annealing, is that any little kink or imperfection caused by negative emotion in our nervous system will create slight symmetry breaking effects on the resonance of the entire system as whole. So after you’ve “polished and aligned the mirrors for long enough” the tiny imperfections become the next natural blockage to overcome in order to maximize the preservation of coherent energy via symmetry.

~1:12:00 Leo explains that the hardest thing to love is your own self-hatred. In the bouncing off of the love between you and God, with each bounce, you find that the parts you hate about yourself reflect an imperfect love. But God loves all of you including your self-hatred. So he pings you about that. And once you can accept it, that’s what truly changes you. “Because when you feel that love, and you feel how accepting it is, and how forgiving it is of all of your evil and of all of your sins… that’s the thing that kills you, that transforms you. That’s what breaks your heart, wide open. That’s what gets you to surrender. That’s what humbles you. That’s what heals you.” Leo then explains that he discovered what “healing is”. And it is “truth and love”. That in order to heal anyone, you need to love them and accept them. Not via sappy postcards and white lies but by truth. He also states that all physical, mental, and spiritual ailments have, at their root, lack of love.

If love is one of the cleanest expressions of high-valence symmetry and resonance, we can certainly expect that inundating a nervous system with it will smooth and clean its blockages, i.e. the sources of neural dissonance. Hence the incredible power of MDMA on healing nervous systems in the short-term. Indeed, positive emotion is itself healing and enhances neural coherence. But where I think this view is incomplete is in diagnosing the terrible suffering that goes on in the world in terms of a lack of love. For instance, are cluster headaches really just the result of lack of self-love? In here must bring back the background assumption of physicalism and make a firm statement that if we fall into illusion about the nature of reality we risk not saving people (and sentient beings more generally) who are really in the depth of Hell. Just loving them without taking the causally-relevant physical action to prevent their suffering is, in my opinion, not true love. Hence the importance of maintaining a high level of epistemic rigor: for the sake of others. (See: Hell Must Be Destroyed).

1:22:30 Leo explains that in this “love contest” with God of bouncing off love through parallel mirrors the love became so deep that for the first time in his life he felt the need to apologize: “I’m sorry for not loving more.” He goes into a sermon about how we are petty, and selfish, etc. and how God loves us anyway. “Real love means: I really love you as you are. And I don’t need anything from you. And especially all those things that you think I want you to change about you, I don’t need you to change. I can accept them all exactly as they are. Because that’s love. And when you realize THAT, that’s what transforms you. It is not that God says that he loves you. He is demonstrating it. It’s the demonstration that transforms you.” Leo expresses that he was then for the first time in his life able to say “thank you” sincerely. Specifically, “thank you for your love”: “This is the point at which you’ve really been touched by God’s love. And at this point you realize that that’s it, that’s the point, that’s the lesson in life. That’s my only job. It’s to love.” And finally, that for the first time in his life he was able to say “I love you” and truly mean it. “And you fall in love with God… but it doesn’t end there.”

An interesting interpretation of the felt-sense of “truly meaning” words like “I’m sorry”, “thank you”, and “I love you” is that at this point Leo has really deeply annealed his nervous system into a vessel for coherent energy. In other words, at this point he is saying and meaning those words through the whole of his nervous system, rather than them coming from a fragmented region of a complex set of competing internal family systems in a scattered way. Which is, of course, the way it usually goes.

1:35:30 Leo explains that at this point he started going into the stage of being able to radiate love. That he was unable to radiate love before. “I love that you are not capable of love. I love that. And when that hits you, that’s what fills you with enough love to overcome your resistance to love that next level thing that you couldn’t love.” Then at ~ 1:38:00 it gets really serious. Leo explains that so far he was just loving and accepting past events and people. But he was then asked by God whether he would be willing to live through the worst things that have happened and will happen. To incarnate and be tortured, among many other horrible things. And that’s what true love really means. “When you see a murder on the TV, you have to realize that God lived through that. And the only reason he lived through that is because it loved it.”

I do not understand this. Here is where the distinction between the two kinds of senses of the word “love” become very important. I worry that Leo has annealed to the version of love with the meaning of “enjoyment” rather than “loving-kindness and compassion”. Because a loving God would be happy to take the place of someone who went through Hell. But would a loving God send himself to Hell if nobody had to in the first place? That would just create suffering out of nothing. So I am confused about why Leo would believe this to be the case. It’s quite possible that there are many maxima of symmetry in the nervous system you can achieve with 5-MeO-DMT, and some of them are loving in the sense of compassionate and others are crazy and would be willing to create suffering out of nothing from a misguided understanding of what love is supposed to be. Again, handle Plutonium with caution.

1:43:00 Leo started wondering “what is reality then?” And the answer was: “It’s infinite consciousness. Infinite formless consciousness. So what happens was that my mind in my visual field as I was in that bathtub. My mind and my visual field focused in on empty space, and I sort of zoomed into that empty space and realized that that empty space is just love”. He then describes a process where his consciousness became more and more concentrated and absorbed into space, each dot of consciousness branching out into more and more dots of consciousness, turning into the brightest possible white light. But when he inquired into what was that white light he kept seeing that there was no end to it, and rather, that each point was always connected to more points. Inquiring further, he would get the response that at the core, reality is pure love. That it wouldn’t be and couldn’t be any other way.

The description sounds remarkably close to the formless jhanas such as “boundless space” and “boundless consciousness”. The description itself is extremely reminiscent of an annealing process, reaching a highly energized state of consciousness nearly devoid of information content and nearly perfectly symmetrical. The fact that at this incredibly annealed level he felt so much love supports the Symmetry Theory of Valence.

147:28 – And after Leo realizes that “Of course it is love!” he says that’s when the fear comes: “Because then what you realize is that this is the end. This is the end of your life. You are dead. If you go any further you are dead. Everything will disappear. Your family, your friends, you parents, all of it is completely imaginary. And if you stop imagining it right now, it will all end. If you go any further into this Singularity, you will become pure, formless, infinite, love for ever, loving itself forever. And the entire universe will be destroyed as if it never existed. Complete nothingness. Complete everythingness. You will merge into everyone.”

This sounds like the transition between the 6th and 7th Jhana, i.e. between “boundless consciousness” and “nothingness”. Again, this would be the result of further loss of information via an annealing process, refining the symmetry up to that of a “point”. Interestingly, Mike Johnson in Principia Quallia points out that as symmetry approaches an asymptote of perfection you do get a higher quality of valence but at the cost of reduced consciousness. This might explain why you go from “the brightest possible love” to a feeling of nothingness at this critical transition.

1:48:25: “…You will merge into everyone. Your mother, your father, your children, your spouse, Hitler, terrorists, 9/11, Donald Trump, rape, murder, torture, everything will become pure infinite love, merging completely into itself, there will be no distinction between absolutely anything, and that will be the end. And you will realize what reality is. Infinite consciousness. Love. God. And you will realize that everything in your life from your birth to this point has just been some imaginary story. A dream that was design to lead you to pure absolute infinite love. And you will rest in that love forever. Forever falling in love with yourself. Forever making love to yourself. Forever in infinite union. With every possible object that could ever exist. Pure absolute, omnipotent, omniscient, perfect, intelligent, consciousness. Everything that could ever possibly be, is you. And THAT is awakening. When you are this awake, you are dead. And you have no desire for life. There is no physical existence. There is no universe. Nothing remains. Your parents, and your spouse, and your children, they don’t stay back and keep living their lives, enjoying their life without you while your body drops dead. No, no, no, no, no. This is much more serious than that. If you do this. If you become infinite love, you will take everybody with you. There will not be anybody left. You will destroy the entire universe. Every single sentient being will become you. They will have no existence whatsoever. Zero. They will die with you. They will all awaken with you. It’s infinite awakening. It’s completely absolute. There will not be anything left. You will take the entire universe with you. Into pure oneness. THAT’S awakening.”

This is not the first time I hear about this kind of experience. It certainly sounds extraordinarily scary. Though perhaps a negative utilitarian would find it to be the ultimate relief and the best of all possible imaginable outcomes. With the human survival instinct, and quite possibly a body fully aroused with the incredible power of 5-MeO-DMT, this is bound to be one of the most terrifying feelings possible. It’s quite likely that it may be one element of what makes “bad 5-MeO-DMT experiences” so terrifying. But here we must recall that the map is not the territory. And while an annealing process might slowly write over every single facet of one’s model of reality and in turn making them part of a super-cluster of high-dimensional resonance that reflects itself seemingly infinitely, doing this does not entail that you are in fact about to destroy the universe. Though, admittedly, it will surely feel that way. Additionally, I would gather that were it possible to actually end the universe this way, somebody, somewhere, in some reality or another, would have already done so. Remember that if God could be killed, it’d be dead already.

1:52:01: “And I didn’t go there! As you can tell, since I’m still sitting here. I’m not there. I was too afraid to go there. And God was fine with it. It didn’t push me. But that’s not the end of the story! It’s still just the beginning.” He then goes on to explain that a part of him wanted to do it and another part of him didn’t want to. He says it got really loopy and weird; this really shook him. That God was beckoning him to go and be one forever, but he was still ambivalent and needed some time to think about it. He knew it would make no difference, but he still decided to ‘make preparations’ and tell his family and friends that he loves them before moving forward with a final decision to annihilate the universe. By the time he had done that… he had stopped taking 5-MeO-DMT: “The experiences had gotten so profound and so deep… this was roughly the 25th or 27th day of this whole 30 day process. I swore off 5-MeO-DMT and said ‘Ok I’m not doing any more of this shit. It’s enough'”. He explains that by this time the drug was making him feel infinite consciousness when waking up (from sleep) the next day. He felt the Singularity was sucking him into it. It felt both terrifying and irresistible. Every time he would go to sleep it would suck him in really strongly, and he kept resisting it. He would wake up sweaty and in a panic. He was tripping deeper in his sleep than in the bathtub. He couldn’t sleep without this happening, and it kept happening for about 5 days. “I just want to get back to normal. This is getting freaky now.” 

I’ve heard this from more than a couple people. That is, that when one does 5-MeO-DMT enough times, and especially within a short enough period of time, the “realizations” start to also happen during sleep in an involuntarily way. One can interpret this as the annealing process of 5-MeO-DMT now latching on to sleep (itself a natural annealing process meant to lessen the technical debt of the nervous system). Even just a couple strong trips can really change what sleep feels like for many days. I can’t imagine just how intense it must have been for Leo after 25 days straight of using this drug.

2:01:40 – Leo explains that when he was dozing off with a blanket on his living room (terrified of sleeping on his bed due to the effect just described) he experienced a “yet deeper awakening” which involved realizing that all of his previous awakenings were just like points and that the new one was like a line connecting many points. “Everything I’ve said up to this point were just a single dimension of awakening. And then what I broke through to is a second dimension. A second dimension of awakening opened up. This second dimension is completely unimaginable, completely indescribable, cannot be talked about, cannot be thought about. And yet it’s there. In it, are things that are completely outside of the physical universe that you cannot conceive or imagine.” He goes on to explain that there are then also a third, fourth, fifth, etc. dimensions. And that he believes there is an infinite number of them. He barely even began to explore the second dimension of awakening, but he realized that it goes forever. It kept happening, he had intense emotional distress and mood swings. But gradually after five more days it subsided, and he started to be able to sleep more normally. “And I’ve been working to make sense of all of this for the last couple of weeks. So that’s what happened.”

Alright, this is out of my depth and I do not have an interpretation of what this “second dimension of awakening” is about. If anyone has any clue, please leave a comment or shoot me an email. I’m as as confused as Leo is about this.

~2:05:00 – Leo confesses he does not know what would happen if he went through with joining the Singularity and mentions that it sounds a bit like Mahasamādhi. He simply has not answers at this point, but he asserts that the experience has made him question the extent of the enlightenment of other teachers. It also has made him more loving. But still, he feels frustration: “I don’t know what to do from here.”

And neither do I. Do you, dear reader?

Postscript: In the last 10 minutes of the video Leo shares a heart warming message about how reality is, deep down, truly, “just love” and that him saying this may be a seed that will blossom into you finding this out for yourself at some point in the future. He ends by cautioning his audience to not believe as a matter of fact that this is the path for everyone. He suggests that others should just use his examples from his own journey as examples rather than an absolute guide or how-to for enlightenment. He asks his audience to make sure to question the depth of their own awakening – to not believe that they have reached the ultimate level. He admits he has no idea whether there is an ultimate level or not, and that he still has some healing to do on himself. He remains dissatisfied with his understanding of reality.


Thank you for reading!

THE END

A Big State-Space of Consciousness

Kenneth Shinozuka of Blank Horizons asks: Andrés, how long do you think it’ll take to fully map out the state space of consciousness? A thousand or a million years?

The state-space of consciousness is unimaginably large (and yet finite)

I think we will discover the core principles of a foundational theory of consciousness within a century or so. That is, we might find plausible solutions to Mike Johnsons’ 8 subproblems of consciousness and experimentally verify a specific formal theory of consciousness before 2100. That said, there is a very large distance between proving a certain formal theory of consciousness and having a good grasp of the state-space of consciousness.

Knowing Maxwell’s equations gives you a formal theory of electromagnetism. But even then, photons are hidden as an implication of the formalism; you need to do some work to find them in it. And that’s the tip of the iceberg; you would also find hidden in the formalism an array of exotic electromagnetic behavior that arise in unusual physical conditions such as those produced by metamaterials. The formalism is a first step to establish the fundamental constraints for what’s possible. What follows is filling in the gaps between the limits of physical possibility, which is a truly fantastical enterprise considering the range of possible permutations.Island_of_Stability_derived_from_Zagrebaev

A useful analogy here might be: even though we know all of the basic stable elements and many of their properties, we have only started mapping out the space of possible small molecules (e.g. there are ~10^60 bioactive drugs that have never been tested), and have yet to even begin the project in earnest of understanding what proteins can do. Or consider the number of options there are to make high-entropy alloys (alloys made with five or more metals). Or all the ways in which snowflakes of various materials can form, meaning that even when you are studying a single material it can form crystal structures of an incredibly varied nature. And then take into account the emergence of additional collective properties: physical systems can display a dazzling array of emergent exotic effects, from superconductivity and superradiance to Bose-Einstein condensates and fusion chain reactions. Exploring the state-space of material configurations and their emergent properties entails facing a combinatorial explosion of unexpected phenomena.

And this is the case in physics even though we know for a fact that there are only a bit over a hundred possible building blocks (i.e. the elements).

In the province of the mind, we do not yet have even that level of understanding. When it comes to the state-space of consciousness we do not have a corresponding credible “periodic table of qualia”. The range of possible experiences in normal everyday life is astronomical. Even so, the set of possible human sober experiences is a vanishing fraction of the set of possible DMT trips, which is itself a vanishing fraction of the set of possible DMT + LSD + ketamine + TMS + optogenetics + Generalized Wada Test + brain surgery experiences. Brace yourself for a state-space that grows supergeometrically with each variable you introduce.

If we are to truly grasp the state-space of consciousness, we should also take into account non-human animal qualia. And then further still, due to dual-aspect monism, we will need to go into things like understanding that high-entropy alloys themselves have qualia, and then Jupiter Brains, and Mike’s Fraggers, and Black Holes, and quantum fields in the inflation period, and so on. This entails a combinatorial explosion of the likes I don’t believe anyone is really grasping at the moment. We are talking about a monumental “monster” state-space far beyond the size of even the wildest dreams of full-time dreamers. So, I’d say -honestly- I think that mapping out the state-space of consciousness is going to take millions of years.

But isn’t the state-space of consciousness infinite, you ask?

Alas, no. There are two core limiting factors here – one is the speed of light (which entails the existence of gravitational collapse and hence limits to how much matter you can arrange in complex ways before a black hole arises) and the second one is quantum (de)coherence. If phenomenal binding requires fundamental physical properties such as quantum coherence, there will be a maximum limit to how much matter you can bind into a unitary “moment of experience“. Who knows what the limit is! But I doubt it’s the size of a galaxy – perhaps it is more like a Jupiter Brain, or maybe just the size of a large building. This greatly reduces the state-space of consciousness; after all, something finite, no matter how large, is infinitely smaller than something infinite!

But what if reality is continuous? Doesn’t that entail an infinite state-space?

I do not think that the discrete/continuous distinction meaningfully impacts the size of the state-space of consciousness. The reason is that at some point of degree of similarity between experiences you get “just noticeable differences” (JNDs). Even with the tiniest hint of true continuity in consciousness, the state-space would be infinite as a result. But the vast majority of those differences won’t matter: they can be swept under the rug to an extent because they can’t actually be “distinguished from the inside”. To make a good discrete approximation of the state-space, we would just need to divide the state-space into regions of equal area such that their diameter is a JND.15965332_1246551232103698_2088025318638395407_n

Conclusion

In summary, the state-space of consciousness is insanely large but not infinite. While I do think it is possible that the core underlying principles of consciousness (i.e. an empirically-adequate formalism) will be discovered this century or the next, I do not anticipate a substantive map of the state-space of consciousness to be available anytime soon. A truly comprehensive map would, I suspect, be only possible after millions of years of civilizational investment on the task.

Realms as Interpretive Lenses

How people in different (Buddhist) realms interpret pain:

1) Heavenly Realm / God Realm: Pain is impermanent. It’s a trick of the mind. A method to help us wake up and realize who we truly are. [said while peacefully unaware of actual pain due to the formidable amounts of pleasure and distractions on hand]

2) Asura Realm / Titan Realm: Pain is a tool to succeed. It is a challenge to be overcome at a personal level, and a weapon to be used against one’s enemies. If I didn’t suffer intensely for the things that I achieved, would they mean anything? [said while experiencing intense cravings for social recognition and the need to feel superbly significant]

3) Animal Realm: Pain is the separation from my pleasures of the day to day. My morning coffee, interrupted by a call. My conversations with a friend, when someone’s bad luck is brought up. The annoying commercials in-between the chunks of TV I like. [said while snoozing the alarm for the 4th time in a row]

4) Hell Realm: Pain is reality in and of itself. Life is suffering. And if it isn’t at the moment, that’s just temporary good luck. Happiness is merely the absence of suffering; happiness is therefore as good as nonexistence. [said while waiting in the ER while experiencing a kidney stone] 

5) Hungry Ghost Realm: Pain is realizing that only 10 out of the 15 people who RSVP’ed to my party showed up. It is the feeling of noticing that the Pringles are almost gone. The feeling that you get when you make out with someone and only get to 2nd base when you could have gotten to 3rd or 4th. [said while scrolling Reddit for the 3rd hour in a row].

6) Human Realm: Pain is a healthy signaling mechanism. When you look at it scientifically, it is just a negative reinforcement signal that propagates throughout your nervous system in order to prevent the chain of causes that led to the current state. It’s nothing to worry about, just as you shouldn’t worry about the weather or the shape of the solar system. [said while dispassionately reading a neuroscience textbook].


See also: Traps of the God Realm and The Penfield Mood Organ

Picture by Utheraptor

Get-Out-Of-Hell-Free Necklace

An approach to doing good is to come up with a metric for what constitutes good or bad, and then trying to do things that will optimally increase or decrease such metric, as the case may be.

If you do this, you have to be careful about what metric you choose.

If you have an ontology where you measure good by “number of people who feel benefited by you”, you might end up doing things like sending everyone you can a doughnut with a signed note. If instead your metric is “number of people classified as poor” you might do best to focus on interventions that get people just over the hump of poverty as defined by your scale. And so on.

Conscientious and systematic altruists tend to see problems with metrics like those above. They realize that “people impressed” and “being poor according to an economic metric” are not metrics that really carve nature at its joints.

Dissatisfied with misleading metrics, one then tends to look closer at the world and arrive at metrics that take into account the length of different lives, their quality, their instrumental effect in the world, how much are they exactly being benefited by the intervention relative to other cost-effective alternatives, and so on. And that’s how you get things like Quality Adjusted Life-Years (QALY), micromorts, and the happiness index.

This is, I think, all moving in the right direction. Metrics that make an effort to carve nature at its joints can provide new lenses to see the world. And looking through those lenses tends to generate novel angles and approaches to do a lot of good.


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This is why today I will suggest we consider a new metric: The Hell-Index.

A country’s Hell-Index could be defined as the yearly total of people-seconds in pain and suffering that are at or above 20 in the McGill Pain Index (or equivalent)*. This index captures the intuition that intense suffering can be in some ways qualitatively different and more serious than lesser suffering in a way that isn’t really captured by a linear pain scale.

What does this metric suggest we should do to make the world better? Here is an idea (told as if narrated from the future):


Between 2030 and 2050 it was very common for people to wear Get-Out-Of-Hell-Free Necklaces. People had an incredible variety of custom-fit aesthetic and practical additives to their necklaces. But in every single one of them, you could rest assured, you would find a couple of doses of each of these agents:

  1. N,N-DMT (in case of Cluster Headaches)
  2. Quetiapine (in case of severe acute psychosis)
  3. Benzocaine + menthol (for very painful stings)
  4. Ketamine (for severe suicidal feelings)
  5. Microdosed Ibogaine + cocktail of partial mu-opioid agonists (for acute severe physical pain and panic attack, e.g.. kidney stones)

Some other people would get additional things like:

  1. Beta blocker (to take right after a traumatic event)
  2. Agmatine (to take in case you suspect of having being brainwashed recently), and
  3. Caffeine (if you absolutely need to operate heavy machinery and you are sleep-deprived)

In all cases, the antidote needed would be administered as soon as requested by the wearer. And the wearer would request the antidote as indicated by a very short test done with an app to determine the need for it.

But why? What’s this all about?

The Get-Out-Of-Hell-Free Necklace contents were chosen based on a cost-benefit analysis for how to reduce the world’s Hell-Index as much as possible. Cluster-headaches, kidney stones, bad stings, severe psychotic episodes, suicidal depression, panic attacks, and many types of acute physical pain turned out to account for a surprisingly large percentage of each country’s Hell-Index. And in many of these cases, a substantial amount of the suffering was experienced before medical help could be able to arrive to the scene and do anything about it. A lot of that intense suffering happened to be tightly concentrated in acute episodes rather than in chronic problems (save for some notable examples). And by incredible luck, it turned out that there were simple antidotes to most of these states of agony, all of them small enough to fit in a single light necklace. So it was determined that subsidizing Get-Out-Of-Hell-Free Necklaces was a no-brainer as a cost-effective altruistic intervention.


By 2050 safe and cheap genetic vaccines against almost all of these unpleasant states of consciousness had been discovered. This, in turn, made the use of the Get-Out-Of-Hell-Free Necklaces unnecessary. But many who benefited from it- who had been unlucky enough to have needed it- kept it on for many years. The piece was thought of as a symbol to commemorate humanity’s progress in the destruction of hell. An achievement certainly worth celebrating.



* Admittedly, a more refined index would also distinguish between the intensity of different types of pain/suffering above 20 in the McGill Pain Index (or equivalent). Such index would try to integrate a fair “total amount of hellish qualia” by adding up the pain of each state weighted by its most likely “true intensity” as determined by a model, and then do so for each model you have and weight the contribution of each model by its likelihood. E.g. do both a quadratic and an exponential conversion of values in the 0 to 10 visual analogue scale into dolors per second, and then do a likelihood-weighted average to combine those results into a final value.

The Resonance and Vibration of [Phenomenal] Objects

Extract from “Many Voices, One Mission” by Michael G. Reccia, R. Jane Kneen

25th February, 2007

[Jane recalls: This clairvoyant address from Silver Star was given to Michael and myself one Sunday morning on our return home after he had accompanied us on a walk around the local reservoir.]

Silver Star: I want to talk about resonance and vibration, particularly in the spirit world. What I am going to talk about also applies to this level but cannot be picked up with earthly senses.

Everything in the spirit world has a sound, a colour, a tonality of Light and a degree of sentience. If I place a box in front of you on an earthly level it is simply a box …a utilitarian, functional, square structure built to hold something. If I gave you a box from the spirit worlds, that box has been created by thought. So, if I have a box in my house in the spirit world and turn my attention to it, that box will have a colour value. It is not just a box but is also a vibration of Light, and it is that vibration of Light that gives it its ‘solidity’. It will have a particular colour according to the purpose I assign to it. And, because the spiritual atoms in the box are vibrating at a certain rate, that box also has a sound value if I choose to tune in to it, which will be pleasing to the ear because the box has been created in one of the worlds of Light. That box is made from energy so as well as its colour – which will change dependent on what I want the box to do – it also has a luminance.

So, every object in the spirit realm has a colour (even a seemingly transparent box has a colour value) …it has a vibration of sound …and it has a perfume. The box stimulates all the senses we had on Earth so we can see, hear, touch and smell it.

Michael: Why would it have a perfume, Silver Star?

Silver Star: All the senses can be used as a spirit. Even though there is no dense atmosphere like on Earth, the sense of smell is stimulated by any object. There are exquisite perfumes here and each object has a unique scent dependent upon its complexity and intention of purpose. There is also a background aroma from the landscape and a subtle fragrance with people as well.

All your senses work at once, spiritually speaking, which is why, when Michael tries to describe spirit communication, he says it is like a beam of energy that carries within it a huge amount of information. Each object here conveys a lot of information …it has Light …it has a colour value …it has a sound value …and it has a perfume.

You can tune out these things, dependent on which of them you want to sense, or you can experience all of them at once. You can (as in your drug ‘culture’ on Earth) smell colours. You can experience emotion through colours and so feel warm or cold or happy or sad through colours. You can hear the symphony of Creation that runs through everything, and yet it can be individualised so that you only hear it coming out of the ‘box’ or just from the atmosphere around you …or you can hear it coming from the whole of the sphere you are in at the time.

Discord also exists in the Lower Astral because people there are still God-like in potential and what they imagine takes form. They think up discordant images and those images have vibrations that clash …that have a disagreeable odour …that exhibit violent colours …that carry sounds that are an assault on the senses. The spirits in the Lower Astral can feel and sense their havoc that, whilst on Earth, they thought they were creating in secret.

As an example of what I am trying to put across, let us take the simple act of one person visiting a friend with the express intent of spreading discord by voicing disharmonious views about a mutual acquaintance. On an earthly level all the person can be seen to have done is travel from point A to point B, indulge in malicious gossip, and then return home with no apparent retribution or consequence for having done that.

On a spiritual level, however, as soon as that person decides to undertake that malevolent course of action, they create jagged thoughts around themselves and attract towards themselves similar spirits from the Lower Astral. So, accompanying them unseen on that journey are spirits who think that this is a fun thing to do, because their vibrations are similar to the intentions of the soul on Earth wishing to cause trouble.

In contrast, the person who is sitting in meditation creates thoughts of Light and balance, and creates spheres (like the ones photographed over your door [reference to the coloured orbs that I had unexpectedly captured on my camera]), which have lovely, balanced colours and beautiful harmonies and sounds. Whereas the person who is acting negatively towards someone else creates a ‘thunderstorm’ around themselves with roiling clouds of darkness and disharmony within that bubble. Those disharmonies are then recorded in the karmic pattern of the person’s life, inhibiting their vibration so that, when they pass to spirit, they have to rid themselves of that thought and intention (even though they might not have thought about it for years) before they can raise their vibrations enough to fully appreciate the worlds of Light.

So, just as there are harmonious colours in Creation, there are also disharmonious colours; and just as there are harmonious sounds there are sounds – like clashing cymbals – of discord and disharmony.

Many illnesses on Earth are caused by the body having to react on a subconscious level to the constant battering of disharmony that the spirit has created around itself, year in, year out. The cells within a person’s body also vibrate, have a sound- and Light-quality and are designed to be harmonious but can be overcome by the bombardment of dominant negative thoughts from the person. That dulls or extinguishes the Light within the cells, resulting in the cells becoming unhealthy because they are not receiving the harmony from God that should reach them …so thick are the thoughts around the person and their subconscious.

In spiritual work you will often detect a smell …such as cigarettes, earth or perfume. The part of the wavelength that affects smell is easier to manipulate from one of the spirit worlds than sight or hearing, so very often a discarnate soul will convey a smell to the person on the Earth plane they wish to contact because it is the easiest way (relatively speaking) to do so from the spirit worlds.

So, if we come back to my box – a simple object like that is really a riot of colour, sound and intention but so is everything on Earth …as above, so below. The chair you are sitting on has its own harmony, its own energy-signature and a colour that is quite apart from the colour vibration you can see on the Earth plane. That vibration or low level of sound is harmonising with the other sounds in your room – such as the sounds that the chairs and the television are giving out; and electricity gives out a very specific sound-signature spiritually. There are colours that are emanating in your room on a spiritual level and perfume vibrations given out by various objects. Flowers, for example, give off perfume on a low level on the Earth but their perfume as a glorification of God on a spiritual level is wonderful to experience.

All this is going on in everyone’s house and this is why a medium can enter someone’s room and instantly feel threatened because of the chaos picked up there, or in somebody else’s room – like this one – feel at peace because peace is in the atmosphere. On a subconscious level you, as souls, pick up the Light-signature, the colour-signature, the sound and the perfume from the objects within a room… and, indeed, from people themselves.

It is not a cacophony in our world because everything is harmonious and we can tune in or tune out those particular vibrations, just as you would on a television. If we do not wish to hear the background noise of the universe we tune it out – knowing that it is always there if we wish to tune back in to it. If we don’t wish to see beyond the physical objects that we have (like the box) and don’t want to see its colour or Light, we tune out of that particular wavelength so we are just looking at the object.

The reason I am telling you this is to make you aware of the fact that the universe is vibrant and alive. There is no such thing as a ‘dead object’ because the last quality my box exhibits is a degree of sentience. It is built out of God-ether …the substance of the universe… and, therefore, is alive. I can influence the box with my moods and so it is on Earth. You influence your immediate surroundings with your moods and, because those surroundings are, in effect, alive, they react to the way that you are feeling.

Objects on Earth should be blessed periodically and dedicated back to God so that their vibration is raised and they will then serve you rather than drag you down by exhibiting depressive tendencies that they have picked up from yourselves! This is why you should bless your houses. Anything new that is brought into your house should be blessed because you don’t know the history of that object. You don’t know who has touched it before and what their thoughts or intentions have been. Everything should be blessed and dedicated to God …so should the food you eat …and the thoughts you think. You should say: ‘Father, this morning I pray that my thoughts be of the highest quality and worthy of You‘ and then you are not thinking things that will damage you.

I would like to leave you the box to think about. It is just a box that I have created from nothing by thinking, ‘I want a box!’ …What colour is it? …What is its intention? …What are you going to use it for? …How much Light does it exhibit?

It is up to you!

It depends what you put into that box.

That box is symbolic of every thought you think, everything that is in your house and everything you use – from your car to your telephone – and, just as I can influence that box, you can influence the things around you. That is why the Persian Gentleman said some weeks ago [reference to a private communication] that you should bless and thank the objects in your house because they react at a God-level to your approach to them. If you love them they become filled with Love; if you hate them they become filled with hate.

So, I have tried to bring through something of the abstractions of our world and pin them down through physical speech. Our world is a world of Light, of colour, of perfume, of sound …and so is yours.

Bless your days …bless each other …bless the objects, then you are putting Light into them as co-creators of those objects, which is what you will eventually be. You might not have physically made a chair today but one day with the power of your mind you will. You might not have physically built a house but you are building the house you will go to in the spirit realms by your thoughts whilst on Earth. So, be aware that you are creating, even though this is a pool of vibration where other people create physical objects for you. What you put into those objects you create yourself and get heaven or hell from them dependent on your motives and thoughts.

Would Jane would like to ask a question about anything I have just said?

Jane: Do objects emit music as well?

Silver Star: To create heat you stir up molecules – that is heat. Heat is molecules hitting each other because they have become agitated. To create any object, you formulate the molecules so that they become that object temporarily. Once formulated, however, they are not in stasis but in motion. If something is in stasis it decays; therefore, there must be movement. So, dashing about within the box that I have created are molecules that give the illusion of the box being ‘solid’. They are reacting to each other and – as when you rub your finger around the rim of a wine glass – it creates a sound. You cannot hear it on this level but you can on ours. Every object has a tone because of the way in which the molecules within it are moving. Does that make sense?

Jane: Yes, thank you.

Silver Star: Was there anything else?

Jane: No.

Silver Star: Then I will leave you, although I never leave you on a Sunday and, in particular, I never leave Jane [reference to Silver Star’s role as my principal guide]. I leave Michael to my colleague, the Persian Gentleman [reference to P.G. being Michael’s guide], and God bless you for the work you have done this week on behalf of us all – and for the work you will continue to do.


Analysis

Is there any value in considering the experiences described in the text above? With a physicalist ontology paired with inferential realism about perception, we are compelled to conclude that when people report traveling to heaven worlds and seeing objects that make signature multi-sensory music, they are really reporting on the quality of hallucinations. Alas, this is not enough to dismiss these reports as useless. Why? Because they may have some key information about how phenomenology works, and specifically, about valence structuralism. Let me explain.

The experience of going to a phenomenal world where the objects resonate and produce notes in all sensory channels has been reported by a number of people from various traditions (e.g. how Buddhas are said to emit blissful vibrations in the pure abodes, flowers making music in heaven as described by a gnostic “medium” (The process of dying), the sound-sight complementary nature of Mandalas and Mantras*, etc.). As I’ve said elsewhere, “desiring that the universe be turned into Hedonium is the straightforward implication of realizing that everything wants to become music”. So when people say things like this, listen. They may be reporting back on glimpses they’ve had of radically enhanced modes of being, whether or not they are really gaining privileged access to an external transcendent world of consciousness.

Gaining Root Access to Your World Simulation

Let’s examine the phenomenology described under the theoretical paradigms developed at the Qualia Research Institute. Some core paradigms are Qualia Formalism (“every conscious experience corresponds to a mathematical object such that the mathematical features of that object are isomorphic to the phenomenology of the experience”), Valence Structuralism (“pain and pleasure are structural features of the mathematical object that corresponds to an experience such that they can be read off from this object with the appropriate mathematical analysis”), and the Symmetry Theory of Valence (“the mathematical feature that corresponds to pain and pleasure are the object’s symmetry and anti-symmetry, namely, its invariance upon the transformations the object is undergoing”). Whereas Qualia Formalism is a necessary assumption to make in order to make any progress on the science of consciousness (cf. Qualia Formalism in the Water Supply), Valence Structuralism and the Symmetry Theory of Valence are currently still mere hypotheses whose truth will be determined empirically by testing the predictions they generate. For now, we rely on strong, but admittedly circumstantial, pieces of evidence. The phenomenology reported of the connection between harmony and bliss in heaven worlds is one of these pieces of evidence. But can we do better? Not everyone can access these so-called heaven worlds of experience. So what can we do instead? Thankfully, there is a way…

Indeed, as carefully catalogued by Steven Lehar in his book about altered states “The Grand Illusion“, combining dissociatives and psychedelics produces an altogether new kind of experience different than the experience of either alone. His discovery first came by combining DXM and THC, which he says has a decent chance of giving rise to a free-wheeling hallucination, meaning that one can control the contents of hallucinatory experiences. For example, rather than being at the mercy of one’s hallucinatory world, under such a state, you could choose to fly on an airplane, travel the cosmos, or even go to Burning Man, and your mind will render a world-simulation in which you are doing such things.

Lehar, famously, is a proponent of indirect realism about perception. Hence he does not confuse those experiences with a transcendent access to an etheric plane or literal other dimensions. Rather, he points out, what underlies the phenomenal character of one’s experience is made by patterns of harmonic resonance interfering with each other within the confines of one’s own brain. The illusion of “seeing things outside of oneself” is due to the fact that the experience we have seems to be of a 3D space. But in reality, what is happening is that you are a 2.5D diorama-like projective space that represents a homunculus looking at a 3D space:

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In the book, Lehar discusses how one can study some of the key parameters of one’s world-simulation in such a state. By imagining/requesting/generating lenses, diffraction gratings, and mirrors in your world-simulation during a free-wheeling hallucination you can explore the ray-tracing algorithms used by your brain to render your experience in normal circumstances. Just as the best way to figure out how a videogame engine works is to break it with corner cases, to find how your brain builds your world-simulation, overloading the simulation with difficult-to-render elements is highly useful.

What algorithms does your mind use for ray-tracing? According to an anonymous reader (whom we shall call “R”), the DXM + THC state allows you to explore precisely this question. From the conversations with R, it seems that ray-tracing follows a repeating two-step top-down and bottom-up recursive process in order to draw your experience. Amodal percepts are first constructed and set in place in order to build a projective frame (e.g. isometric projection, fish eye lens projection, etc.), which is followed by the “lighting” of that amodal space with modal qualia (color, scent, touch, etc.) in order to increase the definition of the rendered scene. Then an algorithm kicks in that figures out which is the most under-constrained region of the world-simulation, and rendering begins there, again with an amodal frame followed by modal filling-in, and so on, and the process repeats until you reach reflective-equilibrium.

The amodal step allows you to explore the range of possible projective transformations of your world-simulation. It is at this step that you can explore the rendering of cinematographic camera effects, such as lens flares and the Hitchcock Zoom. Unlike pure psychedelic states (e.g. LSD, psilocybin, etc.) on dissociatives, projective transformations seem to have a certain gravity to them. It’s as if the entire scene was built as a model on a platform suspended with ropes and springs. To turn the space around (i.e. change the projection) you can “add weight” to some of its parts, and then let the ropes readjust the orientation of the model to balance it out again. This is why dissociative projective hallucinations have a characteristic initial acceleration ramp-up, similar to what it is like to give a push to a ceramic turn table with a heavy vase. It moves very slowly at first, but once it gets going it keeps spinning until you stop it, which also has a characteristic deceleration dynamic. On the free-wheeling hallucination state one is like that; the world-simulation model can be pushed around to change the projection, and when you do so it travels at constant speed until it decelerates before its reposition. During the modal step, effects can be added such as wind, dust, rain, hail, liquid, gelatin, etc. These are all applied one at a time in a relatively legible way, with physicalized rendering of e.g. the filling up of a tank, parts of wood combusting with a low-grade fire propagating at constant speed, an ocean filled with water increasing its viscosity until it becomes lava, etc. A very valuable follow-up research that could be done at e.g. a Super-Shulgin Academy of rational psychonauts would be to get people to study SIGGRAPH algorithms and then try to replicate them during free-wheeling hallucinations. Perhaps not so surprisingly, graphics researchers are notorious for using psychedelics**.

Some people may want to say that there is nothing special about these states… we already have lucid dreaming after all, right? Alas, that is a very misguided analogy. Yes, lucid dreams can be used to explore unusual phenomenal configurations, but the scenes experienced are very hard to stabilize and examine in detail over the course of minutes (rather than seconds). The features of free-wheeling hallucinations along with their generic emotional intensity make them not comparable to most moments of life, or even lucid dreams. The texture of dissociative+psychedelic states is drastically different from lucid dreaming, and so is the degree of controllability of their content in precise and measured ways (not to say that dream music cannot be very emotional, but we are talking of something that is on another level altogether). That said, the state has clear limitations, too. Lehar points out, for instance, that looking at the control panel of an airplane during a free-wheeling hallucination reveals that you cannot have as many buttons as you would have in real life. Likewise, the projective transformations are restricted in some ways. A specific example would be trying to simulate going to Las Vegas. There you will find that jumping off a building is not possible because that would require a projective transformation where the distance covered grows quadratically as a function of time. Instead, jumping off a building will be approximated by what it feels like to go down an elevator at constant speed. In contrast, getting into the High Roller wheel is an excellent choice because your world-simulation can render the circular constant-speed projective trajectory of the camera movement in a very accurate and precise fashion.

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Happiness and Harmony: A Marriage Made in Heaven

With regards to the connection between symmetry and pleasure, the free-wheeling hallucination state is a prime place to conduct high-quality phenomenological research. In particular, R tells us that you can study how different objects generate (are resonant with) particular moods, sounds, and tactile feelings. Thus, DXM + THC can be a tool of grand scientific significance for the study of emotional valence.

[If what follows is hard to make sense of, please bear with us, it will get easier:] R points out that one can climb the symmetry gradient within a scene by normalizing the space vertically, horizontally, depth-wise, temporally, weight-wise, and so on. During each amodal step you can try to re-align the projective lines so that the points at infinity are either precisely at the center of your vision, or at least have symmetrical counter-parts (e.g. left-right, top-down, etc.). This way you can take the energy of the phenomenal objects and generate what we call a “projective energy entrapment”. This is a strange thing to report on that goes outside of people’s conceptual schemes, but it is definitely real, and very important. With a symmetrified amodal projective frame, the phenomenal object can “lock in place”, and a process of annealing takes place. The pre-existing invariant degrees of freedom present in the amodal projections before the symmetrification are still there, but on top of them, one gets additional invariant degrees of freedom. R compares this to taking a space with affine geometry and projecting it into a space with Euclidean geometry, such that the space now has two layers of invariance that add up and, together, prevent energy in the phenomenal objects from escaping to their surroundings. In light of QRI’s meditation paradigms, this would be akin to removing energy sinks from the system. In turn, the projective energy entrapment allows the build-up of extraordinarily intense resonance amplitudes, and this, according to R, feels really good.

Thus, at least according to these observations, the emotional valence of our world-simulation is both related to the number of active invariant degrees of freedom along which transformations are taking place and the amount of energy entrapped in such spaces. Here is a good example. The gif on the left is what the space may look like at first, with the pseudo-time arrow creating a video feedback effect that gives rise to chaotic behavior. If you meditate on normalizing the projective points, you can turn that space into something akin to the image on the right. Now rather than having the modal energy leak to the surroundings, it all gets trapped inside the cube, giving rise to a powerful feeling of emotionally-loaded resonance, which empirically feels really good.

To reiterate, the image to the left is what it feels like when the space is asymmetrical. The affine symmetries may be preserved, but Euclidean energy entrapment is not possible there. The one on the right has both affine invariants and Euclidean invariants, which allow for more energy entrapment (and also temporal stability). If you can stabilize an infinite hall of mirrors projected from a highly symmetrical point of view, you will be able to entrap a lot of energy, which feels like a resonating space and empirically this seems to be very pleasant. We would love to hear from more rational psychonauts whether they are able to replicate this experience, and whether the correlation with valence is also uncovered in their world-simulations.

In the more general case, one can do this with other amodal projections, and generate peaceful but wide awake energy-filler mandalas of experience:

Indeed, during dissociative free-wheeling hallucinatory states one can “tune in to the phenomenal objects” one constructs and translate their vibration into sounds, tactile sensations, emotions, and even scents. Again, empirically, one will notice that the projective symmetry of an object will be associated with the symmetry of the multi-modal translation, and in turn, with the valence of the object. Ugly phenomenal objects will have discordant sound signatures, whereas smooth, easily compressible and symmetrical phenomenal objects will have harmonic sound signatures. You can indeed try to listen in to your entire experience, which in the general case will give rise to rather experimental-sounding music. If you have annealed your hallucinations into a highly symmetrical state (e.g. hall of mirrors above) the sound translation will be *very* pleasant, akin to Buddhist chants in a reverb chamber or mystical violins in a resonant cave (again, this is an empirical finding as reported from R, rather than just arm-chair speculation, but it does support QRI’s hypothesized Symmetry Theory of Valence). Two very symmetrical objects with different but nearby frequencies will clash at first, but one can try to resolve this clash by paying close attention to both at once. If so, sooner or later one of the objects will dominate the other, they will undergo affine transformations until they merge, or there will be some kind of compromise where you stop paying attention to some of the features of one or both of the objects such that the remaining ones are in harmony. Here are some more examples of what a more complex DXM + THC state may render that could produce extremely beautiful sounds:

Thus, even within our modern scientific paradigms (updated with QRI’s frameworks) we can explain and indeed utilize the phenomenological reports of heaven worlds. We believe that understanding the underlying mathematical basis of valence will be ground-breaking, and analyzing these reports is a really important step in this direction. It will allow us to make sense of the syntax of bliss, and thus aid us in the task of paradise engineering.

But What if Our Scientific World Picture is Wrong?

Indeed, maybe the picture of the world painted above is fundamentally mistaken. Within it, we would gather that heaven and spirituality are in a sense illusions caused by high valence states. The experience is so beautiful, sublime, and delightful that people try to make sense of it invoking God, the divine, and transcendent love. Alas, if the universe has an in-built utility function based on valence we could expect people to become confused that way when experiencing some of the really good states. But could we be mistaken here? This points to an important question: whether bliss is a spiritual phenomenon or whether spirituality is a bliss phenomenon.

Leibniz might retort by saying that although each person is a separate monad, God keeps their experiences synchronized so that our actions in Maya do have effects on other sentient beings, rather than being just a movie of one’s own making. Thus, a world-simulation model may be correct, but what makes an experience blissful or not is not its physical state, but rather its degree of spiritual wisdom. Or consider, for instance, the Tibetan Book of the Dead, along with its psychedelic interpretation (by Leary, Metzner, and Alpert), which suggests that both good and bad feelings are projections of the unconditioned mind.

Alas, even if a spiritual account turns out to be true, in the sense that interpreting these experiences through their lens is more accurate, and inferential realism about perception is misguided, we would still be able to gather from these reports that the structure of thought-forms encodes emotions – perhaps even in a spiritual multiverse with souls, God-energies, Realms, etc. we would still be able to derive a master equation for valence. Rather than valence structuralism referring to the fire in the equations of physics, it might refer to God-energy, emptiness, etheric fields, or whatnot. But why would that matter? We could still formalize and mathematize the nature of bliss under those conditions. This is what we call Spiritual Structuralism: even in the spirit world math still encodes the experiential quality of phenomena. Saying “we either live in a mathematically-describable physical world or in a mysteriously inscrutable spiritual world” may turn out to be a false dichotomy. We could still look forward to having spiritual analogues of Galileo, Newton, and Einstein, albeit their equations would apply to how the God-force self-interferes to generate the multifaceted spiritual world of sentient beings.

Alas, I suspect that many spiritual people would recoil at the prospect of mathematizing Mystical Love. So let us ask ourselves: Would this be good? Tongue-in-cheek, I remember asking God at Burning Man 2017 whether deriving the equation for valence would be good from a spiritual point of view. God’s response? A resounding “Yes!” Importantly, God emphasized that individual bliss is limited, whereas collective bliss is boundless.  But maybe this, too, could someday be formalized. Here I reproduce the relevant part of our conversation:

Me: I’ve been working on a theory concerning the nature of happiness. It’s an equation that takes brain states as measured with advanced brain imaging technology and delivers as an output a description of the overall valence (i.e. the pleasure-pain axis) of the mind associated to that brain. A lot of people seem very excited with this research, but there is also a minority of people for whom this is very unsettling. Namely, they tell me that reducing happiness to a mathematical equation would seem to destroy their sense of meaning. Do you have any thoughts on that?
God: I think that what you are doing is absolutely fantastic. I’ve been following your work and you are on the right track. That said, I would caution you not to get too caught up on individual bliss. I programmed the pleasure and pain centers in the animal brain in order to facilitate survival. I know that dying and suffering are extremely unpleasant, and until now that has been necessary to keep the whole system working. But humanity will soon enter a new stage of their evolution. Just remember that the highest levels of bliss are not hedonistic or selfish. They arise by creating a collective reality with other minds that fosters a deep existential understanding, that enables love, enhances harmony, and permits experimenting with radical self expression.
Me: Ah, that’s fascinating! Very reassuring. The equation I’m working on indeed has harmony at its core. I was worried that I would be accidentally doing something really wrong, you know? Reducing love to math.
God: Don’t worry, there is indeed a mathematical law beneath our feelings of love. It’s all encoded in the software of your reality, which we co-created over the last couple billion years. It’s great that you are trying to uncover such math, for it will unlock the next step in your evolution. Do continue making experiments and exploring various metaphysics, and don’t get caught up thinking you’ve found the answer. Trust me, the end is going to make all of the pain and suffering completely worth it. Have faith in love.
Me: Thank you!

– Conversation with God, Burning Man 2017

John C. Lilly’s Simulations of God posits that as people evolve and mature, their concept of the highest good also evolves and matures. Thus, learning about the math behind pleasure might very well transform your conception of divinity. I would therefore offer a new perspective on what is God that unifies bliss and spirituality: God is a happiness engineer who knows all the theories, tricks, and techniques to optimize qualia for bliss. Indeed, Romeo (from QRI) has reported experiencing multi-sensory harmonious mandalas when closing his eyes after coming back from long meditation retreats. One could very well posit that this world is the training ground of souls to learn how to avoid creating evil thought-forms while practicing how to increase the harmony between all sentient beings.

Additionally, Wireheading Done Right could have a spiritual analogue – namely, moving between realms in such a way that you go from good one to good one, reaping their functional benefits, while avoiding getting stuck in any one of them. Just because a spiritual universe underlies our reality would not mean that suffering forever is either good or necessary. And if there is math associated with love and liberation, we are all better for it, for then we are not shooting in the dark. Carefully selected dynamic systems equations that give rise to beautiful (i.e. high valence from many different points of view) patterns could very well be what is behind the bliss of heaven worlds, and you should neglect this discovery at your own peril.

Alas, this is unlikely. Even so, promoting a given ontology is less important, intrinsically, than promoting subjective wellbeing. For if someone’s delusions are comforting and do not interfere with their ability to help others, there is no reason to remove them. Do not go and try to convince your dying granny of the non-existence of God, for that is pointless cruelty. And certainly don’t go around talking about tenseless suffering in the Everettian multiverse outside of circles to whom this can either help them intrinsically or extrinsically (I assume being candid with QC readers is a net positive, though I often doubt that a bit myself).

Either way, from what I gather, practicing creating beautiful harmonic thought-forms is probably good for your health and happiness. It is likely to make you not only feel good, but also be sweet-natured. So by all means practice doing it as often as you can.

Infinite Bliss!


*”Mantras, the Sanskrit syllables inscribed on yantras, are essentially ‘thought forms’ representing divinities or cosmic powers, which exert their influence by means of sound-vibrations.” [source]

**”In 1991, Denise Caruso, writing a computer column for The San Francisco Examiner went to SIGGRAPH, the largest gathering of computer graphic professionals in the world. She conducted a survey; by the time she got back to San Francisco, she had talked to 180 professionals in the computer graphic field who had admitted taking psychedelics, and that psychedelics are important to their work; according to mathematician Ralph Abraham.” [source]

Lucid LSD Trip Report from an Anonymous Reader

Writer: Anonymous (here substituted as “Bill”)

Dose: 2 blotters

I remember at one point feeling and saying that I was on the “sandy beaches of time.” Normally there are story arcs to events. There’s peak arousal and closure. But the hoffman [“LSD blotter”] was sustained arousal. In an expected upbeat I found a downbeat. All downbeats. So I found myself with extra moments unexpectedly. Moments that normally would have been blank or dim transitions were just as full as the moments they connected. The idea of the “sandy beaches of time” came from the feeling of rolling around in the sand on the inclines. Imagine you’re floating in water and then you wash on shore. Then you’re on the sand. That’s a feeling of unexpected support. You’re lying passively and find yourself on solid ground somehow. That’s how I felt that I found myself (without trying or initiating a thought) supported unexpectedly in additional moments. This reminds me of the experience I had on a stronger dose in 2016 (same number of blotters but higher potency due to freshness) where I always felt “in the middle of my thought.” It’s like there’s a moment of height and openness at the peak of the thought where you expand open to figure out how you’re going to fit together the structural pieces of the highest level of organization of the thought. But I was continually in the middle of the thought and never finishing a thought, I felt. I tried a lot harder to have complete well formed thoughts back then too, so the experience would have been more notable. In general this time I was least excited or interested at all. Quite passive and peaceful, but not exploring with great energy or amusement. It was a lower dose. I thought it was going to be difficult and possibly be my first bad trip, but when I did them I saw as always that psychedelics are nice to me and weed is the only one who occasionally gets medieval. When I figure out my van and living situation I will definitely seek out more hoffmans and things like it, because they have a certain potential to make my mind work better and they don’t seem to make me insane at all. On weed I can picture some bad day it getting me into a fetal position, but on psychedelics I have a relaxed “power pose.”

I also slightly expanded my sense of unifying with the perceptual (and otherwise conceived/imagined) environment. I’m putting on equal footing (there’s that equal footing theme again… In an article (link) the author used the phrase on “equal footing” once.  I had an idea to explain the equal footing phenomenon but I forget what it was). I feel like my implicit understanding of “merge your awareness with the world around you” increased and so I didn’t have to try so hard to figure it out. At this point I started to reflect on the kind of spiritual poverty of the spiritual ideas and theories I had and would often think about. The ideas I have often come from a dim dull state of mind. Anyway the merging came at the same time as understanding objects on their own terms. So rather than forcing a single texture onto two objects to see them both, I would see both objects with their own unique shapes and the only thing bridging them together was my awareness. That felt like the cubism people talk about in psychedelics (by the way Brahms is notoriously full of time distortions and musical cubism and disintegrations. The very long lines and irregular rhythms (implying a much lengthier process to “resolve,” i.e., achieve a full round of symmetry) are like the decreased decay of stuff in the mindstream. You can use sentences, words, sounds, symbols in a way that sustain moments of that openness, the middle-of-the-thought, and use sleight of hand to keep it from compensating or closing back down.). So I’d put on equal footing perceptions and all the notions I had which would be replaced by syntheses. Like I’d see a plane out the window and have a notion of the distance I was from it and then the notion of the angle of the distance line on my body and the plane, maybe picturing the underside of the plane and then the point of view from the plane looking back down, and I thought these images were all valid, and with the cubism going on it seemed to put the plane and the skyspace relationship to me on equal footing as myself, so I would see and not identify with my physical body and it’s vantage point and I would begin to get a sense of omniscience. Normally I’d reject this and say, “Well, look, we can take the pieces of the collage and infer that there’s only one body with eyes who can see and a brain that can think… it’s not like the plane actually sees or thinks” and yet I was going beyond that somehow. The panpsychism I’ve long subscribed to is like particulate panpsychism. It’s just like molecules and atoms have basic building blocks of complicated mechanical chemical processes, likewise simple consciousness properties of the oxygen atom and the carbon atom are modified by complex activities. However, the way I always thought of it wasn’t very smart. It wasn’t distributed consciousness at all. Nor did the consciousnesses of particles grow or interact or form “consciousness molecules” out of consciousness atoms. It was only the ability of surrounding forces to dance upon a carbon atom’s surface that I could imagine some experience arising. As for the human state—there are billions of consciousnesses and you just happen to be the one seeing this or hearing that or having the feeling of talking. In fact, all these examples of phenomenal experience would be vastly too complicated. But it’s no problem when you don’t believe in binding to suppose that I’m not a single person who talks and hears single sounds, but I’m an army of tiny mind particles that contribute their own tiny dust threads to experience… an experience that remains unbound and separate from all the other threads. So something like mind dust.

The cubism, by the way, was like dissociation, except that, like with the sandy beaches of time rushing in to provide an unexpected moment of support, there was always some unexpected maximally abstract unity support rushing in to bridge the disperate cubist pieces. That bridge was found in ongoing openness to find out. It was like an exercise in faith, and, in turn trust and compassion.

Anyway, that’s one kind of panpsychism. Another kind is nihilistic. Something about my coefficients was altered. Something normally was disproportional in my approach to panpsychism. Something similarly was out of place in the approach to open individualism. Well, the hoffman seemed to tune me a bit and adjust the amount of belief and nihilism and so on I was going into it with to give me a fuller experience. It turns out that what I see as “taking at face value” is actually an important state of openness. One doesn’t truly take it at face value because one isn’t ever pretending to have complete knowledge, but one does take something without devoting so much resource to reconceiving it in order to conform to one’s beliefs. The hoffman experience was generally very in favor of bottom up mindfulness. Let go of socially motivated reasoning and imaginary conversations trying to prove yourself to ignorant people with no imaginations who want to ruin everything good… just put your energy into understanding something with openness and then you’ll see it. I got higher understandings or understandings I realized I otherwise wouldn’t get.

The experience really gave me a strong sense of the doom of my life while at the same time making me light hearted about it and trying to show me around. Normally I’m scared that a psychedelic is going to be like weed and be scary, but it never is. In fact the hoffman took me around my room to see that in some areas where there was some mess or something that I projected an ugly identity onto (like I see my shoes and the first thing I think is, “That’s asperger’s shoes. Those are the shoes someone with asperger’s wears.” So I have my social “identity disturbance” imbued into virtually all the objects around me. Any object that signifies someone else in my life is imbued with boogeymen and gremlins of the relationship I have with that person). I’m oppressed by my room and the needless flavoring of everything with stigma and shame… it’s so comprehensive that I’ve lost the sensitivity to it. It’s like a fish in water, I’m drowning in stigma to the point that I take it for granted and no longer realize there’s any other way of being. So the hoffman tried to show me around my room and show me there aren’t any boogey man and reconnect me to the personality I do have which isn’t aspergery and is fine and contradicts the stigmas. Every time I look in the mirror I see someone more attractive than I expected to see. I think this started in middle school. I always always always underestimate my appearance by quite a bit. And I load my self image with all those bad stigmas. Going to the mirror is like a reality check, but it’s worn out because I’m largely desensitized to it. But the hoffman helped me see that being aspergery or any other stigma was an unnecessary self-fulfilling trap I didn’t have to go down because I did have… I was in good standing and nothing meant I had to be aspergers. My posture my voice my skin etc.., all was fine.

But the hoffman did go over my life. I expected it would attack me about my relationship with my family (which I stigmatize myself for… “I must be some kind of deranged monster” is a load I begin every thought on the matter with) and turn me vegan, but it’s never what you expect. It wasn’t a fear based assault but it was really sane and reasonable. It gave me a sense of the trap I’m in. I ordinarily only feel one part of the trap at once, like I’m in a maze going from one dead end to another. But the hoffman gave me a sense of all the traps of my life I’m in at once. Yet I was lighthearted and amused and smiling about it. I was ego dead but I didn’t even know it. It’s like my ego left without making a sound. Another thing is that it isn’t necessarily key to have no ego, but it is key to be in the moment which is often conflated with having no ego. Like if you’re alone walking and having an inner monologue conversation, that’s probably being lost in thought having some imaginary future conversation and that exemplifies the problems and life-of-it’s-own of the ego. But it actually could be that one is checking into the present moment continuously and one is having that conversation for the nobody, for the consciousness. After all, the consciousness divided and packaged into different points of view and bodies in an audience is the same as the consciousness you have, so why not have the conversation before it? I used to regiment being in the moment, a certain grid of checkpoints of checking in. But that top-down systematic way of being mindful doesn’t work because I find shortcuts and seem to be beyond the age where I can keep going back to the beginner’s mind in a subject and question everything I know to the point where I am not allowed those shortcuts. Further those shortcuts are easy to take without knowing it. They masquerade as true mindfulness. So an informal bottom up spontaneous not regimented continuous mindfulness is important. I like the short ego stories mentioned… (to be continued… must use bathroom now)

I like the idea of short duration egos/stories Mike Johnson mentioned in his recent meditation article. I used to have long systematic stories with regimented moderately high frequency check ins with the present moment proportional to what I used to call “salience essentialism” (a silly name, but the idea of making some element of information that’s only found in a state of lots of reflection and skepticism and metacognitions essential). But, as I said, I can’t do that regimentation anymore, so I’m going with Mike Johnson’s idea of short egos linked together. To have short ego stories that remain close to the present it’s key not only to bring a story to a natural end soon but also to not linger on that ending. If you linger on that ending rather than immediately continuing the moment, keep it rolling in a new moment, then you end up just getting lost in a nothingness epilogue to the story. Useless. You can’t end and then stop with nothing to continue with. So key to keeping short ego stories is also continually making them. Always be shedding light on the situation (keep no secrets. The ego performer has no secrets to keep as the actor. Continually to unravel it in any situation it finds itself. Don’t worry about nullifying a previous performance…because the previous performance was never meant to fool you as complete reality. Hold onto no pretense, but continue to act while shedding light always. A dance without deceit.)

Rather than being mindful to grasp the moment, to pas a yes/no test, I be mindful anew each time. Every time I be mindful is a new way of being mindful, and it’s about quickly jumping to the moment. When you’re really mindful like this listening to Beethoven’s cello sonata, you can’t tell if it’s you that’s singing or the cello. It feels like your own mind almost. I used to be a yes/no tester. I would have a preconceived idea of reality I strove for. But now I’m not doing that. I’m letting go of all my notions and quickly coming to the moment with openness.

One more word on the cubism thing. It’s related very much, I think, to the feeling of open individualism as well as the sandy beaches of time thing because each item has with it it’s own competing structure. Normally we resolve things into one system, but this cubism takes different elements on-their-own-terms, which means there are terms and structures and systems and orientations attached to them. In these systems are simulated the ego and its orientation to things. It’s like when you have some words and are deciding what sentence to make of them you ordinarily subordinate certain words to other words (the main verb being at the highest level of organization), but instead this cubism would have competing sentences for different words. It wouldn’t force the collapse of one structure or system for the other. Likewise the feeling of always being in the middle of one’s thought (or the sandy beaches of time) is like the noncollapse of the thought structure. There are many overlapping thoughts, all of them in the middle, rather than one thought with a start and a finish spanning several moments. You see? I think a similar thing can explain the proliferation of selfhood in objects in one’s perceptual/imagined environment. You go beyond your ordinary selfhood sense structure and see no problem attaching it to multiple things, like anthropomorphizing things with your sense of orientation and first person perspective. This gives rise to a sense of perspective that is beyond seeing and hearing and all the ordinary things. Yet what is it? Alas, perspective as a concept is only as advanced as the abstraction of perceptions and imaginations and so on, so we don’t actually have a more advanced concept of perception/perspective-having. What we have is the abstraction that’s forced upon us by the cubism and multiplication of competing perspective-having structures attached to different objects. All we know is that whatever it is must go beyond any individual object and is seen only when you’re continually opening up to the idea by watching the cubism unfold. So it’s easy to understand how this is all just a conceptual trick of the mind, but it has a very good way of taking everything you know and all your beliefs and spinning those into the picture to convince you of something beyond all that still. And I really do like to believe the idea of a perspective that transcends my human situated perspective of sense organs and a center of imaginations. I’d like the floating above everything and seeing the symphony. I see how MC Escher pictures are very evocative here, because you have competing “structures” or competing whatevers…  competing resolutions. MC Escher is a form of cubism in this way.

Another thing I notice is a decrease in bad compulsions. Generally psychedelics relieve anxiety and obsessions and stuff like that. I have this nasty habit of looking at attractive people and getting a pang of pain and loneliness and stuff. My work involves me being on social media all day long, so I often see a lot of attractive people and it’s just a pang of badness. But fighting with the compulsion is no good either. Flee it. I’ve got to stop correcting past mistakes. Short ego story. Don’t go down one road and then smack your forehead and then reverse and go back down another road. Nobody wants to see you back up. It’s not valuable. You’re not submitting or apologizing to anyone. Once you go down one road simply poof out of existence and then poof back into existence on the right road. No ego story of grinding corrections and punishments and obstacles. Just skip ahead to the right spot the moment you notice a better spot. Ordinarily seeing or hearing attractive people makes me tense up and go ouch and feel a dose of desperation and so on. This time I’m not doing that. I find that I’m lucky that I haven’t had that and a state of not clinging and so on is naturally here (I’m not anxiously monitoring my clinging level). I think it’s good to just zip to the right moment, the right thought and not spend time wrestling with the thing trying to undo it explicitly. Learn the habit of bypassing it, not reversing it. Don’t even expedite reversal. There should be no struggle to correct anything. Rather just jump freely to a better state of mind. But that’s easier said than done. I think it’s very hard to see the possibility of freedom in the present when faced with very strong recurrent thoughts or states of mind that one doesn’t want. It feels like the only hope of getting out of there is by contending with it, reversing it. But I’m suggesting that actually one can unlearn ever going down the wrong path in the first place (as opposed to learning to make the mistake and then the correction) and that is found in the present, the elusive present we overlook (or underlook). In fact, the present moment isn’t known to you yet while you’re still trying to struggle to escape the undesirable thought pattern. Trust that it will show you the way and open up to you as you open up to it. It will progressively open up, and you’ll say, “Oh, I see now.” 

So short stories are good, being in the moment is good. The intentional object is particularly tyrannical (ref) when it lives in a long story. Short stories can still have intentional objects. Things can have purposes, there can be a point, but the point should be found in the present (or the very very near future). When you find yourself having imaginary conversations for the future, then quickly start speaking that to the present. Whom are you talking to? Nobody. The nobody of the now (or yourself, or the non-people of the now) is a perfectly interesting audience.  You have within your consciousness basically what any audience can actually supply anyway. Consciousness differentiated through filters of points of view and personality and so on is only just the same as what you have in your “solitary” conversation.

Well anyway, I found myself having a bit of a love for the present. I like knowing that fulfillment is found in the present. It is beautiful and wholesome. I like not being chained to anxieties and compulsions. I like the spontaneousness of the higher rate of mindfulness. I don’t normally have so much mindfulness and trying with much effort to be mindful backfires. As explained above about reversing mistakes, today I was quickly and without making a fuss finding myself snapping back into the present. Rather than trying to make an ordeal of an error report trying to diagnose the lapse in mindfulness and see to it that it doesn’t happen again, I let go of that controlling and just join the present moment “ready to rock” as [person] from [previous job] would put it.

Here’s part of the trip report. I wrote the other half of it in a paper notebook:

5:10PM I recorded everything earlier in a notebook.

Wow so much easier to type fast. Anyway I see how the ego and the self, I created a dark scary world of doubt and fear and shame for this Bill character. It’s just a character. Bring as many emotional resolutions as possible to make the story have as happy an ending as can be, but ultimately just don’t forget it’s all fiction.

And I guess that’s key. The fears of the hellishness of being a “bad human” and so on…all fictions of the Bill story in the world, in consensus reality. Make the story look nice, but see through it. It’s just a story for some TV viewer. I’m so predictable, what I’m paranoid about, what my hang ups are, etc… How the grass is greener on the other side of being social.

But this trip, rather than dipping me in guilt and attacking me with my own problems is actually more like a refresher on how these places aren’t full of boogeymen like I think they are, and if I just realized this I’d have a better day. But ultimately the desperateness and the loneliness and so on…gosh what a drag. On and on and on being upset about my life. I cultivate a sense of loss before fulfilling it. I should instead not have any needs and just pursue excitement… It’s interesting to think about whether you can get anywhere in life or have a very interesting time without those needs and voids held open by fear.

5:19PM I think I watch Minecraft playthroughs as a surrogate for socializing. Now without getting emotional or caught up in the Bill story, let’s just assess whether this is necessary.

5:25PM I’m listening to music. I’m admiring the majesty of some things in it. CPE bach. Just like Huxley said about my nonself being the non self of that chair leg, I identify as a non self with the non self of the grand music at points. Anyway, I notice how a lot of my enjoyment of music is really grinding and unpleasant. Forceful and full of pain like fighting through wounds, forcing your way through barbed wire. It’s senseless, isn’t it? If I can control it and enjoy music without this forceful stuff, this suffering forcefulness and longing and neediness and narrowness.

5:30PM Those headphones cause such misery. I get lost in those things. I’m getting a bit morbid, aren’t I? I’m not coming down but I’m tired and maybe my blood sugar is lower or something.

9:51PM Watched the Terence McKenna in Prague with Ram Das and Shulgin and others (link 1, link 2). Fascinating. Then I listened to this I noticed how this time I did acid my mind didn’t expand very much at all. I feel old and like my brain is stuck in certain ways of seeing things. I do have a gentle calling to feel myself situated in terms of nature and evolution and the mystery of the universe…I just want to see the open night sky like our ancestors did, but not clouded by all these paved roads and jobs and clocks and so on. Missing the moment for some future goal, measured by time and streets and so on. I liked what Watts said about playing a musical instrument for the enjoyment of music and not to do secondary things like make money or impress an audience. Now one could say that their goal is to impress audiences and so one isn’t “playing music” but one is “impressing audiences” and happening to play music. But I like the idea of only playing music in an innocent way because of the pleasure the noise gives. Unlocking the song by learning the music is rewarded by the music as it comes along. Not the prospect of performing or this becoming a dance of your ego or something. That’s kind of the problem. At least not living acts for the present well enough. That’s what I meant a couple weeks ago about having present moment self goals. Have goals for the moment. Don’t do stuff for later. The goal shouldn’t be set on some fulfillment of something later on. Why? Because people who say things like that have broken heads and my head is broken so I say stuff like that. Anyway, when I play music it should be to produce sound. When I try to get a self image, a social ego, a sense of my social personality, it shouldn’t be aimed at a future date. I should be genuine where I am, even if I’m alone. That is the moment. When it happens, it isn’t practice for some future performance. I’m not scripting. Rather, that is it. That was the moment to make the joke or be clever or do something. If I’m alone, that’s who I do it for. I do it for myself and nobody. I don’t do it for anybody, at least nobody to be abstracted and conceived in a later date. What happens happens then…what happens in the moment stays in the moment. Right now, who am I journaling with? Whom am I talking to? Wow, I can’t even believe I’ve got the depth to question that. Above I mentioned how not expanded my mind felt. Well I’m not very reflective, and the fact I just brought up the question who I am journaling for shows that thing. A lot of life has been lived in these journals. Some good, a lot bad. I can imagine myself throwing my journals away. I can imagine my laptop getting stolen or destroyed or lost. I no longer am hoarding up notes on philosophy projects. So what is this all for? Well, it’s all for itself. And right now it feels better. This feels like a good use of my time and a legitimate experience of living. Nothing lacks. I don’t need to add on some need to escape here and strive for a better place. Apples and oranges. This is adequate in itself. What I do, I must enjoy doing for the sake of itself. I don’t read books to build a vocabulary and a wit so I can talk to people. I have to enjoy reading the books and having that vocabulary and wit as the reader. Not for some future moment. The journey of a book isn’t an overture to something else. It is the journey. I need really to start becoming intrinsically motivated by everything I do, see things as ends in themselves. Really end. Not mindfulness to some other place. I make this mistake all the time. I think of the future now, of the future present moment mindfulness state. I’ve got to enjoy the mindfulness I already have before I can progress further…or rather before it can progress to unfold and intensify. I have to appreciate the experience of education I’m getting by reading a book, raw education however unglamorous and rudimentary, before my education can grow and intensify.

Sunk cost is big when trying to improve yourself (referring back to Alan Watts talk there). If I haven’t already implemented these notes about living in the present moment, then why do I think I can? Seems like the game has run stale. I’ve been narrowly focused and in sunk cost and escapism and I need to just let go of the outcome and step back and observe. Just like what I said about the stand-up comedian’s ego filtering out the amount of feedback based on how massively they’d have to renovate their act—they’re unwilling to open themselves up to just assess what’s wrong and fix it because they’re trying to open up to a small amount, one repair guy and see what he says and see if he recommends a follow up repair guy when he can’t figure it out, and then two slightly more in-depth expert repair guys come by and so on….why is this progression of repairmen economical? It is if you have no idea what’s wrong with your electricity in your house, but if you are a standup comedian and your ability to correct your act depends on your ability to recognize what’s wrong with it and you have access to that consultation, why limit yourself by peeking through a half closed eye? Why not just open up and see the whole situation? You won’t waste time…oh so much time you’ll spend fighting your way back up from the later stage repair men to earlier repair men…correcting later stage specific advanced diagnoses but still something’s wrong but it’s simpler than before. Just always wrestling with the errors in your performance trying to keep them in the simple no biggie zone rather than in the serious fail zone. But if only you were willing to open your eyes fully to see the true extent of the problems, then you could fix them all.

10:30PM Down with an edible. Wow, surprised how powerful the acid still is. Let’s see I took one at 12:33PM and the other at 1:49PM. Well, and I just took an edible. A tinge of regret because it’ll dull and otherwise contaminate the acid, but I’m getting tired so it wasn’t like I was going to get much out of it anyway. Alas, I’m still looking for gold to fill my notebooks for for later reading. I still take notes for the future. I should see notes as what they really are, which is just prosthetics for the experience of narratives in the present moment. Nothing more. (And I’m often blind to that possibility! I’m blind to the potential of the present! I only think in terms of future stuff. I just overlook the present.)

10:36 Wow that Alan Watts talk though. I know I always can’t help but put in my disclaimers. I don’t even feel like going through the various examples of why I have critical reasoning bla bla bla (don’t think of me as a stupid sheep). Just how helpless I seem to be in my current mode of doing things to get myself to live in the present and for the present. I don’t make decisions. I don’t decide what meanings my words have. I rather sit there passively waiting for the right words to come and fill in. I could do with some asserting myself more. But when the moment is right, when it gives energy rather than drains.

And rather than striving for an answer for a theory about consciousness or something or reality or whatever crazy… that is so rewarding that it can be done for itself in the moment. Think about consciousness. The mystery of the ever elusive background. The unknown is stimulating. It is exciting. Seeing the implications of the unknown and questioning old frameworks is enjoyable. It just is. 🙂

11:30PM Just took my second edible. (Saw: Alan Watts – Nature of God)

12:31AM Only do things for the now. Don’t solve problems for the future. Propose solutions for the future in the now. It’s a present act. You’re just exercising talking and proposing and speculating recreationally for the present. You ‘re not putting your will into the future. And the idea I have is that the bleakness of my life is in my head. Living in a van can be positive. I can have a happier social life. But doubts just feed. They’re demonic. They love sadness like heroin. They love to feed on the anxieties about not being able to make friends, of how poor my track record has been, how my life used to be in my control and going in a direction has now fallen so dramatically in a different way….The doubt tempts you. The decisions stop being made in the present moment. IT says “Hold on now. Think about this…” as it proceeds, foot in the door, to tempt you to sadness and doubt, as if there’s some social reward for having a sufficiently pessimistic view.

Qualia Computing at Burning Man 2018: “Consciousness vs Replicators” talk

I’m thrilled to announce that I will be going to Burning Man for the second time this year. I will give a talk about Consciousness vs. Pure Replicators. The talk will be at Palenque Norte‘s consciousness-focused speaker series hosted by Camp Soft Landing.


The whole experience last year was very eye-opening, and as a result I wrote an (extremely) long essay about it. The essay introduces a wide range of entirely new concepts, including “The Goldillocks Zone of Oneness” and “Hybrid Vigor in the context of post-Darwinian ethics.” It also features a section about my conversation with God at Burning Man.

If you are attending Burning Man and would like to meet with me, I will be available for chatting and hanging out right after my talk (call it the Qualia Research Institute Office Hours at Burning Man).


Here are the details of the talk:

Andrés Gómez Emilsson-Consciousness vs Replicators

Date and Time: Wednesday, August 29th, 2018, 3 PM – 4:30 PM
Type: Class/Workshop
Located at CampCamp Soft Landing (8:15 & C (Cylon). Mid-block on C, between 8 and 8:30.)

Description:

Patterns that are good at making copies of themselves are not necessarily good from an ethical point of view. We call Pure Replicators, in the context of brains and minds, those beings that use all of their resources for the purpose of replicating. In other words, beings that replicate without regards for their own psychological wellbeing (if they are conscious) or the wellbeing of others. In as much as we believe that value is presented in the quality of experience, perhaps to be “ethical” is to be stewards and advocates for the wellbeing of as many of the “moments of experience” that exist in reality as one can. We will talk about how an “economy of information about the state-space of consciousness” can be a helpful tool in preventing pure-replicator take-over. Lastly, we will announce the existence of a novel test of consciousness that can be used to identify non-sentient artifacts or robots passing for humans within the crowd.

 

Marijuana-induced “Short-term Memory Tracers”

[On the subjective effects of marijuana]: It’s one thing to describe it verbally and another thing to experience it yourself. I had this dissociated feeling that was really intense. I had memory tracers. So it wasn’t like, you know, people on LSD or stuff will talk about how “your hand is tracing over and over again” and it was almost like that with my memory. My short term memory was repeating over and over again. So it’d be things like getting in a car, and getting in the car over and over again, putting on a seat belt over and over and over again, and it was like short term memory tracers. And it was overall extremely intense. Had an altered perception of space. You know… distance. That’s something I [also] got on mushrooms, which I talked about in a previous video, but it’s like you see something far away and you don’t really know if it’s really far away, or if it is just really small. So if you see a car that’s like 50 feet away, you don’t know if it is 50 feet away or if it is just a matchbox car that’s really close to you. So it kind of had that; it altered the way I saw space. And, to be honest, I freaked the fuck out, because this isn’t what I thought marijuana was supposed to be. I thought it was a sedative. I thought it made you relaxed. I didn’t know it tripped you the fuck out. So, uh, my response was: I thought I was dying. I remember being in the backseat of the car and saying “is this normal?” And the guy in the front seat– he was this Indian dude, his name was Deepak– I swear to God it was like, uh, my Kumar, and he turns back and and was like “Are you tripping, man? Are you feeling it, man?” and that just made me even more fucked up in the head. Because he was saying it in his Indian accent, and I was like “What’s going on? What’s going on?”, and I thought I had to go to the hospital. Uh, let’s fast-forward in the experience, so about one hour later, or 30 minutes later, I don’t really know, it started to turn more in what I expected it to be. Which was this sedative, I started feeling more relaxed, like the trip started subsiding, and I was left with this trip afterglow of relaxation, feeling giggly, feeling really hungry, and you know kind of like the standard marijuana high. And this happened every time I smoked marijuana in the beginning. I was uncomfortable for the first 30 minutes to an hour. I learned to kind of enjoy it, but for the most part I was waiting it out. And then I’d get relaxed and chill. And I wouldn’t really call it paranoia, it was really just tripping so hard I was kind of like “wow, like, I’m really fucking tripping, I hope I don’t act weird in front of a bunch of people” Maybe that is paranoia, I don’t know.

 

[…10 more minutes talking about marijuana…]

 

And I don’t know why the fuck marijuana is still illegal in 2017. I feel like I a fucking pilgrim. Like, seriously? A war veteran can go and almost die for his country. He could come back, and drink alcohol, buy an assault riffle, and get prescribed speed, but smoke a joint? Nah, you are a fucking criminal! I mean, that doesn’t make any fucking sense. I’ve been doing this push, that I said that if by January 2018 Marijuana wasn’t legal I’d shave my hair. I’m not gonna shave my head. I am gonna cut all of my hair off, and I’m really sad about that. Usually when I cut my hair off I send it to Korea at a random address because I just like to say “my hair is in Korea”. And I’m sure whoever opens it is like “why the fuck am I getting this?” But this time I’m gonna throw it up into eBay just because I want to see if anybody bids on it. I’m gonna do it 99 cents free shipping. But yeah, getting my hair cut is simply really weird: when I get to the stylist and say “can you put this on a bag? I’m gonna sell this.” Uh, but yeah, that really is it for Marijuana as far as my overall experience with the substance.

– What’s smoking marijuana like? The positive and negative effects of smoking cannabis and dabs by Youtube addiction recovery coach Cg Kid

What If God Were a Closed Individualist Presentist Hedonistic Utilitarian With an Information-Theoretic Identity of Indiscernibles Ontology?

Extract from “Unsong” (chapter 18):

There’s an old Jewish childrens’ song called Had Gadya. It starts:

A little goat, a little goat
My father bought for two silver coins,
A little goat, a little goat

Then came the cat that ate the goat
My father bought for two silver coins
A little goat, a little goat

Then came that dog that bit the cat…

And so on. A stick hits the dog, a fire burns the stick, water quenches the fire, an ox drinks the water, a butcher slaughters the ox, the Angel of Death takes the butcher, and finally God destroys the Angel of Death. Throughout all of these verses, it is emphasized that it is indeed a little goat, and the father did indeed buy it for two silver coins.

[…]

As far as I know, no one has previously linked this song to the Lurianic Kabbalah. So I will say it: the deepest meaning of Had Gadya is a description of how and why God created the world. As an encore, it also resolves the philosophical problem of evil.

The most prominent Biblical reference to a goat is the scapegoating ritual. Once a year, the High Priest of Israel would get rid of the sins of the Jewish people by mystically transferring all of them onto a goat, then yelling at the goat until it ran off somewhere, presumably taking all the sin with it.

The thing is, at that point the goat contained an entire nation-year worth of sin. That goat was super evil. As a result, many religious and mystical traditions have associated unholy forces with goats ever since, from the goat demon Baphomet to the classical rather goat-like appearance of Satan.

So the goat represents evil. I’ll go along with everyone else saying the father represents God here. So God buys evil with two silver coins. What’s up?

The most famous question in theology is “Why did God create a universe filled with so much that is evil?” The classical answers tend to be kind of weaselly, and center around something like free will or necessary principles or mysterious ways. Something along the lines of “Even though God’s omnipotent, creating a universe without evil just isn’t possible.”

But here we have God buying evil with two silver coins. Buying to me represents an intentional action. Let’s go further – buying represents a sacrifice. Buying is when you sacrifice something dear to you to get something you want even more. Evil isn’t something God couldn’t figure out how to avoid, it’s something He covets.

What did God sacrifice for the sake of evil? Two silver coins. We immediately notice the number “two”. Two is not typically associated with God. God is One. Two is right out. The kabbalists identify the worst demon, the nadir of all demons, as Thamiel, whose name means “duality in God”. Two is dissonance, divorce, division, dilemmas, distance, discrimination, diabolism.

This, then, was God’s sacrifice. In order to create evil, He took up duality.

“Why would God want to create evil? God is pure Good!”

Exactly. The creation of anything at all other than God requires evil. God is perfect. Everything else is imperfect. Imperfection contains evil by definition. Two scoops of evil is the first ingredient in the recipe for creating universes. Finitude is evil. Form is evil. Without evil all you have is God, who, as the kabbalists tell us, is pure Nothing. If you want something, evil is part of the deal.

Now count the number of creatures in the song. God, angel, butcher, ox, water, fire, stick, dog, cat, goat. Ten steps from God to goat. This is the same description of the ten sephirot we’ve found elsewhere, the ten levels by which God’s ineffability connects to the sinful material world without destroying it. This is not a coincidence because nothing is ever a coincidence. Had Gadya isn’t just a silly children’s song about the stages of advancement of the human soul, the appropriate rituals for celebrating Passover in the Temple, the ancient Sumerian pantheon, and the historical conquests of King Tiglath-Pileser III. It’s also a blueprint for the creation of the universe. Just like everything else.


(see also: ANSWER TO JOB)

Everything in a Nutshell

David Pearce at Quora in response to the question: “What are your philosophical positions in one paragraph?“:

“Everyone takes the limits of his own vision for the limits of the world.”
(Schopenhauer)

All that matters is the pleasure-pain axis. Pain and pleasure disclose the world’s inbuilt metric of (dis)value. Our overriding ethical obligation is to minimise suffering. After we have reprogrammed the biosphere to wipe out experience below “hedonic zero”, we should build a “triple S” civilisation based on gradients of superhuman bliss. The nature of ultimate reality baffles me. But intelligent moral agents will need to understand the multiverse if we are to grasp the nature and scope of our wider cosmological responsibilities. My working assumption is non-materialist physicalism. Formally, the world is completely described by the equation(s) of physics, presumably a relativistic analogue of the universal Schrödinger equation. Tentatively, I’m a wavefunction monist who believes we are patterns of qualia in a high-dimensional complex Hilbert space. Experience discloses the intrinsic nature of the physical: the “fire” in the equations. The solutions to the equations of QFT or its generalisation yield the values of qualia. What makes biological minds distinctive, in my view, isn’t subjective experience per se, but rather non-psychotic binding. Phenomenal binding is what consciousness is evolutionarily “for”. Without the superposition principle of QM, our minds wouldn’t be able to simulate fitness-relevant patterns in the local environment. When awake, we are quantum minds running subjectively classical world-simulations. I am an inferential realist about perception. Metaphysically, I explore a zero ontology: the total information content of reality must be zero on pain of a miraculous creation of information ex nihilo. Epistemologically, I incline to a radical scepticism that would be sterile to articulate. Alas, the history of philosophy twinned with the principle of mediocrity suggests I burble as much nonsense as everyone else.


Image credit: Joseph Matthias Young