Toy Story 4 – 20 Movie Review

by Frank Yang (post)

Toy Story was my favorite movie growing up. I had the entire collection. The fact that the toys could think without a brain made me explore dualism, monism, the existence of God, and nofap (see next slides). Toy Story 4 is weird as fuck for a Disney movie. Due to the psychedelics Renaissance and mass awakening, people want everything to be increasingly trippy.

Forky is probably the weirdest Disney character of all time. It’s like the producers and writers got together in a room and brainstormed, “emm how can we strip a character down to its bare minimum materially to embody pure Being and Nothingness, and all he wanted was to go back to the Source”? The toys are on their way to realizations with Woody and Buzz self-inquiring about the distinction between the voice in their heads and the voice from their voice box. Woody eventually dissolved the part of his ego attached to having an owner by the end, but is still asleep because he still believes he is a toy.

Toy Story 15 will eventually be about enlightenment.

Buzz will be the first one to wake up since he always had a hunch that he wasn’t a toy and is obsessed with infinity.

Buzz screams at Woody, ‘You are not a toy, but infinite Consciousness.’

Maybe by Toy Story 18 both the toys and their owners can break through the layer of illusion that separates them and finally rejoice and communicate with each other after realizing they are made up of the same pixels, floating inside the same bubble of Divine imagination with limitless possibilities.

In Toy Story 20, every object inside the screen – toys and kids, trees, shoes and houses all combine force and congeal their pixels into One, exists the screen and merge with the audience in an Absolute orgy where all dualities collapse.

We’re left with an empty screen; the good old Witness. McDonald manufactures blank screen keychains to go along with happy meals and all the kids thought they got woke.

But when my grandson brings one home I’ll smash the little screens with a hammer “the Observer is the last stand against freedom!” I yell.
And then he was enlightened.
#toystory代購 #jumpman #thefappening

Two Recent Presentations: (1) Hyperbolic Geometry of DMT Experiences, and (2) Harmonic Society

Here are two recent talks I gave. The first one is a talk about the Hyperbolic Geometry of DMT Experiences I gave at the Harvard Science of Psychedelics Club in mid-September (2019). And the second talk is about QRI‘s models of art, which took place in June (2019) at a QRI party in the Bay Area.


The Hyperbolic Geometry of DMT Experiences (@Harvard Science of Psychedelics Club)


Description

Andrés Gómez Emilsson from the Qualia Research Institute presents about the Hyperbolic Geometry of DMT Experiences.

At a high-level, this video presents an algorithmic reduction of DMT phenomenology which imports concepts from hyperbolic geometry and dynamic systems theory in order to explain the “weirder than weird” hallucinations one can have on this drug. Andrés describes what different levels of DMT intoxication feel like in light of a model in which experience has both variable geometric curvature and information content. The benefit of this model cashes out in a novel approach to design DMT experiences in order to maximize specific desired benefits.

See original article: The Hyperbolic Geometry of DMT Experiences: Symmetries, Sheets, and Saddled Scenes

And the Explain Like I’m 5 version: ELI5 “The Hyperbolic Geometry of DMT Experiences”

Presentation outline:

  • Thermometers of Experience
  • The Leaf Metaphor
  • Introduction to Hyperbolic Geometry
  • DMT Levels
  • Level 1: Threshold (& Symmetry Hotel)
  • Level 2: Chrysanthemum
  • Level 3: Magic Eye (& Crystal Worlds)
  • Level 4: Waiting Room
  • Level 5: Breakthrough
  • Level 6: Amnesia
  • Energy – Complexity Landscape
  • Dynamic Systems
  • Fixed Point
  • Limit Cycles
  • Chaos
  • Noise Driven Structures
  • Turbulence
  • Conclusion
  • Super-Shulgin Academy
  • Atman Retreat
  • Wrap-Up

About the speaker: Andrés studied Symbolic Systems at Stanford (and has a masters in Computational Psychology, also from Stanford). He has professional experience in data science engineering, machine learning, and affective science. His research at the Qualia Research Institute ranges from algorithm design, to psychedelic theory, to neurotechnology development, to mapping and studying the computational properties of consciousness. Andrés blogs at qualiacomputing.com.

The Qualia Research Institute (QRI) is a non-profit based in the Bay Area close to San Francisco which seeks to discover the computational properties of experience. QRI has a “full-stack approach” to the science of consciousness which incorporates philosophy of mind, neuroscience, and neurotechnology. For more information see: qualiaresearchinstitute.org

The Harvard Science of Psychedelics Club hosts events on psychedelic research, meditation, neuroscience, students sharing their own experiences, and much more.


Credits:

– Wallpaper group 632 rotating along each symmetry element – Nick Xu

– Many of the images are by Paul Nylander: http://bugman123.com/

– The Hyperbolic Honeycomb images and 3D prints are by Henry Segerman, who also has an awesome Youtube channel where he shows 3D printed math. We used his design to print the Honeycombs we were passing around during the lecture: https://www.youtube.com/user/henryseg

– Space-Time Dynamics in Video Feedback: Jim Crutchfield, Entropy Productions, Santa Cruz (1984): https://youtu.be/B4Kn3djJMCE

Many thanks to Andrew Zuckerman and Kenneth Shinozuka for helping organize this event. And thanks to David Pearce, Michael Johnson, Romeo Stevens, Quintin Frerichs, the anonymous trippers, and many others for making this work real.


And here are the slides:

 

Dynamic Systems animations:



Harmonic Society: 8 Models of Art for a Scientific Paradigm of Aesthetic Qualia


Description

Andrés Gómez Emilsson from the Qualia Research Institute gives a presentation about how art works according to modern neuroscience and philosophy of mind.

The video discusses eight different models of art: models 1 through 4 have been discussed in academic literature and the current intellectual zeitgeist, while models 5 through 8 are new, original, and the direct result of recent insights about consciousness as uncovered by modern neuroscience, philosophy of mind, and the work of the Qualia Research Institute.

Abstract:

We start by assuming that there are real stakes in art. This motivates the analysis of this subject matter, and it focuses where we place our gaze. We examine a total of eight models for “what art might be about”, divided into two groups. The first group of four are some of the most compelling contemporary models, which derive their strength from fields such as philosophy of language, economics, evolutionary psychology, and anthropology. These models are: (1) art as a word only definable in a family resemblance way with no necessary or sufficient features, (2) art as social signaling of desirable genetic characteristics, (3) art as Schelling point creation, and (4) art as the cultivation of sacred experiences. These four models, however enlightening, nonetheless only account for what David Marr might describe as the computational level of abstraction while leaving the algorithmic and implementation levels of abstraction unexamined. They explain what art is about in terms of why it exists and what its coarse effects are, but not the nature of its internal representations or its implementation. Hence we propose a second group of four models in order to get a “full-stack” view of art. These models are: (5) art as a tool for exploring the state-space of consciousness, (6) art as a method for changing the energy parameter of experience, (7) art as activities that induce neural annealing (which implements novel valence modulation, i.e. surprising pain/pleasure effects), and (8) art as an early prototype of a future affective language that will allow diverse states of consciousness to make sense of each other. These frameworks address how art interfaces with consciousness and how its key valuable features might be implemented neurologically. We conclude with a brief look at how embracing these new paradigms could, in principle, lead to the creation of a society free from suffering and interpersonal misunderstanding. Such a society, aka. Harmonic Society, would be designed with the effect of guaranteeing positive valence interactions using principles from a post-Galilean science of consciousness.

———————–

The 8 models of art are:

1. Art as family resemblance (Semantic Deflation)

2. Art as Signaling (Cool Kid Theory)

3. Art as Schelling-point creation (a few Hipster-theoretical considerations)

4. Art as cultivating sacred experiences (self-transcendence and highest values)

5. Art as exploring the state-space of consciousness (ϡ☀♘🏳️‍🌈♬♠ヅ)

6. Art as something that messes with the energy parameter of your mind (ꙮ)

7. Art as puzzling valence effects (emotional salience and annealing as key ingredients)

8. Art as a system of affective communication: a protolanguage to communicate information about worthwhile qualia (which culminates in Harmonic Society).


The presentation is based on an essay published in the Berlin-based art magazine Art Against Art (see: Issue #6).

Article is posted online here: Models 1 & 2, 3 & 4, 5 & 6, 7 & 8.


See more about the Qualia Research Institute at: https://www.qualiaresearchinstitute.org/

Andrés blogs at Qualia Computing: Top 10 Qualia Computing Articles


Infinite bliss!!!


And here are the slides:

Harmonic Society (4/4): Art as Valence Modulation and Future Affective Language

The following essay* was recently published in the Berlin-based art magazine Art Against Art (buy issue).

The essay offers eight different models of art: models 1 through 4 have been discussed in academic literature and the current intellectual zeitgeist, while models 5 through 8 are new, original, and the direct result of recent insights about consciousness as uncovered by modern neuroscience, philosophy of mind, and the work of the Qualia Research Institute.

Below you will find models 7 and 8, which conclude this series of posts. (See previous models: 1 & 2, 3 & 4, and 5 & 6).


7. Valence Modulation

What is the difference between indifference and interest, boredom and thrill, despair and bliss? Pleasure! A few grains of this magic ingredient are dearer than a king’s treasure, and we have it a plenty here in Utopia. It pervades into everything we do and everything we experience. We sprinkle it in our tea.

The universe is cold. Fun is the fire that melts the blocks of hardship and creates a bubbling celebration of life.

It is the birth right of every creature, a right no less sacred for having been trampled upon since the beginning of time.
Letter From Utopia by Nick Bostrom

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Photo by Andrés Silva (aka. El Capitán). Claudia Silva (in the picture).

We are now approaching the point at which we will finally start cooking with peanut oil, so to speak. We will finally start thinking about how to build extremely good art from first principles. The ‘Art as Valence Modulation’ model builds on top of the previous model where art involves messing with the brain’s energy parameter. To explain this model we need to introduce two additional concepts:

  1. Neural Annealing, and
  2. The Symmetry Theory of Valence (STV)

Neural annealing is a concept we developed at QRI to extend the entropic disintegration framework.[1] Namely, the most beneficial use of ‘energy’ is to direct it towards the brain’s natural harmonics in order to carve out the presence of a naturally blissful state in everyday life. This process works on a progression that goes like this:

  1. Energy application
  2. Entropic disintegration
  3. Search/self-reorganization
  4. Neural annealing

Together with neural annealing, STV provides an answer for why we experience intensely rewarding states of consciousness from art. Here is where some of the theories that we have been working on come into play. In particular, we hypothesize that when highly-energized states of consciousness follow an adequate cooling schedule, they can give rise to highly ordered states that are experienced as very pleasant and which can carve good attractor states into the brain in the long term. Making an analogy with metallurgy, with annealing, you can increase the regularity of the microscopic structure of metal by heating it above the recrystallization temperature and letting it cool. This results in changed material properties (such as reduced hardness and increased ductility). We hypothesize that something along these lines also takes place in brains. Neural annealing facilitates solving complex constraint satisfaction problems at the perceptual, emotional, and conceptual level. The higher energy enables quick search between possible configurations that satisfy as many constraints as possible (over- stepping the local maxima we are usually stuck within normal energy ranges), while the cooling process solidifies the best constraint satisfaction solutions. Critically, here the STV comes into play by proposing that the more regular the resulting neural structures are, the better they feel. Annealing smooths out inconsistencies and irregularities, which according to the STV are key sources of discomfort. Symmetry, in the form of smoothness and harmony, is why the process of annealing leaves you feeling great.

adrian_regnier_coming_soon

Very high-valence annealed states of mind feel cosmic and profound in significance. Images by Adrián Regnier Chávez

In this light, art with lasting desirable mood effects does not only need to increase the energy parameter, but it also needs to know how to lower it at the right schedule in order to leave people annealed to a given desirable mindset. A lot of art that successfully raises the energy parameter nonetheless does not succeed in the ecosystem of human attention, because it does not let people cool off in the right way. More so, an excessively competitive memetic landscape that incentivizes maximum surprise tends to train people to experience too much fear of missing out to let them adequately consume art at the pace needed to leave you better off emotionally. There is genuine wisdom in going to museums with one’s smartphone turned off.

Where do we draw the line between healthy recreation and distraction? Some might say that art in the form of pictures is fine, but audiovisual is too much. Some may be fine with movies but not with VR. Others would be ok with videogames but perhaps not with drugs. Others perhaps would be ok with drugs but not with genetic modification of neuronal gene expression. Some would be ok with that but not with neural dust rewiring, and so on. The format, we would argue, is not what matters. But rather, what the annealing pattern is, which is actually what makes the effects of art stick in the long run (or not).

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Image by Joseph Matthias Young. It makes me think of the aesthetic of the meta-aesthetic.

This way of seeing art is highly generative. It gives us a research lead for how to construct new grandiose and highly-effective art. More so, the model can itself be developed as an aesthetic of its own. Perhaps we could call it the aesthetic of the meta-aesthetic. That is, an aesthetic that rewards distilling the essential reason why any aesthetic can feel good and meaningful. In the future, we might expect to see in stores “Hedonium Magazine” – which catalogues all of the peak-valence states that can be achieved with any method whatsoever, and sees the craft of perfecting neural annealing as itself the highest form of art. Here we transcend the post-modern ethos of giving each aesthetic its place in the garden of paradoxes. Yes, give each aesthetic its place, but do not let that prevent you from building a meta- narrative that ties together and clarifies the value-add of each aesthetic. No aesthetic is above being examined in terms of how it achieves neural annealing in those who consume it.

In turn, this model gives us a new understanding of what an “aesthetic” even is. According to it, an aesthetic is a system for long-term neural annealing. A one-off weird art piece might give rise to annealing and solidify random structures in your brain. An aesthetic is more than that. It is a collection of generator seeds for art pieces that give rise to a coherent form of neural annealing that is reinforced with each piece, no matter how different they may seem from one another on the surface.

A further property of neural annealing is that it is what enables you to fully experience a self-consistent worldview as if true. This bridges the gap between meaning and pleasure, and is at the core of the connection between valence and the experience of sacredness we discussed in model 4. According to model 7, sacred experiences are the result of driving the energy parameter of the brain above the recrystallization threshold and then having it cool down as it reorganizes the elements of a given target ontology and worldview. The result is an annealed mental state optimized to represent that worldview. The sense of global consistency makes the worldview feel good and true, almost as if you were able to smell truth with it. This model would say, thus, that the core mechanism behind every kind of sacred experience is the same. Which emotions, ontologies, and worldviews get annealed is what is different depending on set, setting, and aesthetic (i.e. how the energy sources and sinks were modified). But deep down, it is successful annealing that makes sacred experiences feel so compelling and good.

8. Affective Language: Harmonic Society

An idealised full-spectrum superintelligence will indeed be capable of an impartial “view from nowhere” or God’s-eye-view of the multiverse, a mathematically complete Theory Of Everything – as does modern theoretical physics, in aspiration if not achievement. But in virtue of its God’s-eye-view, full-spectrum superintelligence must also be hypersocial and supersentient: able to understand all possible first-person perspectives, the state-space of all possible minds in other Hubble volumes, other branches of the universal wavefunction (UWF) – and in other solar systems and galaxies if such beings exist within our cosmological horizon. Idealized at least, full-spectrum superintelligence will be able to understand and weigh the significance of all possible modes of experience irrespective of whether they have hitherto been recruited for information-signalling purposes.
David Pearce, in The Biointelligence Explosion (2012)

If we succeed at developing a science of art built on top of a modern science of consciousness, what should we do with it? What would the art of a wise post-scarcity and post-suffering society look like? As far I can tell, Utopia consists of both having the system in place to keep the lights on, while being able to use the surplus energy to power blissful experiences beyond the bounds of our current conceptions.

harmonic_society

Harmonic Society by ALGE

The vision of Harmonic Society is that of a particular type of post-suffering utopia that resolves to optimize for good art. Referencing the models of art we’ve built upon so far: Harmonic Society (1) knows there are stakes in art and hence sidesteps the traps of semantic deflation, (2) avoids runaway signaling and Cool Kid gridlock, (3) utilizes Hipsters to explore promising new frontiers, (4) has mastery over a diverse range of conceptions of the sacred, (5) systematically explores the state-space of consciousness, (6) has a scientific and precise understanding of the energy parameter of experience, and (7) has deep knowledge of how to induce arbitrary types of neural annealing. In addition to all of this, Harmonic Society has (8) a map of all high-level aesthetics, knows what they are useful for, and can instantiate them at will.

In Harmonic Society there is always a way to smoothly transition between seemingly irreconcilable aesthetics. It deeply understands the pros and cons of different aesthetics and knows how to apply them optimally both for instrumental purposes and hedonic value.

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Image by Michael Aaron Coleman

Nowadays a lot of people who could benefit from, e.g. going to art festivals, taking acid, subpack cuddle parties, participating in plays (i.e. exposing themselves to high-end aesthetic experiences), find it hard to do so, because it is difficult to get back to work once the weekend is over after experiencing incredible bliss. A rough solution to avoid residual incompatibility between the state you annealed over on the weekend with the mindset you need today for work would be to develop a mood organ[2] that instantly puts you into any mindset you want. But perhaps a more elegant solution is to have such an advanced and detailed map of the state-space of mindsets that smooth, painless, and synergistic transitory states between arbitrary modes of being are discovered.

Thus, one could one minute be on a 5-MeO-DMT-type white light conscious void ultra-blissful state, the next minute be on a perfectly functional MDMA-like state useful for socializing, the minute after moving to a highly-focused nootropic-like systematizing state, and so on. The aesthetic to foster here is a meta-aesthetic of avoiding sharp discontinuities between mindsets, and allowing you to transition between all known awesome aesthetics. In Harmonic Society the entire state-space of consciousness is your oyster.

A further thought about Harmonic Society is that a sufficiently advanced understanding of aesthetic experience might even revolutionize our understanding of identity.
For instance, a non-trivial sense of personal diachronic identity could arise if everyone
starts to identify with e.g. a different person-specific song. If we truly understood how
valence works and we had full access to our neurocircuitry, we could in a way embody a
given work of art and interact with others in a way that is consistent with the artistic
degrees of freedom our identity allows. This way, people’s interactions could perhaps be guaranteed to be positive. The combinatorial space of possible back-and-forth interactions does not need to be small, since high-energy allows for incredibly varied states. But nonetheless we could get to a point of understanding how valence works such that we could provably demonstrate that two persons with the right neural implementations will always have positive-sum interactions no matter what.

Open_Closed_Empty_Ring

Identity in Harmonic Society: The aesthetic of understanding the valence of every possible state of consciousness and how to translate what matters between them. (Picture: Symbol of Open, Empty, Closed Individualism from Burning Man Theme-Camps of the Year 2029, Continuity Camp)

Conclusion

As the guiding premise of this essay we started out assuming that there are real and substantial stakes in art. It sure is all fun and games to think that anything goes in art until your landscape of cultural meaning is polluted with replicator strategies and attention-zapping exploits that lead to long-term neuropsychological problems and anneal false and neurotic metaphysics. Understanding art matters.

I would make the claim that a new science of valence, i.e. a new science of pleasure, pain, love, hate, and indeed transcendent bliss, can be a new rallying flag for cultural value. Rather than the messy consilience patchwork between different aesthetics we have today, we might in the future indeed find a true and real grounding for the meaning of beauty and bliss. Contrary to the conservative spirit often associated with calls to reinvigorate an objective sense of beauty, here we arrive at a theory of art that would very well appreciate experiences as outlandish as DMT breakthroughs. This theory of art appreciates such states not “just as much” as fine art, but indeed as far more valuable and implicated in what matters than most of everyday life. For art, meditation, psychedelics, and philosophy all share the fact that they are messing with the energy parameter of experience in powerful ways that can be used to achieve much better and globally-consistent brain states. Understanding that the effects of art can be very strong and life-changing is one thing, but knowing the mechanism of action behind those changes comes with entirely new possibilities and responsibilities. We invite you to consider what this entails, and to join us in envisioning a future Harmonic Society constructed with full knowledge of neural annealing.


[1] It is worth mentioning that Steven Lehar used annealing to describe the subjective progression of his ketamine experiences in his book The Grand Illusion: A Psychonautical Odyssey Into the Depths of Human Experience. [October 2019 – Edit: Carhart-Harris and Friston wrote a paper together in which they discussed annealing in the context of psychedelic research (see summary). The paper was published in July, two months after I submitted this essay to Art Against Art in May of 2019. We are delighted to see independent convergence on this concept and its importance.]

[2] The Penfield Mood Organ is a technology described in Do Androids Dream of Electric Sheep? by Philip K. Dick that allows the user to instantly tune into any of hundreds of possible moods via direct cerebral stimulation. Some example moods include “3. The desire to dial other moods”, “481. Awareness of the manifold possibilities open to me in the future”, “594. Pleased acknowledgment of husband’s superior wisdom in all matters”, and “888. The desire to watch TV, no matter what’s on it”.



Glossary

Cool Kids: Someone who is well-rounded and uses strategic mediocrity in order to entice people to show their peacock feathers. At its extreme, Cool Kids become the leaders of artistic gangs who corner the marketplace of aesthetic attention.

Hipster: Someone who enjoys art and media that seems too obscure to care about. Typically, the preferred aesthetics of a Hipster are highly detailed and focus on specific favored attributes at the expense of well-roundedness. A Hipster does not only have opinions about what is enjoyable, but also about how to enjoy it and why.

Nerd: Someone who wants to figure out what is true, especially as it applies to technical and formal systems. A philosophy nerd, for instance, compulsively tries to figure out ultimate truth.

Minimax art strategies: A strategy for making art that tries to be the best on a narrow set of attributes while neglecting well-roundedness. This is sometimes adaptive and some- times maladaptive.

L1/L2 normalization: Using mean absolute error (L1) favors minimax strategies vs. using mean squared error (L2) which favors well-rounded strategies.



Special thanks to: Michael Johnson, Romeo Stevens, Liam Brereton, Duncan Wilson, Victor Ochikubo, and David Pearce for their thoughts and feedback.



* The full essay’s title is: Harmonic Society: 8 Models of Art for a Scientific Paradigm of Aesthetic Qualia

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Harmonic Society (3/4): Art as State-Space Exploration and Energy Parameter Modulation

The following essay* was recently published in the Berlin-based art magazine Art Against Art (issue). Below you will find models 5 and 6 (out of 8), which are new, original, and the direct result of recent insights about consciousness as uncovered by modern neuroscience, philosophy of mind, and the work of the Qualia Research Institute. (See models 1 & 2, and 3 & 4).

I will wrap up this series next week with something many readers would know to expect – an explanation for how art is connected to valence. Stay tuned!


5. State-Space Exploration

The elucidation of the origin of qualia-rich subjectivity is important not only as an activity in the natural sciences, but also as a foundation and the ultimate justification of the whole world of the liberal arts. Bridging the gap between the two cultures (C. P. Snow) is made possible only through a clear understanding of the origin of qualia and subjectivity.
Qualia symbolize the essential intellectual challenge for humanity in the future. The impact of its elucidation will not be limited to the natural sciences. The liberal arts, religion, and the very concept of what a man is will be reassessed from their very foundations.
– Ken Mogi in The Qualia Manifesto (1998)

Is there anything beyond the sacred? Yes. This model of art posits that one key feature of art is the pursuit of novel experiences that challenge preconceptions of what is possible to experience. The state-space[1] of possible experiences is unfathomably vast, and mundane everyday human experiences are restricted to a tiny corner of this enormous behemoth. As they say, “you won’t know if you like it until you try it”. Applying that logic to the exploration of the state-space of consciousness would encourage us to open our horizons and become receptive to the possibility that there are true gems of experience waiting to be found in exotic regions of this space.

Now, it is easy for some people to fetishize the exotic for novelty’s sake. But contrary to popular belief, novelty is not intrinsically valuable. Taking into account previous discussions (especially models 2 and 3 above), we can interpret artistic explorations that push the boundary of our knowledge about what can be experienced as a sophisticated form of signaling genetic fitness. In particular, mastery over novel modes of experience shows that you have the mental and physical power to devote copious amounts of resources to exploration, for only one in a thousand attempts at discovering something new results in something that other people can appreciate. It is thus the case that a lot of novelty creation is aimed at courtship rather than being driven by a genuine passion for knowledge.

clamped_aesthetic

Left style source: Adrián Regnier Chávez. Right style source: Carpet by ALGE

That said, what is out there hidden in the state-space of consciousness beggars belief. Anyone who is exploring that vast space in an intelligent way will sooner or later find incredible things. But how do we explore this space intelligently? A systematic exploration of possible images, for instance, could involve taking a picture and changing one pixel at a time. But as we all know, the Library of Babel is almost completely devoid of meaningful books. At least relative to its size. A much better way of exploring the space (inspired by Steerable Pyramid and Deep Dream-type algorithms) would be to sample possible images with an intelligent method, such as training generative neural networks on previous works of art, and then asking them to hallucinate possible images while constraining the neural layers you identify with the aesthetic quality of the images. Style transfer techniques and similar methods can result in images sampled from a given aesthetic, rather than from e.g. a particular low-level feature set (e.g. a type of edges) or a set of high-level semantic content (e.g. cars, people, dogs, etc.).

clamped_aesthetic_1

Left style source: blue balloons in a living room. Right style source: collection of blankets by ALGE

Exploring the space of possible images is an extremely small sub-problem of exploring the state-space of consciousness. But I think the analogy is useful as a general idea. Now, how vast is the state-space of consciousness? Well, it tends to be larger than you think, even when you take that fact into account. I will coin that fact as Gomez-Emilsson’s Law. Every time you think you know how vast the state-space of consciousness is, you will be surprised to find out you are wrong if you choose to dig deeper.

Consider what happens when someone takes LSD. Most people expect that they will simply get to experience new sensations like brighter colors, tracers, or synesthesia. This is true to a point, for light doses. But on medium doses, in addition to exploring the state-space of sensory configurations, one also experiences new aesthetics, which this model would define as ways of organizing a lot of sensations in ways that feel right. More so, an aesthetic is also a way of delivering uninhibited sensations in a way that feels good at the level of the whole experience, from moment to moment. Most people have no clue that there is a vast space of possibilities here.

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Illustrates “state-space of beach rocks” by unknown artist at Sombrio Beach in Vancouver. Photo: Julia Pope

On higher doses, people are surprised to find an even more general way of exploring the state-space of consciousness. Namely, one instantiates alternate games. The DMT “vibe” that people report can be thought of as more than a “context switch”. It is, rather, a more radical change that we could describe as a “game switch”. The “Jester” that people talk about regarding DMT experiences is an archetype that the mind uses to signal the “rule violation” quality of the state. There is so much going on that one’s experience splits into multiple games at once trying to find some common ground, and this feeling of game-incompatibility feels very alien. A sort of anti-virus system in the mind is triggered at that point, and labels the inconsistency with a feeling of weirdness so that you know not to update your actions based on the (currently globally inconsistent) experience of multiple superimposed games. Rule violation through fast changes in implicit games of social status causes you to interpret what is going on as having extreme stakes. Interacting with DMT Aliens, Gods, Elves, etc. feels like the upper limit of potential social status transfer that your world simulation affords (like meeting a president or a king). The state-space of consciousness contains all of these alternate games and metagames, and we have not even begun to catalogue them. This is all to say: seen in this light, the era of art has just begun.

Like the previous models, this one also gives rise to an aesthetic of its own. I call this the aesthetic of “Rainbow God”. This is the meta-belief that we gain value by understanding and experiencing extremely novel states of consciousness. Ultimate bliss, according to this aesthetic, is not a bland monotone state, but rather, is a state that incorporates within it an extraordinary variety of types of qualia. Posthuman aesthetics will not only show up in the form of intense feelings, but also in the form of extremely “rainbow-ey” experiences. The concept of a full-spectrum intelligence (an intelligence capable of instantiating any qualia at will) plays an important role in this aesthetic. Thus, the full-spectrum artists of the future will have access to a qualia pallet in an experience editor[2] that includes human qualia like sight, touch, scent, emotions, thought-episodes, etc. It will also include qualia only found in insects, fish, mollusks, people tripping, people having seizures, novel neurocircuitry, etc. The asymptote of incorporating all possible varieties of qualia into a single experience is the final realization of Rainbow God, the ultimate state of knowledge and beauty according to this aesthetic.

6. Energy Parameter Modulation

SeifertSurfaces

Seifert Surfaces by Paul Nylander

People say they have weird and novel experiences with art, but by a large margin, the novelty itself is not the focus of what matters in people’s reports. Rather, people especially talk about having experiences that are not only novel and unusual, but also characterized by heightened states of consciousness. For example, when people “get art” they report being inspired, amazed, surprised, enthralled, or even shocked. These states seem to have in common a quality of high-energy in one form or another. Although possible, it is rare to talk about art as purposefully sedating, boring, anesthetizing, or numbing. That’s the exception. In general, art as diverse as Japanoise and Jodorowsky have in common the quality of heightening, and not only changing, one’s state.

At the Qualia Research Institute (QRI) we take very seriously the notion that experience has an energy parameter. In psychology-speak, nearby concepts include emotional arousal and activation level, though these tend to have more physiological than phenomenological connotations. In contrast, we hold that you can indeed experience very high levels of conscious energy without at the same time experiencing the physiological responses that are usually associated with high arousal (such as high heart-rate, high breath-rate, high blood pressure, sweating, etc.). Likewise, it is not the case that only traditionally high-arousal emotions (such as being excited, thrilled, fearful, anxious, etc.) come in high-energy forms. Indeed, it is possible to experience states of relaxation, serenity, equanimity, and peacefulness in extremely energetic forms(!), as happens in the concentration-based altered states of consciousness called “Jhanas” in the Buddhist tradition.

Here it is relevant for me to bring up the fact that my colleague Mike Johnson recently wrote about the neuroscience of meditation. He discussed how to make sense of the acute and long-term effects of meditation through the lens of modern neuroscience paradigms, and then found a way to tie them together into an overarching theory. For the sake of brevity I will schematically outline some of the key features of the paradigms he integrated:

  1. Free Energy Principle (Karl Friston, 2010):
    1. The brain is trying to minimize expected future surprise by building high-level models of sensory input
    2. When a model says that the input is very unlikely, our brain propagates an error signal in the form of excess energy
    3. This energy motivates the search for a better model, for which the previously surprising input is now expected
  2. Entropic Disintegration (Robin Carhart Harris, 2014):
    1. Psychedelics elevate the “neural temperature” of the brain, meaning that they increase the entropy/disorder present in neural circuits
    2. One’s everyday mode of consciousness relies on learned neural patterns solidified over years, which at times can be chronically maladaptive
    3. By “raising the temperature” of our neural circuits, maladaptive neural circuits, especially “egoic structures” in the default-mode network (DMN), disintegrate
    4. This enables you to “start from scratch” and form new, more adaptive, neural patterns
  3. Connectome-Specific Harmonic Waves (Selen Atasoy, 2016):
    1. Physical systems with excitation-inhibition wavefronts have harmonic modes
    2. By mapping out the connectome of a brain (white and grey matter tracks) and using empirically-derived excitation-inhibition differential equations of neural activity, one can infer the electromagnetic resonant modes of a given brain
    3. Using this technique, it was found empirically that psychedelics increase the amplitude of connectome-specific harmonic waves across the spectrum, and in particular, the amplitude delta is higher on the upper ranges of the spectrum

Tying together these frameworks we see that (a) the brain responds to surprise in an excitatory way which gives rise to a process of search for better models, (b) there is a sense of neural energy for which increasing it gives rise to the disintegration of pre-existing patterns, and (c) there is a sense of actually physical energy in the brain tied together with its resonant modes, which are variable depending on one’s state of consciousness. To bring all of these frameworks together, we can interpret them in terms of energy sources and energy sinks:

  1. Energy Sources: surprises, sensory stimulation
  2. Energy Sinks: passage of time (decay factor), semantic content (crystallization around explanatory representations), pre-existing attitudes

At a high-level, we could describe the relevance of these frameworks for art as follows: For art to energize you it needs to either reduce the influence of energy sinks and/or increase the amount of energy from energy sources.

The numerous tricks of the craft of different kinds of art can be reinterpreted in this framework. For example, a lot of artistic advice for a broad audience focuses on making sure that there is a twist you are introducing in an otherwise familiar space. Even subtle surprises (colors being out of place, unusual garments, implausible actions, perspective mixups, etc.) will propagate a prediction error and heighten the energy available in one’s state. This will make you experience the rest of the piece in a more energized and impactful form. Now, to sustain the heightened energy parameter, it is important to avoid making it easy for the brain to redirect the energy to a large energy sink. If the perceptual mistake one makes is one you are familiar with and have experienced before, you might end up diverting the newly available energy towards reinforcing an attitude you developed about that perceptual mistake (e.g. word tricks could trigger anxiety about not being a good reader rather than helping you stay in an energized state).

This paradigm also puts in a different light, and makes sense of, the criticisms often raised against pieces perceived as Kitsch, Camp, and Cliché, or other aesthetics centered around the over-use of a given artistic trick. Art can fail to sufficiently energize your state by failing to introduce a large enough surprise. If you can immediately grasp the full scope of the novelty introduced by a given piece (even if you are misapprehending the input!) you can quickly categorize your experience into a pre-existing bucket and skip the intended energized state. This functions as an energy sink, and hence you fail to stay energized.

This is just a piece of the full story here, for energy sinks are not completely reliable. There is a phenomenon called semantic satiation, where a pattern of rapid and regular repetition of words, images, and concepts makes them feel meaningless. So even the most cliché of art can indeed get the job done of energizing your state of consciousness, by presenting many versions of the same thing in flashes at a sufficiently high rate (I’m not saying this is necessarily pleasant, but it might be effective!). On the flip side, if what you are after is the maximization of a particular meaning in e.g. a commercial, you will find there is a Goldilocks Zone for the number of times you should present the core concept/image to the audience; too few and the meaning will be weak, too many and you’ll trigger semantic satiation by overwhelming the energy sinks of the audience.

Schematically, there are three broad ways of inhibiting energy sinks to allow the buildup of what we call “semantically neutral energy”. You can:

  1. Disable,
  2. Overwhelm, or
  3. Avoid them

Let me elaborate. First, you can disable energy sinks by switching to unfamiliar contexts (e.g. it is harder worrying about work while on a screen-free beach, at a museum… or at Burning Man). Also, disabling energy sinks can happen in states of exhaustion, fasting, intoxication, or other states of mind that impair some of the normal functions of the brain. Second, as we saw, semantic satiation would be an example of overwhelming energy sinks, but there are many other ways of doing so, such as increasing the intensity of input above a certain threshold. And third, avoiding energy sinks involves things like setting the intention to focus your attention on a meditation object and refocus on it every time you get distracted. Alternatively, one can load a given energy sink with negative implications and learn to avoid it via negative feedback (e.g. when a standard interpretive framework is frowned upon by a social group).

Most drugs and activities could be described in terms of their characteristic effect on energy sources and sinks.[3] But only some of these drugs and activities are “broadband energy enhancers”, in the sense that the energy they give rise to is transferable to a broad range of mental and physical activities. This is what sets meditation, trance-inducing music/dancing, psychedelics, philosophy, and art apart from other energizing activities. Those methods in particular allow energized states to be sustained for long periods of time, and they give rise to novel sensations exclusive to the high-energy regions of the state-space of consciousness.

A note on psychedelics here is in order. There is indeed something very peculiar that psychedelics do to the energy sources that to my knowledge is not done by the other broad-band energy enhancers. Psychedelics make energy sources echo! They change the neuroacoustics of the brain, which favors temporally repeating patterns in a delayed-echo fashion along with a slower decay function for experience over time.[4] Thus, visual tracers and the amplification of music appreciation during a psychedelic trip are both expressions of the same underlying principle: the brain is more resonant. The fact that this effect is distinct from what art, meditation, philosophy, or strobes have to offer makes psychedelics synergistic and complementary with the other methods. After all, it is hard to ignore the gazillion subjective reports of enhanced aesthetic appreciation experienced on even small doses of psychedelics.

For the above reasons, I think this model has a lot of explanatory power. To recap, this model of art says that increasing the energy parameter of one’s consciousness is the success condition of art. It explains the repeating trance-inducing quality of music, the need for balance between predictability and surprise, common craft advice, and the existence of higher aesthetics. In turn, this model implies that art can be done in a wrong way. Art that is uninspiring, insipid, unexciting, irrelevant, etc. could be understood as art that fails to raise the energy parameter of those who experience it. And indeed, the higher the form of the art, the more it allows for the buildup of semantically-neutral energy.



[1] The term “state-space” refers to a very general concept that identifies the set of all possible configurations of a given system (of equations, machines, experiences, etc.) and the ways in which these configurations can transition from to another.

[2] As a proof of concept: According to cognitive scientist Steven Lehar, combining LSD, Ketamine, and THC can give rise to a “free-wheeling hallucination”, which is a state of mind where one gains the ability to edit the contents of one’s experience at will (“You can say ‘give me a table’ and a table will appear right in front of you as real as a solid table”).

[3] For example, anti-psychotic drugs are broad-band energy sink enhancers, psychedelics are broad-band energy source enhancers, classic stimulants (such as amphetamines) are narrow-band energy source enhancers, classical depressants (such as benzodiazepines) are narrow-band energy sink enhancers.

[4] In one account proposed by “Psychedelic Information Theory” (James Kent), psychedelics achieve the tracing/echo effect by disabling an energy sink. The control interrupt model of psychedelic action says that there are natural inhibitory processes that prevent features of our current experience from building up over time. Psychedelics are thought to chemically interrupt inhibitory control signals from the cortex, which are constantly preventing the build-up of qualia. In this account, what you are paying attention to is in fact the part of the sensory input that is being inhibited the least. Interrupting the inhibitory “control signal” gives rise to echoes of previous states across the board that you intrinsically attend to whether you like it or not.


Featured image credit: Seifert Surfaces by Paul Nylander

* Originally titled: Harmonic Society: 8 Models of Art for a Scientific Paradigm of Aesthetic Qualia

Harmonic Society (2/4): Art as Schelling Point Creation and the Pursuit of Sacred Experiences

The following essay was recently published in the Berlin-based art magazine Art Against Art (issue). Below you will find models 3 and 4 (out of 8). I will be sharing 2 new models each week until I’ve shared all of them (see part 1/4).


3. Schelling Point Creation

[Psychoanalysis teaches us:] When somebody complains, always be careful and try to find, identify, what type of additional pleasure, satisfaction, does the act of complaining itself bring to you. We all, when we complain, almost always, find a perverse satisfaction in the act of complaining itself.
– Slavoj Zizek (2019)

I certainly feel compelled to complain about the tyranny of genetic fitness signaling in art. That said, people who excel at games who are not played by many people will have an incentive to undermine the popular games and frame their favorite game as somehow superior. Why are Hipsters and Nerds allied against Cool Kids? Because the Cool Kids can decide on a whim that the games the Hipsters and Nerds play are uncool and not worthy of public fitness displays. Even if they happen to be of superb quality!

In many cases, the exploration of uncommon games can give rise to major innovations, so there is a utilitarian reason to promote some degree of exploration outside of the aesthetics that most people can enjoy.

This line of reasoning gives rise to a new interpretation for what a Hipster is. To be a Hipster is not, as popularly believed, to merely desire the uncommonly desired. The whole thrust of hipsterism is a promise of superior quality in at least some actually relevant area, even at the cost of severely reduced quality across the board. (Using an analogy from the field of statistics: Cool Kids favor L2 normalization[1] as it signal-boosts people who are well-rounded, whereas Hipsters and Nerds favor L1 normalization which improves the outlook for imbalanced minimax strategies).

Many people believe that all Hipsters are Cool Kids. Many believe something slightly weaker, which is that to be a Cool Kid you also need to be a Hipster. But in fact this is absolutely not the case, and it is a category error to think otherwise. Cool Kids and Hipsters were correlated when being Hipster had mainstream appeal. That is, Hipsters were cool when Cool Kids used to challenge people to show how Hipster they could be. But this should not be in any way an indication that Hipster aesthetics are intrinsically related to Cool Kids, for the same reason that e.g. Country Music, Normcore, or Bolshevik aesthetics are not intrinsically invented by Cool Kids. Hipsters are individual contributors to the frontier of culture. Indeed, it is rare to find a place that produces genuinely innovative content while also being saturated with Cool Kids.

Cool Kids, in large quantities, eventually form cliques that become voting blocs. These frustrate innovation by fully orthogonalizing what is socially cool from what is socially valuable. A Hipster under those circumstances tends to feel stifled. Cool Kids tend to be above-average in openness to experience, but they are rarely in the top 2% of openness to experience – more like one standard deviation above the mean. This is because they need to be open enough to look at new trends but also sufficiently closed to be able to relate to the bulk of the consumers of new trends. Genuine Hipsters are usually above the 98th percentile of openness to experience. In turn, the sexual attraction of some people is focused on this particular trait, and Hipsters compete at signaling it to the highest extent possible. In the process, they discover interesting things. But this does not mean they can sustainably stay cool in the eyes of the average person.

High openness to experience allows you to appreciate minimax players. It allows you to accept artists who are ridiculously good at making a specific point but lack talent in every other respect. Ultimately, the innovations produced by these extreme artistic explorations sometimes radically transform social reality.

In “Ads Don’t Work That Way”, Kevin Simler discusses how advertisement’s power is not through direct persuasion, but through shaping the landscape of cultural meaning. You don’t bring a 6-pack of Coronas to a party because the ads have subconsciously conditioned you to think that this beer in particular is more likely to make you and your friends feel like you are a chill group. Rather, you buy it in order to signal the fact that you see yourself as a chill person, and to bring that mindset to those who see you bring the product. It is by virtue of common knowledge that ads can do this; if every single person received a different custom-made AI-powered neural net ad, ads would stop having the function of shaping the landscape of cultural meaning, and perhaps lose a significant portion of their power.

Art, likewise, can also change the landscape of cultural meaning. In contrast to ads, art might perhaps be described as high-bandwidth low-distribution as opposed to high-distribution low-bandwidth. And to the extent that Hipsters discover new aesthetics, they are a big source of novel cultural Schelling points for subcultures to form around.

4. Creating Sacred Experiences

Art could be the next religion – Alex Grey

Below you will find an example of a piece that aims to create a sacred experience, which I recently encountered at the Santa Cruz Regional Burn. It is called Mementomorium, and it is a mixture of a sensory-deprivation-chamber and a symbolic self-burial experience crafted in order to simulate your own death and to attempt to see your life in its finitude. This art piece plays with one’s experience of time and sense of mortality, and helps you cut through delusion in order to re-interpret one’s time on earth as finite and priceless.

Why is the above art? Cool Kids might find this too morbid, and Hipsters are likely to see
it as too real. So what is the thrust behind artistic visions like the above?

Sacred experiences are an aspect of social and phenomenological reality. Art, it turns out, is deeply entwined with such sacredness. Now, much has been said about the sublime in relation to art. What else is there to say?

Life isn’t about finding yourself. Life is about creating yourself. – George Bernard Shaw

Contrary to the three previous models, here the culminating emotion that is sought is not the vindication of self, but rather, the elicitation of a sense of self-transcendence. This 4th model would say that art creates some of the most valuable experiences there are, because it makes us experience a sense of transcendence. And relative to the previous three models, this model is the first to consider art as involved in the quest of finding the ultimate answer, as opposed to merely providing incremental benefits to humanity.

Cutting to the chase, let us jump right into a list of possible intentional sources for phenomenal sacredness (i.e. the possible targets of art according to this model). From John Lilly’s “Simulations of God”, below you find the most common types of self-transcendence catalogued:

  1. God As the Beginning
  2. I Am God
  3. God Out There
  4. God As Him/Her/It
  5. God As The Group
  6. God As Orgasm and Sex
  7. God As Death
  8. God As Drugs
  9. God As the Body
  10. God As Money
  11. God As Righteous Wrath
  12. God As Compassion
  13. God As War
  14. God As Science
  15. God As Mystery
  16. God As the Belief, the Simulation, the Model
  17. God As the Computer
  18. God Simulating Himself
  19. God As Consciousness-without-an-Object
  20. God As Humor
  21. God As Superspace, the Ultimate Collapse into the Black Hole, the End.
  22. The Ultimate Simulation
  23. God As the Diad

According to John Lilly’s view, each of us lives in a world simulation (whether this is generated by our brains or by a higher power is something Lilly himself went back and forth on for decades). He makes the case that our world simulation is run by a hierarchical chain of programs and meta-programs. One’s locus of control[2] is what he calls the Self Meta-Programmer, which is roughly equivalent to the ego (or at least a healthy one with high levels of self-control). Implicitly, however, the Self Meta-Programmer is subordinated to something higher, something he calls the Supra-Self Meta-Programmer (SSMP for short; see: “Programming and Metaprogramming in the Human Biocomputer”).[3] Our SSMPs are responsible for our notions of a higher power, higher values, and higher purpose. One’s religion is determined by the SSMPs to which one is subordinated. In Lilly’s view, it is one’s SSMPs that give rise to one’s understand- ing of God. And as the list above shows, there are many possible versions of God. That is, there are many possible meta-programmings for what the highest power, value, and purpose might be. In light of this, art as the pursuit of sacred experiences would not be restricted to a particular view of God. Rather, it encapsulates every possible notion of God – where the art that hits hardest is the art that resonates the most with one’s implicit conception of God.

A parallel here could be made with adult developmental models (such as those of Wilber’s Integral Theory, Kegan’s Evolving Self, Common’s and Richard’s Model of Hierarchical Complexity, etc.). At each level of development, one’s conception of the highest value transcends and includes those of the developmental stages below. Let’s take for example Integral Theory’s levels 4, 5, and 6. Level 4, aka. “Amber” (ethno- or nation-centric, values rules, discipline, faith in transcendent God or preordained high- er order, socially conservative, etc.) would derive a sense of sacredness from religious imagery, a nationalist spirit, and art that fosters traditional values. Level 5, aka. “Orange” (values science and rationality, democracy, individualism, materialism, entrepreneurship, etc.) gets off on experiences that bring about a reductionist scientific world picture compatible with self-reliance (“the world is made of atoms, and this, rather than being tragic, is an opportunity to have fine-grained control over the elements”). And Level 6, aka. “Green” (values pluralism and equality, multiple points of view, no true reality, embraces paradox, considers civil rights and environmentalism to be the frontier of culture, etc.) would find art projects that highlight the multiplicity of perspectives to be key to a sense of the sacred.[4] In this framework we can explain people’s negative reaction to art as a misfit between the developmental level of the target audience and the developmental level of the person who gets to experience it. Art targeted to people in a higher level of development than oneself will be perceived as heretical (e.g. postmodern art from the point of view of a traditionalist monotheist), while art targeted to people on a lower level of development than oneself will be perceived as childish or naïve (e.g. traditional religious iconography from the point of view of a scientific rationalist humanist). We could thus predict that if there are even higher developmental levels above ours, we will most likely think of the art targeted to them as deeply troubling.

The core quality of the experience is the feeling and recognition that oneness is truth. – Martin Ball on 5-MeO-DMT

At the upper levels of development, one could argue, we find sacredness based on concepts like pure consciousness, emptiness, and the clear white light of the void, etc. Famously, psychedelics, and in particular 5-MeO-DMT, seem to trigger direct experiences of this type of sacredness, which, according to its proponents, encapsulates all other kinds of transcendence within. If this is so, then we could anticipate that agents like 5-MeO-DMT will play an important role in the future of art as more people climb the ladder of adult psychological development.

On a social level, art as the pursuit of the sacred can be interpreted as an adaptive behavior aimed at taming envy. “Keeping up with the Joneses” is (artistically or other- wise) capable of diverting a group’s energy away from tasks that need to be done for individual and collective survival. When done in excess, wasteful displays of fitness make communities suffer. Runaway signaling has serious drawbacks, and sacred experiences seem to calm people down a bit, especially if the sense of sacredness comes along with social reassurance in the form of being able to hang out together without having to compete all the time, for Christ’s sake! Ahem. To be chill with one another.

As we saw with the previous models, this one, too, has its own aesthetic. The aesthetic of the model would perhaps manifest in the form of a museum that caters to every possible sense of sacredness. From aboriginal shamanism to monotheistic conservativism to punk rock concerts to transhumanism, this aesthetic recognizes the fact that sacredness is catalyzed by many different inputs depending on the psychological traits of the people who consume it.



[1] L1 and L2 normalization are ways of talking about how to describe the distance between points in a given space. L2 takes into account the mean squared difference along each dimension, whereas L1 simply uses the average difference in each dimension. If one is thinking about an ideal art piece within a given aesthetic, then using L2 would penalize very heavily exemplars that deviate from the archetype and generally favor well-roundedness, whereas an L1 normalization would accept large differences from the ideal along several dimensions as long as at least a fraction of the dimensions are very good.

[2] One’s locus of control is the part of our experience that comes with a felt sense of agency. That is, what feels like is in charge of determining the direction of one’s attention, intention, and behavior. Typically, a person’s locus of control is tied to their sense of self – or ego – but this is not true in the general case (as demonstrated by the shattered locus of control present in schizophrenia, and absent locus of control during states of depersonalization and derealization).

[3] According to John Lilly, a Supraself-Metaprogramer is an agent outside our locus of control that runs below our threshold of awareness and which ‘codes’ Supraself-Metaprograms. In turn, Supraself-Metaprograms are the mental “programs” that determine our sense of the highest values, which we typically inherit from our culture, influence from others, implicit historical beliefs, and so on.

[4] The colors of Integral Theory: Ken Wilber’s Integral theory was developed by identifying the commonalities among many different types of adult developmental models, spiritual stage maps, and meditation progression systems. The progression could broadly be described as a generalized expansion of the circle of compassion and increased acceptance of complexity. The color associated with each level is arranged from low-frequency to high-frequency parts of the spectrum. Specifically, infrared – archaic, magenta – tribal, red – warrior, amber – traditional, orange – modern, green – postmodern, teal/turquoise – integral, ultraviolet – post-integral.


Featured image credit: Mementomorium by Oleg Muir Lou Goff

* The full essay’s title is: Harmonic Society: 8 Models of Art for a Scientific Paradigm of Aesthetic Qualia

Harmonic Society (1/4): Art as Family Resemblance + Cool Kid Theory

Note – The full essay’s title is: Harmonic Society: 8 Models of Art for a Scientific Paradigm of Aesthetic Qualia

The following essay was recently published in the Berlin-based art magazine Art Against Art (issue).

The essay offers eight different models of art: models 1 through 4 have been discussed in academic literature and the current intellectual zeitgeist, while models 5 through 8 are new, original, and the direct result of recent insights about consciousness as uncovered by modern neuroscience, philosophy of mind, and the work of the Qualia Research Institute.

Below you will find the abstract, introduction, and the first 2 (out of 8) models of art. I will be sharing 2 new models each week until I’ve shared all 8 of them.



Contemporary writing about art is in exactly the same place as writing about nature was before Darwin came along. Before Darwin there was no single intellectual matrix upon which to fix all of these impressions and ideas. There was no way of organizing all of that information. And this seems to me to be the situation we are in with the arts, as well.

 

– Brian Eno, “What is Art Actually For?” (2012)

Abstract

We start by assuming that there are real stakes in art. This motivates the analysis of this subject matter, and it focuses where we place our gaze. We examine a total of eight models for “what art might be about”, divided into two groups. The first group of four are some of the most compelling contemporary models, which derive their strength from fields such as philosophy of language, economics, evolutionary psychology, and anthropology. These models are: (1) art as a word only definable in a family resemblance way with no necessary or sufficient features, (2) art as social signaling of desirable genetic characteristics, (3) art as Schelling point creation, and (4) art as the cultivation of sacred experiences. These four models, however enlightening, nonetheless only account for what David Marr might describe as the computational level of abstraction while leaving the algorithmic and implementation levels of abstraction unexamined. They explain what art is about in terms of why it exists and what its coarse effects are, but not the nature of its internal representations or its implementation. Hence we propose a second group of four models in order to get a “full-stack” view of art. These models are: (5) art as a tool for exploring the state-space of consciousness, (6) art as a method for changing the energy parameter of experience, (7) art as activities that induce neuronal annealing (which implements novel valence modulation, i.e. surprising pain/pleasure effects), and (8) art as an early prototype of a future affective language that will allow diverse states of consciousness to make sense of each other. These frameworks address how art interfaces with consciousness and how its key valuable features might be implemented neurologically. We conclude with a brief look at how embracing these new paradigms could, in principle, lead to the creation of a society free from suffering and interpersonal misunderstanding. Such a society, aka. Harmonic Society, would be designed with the effect of guaranteeing positive valence interactions using principles from a post-Galilean science of consciousness.

Introduction

We shall start this essay by making the assumption that there are real and substantial stakes when it comes to art. Not all of my readers will agree with this point, and those who do might in fact secretly worry that they are overvaluing art for selfish reasons. I come here to suggest that there could be very real and substantial stakes in art, and that to realize this you do not need to buy into sentimentalism, fanaticism, wishful thinking, or traditionalist attitudes. You could start with the sheer amount of human attention that is devoted to art in one way or another. Art seems to make a lot of people do things, and do them with a lot of their energy and focus. Indeed, many people point at their intimations with art as personally defining moments. Some say their best self is expressed in their creation, consumption, or participation in art. So what is all of this fuss about?

Alas, most things of grand significance have been analyzed by countless people. The sheer magnitude of certain human activity is not a justification for caring about it at the margin, considering the often corresponding sheer magnitude of other people already analyzing and scientifically probing the field. That is, of course, unless you have a reason to think that you have something that everyone else has been missing all this time. And this is the case for you and me right now. The new perspectives on art on this essay come from thinking very deeply about consciousness, qualia, and the possible implementations of the pleasure-pain axis, aka. valence. We will see how investigating these questions cashes out in novel insights about art. In turn, these models, as well as the empirically testable predictions they generate, might have the ability to reframe what is going on with art in a way that allows us to predict how and when it will bring about good and desirable effects.

The 8 Models

  1. Art as family resemblance (Semantic Deflation)
  2. Art as Signaling (Cool Kid Theory)
  3. Art as Schelling-point creation (a few Hipster-theoretical considerations)
  4. Art as cultivating sacred experiences (self-transcendence and highest values)
  5. Art as exploring the state-space of consciousness (ϡ☀♘🏳️‍🌈♬♠ヅ)
  6. Art as something that mess with the energy parameter of your mind ()
  7. Art as puzzling valence effects (emotional salience and annealing as key ingredients)
  8. Art as a system of affective communication: a protolanguage to communicate information about worthwhile qualia (which culminates in Harmonic Society).

Models 1 through 4 are already present in the memetic ecosystem of today. They focus on external aspects of art, such as why it reproduces and how it impacts social behavior. From the point of view of Marr’s levels of analysis, these four models focus on the behavioral/computational level of analysis.[1] Namely, what art looks like from the outside, and how it reproduces. Models 5 through 8 are novel perspectives that arise out of examining artistic experiences in light of Marr’s algorithmic and implementation-level accounts of consciousness. That is, how the internal information-processing and implementational features of brains give rise to art. In turn, these four models give rise to a new understanding for when art does or does not do its job.

1. Semantic Deflation

This model says that asking “what is art?” is, more often than not, an utterly confused question. Perhaps in antiquity it would make sense to talk about the essence of art, expecting there to be a set of necessary and sufficient conditions for something to be art. According to the semantic deflation model of art, starting out with the expectation of finding a crisp set of requirements for something to be art is starting off on the wrong foot, for believing that there is an essence of art is to simply not pay attention to the large set of inconsistent use cases for that word, which challenges the existence of such an essence.

The semantic deflation model is supported by key insights from 20th Century philosophy of language, such as found in the works of Russell, Frege, Carnap, Quine, and especially those of the late Wittgenstein. Of particular relevance when it comes to defining art we could point at Wittgenstein’s concept of family resemblance. Developed in his book Philosophical Investigations, the concept of family resemblance posits that many words which seem at first to point at something with a core essence are, in fact, pointing to referents which have overlapping similarities but no universally shared attributes.

Like the concept of a game, which refers to activities as diverse as checkers and cellular automata, and which cannot be easily defined in terms of e.g. point systems, physical movement, number of players, etc., we likewise cannot expect art to be definable in terms of media, intent, social effects, or craft. All we can aspire to is to identify common and characteristic features.

According to this view, the models of art that take objective beauty seriously on Platonic or traditionalist grounds are fundamentally misguided. Callbacks to retraditionalize society to preserve its past – more genuine – aesthetics are perceived as parodies of themselves, trying to undo an intrinsically irreversible process of cultural learning. Nowadays few people seriously believe that art should be conceived of as a tool exclusively for the glorification of traditional values and religious symbolism. It is also not fashionable to think of art in sincere non-ironic ways. Those who wish to earnestly engage with art must remind themselves that the days in which its meaning could be grounded on universally agreed definitions is gone.

Although sobering and clarifying, I argue that this view leaves a lot of value on the table. Sure, art has no common essence, but that does not mean that all of the uses of the word are pointing at things of equal value. Semantic deflation does not provide us with guidance for identifying and promoting good art. Indeed, as Wittgenstein might put it, “[p]hilosophy may in no way interfere with the actual use of language, it can in the end only describe it. For it cannot give it any foundation either. It leaves everything as it is.” (Philosophical Investigations, pg.49).

Interestingly, the semantic deflation model of art can itself be conceived of as an aesthetic. This aesthetic rewards those who can help others transcend narrow conceptions of what art is. Exemplary movements like Dadaism and Pop Art could be thought of as pushing the aesthetic of semantic deflation to the limit.

Art is what you can get away with.” – Andy Warhol.

But what if there is something worth preserving, reifying, and defining clearly in art? Semantic deflation should perhaps be thought of as a first step in figuring out what is valuable about art, rather than a final destination. To move beyond it, one should avoid reviving a naïve essentialist view of art, and instead identify conceptual focal points that genuinely enrich our conception of art. Rather than destroying preconceptions, we could instead refactor, discover, and build new and enlightened ones. Transcending absolutist deflationary views of art is indeed more appealing when there is an alternative in sight that is both better and more real than what you get by merely deconstructing and breaking down naïve views. And this is what we will attempt to do as we move on to other models of art.

2. Cool Kid Theory

In his book “The Mating Mind”, Geoffrey Miller discusses art in light of evolutionary psychology. In this view, art, rather than being a thing, is a culturally sanctioned activity devised to allow people to display their genetic fitness, by showing off above-average features of their phenotypes. Art is, in this view, at its core, an outlet for courtship. Incredible performances like those of Liszt and Rachmaninoff are not just for the pleasure of music. The incredible difficulty of performing the musical compositions is itself the show. The difficulty is not a side-effect of discovering new soundscape frontiers that produce blissful and extraordinary experiences to degrees that couldn’t be possible without the difficulty of execution. Rather, the difficulty of performing the musical pieces is part and parcel of what makes them so extraordinary. They are indeed erotic displays of fitness traits (cf. Lisztomania) crafted to cause an impression in fertile ground.

Indeed, we are constructed in such a way that we can emotionally hack and be hacked by others to assess each others’ suitability as potential family, friends, and neighbors. Unfakeable fitness displays typically require prodigious amounts of waste. As Geoffrey puts it: “Every sexual ornament in every sexually reproducing species could be viewed as a different style of waste.” (The Mating Mind, pg. 128. cf. An Infinite Variety of Waste) Only extremely fit organisms can afford to spend resources on non-survival tasks.

Fashion, too, in this light, is a sort of collective activity of systematic waste. Keeping up with the latest trends shows that you have a lot of free time (which, contrary to popular belief, is perceived as more sexy than the alternative). Only the wealthy, disciplined, or well-organized can manage to sustain energy- and time-consuming hobbies for years and years.

This theory of art has a problem, though, which is that on its own it does not explain art as a cultural institution. We could very well imagine that aesthetics-based displays of genetic fitness would be circumscribed to individual efforts but in practice we see groups of people coming together to work out the potentialities, possibilities, limits, and implications of particular aesthetics. We don’t only generate extraordinarily wasteful works of art ourselves, but do so contextually within art movements and aesthetic languages. Why is this?

I believe there is a layer of organization above individual signaling displays. To fully grasp it, we need to talk about what I have named “Cool Kid Theory”. This theory postulates that above-average and particularly well-rounded individuals, aka. Cool Kids, figure out ways of enticing others to show their peacock feathers, so to speak. Being a Cool Kid is not to excel oneself, but rather, to have the precise kind of strategic mediocrity that gives others the urge to show how they can improve upon your craft. At its extreme, a Cool Kid commands a group of people who practice a particular type of craft, which ultimately becomes an artistic gang. If you are a Cool Kid you can decide who is cool and who is not by choosing what challenges to measure the performance of people with.

Who wants to be a Cool Kid? The answer is, for the most part, anyone who can get away with it. It is so evolutionarily adaptive to be a Cool Kid that we have a number of psychological programs that can be triggered with a sequence of social cues that can make almost anyone into a Cool Kid.

Part and parcel of being a Cool Kid is to know how to induce the fear of missing out in others. It is about detecting when a particular challenge is headed towards an imminent dead end and course-correct to keep people engaged.

Here is an example. If you ever encounter a group of dancers in public transportation, you will notice that there is a Cool Kid who binds them together. The Cool Kid selects for people who have unique talents, and collectively accumulates a solidly impressive bag of tricks. Everyone in the group takes turns showing their best trick. For instance, the group might have someone who sings, someone who plays an instrument, and someone who owns a subwoofer (sometimes that’s all it takes). You might also see that there is a guy who can do the weird elbow twist thingy, the one who can break dance and do nine spins on his back, the one who can beat-box to the tune of the song, and the one who moonwalks while playing a harmonica. An effective Cool Kid is one who can corral all of these specialists and be the artistic glue who controls the overarching aesthetic. And this aesthetic is what defines a set of challenges used for impressive fitness displays.

The art world can be thus conceived of as a large super-cluster of Cool Kid gangs cornering the economy of attention. The competitive nature of Cool Kids is sure to produce a constant stream of novel stimuli, endlessly varied trends and fashions, as well as competitive and indeed sometimes even virulent attacks between aesthetics. For he who controls the aesthetic, controls your ability to be popular.

To be continued…



[1] Marr’s levels of analysis is a framework to analyze information-processing systems. First we have the computational level, which describes what the system does from a third-person point of view. This level is concerned with questions like what the system is capable of, and how quickly it can succeed at it. Second is the algorithmic level of analysis, which focuses on the internal representations and operations used to transform the inputs into the outputs. And third is the implementation level of analysis, which is concerned with the physical realization of the algorithms described in the second level.

Ephemerisle: Health Homeostasis, Worldview Annealing, and the Long-Tails of Serious Fun

Idealism leads to realism if it is strictly thought out.

Ludwig Wittgenstein (from Notebooks, 1914-1916)

I just came back from spending a week on the water at Mandeville Point (~18 kilometers from Stockton, California), at a yearly gathering called Ephemerisle. Below I will share some thoughts, insights, and takeaways from this experience.


Introduction

Ephemerisle is an event first conceived as a social experiment to investigate how the construction of autonomous floating nation-states could work in practice. The history of Ephemerisle is full of interesting lessons in how ideologies react when subjected to the acid bath of reality (cf. mini-documentary about the first iteration of the event). Over the years, this event has evolved from a wild, loosely organized libertarian congregation of like-minded individuals with no central planning, no rules, and no taxes, into a -somewhat- tamer, loosely organized libertarian congregation with central planning, rules, taxes, insurance, and heavy legal waivers that you need to sign when boarding islands and vessels. Despite the introduction of rules and legal waivers, the overall vibe of the place is one of freedom, intellectual intensity, and a spirit of giving.

To gain a sense of the scale of the event I’d recommend looking at drone footage over the years: 2015, 2016, 20172018, and 2019. Compared to Burning Man, this is a relatively tiny event, with a crowd that reaches up to perhaps as many as 600 people throughout the week, the equivalent of only 1% of the population of Black Rock City. In absolute terms, however, it is certainly very impressive to see that many people organized into a superorganism capable of delivering the basic survival needs for hundreds of persons in such an inhospitable environment, along with the luxuries of dance floors, sound systems, massage bunks, and trippy art.

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Ephemerisle 2019 – Credit: Sameer Halai

The captain of the ship in which I camped said that “the slogan of Ephemerisle should be ‘Figure It Out'”. Indeed, this event falls in the same category as Burning Man when it comes to the degree of self-reliance that it demands from each participant. Burning Man, as noted before, could very well be called “the annual meeting of the recreational logistics community”. Ephemerisle takes all of the hassle and preparation needed for Burning Man, doubles it, adds an extra dose of uncertainty, and sprinkles it with a number of challenges unique to living on the water for a week.

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Location of Ephemerisle 2019

Indeed, attending Ephemerisle is not a simple task. The starting section of the Ephemerisle survival guide reads:

The first thing to realize about Ephemerisle is that it is not a festival. There are no tickets, no gates, and no central authority whatsoever. But Ephemerisle is on the water, which makes attending a very non-trivial task.

 

You are responsible for getting yourself to and from the event site and for everything you’ll need to live there and survive for your stay. There are few to no resources adjacent to the event site, and none on the water. Think carefully about what you’ll need, and plan ahead!

So, given the time, effort, resources, knowhow, and social connections needed to be able to attend, who actually ends up going to Ephemerisle?

Participants

Like Burning Man, the people at Ephemerisle are not representative of the general population.

Stating the obvious, the mean conscientiousness, openness to experience, and general intelligence of participants are all significantly above the mean relative to the general population. I might add that, based on many conversations I had, it seemed that the following qualities are also significantly more common relative to the general population: graduate studies, social skills, physical fitness, cryptocurrency investments, and of course, number of yachts owned.

What stuck with me was not only the average intelligence of the participants, but also the high density of particularly brilliant people doing impressive work of their own in fields such as nanotechnology, computational biology, machine learning, cryonics, innovation in politics, and many other heavy-duty intellectual fields. I lost count of the number of serial entrepreneurs, people with PhDs in STEM fields from MIT, and advanced meditators working on developing transformative technologies.

I asked people who have been to many Ephemerisles how to explain this unusual density of spiky people, and the answer seems to be a mixture of self-selection and founder effects. First, it takes some degree of agency and determination to choose to attend this event and do all the things you need to do to make it happen. And second, a large number of people attend via invitation from well-established boats and islands, which in turn were seeded by very impressive persons from the late 2000s/early 2010s Bay Area super-cluster of people working on seasteading, longevity, AI safety, and transhumanism. Taken together, these two factors make Ephemerisle a natural Schelling point for energetic people doing cool things to find one another.

If I were to cluster the population of Ephemerisle this year, I’d intuitively estimate that 35% of people are in the broad people-cluster of scientists, libertarians, anarchists programmers, entrepreneurs, cryptocurrency developers, Bay Area rationalists, and psychedelic users. 30% are people in the broad cluster of artists, off-the-grid environmentalists, Oregon ecosystem-oriented hippies, and psychedelic users. 20% are people who live physically nearby, who own a boat, and for whom it is relatively convenient to attend. 10% are people with a festival-oriented lifestyle (to the point that their main activity is to go from festival to festival), and the remaining 5% are real-life hard-core sailors who help trouble-shoot the most difficult problems that (inevitably) arise during the event.

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Ephemerisle 2015

But Why?

Why are people willing to spend so much time and energy into making an event like this happen? Why not stay at home or go to a club, where the chances of drowning, breaking bones, and getting sepsis from exposing open wounds to delta water are orders of magnitude lower? Why bother to learn knotsanchoring, and how to handle a fire on your boat when you could instead learn to use a remote control, watch TV, and order a pizza? Why the need to carry bucketloads of water to and from different boats for hours at a time when you could simply drink tap water from the comfort of a vacation timeshare apartment? And if you are attending to meet smart people working on cool projects, why not go to a conference or visit an academic department?

I would claim that the thirst for adventure, fear of missing out, and ideological excitement can only go so far in explaining over-the-top events like Ephemerisle. To bridge the explanatory gap here we will need something more. This is why I will offer two analytic angles for explaining high-effort events like Ephemerisle: (1) Health Homeostasis (condition-dependence-based fitness signaling), and (2) Worldview Annealing (as a cure to adultification and the regeneration of a positive internal mental representation of one’s conception of humanity). Let me explain:

Health Homeostasis

This analytic angle comes from evolutionary psychology. In particular, genetic fitness signaling dynamics may explain why some people may have the urge to do wild and risky things when they are exceptionally smart and healthy. The concept of “condition-dependance” comes handy here:

Condition-dependence: A trait’s sensitivity to an animal’s health and energy level. For example, dance ability is condition-dependent because tired, sick animals can’t dance very well. (Mating Mind by Geoffrey Miller, from Glossary, pg. 437)

From a gene’s eye view, it makes no sense for genetically robust individuals to spend one’s healthy years in relative security, for one would have no way to advertise one’s good genes relative to average specimens in such conditions. In a sense, doing complex and risky activities is a hard-to-fake signal of fitness. Therefore, from the point of view of one’s genes, self-interest might (metaphorically) reason: “I have all this health and energy laying around, better don’t let it go to waste and use it to signal genetic fitness instead” (see: An Infinite Variety of Waste).

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Ephemerisle 2009. Credit: Christopher Rasch

This could be summarized with a general principle I call Health Homeostasis, which posits that among sexually-reproducing species who engage in fitness displays, we can expect that individuals will have a “desired level of health”. If they notice that they are below that level of health, they will increase the time and resources focused on regenerating health. And if they notice that they are above that level of health, they will instead reduce the time and resources focused on regenerating health, and engage in costly genetic fitness signaling displays. Perhaps events like Burning Man and Ephemerisle have an element of this going on. They are appealing to people who have too much health and for whom the standard ways of signaling fitness simply won’t cut it. They need health-diminishing activities in bulk. They need challenges where they can display physical endurance while exercising their powers of creativity. And this is why, all considered, these events are so sexy.

I should add here that I am not suggesting that this explanation implies that participants are doing this consciously. Executing an adaption rarely involves conscious planning and strategizing. All it requires is following the gradient of what feels right and good.

Introspect, dear reader, about the times where you have felt the most alive. Have you, perhaps, not experienced them during risky situations? When you felt that “this could be a real danger to other people”? When by luck or grace you happened to be willing and able to do something few others could have done? This is what I am talking about. This feeling of reality and authenticity may very well be a good proxy for the process of down-regulating your health. And this is what it looks like for health homeostasis to be at play.

Worldview Annealing

This event was- to be open and real with you- quite moving to me. I struggle to give words to some of the feelings, intuitions, and thoughts that I experienced towards the end of my stay. The situations in which I found myself made me feel new sensations about the possibilities hidden in humanity and the unfolding of intelligence on this planet. It felt mystical and significant. It’s as if we were glimpsing the birth of a new stage for humanity.

Something akin to this happened to me at Burning Man a few years ago (with a slightly different flavor). How do I explain it? Someone I met there shared the view that at Ephemerisle we are experiencing a certain kind of “chemistry of consciousness” that is unique to the space. That collectively, in a space of this sort, we all resonate with a set of ideals, conscious efforts, and love that makes the whole environment vibrate with a unique quality of consciousness tuning the participants to a new level.

Perhaps! We could very well throw the towel and declare victory to mysterianism at this point! Alas, this is not the path that Qualia Computing has ever taken before.

So how can we explain the deep emotional feelings induced by Ephemerisle and events akin?

Here is the big picture idea: There are elements about the experience there that give rise to “heightened states of consciousness” for many hours at a time. This can be explained largely due to the build-up of semantically-neutral energy thanks to the high-density of surprising stimuli (cf. free-energy principle, entropic disintegration, and neural annealing). Over the course of several days, such build-up of semantically neutral energy enables neural search processes that solve constraint satisfaction problems that have to incorporate the fact that hundreds of human volunteers can come together to peacefully construct a mini-world in a treacherous environment, all for the benefit and enjoyment of others. Integrating this experienced fact can lead to the felt-sense that the world could be better, much better. That we could create heaven-worlds for each other. That the future could be a place of loving-kindness energized with electrifying creativity and positive energy. By the end of the event, one’s cynical internal representations of humanity have been replaced -to an extent anyhow- by optimistic and loving thought-forms. It is hard to see the creation of such a beautiful thing without shifting one’s priors about the real world.

It is important to realize that changing one’s deep representations of high-level concepts such as humanity and the world can have far-reaching ramifications. The emotional valence that is attached to our big-picture ideals can determine how we see the world. A somewhat far-fetched but ultimately accurate analogy could be made with Rubik’s cubes: Imagine that a “perfect state of the world” is equivalent to a “completely solved Rubik’s cube”. In addition to the degree to which you are close to a fully-solved state, you also have preferences about the aesthetics of the colors of the cube. But ultimately, you care more about the cube being solved than you care about the cube having pretty stickers.

Now, let’s say that we start with a completely scrambled state, which you feel very bad about. If you feel hopeless about being able to unscramble it, you can focus on improving the look of the stickers. The stickers could be more pretty and that will briefly make you feel good, but you will know that doing any surface modification still does not help in rearranging the entire cube so that it is in a solved state. The analogy here is: changing the look of the stickers is akin to many of the band-aid solutions we use in our life. We try to make ourselves feel better by doing superficial things like changing our cars, our appearance, and our job titles. But deep down, none of that addresses the deeper sources of dissatisfaction. The cube of our life remains in an unsolved- if more outwardly pretty- state.

There could also be uncertainty about how far you are from the perfectly solved state. Especially when you are unfamiliar with the algorithms that work for solving the cube, you will find that there are configurations that give the impression of high disorder that are in fact close to getting the cube solved. And then there are situations that seem close to the goal line of a completely solved cube that still require a lot more work to figure all out. The same could be with the state of our lives.

Now, what do I mean with a perfectly solved cube? I’m referring to a sense that “everything is as it should be”. I would argue that for many people, the very idea that humanity cannot get its shit together is a deep source of discomfort. Changing jobs, romantic partners, living situations, and perhaps even political parties do little to address this deep problem. They could be thought of as akin to trying to make the Rubik’s cube more pretty by decorating the stickers.

Experiences where one gets a sense that humanity, if properly focused, could indeed get its shit together might have a much deeper emotional effect on people than one might intuitively realize. All you may need is a proof of concept to create a glimmer of hope. All you need is someone showing you a video of speedcubing for you to realize that there is a short path from the state of your cube to a fully-solved state. And this can be exhilarating and deeply moving.

Now, for this to take place, we need to be on a flexible state of mind. Hence the importance of art, meditation, philosophy, and psychedelics in conjunction with the unfamiliar space. This is the recipe for annealing a big picture change of mind -a reframing of humanity, its possibilities, and one’s place in it. It indeed requires multiple days of iterations of changes of one’s mental representations. Here, meditation, art, psychedelics, and philosophy synergize with the scene in order to raise the brain’s energy parameter. The scene adds a lot of novelty: confrontation with the necessities for survival, extended exposure to people who are smarter and more competent than you along multiple dimensions, high temperatures, new wildlife (spiders and wasps), large amounts of water, wobbly platforms and ships, odd shapes and weird objects abundant in the platforms, etc.

This all results in what we might call worldview annealing. That is, the high energy state repeatedly cooled and re-heated over several days enables the fast search over alternate representations of the world. Worldview annealing gives rise to novel ways of seeing the world and one’s relationship with it.* And this is, perhaps, the underlying reason why people report having durable psychological benefits from doing things like attending Burning Man and similar events (see graphs below for statistics about transformative experiences at Burning Man; I intuit that Ephemerisle might be similar in this regard).

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At the end of an event like this, you may very well feel exhausted and totally partied out, but if worldview annealing successfully took place, you will be able to tell that something deep and inward shifted in a good direction. You now have a felt-sense for what a different and better world could be like.

Can such an effect be scaleable? Hopefully many more people can experience it in the future. Perhaps we need to open-source the essential features of that kind of event so that others can take advantage of these key properties and export its benefits elsewhere. And thus we encounter the concept of “Serious Fun”.

Serious Fun

In the last few years I’ve given a lot of thought to the concept of paradise engineering. This comes up a lot when contemplating the coming centuries in light of David Pearce‘s Hedonistic Imperative, which posits that humanity will ultimately get rid of suffering by tackling its genetic roots. Now, it is true that the bulk of what will make our posthuman paradise a paradise is to be found in the quality of experience of our descendants rather than in their external environment. But for our Darwinian minds to contemplate what paradise might look like we usually need to evoke images that give us good feelings in our current state. For example, images of people cooperating to generate incredible experiences! Indeed, saying “in the future we will all be genetically endowed with negligible mu-opioid receptor down-regulation” does not sound nearly as exciting as saying “we will all be incredibly sexy, live our lives in massive cuddle puddles, be on the brink of orgasm, and have mind-blowing levels of intelligence and loving-kindness” (note: the wise would be advised to choose the first option, for the second does not guarantee sustainable happiness while the first one does). To tickle our imagination and inspire motivation it is indeed a good idea to trigger visions that engage our current reward architecture (even if we know that we are responding to Darwinian triggers and that a true paradise has more to do with brain configurations than external conditions).

So let’s think about wonderful external conditions to evoke a sense of paradise. I like to think of large groups of people engaged in serious planning and strategizing to create amazing experiences for even larger groups of people. Burning Man and Ephemerisle are a proof of concept of what could end up becoming super-fun events of civilizational proportions. And here is where we start wondering: what makes such events possible? What is the distribution of effort, time, resources, etc. contributed by each participant that is needed for Serious Fun to take place? My hunch is that to make this work in real life, the distribution needs to have a long-tail:

The Long-Tails of Serious Fun

It is interesting to ponder the idea that the distribution of the total contribution per participant in events like this has a long tail. In the most simplistic case the distribution could be a power law. As it turns out, many phenomena that are usually described with power laws don’t really fit power laws when closely examined.** Now, whether the “true distribution” of the contribution per participant follows a log-normal, ZipfPareto distribution, or one of the general Lévy distributions is an open question. But for the time being, what I want to emphasize is the long-tailed nature of it. In particular, the fact that there seems to be a small cluster of individuals who contribute massively to the event, followed by a larger group that contributes a lot, followed by a large minority who contribute more than they consume, followed by a majority who come to the event and mostly enjoy what others brought with them. Nothing inherently wrong with this, for after all, the people who contribute the most tend to truly enjoy giving, believe in the ideals of the event, and earn the respect of others. That said, it should be noted that if the distribution is too skewed it may lead to burnout among the most active members, which does not bode well for the sustainability of the event.

Although statistics for Ephemerisle are lacking, we can again use as an example people’s responses to the Burning Man Census:

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Burning Man expenses (other than ticket cost). The exact wording of the question in the online survey was, “How much did you spend this year to go to Black Rock City and return, including fuel, camp dues, food, lodging, airfare, supplies, etc. (but not including your ticket to the event)? If you shared expenses with a group, only include the portion of expenses that you contributed. Give your best estimate in USD.” (source)

The above results are represented with too few bins to really be able to tell what kind of long-tail distribution they follows. However, it is pretty clear that we are looking at a very skewed distribution that does not at all look like a normal/Gaussian distribution. I really wish they had included one more option (e.g. $20,000+) so that we could see the number of people who are really (economically) invested in the event. In addition, another key question that would shed light on the long-tailed nature of the event would be “How many hours did you spend preparing/building/helping others/driving/cooking for others/etc.?” Again, I’d expect a very skewed distribution in the responses to such a question.

As we begin to think about how we can plan the creation of heaven worlds (i.e. large-scale projects of fun) we should consider the long-tailed nature of the contribution distribution per participant. My hunch is that we can perhaps determine whether an event is even possible by estimating how skewed the distribution needs to be to make it happen. On one extreme we have events such as “a picnic at the local park” where the event can realistically take place even if most people do roughly the same amount of work (save for perhaps the organizer who post the event details online and coordinate setting up the chairs and coolers). On the other extreme, we could imagine an actual Seasteading event out in the open ocean, or a festival at the very cusp of Mount Diablo, or even something extreme like a party at the Lagrangian between the Earth and the moon, where we would need a group of people to come together and intensely collaborate for many months and spend millions of dollars on providing the basic infrastructure for the event. In-between these two extremes you could find events like community-led concerts, regional Burns, Ephemerisle, and Burning Man proper. Whether a pie-in-the-sky idea like Ephemerisle ever actually gets to happen may be a matter of the event having the right long-tail skew that makes it possible for actual humans to carry it out. In some sense, I suspect that Ephemerisle is right at the edge of impossibility, while Burning Man proper may have more slack and hence can afford to be substantially bigger.

equipot

Lagrangian party?

What other amazing events are there that are “just barely impossible”? And what events will become possible as soon as we discover new techniques, ideologies, and cultural norms to make the distribution needed to make them happen just barely less skewed than impossible? This might be a very generative question to ask if you want to invent “the next Burning Man”.

A final thread to pull here concerns to allometric scaling properties of large events (cf. allometric analysis of Chinese cities). Due to economies of scale, there are thresholds for the number of participants at an event at which some utilities become rentable. Thus, there could also be many un-imagined crazy events that simply require a threshold number of participants to become possible. For example, perhaps a tunnel-based event at a beach is impossible with 100 participants but completely realistic with 500. Who knows! It’s an interesting thing to wonder about.

Anyhow, I invite you to think more about these ideas… perhaps this way you will help us invent the next iteration of paradise on earth.

The End.

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Ephemerisle 2009. Credit: Liz Henry



* This can be used in order to treat the problems associated with psychological adultification. You see, most of the people alive today have some degree of psychological trauma associated with adultification. Acting free and childish is something that we can only really do in a context where we feel like we’ve earned the right to do so. So many highly conscientious people need to nearly kill themselves for the wellbeing of others to feel like they can deserve the right to feel care-free and innocent again. Guess what? Ephemerisle does not have a shortage of ways for you to do prodigious amounts of work to show how much you love others. Hence, perhaps, it is a place where some exceedingly responsible people can finally feel deserving of a relaxed, care-free, time.

** I am using here power laws to point at the general property of long-tailedness. In reality many other similar distributions tend to fit the data better than power laws, among which the log-normal distribution is commonly a superior fit (see: So You Think You Have a Power Law — Well Isn’t That Special?).


Notes:

  1. Featured image source.
  2. I know that the sense of the words idealism and realism in the header quote by Wittgenstein are inappropriate here. I am just amused that the quote happens to be a great fit for this essay if the senses are interpreted within a different context. In true libertarian fashion: Deal with it.

Burning Man Theme-Camps of the Year 2029: From Replicator to Rainbow God (2/2)

[Epistemic Status: Fiction; see related non-fiction Burning Man articles – 1, 2, 3; See part 1/2 here.]

Preface

What follows is (the second part of) the result of an exercise in considering the questions: “Which novel memes, and meme-plexes, will be alive 10 years from now? And, what new worldviews will have a ‘full-stack’ account of where humanity is at, and where it is headed?” Hope this sparks interesting discussions.


The elucidation of the origin of qualia-rich subjectivity is important not only as an activity in the natural sciences, but also as a foundation and the ultimate justification of the whole world of the liberal arts. Bridging the gap between the two cultures (C. P. Snow) is made possible only through a clear understanding of the origin of qualia and subjectivity.

Qualia symbolize the essential intellectual challenge for humanity in the future. The impact of its elucidation will not be limited to the natural sciences. The liberal arts, religion, and the very concept of what a man is will be reassessed from their very foundations.

 

– Ken Mogi in The Qualia Manifesto (1998)

Compared to the natural sciences (cf. the Standard Model in physics) or computing (cf. the Universal Turing Machine), the “science” of consciousness is pre-Galilean, perhaps even pre-Socratic.

 

– David Pearce, in Co-Evolution, Fusion or Replacement? (2012)

Thursday: Camp Super Intelligence

You wake up at 10AM, in what you feel is a surprisingly good mood given the fact you rolled last night. You still notice that your mind is a bit zonked. Taking LSD, MDMA, and Ketamine within the span of two days is not something you’ve done before, and it makes sense that they would each contribute their own distinct aftermath. If acute drug effects can be synergistic (as it was for MDMA + K), could hangover types also be synergistic? It doesn’t feel that way, but then again, you remember that by most accounts the “real MDMA hangover” happens 36 to 48 hours after taking it, not the morning after. So you figure that right now you are probably experiencing the afterglow and staving off tiredness with the psychostimulant metabolites of MDMA. With regards to the acid, you can’t really tell if there is any hang-over from it, so you figure that your feeling of being a bit discombobulated comes from the mixing of K and MDMA last night. “Oh, that! This reminds me- I should try to figure out what on earth was the massive life-energy ball I felt last night”- you think to yourself, reflecting on the fact that you had never experienced anything like it before.

You prepare a large bowl of fresh fruits and vegetables. Conveniently your camp still has many fruits and veggies in the collective dry-ice cooler that Astro Burrito is prototyping. He got his playa name because his power of invention is such that people claim that he would be able to figure out how to make a burrito from scratch in zero-g; after all he served hot burritos to the entire camp during the intense day-long dust storm of BM 2025, which is something everyone still remembers. You eat two carrots, an apple, a pear, some celery, two raw tomatoes, and a ton of grapes. Once you feel satiated, you sit down to chill for a bit at your camp’s shared shade structure.

Galaxy Fox and Cardamom join you to chill for a bit. They each have a mango slushy they got from Camp Glacier Breeze next door, and share some with you. You ask them if they have ever experienced giant life-energy balls on Ketamine and/or MDMA. Galaxy Fox admits she does not know what you are talking about, but Cardamom’s eyes brighten. She says: “I used to take ketamine weekly in my twenties, until I had some bladder problems and stopped. I remember a lot of wild visions. I’m an atheist, but man, some of these visions had a strong mystical quality to them. Perhaps the strongest experience I had was the one time I combined LSD and ketamine right after coming back from a neuroscience conference. I recall hallucinating a cast of famous neuroscientists whose work I’ve read and who I’ve interacted with over the years; almost as if I could access their soul and connect with them on a deep level. We all went on a quest to figure out the essence of life as a group of friends- naked in front of the mystery of life- rather than with all of the social pretense that inevitably comes with academic prestige. At the peak of the experience, we all witnessed this huge ball of light that looked like a sun coming down and telling us to ‘hang in there, life will make sense soon’ and ‘keep trying to make sense of it all, you will soon see the big picture’. I tried to dismiss this experience after the fact, but the feeling was very compelling. I still think about it every once in a while.” This more or less fits your experience, but you don’t recall the life-energy ball telling you anything specific. It was more like a sense of what could be possible if we all saw our underlying unity; but no words or concepts, at least not humanly recognizable. They finish the mango slushy and take off. You take a nap in a recliner, and wake up at noon, hungry again.

You eat a handful of mixed nuts, almond milk, hemp milk, macadamia milk, and electrolytes. Half a MealCube. You get ready to explore and by 1PM go on your way. You keep under shade and walk alone this time. After all you are sober and won’t be experimenting with anything tonight, and your best friends are who knows where by now. You stop a couple of blocks down, as the sign attracts you: Camp Super Intelligence.

The camp is mostly composed of a large central dome. Inside is dark and cool. There are water coolers, fans, and plenty of “mist projectors”. It also has walls with fabrics of two colors only (green and blue), which strikes you as a rather conservative aesthetic in a place like this. Some people are chilling, a few are in pairs, and there is a circle of people halfway between the center and the north corner hanging out and talking fast, and clear.

You ask if you can join them, and they say “definitely!”, and they ask your name. Then they continue their conversation, as if you weren’t there: “I thought Friston’s book was really easy to understand” – the girl in blue says. “Yes, even my mom seemed to understand it when I explained it to her.” – replies the guy in red. From what you gather, people here are obsessed with the prospect of digital Artificial General Intelligence. But rather than discussing the substance of the problem, they seem more interested in asking each other about what their “timeline is”, meaning, when they think it will happen. For better or for worse, you conclude they do not have a vision of the future – the AGI scenario interrupts their thoughts about what the future sans AGI could hold (with e.g. “mererecursively self-improving genetic engineering).

Interestingly, one of the topics they touch on is psychopharmacology. Everyone in the circle is on some or another psychiatric drug. They have, moreover, discovered that if you combine cholinergic nootropics (e.g. oxiracetam, pramiracetam, etc.) with adenosine agonists (cf. ‘anti-caffeine’ rutaecarpine) you can discuss philosophy without being bothered by questions about consciousness. They tell you that once you get used to it, you think back to the time you used to worry about consciousness as a time you were crazy in inscrutable ways. “It puzzles you that you used to fall in that trap, but once you ‘transition’, you know better”- a kid with grey eyes says. He continues: “You internalize the fact that, as Graziano puts it, ‘there is no subjective impression; there is only information in a data-processing device’ [source].”

They take purely causal approaches to reality, and in fact disregard subjectivity explicitly. Sometimes you feel you must be too tired to understand them, because you don’t believe what they tell you. You don’t believe that someone is trying to reconstruct intelligence without ever mentioning consciousness, experience, or qualia. But your friend- many hours later- reassures you that you had heard correctly. Indeed, that camp is known for saying things of this sort, and challenge each other to say it loudly, as a sort of memetic purity test.

From your point of view, you wonder whether they’ve turned into philosophical zombies in some sense, or if they have experienced a reframing of their approach to language at the very core. They now seem to lack introspective access to the intrinsic referent of experience they used to have. Alas, they say that didn’t exist to begin with; it was the “illusion that emerges from a system modeling its own attentional dynamics“. Their system is self-consistent, and seemingly complete from the inside. But from the outside you can see they are missing a critical piece. Or so it seems to you.

They tell you that getting rid of the concept of consciousness is a necessary step to take if you want to move on to actually solving the problem of intelligence. But you resist their persuasion. It somehow feels rude… in light of what you’ve experienced the last couple of days. You think to yourself just how much there is to talk about concerning what you experienced recently, and how much this knowledge has expanded your understanding of how large the world of experience truly is. You try to share some of your recent experiences with them. They look at each other, and one of them says “I feel like every time we hear the stories from people who’ve taken drugs, the story always boils down to ‘these peeps were on drugs and something crazy happened’.” They all laugh, and agree. You sense they are not interested- anywhere in their minds- about what you may have to say.

Is this what it feels like to have a serotonin dip, from the inside? Being convinced that the people around you are choosing uncooperative strategies? Or are these guys really being that unkind to me? They feel rude. “But never-mind, go ahead, we are listening”- says the same guy. They were kidding; they did want to hear your story after all. It turns out they became quite intrigued by some of your observations, including how you felt at the Pleasure Palace- I mean- what was it called? (you realize your memory is not as sharp as it usually is, mmm… wonder why). Camp Valence. They hadn’t heard of Camp Valence, or Camp State-Space of Consciousness. They seem to use Burning Man as a sort of complex interpersonal tension resolution event, and usually don’t interact much with others at the event, but do take drugs and go to see the art. Interestingly, they claim this makes them more productive during the rest of the year; it resolves the conflicts between them like nothing else. They are not very open to being changed from the outside, though, so to speak. Their behavior at Burning Man seems to be governed by a closed system and has a goal-oriented focus. You would much rather come at it with radical openness, but other forms of experiencing this place are valid, right?

You thank them for their company, stand up, and walk around. The place has tons of hammocks, reactive LED tables, and rationalist fiction lying around. Their art was geeky stuff like a dodecahedral metal-frame supporting an icosahedral “dual” internal metal-frame, itself supporting another dodecahedral frame and so on for several iterations. They also had a “statue” of a giant robotic “stuffed bear” that would vibrate if you gave it a hug with the right pressure and length. In a way, this statue was, gently, teaching you how to give pleasant hugs to others. You gave it a biiiig hug… putting all your heart into it. But it does nothing. The screen reads: “Try giving shorter hugs.” This makes you feel sad.

A girl who happens to have seen your disappointing interaction with the statue runs to you, saying “you can change the settings. How about we try ‘hug explosion’? It vibrates in a monotonically-increasing way as a function of the amount of time you keep hugging it.” It was incredible how this little act of kindness made you feel included and appreciated. You hugged her and she hugged you back for over a minute. Your mind somehow made you think about that time a kid in Korea ran up a crane to hug Michael Jackson during one of his concerts. You don’t know why your mind makes this association with what’s happening- the symbolism escapes you- but you choose to just let it be.

The camp’s entrance has a chart about humbling yourself and accepting the fact that the world is full of people who are intellectually more capable than you at essentially any task you can come up with. This wasn’t made in a way that was meant to be a put-down in any way. Rather, it was a call to look around you for people who can help you in surprisingly efficient ways. We don’t need to reinvent the wheel everywhere, and collectively we benefit if we share what we can do, sustainably, really well.

You feel tired by 6PM. Again, you were artificially energized for two consecutive days; it makes sense you would feel the need to rest tonight. You nonetheless dance for 20 minutes at a near-by major soundcamp on your way back listening to throw-back 90’s rap, check out some art, and chill with a campmate near your camp’s kitchen in a retractable chair until you feel compelled to sleep, which you do without trouble at 11PM. It’s cold tonight, really cold.

Friday: Camp Replicator – “Live Your Fantasy at Porky’s”

You wake up at 9AM and feel well rested, and hungry. Your mood is pensive, but you look forward to going out with friends tonight. One of your campmates, Lasagna Man, is preparing a batch of clean meat dishes for people to try. The sampler includes beef steak, octopodes in lemon juice, fried insects, and a James Franco BBQ.

You try each dish with a lot of curiosity. It is a bit disconcerting, to be honest, considering you’ve been vegetarian for over 12 years, and you feel compelled to verify it isn’t market meat. Either way, it is delicious, and you swallow the lab meats along with banana bread, coconut water, a 100mg capsule of 5-HTP, and 4000 fibrin units of nattokinase (as suggested by Longevity Camp to prevent cardiovascular events in periods of recovery). Satiated, you casually comment to your campmates: “I didn’t realize eating a celebrity was a hidden fantasy of mine.” Upon hearing this, Lasagna Man says: “Have you been to Replicator Camp? I think this year they call it Porky’s. It’s a place where you are compelled to live your hidden fantasies.” Galaxy Fox adds: “Strongly recommended. It’s a trip, and you do not need drugs.” Determined to check it out, you get ready by putting your Friday costume on (a tight-fitting dress inspired by the ThunderCats) and head over.

They say that “Porky’s” is just what you need to hear in this lifetime, in this branch of the multiverse, today. In reality this camp transcends this timeline, this place, this eon, this branch. It is an eternal Platonic concept which repeats itself at all scales of reality. If something exists, there were causes and conditions that gave rise to its form and quality. What people at this camp call “Generalized Darwinism” suggests that even before “the reproduction of the fittest” you have “the survival of the stable” as a primary trivial implication of time moving forward. What we see is driven by patterns trying to make copies of themselves, and being stable is a way of “making copies of yourself in the future” with an n of 1. But this is not relevant to you right now. The camp has a full-fledged metaphysical theory of the universe- and it self-describes as a spiritual camp- but in practice it looks nothing like it. Their explicit mission is to help you “experience an unrealized mental need”, and what this looks like is a bunch of actors playing a scenario for you, where you do something you’ve really been craving for a long time but have been unable to do due to the constraints of the real world.

Why would this be “spiritual”? You inquire about it with a girl that is wearing a swan costume and who seemingly volunteers at this camp. She tells you that the point is to help people fulfill an earthly craving of theirs so they can move on to their core mission in life. Most people will have a reaction of self-loathing once they finally scratch that itch, upon the realization that it wasn’t that big of a deal after all. It makes you realize that you would have been willing to throw a big chunk of your life away for what is essentially a side dish. Better to find that out in a simulacrum than risk your career, family, health, etc. with a terrible life decision, right?

At the entrance there is a menu of options that lists the role-playing scenarios they can do for you. There is a “custom” option for which you need to sign-up days in advance. They do not agree to about half of the custom requests because they exceed the bounds of what actors can feel comfortable role-playing, so there are limits as to how deep and dark your fantasy can be. The default options themselves are pretty shocking, though. The list contains things that range from adultery and incest all the way to abuse of power scenarios. Some of them are so R-rated that they make the rest of Burning Man seem conservative in comparison; heck they make the Orgy Dome seem conservative in comparison. Interestingly, the most requested role-playing scenarios among the options are completely family-friendly. For example, “work acknowledgment” fantasies account for 30% of the requests, and a whole other 25% involve receiving affection from neglectful family members.

You think to yourself: “I suppose I do feel undervalued at work, and I sometimes use outlets like Burning Man to find a place where people value me for who I am.” So you choose the “have a real conversation with your boss” option. You tell the attendant that you made up your mind, and she goes to the back of the room to inform the actors of your choice, and then proceeds to ask you for details about the scenario.

You tell her that you have been working as a journalist at a technology magazine for about 7 years. Your coworkers like you, and you are highly praised by your immediate manager, who thinks that you are a whiz kid and loves to “sell your work” to upper management. The thing is, you have a feeling that he does not represent you very well, and since you’ve been passed over for promotion already for four consecutive years, you sense that he is somehow taking credit for your work. He is very warm, and it is hard to think badly of him when he is around. He has a sort of professional candor that makes you feel rapport with him. The thought that he may be screwing you behind your back despite his warm relationship adds to the psychological torture. You tell her all of this and then she asks a few follow-up questions, mostly details like his first name, the name of a couple coworkers, and the ways the people at work refer to you such as nicknames and phrases they may use. She tells you to stand in line, that the actors will be ready in about 15 minutes.

When it’s your turn, she takes you to the backroom and tells you to be “ready for a wild ride”.

The backroom has a number of props appropriate for your job. You sit at the desk, and stare at the computer in front of you. Then an actor comes in, pretending to be your boss:

Howdy Steve! How’s it going? I was just passing by and thought I should say hi. I also remembered you mentioned you’d have the deliverable today, and it isn’t in my desk, so I thought checking wouldn’t hurt.

That’s right. He says “howdy”; this is already starting to bother you, reminding you of the pinched nerves you were experiencing less than a week ago at your job. He continues:

Don’t worry about it. There is always another tomorrow. Hey, I’ve gotta tell you something. Promotion rounds are coming up- this time around, I promise, you will get promoted. As I always say: “We’re getting there, you and me, together” [winks].

That phrase irks you horribly. You feel your blood pressure go up. The girl was right, this is really wild. How did the actor know how to emulate his demeanor? You thank him, and mention that you are hopeful and determined to get the promotion this time. Then he leaves for a minute. When he comes back, he is wearing a different attire, as if it was a different day:

Howdy Steve! I’ve gotta share something with you. Look. Sorry… they passed you up again. See, I think it’s the changing times, because the… how do you say it? They said your lateness on many assignments demonstrated lack of commitment to the company. They want you to take on a bit more responsibility before we can move you up next year. But hey, remember: “we’re getting there, you and me, together” [winks].

You feel your blood pressure sky-rocket; you feel rage boiling inside you. Or was it there all along and you are only now becoming aware of its depth? You decide to confront him. You mention how in each of the last four years you have seen him go out to conferences and present your ideas as if they were his. That you have seen him get the credit in meetings. And that once, a middle manager accidentally copied you on an email where he was bragging about how well the story you wrote did online without ever mentioning your name in the writeup. He falls silent for 5 seconds. He looks serious now. He says:

“Yes, it’s true, I stole your work, ok?! I told my wife, and she said I should always deny, deny, deny, no matter what, that she being pregnant meant that we couldn’t risk not getting the next bonus. Can you blame me screwing you to benefit my family? Are we not all like that in the end?”

Fuck! You knew it. You’ve known this for over three years, intuitively. Your boss’ kid is soon going to be entering preschool. Your head trembles and you feel your heart rate go up, crazy. After a pause he adds:

I can’t be responsible for the fact that you are a sucker. That you let yourself be taken advantage of. Darwin Awards, anyone?

The rage becomes a steam of hellfire inside you, and you feel yourself getting ready to shout and scream and kick him and bite him. But there is something stopping you. You know you could go all out on this poor fellow, and rub it in his face how the family excuse is completely bogus (it’s unsettling that the family thing is exactly the sort of rapport-congruent thing that he would actually say to justify himself), and it’s infuriating how many times you gave him a graceful exit despite your dark suspicions. You know you could hit him where it hurts most. But you instead choose the high road. “I am not like him” – you tell yourself. Silence for 10 seconds as you breath in and out, calming yourself. You say:

That one time you had me stay in the office on a Friday I had requested off a month in advance broke my heart. I missed a camping trip with my friends to satisfy your careerist hunger. But you are right, I am a sucker. Yes, being well adapted to a deeply sick social environment is not a sign of mental health. This is it. I quit. I will see you when I see you. Good bye.

“And Cut!”- a girl behind the curtain shouts. She runs up to you: “You did well! How did it feel?” But you can’t respond. The experience is cathartic, and you cry, folded upon your knees on the floor.

You notice internal boundaries dissolve. It is now clear that over the years you’ve built barriers inside yourself; some kind of protective field around your inner representation of your boss and his warm demeanor. You didn’t allow yourself to think bad thoughts about him; you empathized with him deeply. Why? Why did you make yourself blind to all of the evidence, to the fact that he was screwing you? You realize that your sense of worth has been tied to his praise for so long that it feels like part of your professional grain. If it wasn’t for him, would you even have a job? You can’t stop crying. As you let those feelings come and go, a feeling of empowerment begins to run through your body; feeling vindicated and validated by yourself is something you are not used to. Especially not concerning professional matters. But now you feel… like you are worth it. The addiction to his praise is something of your own making, you now realize. You placed conditions on your own happiness; you had it in you to love yourself all along.

The girl brings you a box of tissues. She tell you that it is common to experience a rollercoaster of emotions. She said to come back if you needed additional support. You exit Camp Replicator. You feel good. Tired, but good… and relaxed.

It feels like the image of your boss has a lot less power over you, and this process has “released” a lot of energy – you feel like your own self again- how strange. With this weight off your shoulders, you wander aimlessly… looking for something to find.

As you walk along the streets you begin to imagine your mind as an ecosystem of agents with disparate inclinations. You wonder: “And what is the distribution of ‘power’ among my subagents?” It stands to reason that, given that subagent interactions form a complex system, subagent power would follow the same distribution that income, citations, and social influence have, i.e. a power law. Your subagents compete for a place of influence within you. And the one who (temporarily) holds power tends to have substantially more mental resources than the second next one. At the bottom you have thousands of tiny subagents – like the time you wonder “should I do x?” where x is only congruent with a small part of all of your motivations. MDMA, you figure, changes this power distribution during its acute effects; the “harmonization of your experience” (as Camp Valence might call it) is not only about your sensory impressions and emotions, but also about the causal power of your sub-agents. It is fascinating to see that in ego-softened states- such as the one you are having thanks to the recent catharsis- one can see one’s highest subagent give in to the concerns of the ones below, and start a representative assembly of subagents trying to arrive at a much more fair global distribution of power that satisfies as many subagents’ preferences as possible.

The experience of having two conflicting subagents have equal degrees of power is very peculiar; one feels that, somehow, one’s future is “truly up in the air”. You wonder: “Is this agent power distribution annealing?” Within the multiplicity of subagents bidding for your attention on a daily basis, which ones of those have purely replicator objectives, and which ones are trying to increase the subjective wellbeing of people (including your own)?

You come across a little bike handing out Whisky to passersby. You pass on your cup, and receive a shot; not because you feel the need to, but because you like it. You savor the Whisky very slowly.

On the way back you come across a Chindogu Hands-on Exhibit, which you find incredibly entertaining. It makes you feel like a kid again. You start wondering about your next career. Mentally you already disconnected from your boss’ authority, though you suspect that the full consequences of having done this will only be revealed over the next days and weeks. How to break it to him? What should you work on next?

Upon arriving to your camp you get ready to go out by putting on a spiral LED hat and glow gloves. Astro Burrito and Cardamom join you, and you walk for many hours until 2:30AM, wandering from art to art, and talking to strangers, and asking them about what they do for a living… perhaps you’ll get inspired. You cap the night with James Franco left-overs- which you turn into a sandwich-, a mango, and a handful of supplements (BCAA, Magnesium Citrate, Quercetin, Turmeric, Aminoglycotetraquinone, Ashwagandha, and L-Theanine). You write some notes, and quickly pass out by 3:30AM.

Saturday: Camp Anti-Replicator

A 1980s throwback art-car driving by your camp wakes you up at 11AM. You feel refreshed, and happy. The first thought that comes to mind is “today is the day the Man burns.”  You processed so much pent-up emotion yesterday it’s unreal to you. You feel light, and energized. You then remember that you have a tested 25mg 2C-B tablet, which you had intended to use the night of the Burn. You check yourself emotionally and physically to decide whether you will go ahead and take 2C-B tonight, and all of the signs are good (blood pressure is good, VO2 Max is good, mobile ECG looks good). You feel good about the prospect of tripping today. You will be heading out to see the Man burn with your campmates at 7PM. What to do till then? You get a “shower” at the Human Carcass Wash, drink a cocoa Soylent, eat dried apricots, and devour a sun-heated bean & rice burrito. It is now 2PM so you have about 4 hours to explore before you have to get back and prepare to head out to see the Burn. What should you do? For reasons you don’t yet know, you feel an urge to take the 2C-B right now. You rationalize this decision based on the feeling that you should not stay up too late tonight if you intend to look for theme-camps tomorrow. Great press secretary internal monologue you have there.

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So you wander into the Playa with a borrowed bike looking for camps you haven’t even noticed yet in order to get the most surprising and novel stimuli possible. Along your way you see a surprisingly large number of sculptures of beasts and wild animals. You stop at a place in which you see about 50 people meditating quietly in front of a 3m-tall caterpillar statue, which intrigues you deeply. A sign close to the bike racks reads: “Camp Anti-Replicator.” At this very point you feel the first sign of the 2C-B come-up. You get off the bike and look around for someone to interact with. You check behind a blue wooden wall decorated with ʻaʻā clinkers arranged to form the shape of a mandala, whose center is an endless knot. A few people dressed in magenta robes are talking quietly on the floor, seating on cushions and drinking tea. When they notice you, they invite you to have tea with them.

mantra-mandala-with-Endlesskont

Endless Knot Mandala (cf. 7topology)

They look like monks, and they emit a rather serene but lively vibe. They explain that Camp Replicator is their “sister camp”. Replicator is designed to help people identify the most gnarly karma bundle of samskaras in one’s energy body, which is the first step in untangling them. To put it in a secular way: living your deep fantasies and unmet emotional needs helps identify the most emotionally imprinted memories that haunt you behind the scenes. Empirically, working on these bundles in a psychologically safe container is useful. Away from civilization, one can more directly address repressed impressions in a safe psychic environment.

One of the persons there pours you a cup of rooibos, while another one asks you if you know why you are here. Puzzled, you reply in the negative.

They say that Burning Man is one of the seven Pure Lands on this planet- one for each of the karmic clusters of the human species. These are places where catalytic tools for spiritual potential are plentiful. There are many scattered groups of humans around the globe doing intense spiritual development work, but when it comes to transformations happening at a large scale, this is one of the seven core locations. Each of these Pure Lands serves between 10,000 to 100,000 people a year. Burning Man, they say, is not what it looks like at first sight. The physical component of the temporary community is just a superficial facade of the spiritual processes that are being catalyzed under the surface. They explain that this is why when you go there the place becomes a new location for your dreams in which to take place; Burning Man is alive all-year round, but on the etheric level of reality, which can be accessed in a variety of states of consciousness including meditation, dreaming, and psychedelics. Indeed, many benefit from this Pure Land without ever attending, though having been there secures a karmic link to it. They say that there are some really important Light Workers here, whom you will be working with when you are ready. They say that you are not yet ready for that. But you are ready for something else.

You ask them where they are getting all of this- implausible-sounding- information. They say that their philosophy- and thus their understanding of what Burning Man is about- is the result of a synthesis of Buddhism, Metamodernism, and Martinus’s Philosophy. Their camp members tend to come from families with what they call “new religious energy”. Often they will have been born in religions such as Unitarian Universalism, Theosophy, Integral Theory, and New Age, to name a few. Based on the synthesis of these disparate sources, together with experiments they have conducted, and the download of information from spirit guides, they can affirm in consensus that this world is currently at the boundary between the immanent energy of the animal world and the human kingdom levels of consciousness. The monk who looks the youngest, around 18 years old, begins:

“You see, the cosmological principle states that, when seen on a sufficiently large scale, the universe looks regular and uniform. Locally, you see many different kinds of planets, stars, nebulae, brown dwarves, neutron stars, and so on. But on a grand scale there is asymptotically the same amount of matter, energy, dark matter, and dark energy, in large volumes of space. Similarly, the surrounding spiritual dimensions, locally, are very heterogeneous, but they are not a representative of the entirety of the multiverse. While evil can win within a given pocket of reality, on a large scale good prevails…. Well, it prevails in about 99.7% of the multiverse as far as we can determine with our spiritual telescopes.”

Then the person in the circle who looks the oldest, around 70 years old and with a heavy Swedish accent, continues:

“There are uncountably many flavors of consciousness, but they can all be placed on a cyclic evolutionary timeline. Buddhism divides the multiverse into six regions, each hosting beings who share the same main karmic signature: Gods, Titans, Human, Animal, Hungry Ghost, and Hell.”

A girl who looks of Indian descent, who is around 35 years old takes over: “Martinus’s philosophy claims that there are six basic energies of God. Each of us is an offspring of God, a soul/monad that reflects and diffracts divine light. The six stages are: plant kingdom, followed by the animal kingdom, then the real human kingdom, the kingdom of wisdom, the divine world, and the kingdom of bliss [source]. The cycle never ends, and it is driven by a principle of hunger and satiation.”

“In cases like earth, there are two energies with roughly comparable power over the beings who inhabit here. Although the keynote of the universe is Love with a capital L, locally, other energies tend to dominate.”

“Metamodernism”- the one who is bald and has a French accent, says- “asks us to consider how new forms of democracy and collective action can take place in light of an emerging cluster of people who have reached advanced psychological developmental stages (e.g. Kegan level 5). In the context of global spiritual transformation this is very relevant. What do we do as more people begin to pass over the threshold of 50% human consciousness? We are developing secular implementations of spiritual liquid democracy in order to overcome the game-theoretical short-comings of the current democratic system.”

You ask them if this is a common view. You had never heard of this kind of syncretism.  They tell you that the overall picture has been developed in Scandinavia and is gradually getting exported to other places in the world. After all, the Nordics are a culturally interesting corner of Europe in a somewhat similar way to California being a culturally interesting corner of America.

You ask them why you are hearing all of this. They said they were waiting for you. Incredulous, you start standing up to leave, but the Indian girl says:

“We all saw you the other day. You were a bright star on Wednesday night. We saw you saying hi to your grandfather, and then visiting the palace of light and its dome. We knew you would come over here later this week.”

“You mean that what I experienced on the God Helmet, MDMA, and later on with ketamine was not an illusion?” – you ask, shocked. She winks at you in response.

The man with the Swedish accent pours you another cup of rooibos. He says that at this camp shamans of consciousness gather to help you see through as many of your internal demons as possible. The atmosphere here is completely unlike the mental health institutions most people know. Here people don’t show any kind of learned helplessness (internally wondering “is there really anything that can be done in this situation?”). People here are trained technicians of consciousness. They have sharpened psychological tools to break into your psychological stress points and help you release anxiety about your life-decisions and embrace an open-ended forgiving approach to thinking about the future. Leaving your attachments is not a sacrifice when you are trading them for options that feel both good and more real.

On the table there is a book that you pick up and open at random. A pamphlet that was inside the book falls on the tea table, and you decide on reading the pamphlet instead: “[I]f enough people gather in these tents, our shamans can do efficient combinatoric searches for pairs of people in the group that can help each other grow as fast as possible in the span of 1 hour. The clock is ticking, and there is tremendous pressure and conviction that a breakthrough will happen.” The people at the table mention that a significant percentage of people who come to this camp are on serotonergic psychedelics, but the majority go sober. More than half are people who have been here before and had a breakthrough, and want to go and take more advanced classes. People remark on the intense contact-high of this particular region of the playa. Typically, people say that they had an inexplicable urge to come over to this camp, and they find ways of rationalizing it.

One of the techniques listed on the pamphlet is called “deprogramming meta-programmers”. You take a moment to let that sink in. “This sounds like a cult; only the CIA would get away with calling something ‘deprogramming’ and not sound like a cult.” – you think to yourself. “I thought Rainbow God was a cult, but this?”

But at this very moment you realize that you are, and have always been, a prisoner of your reward architecture. You’ve been programmed by evolution to execute adaptations you are not even aware of. These animal urges… they don’t feel like yours. “What is going on?”- you wonder. From the inside, certain things feel right and others feel wrong and you don’t even know why. Sure, you can justify your feelings by claiming direct and exclusive access to the universe’s utility function. “What is this?”- You look at your hands and you have a tremendous vision of your hands being like claws. You imagine all of the terrible things for which human hands have been used throughout history.

You start identifying with the abstract human rather than with yourself as a particular human. The vision of all humans sharing a divine essence comes over you. But why do you have these animal feelings? You feel in you the demon-like cast of emotions that allows the persecution, bullying, and torturing of other sentient beings. You experience profound disgust at the realization that these underly many of your dearly coveted self-concepts.

“Am I experiencing a bad trip?” – you ask them. “No, what is happening to you is that you are at the fence between animal energies and the human kingdom. You seem to be hovering close to the very middle, and you recently crossed the threshold where 51% of you can contain human kingdom energies. The interference is highly uncomfortable, of that we are aware. But do not fear.” – You ask: “Are you killing my ego?” – They say: “No, your ego is committing suicide. You are about to cross over, and that’s why you are here.”

Buddha-Weekly-Abahya-Mudra-Buddhism

Don’t Fear

“What happens when you have 51% of human kingdom energy?”- you wonder out loud, tripping pretty hard by this point. “Well, that is a milestone of sorts, because it forces some realignments inside you. There is some risk of falling into Messiah complexes, manic states, and self-harm. With regards to self-harm, it is important to acclimatize you to the fact that the craving for non-existence is itself one of the animal energies. Given reincarnation and the oneness of consciousness, self-harm is strictly counter-productive. Philosophies like negative utilitarianism and antinatalism are fantasies of systematizers who are, precisely, craving non-existence to such an extent that they create a worldview to relieve that craving.”

They tell you that you have also been imprinted with quasi-parental figures primarily concerned with the replication of their attachments and vices throughout your life, be it teachers, advisors, company CEOs, or even your boss. Your imprinting will determine whether you emphasize fast or slow reproductive strategies (cf. evolutionary psychopathology). The people in Camp Replicator helped you figure out who has imprinted you. The mock confrontation with your boss was a psychological technique that effectively works by helping your System 1 come to terms with the fact that your quasi-parental figures are almost certainly constraining your behavior out of neuroticism rather than thought-through rational analysis and altruism. Camp Anti-Replicator, now, is helping you with a push in contextualizing your suffering in a larger picture that allows you to identify with spirit rather than with your animal reproductive drive.

“We are not a religion; we are a diaspora of students of the spiritual sciences. We don’t need dogma, because we have Abhijñā (‘direct knowledge’).”- says the 18 year old.

He continues: One of the most important sociological theories they deploy involves realizing that social movements work by providing an internal voice for people to be able to deal with their internalized authority figures. No social movement starts out from the altruistic desires of people, at least not on people dominated by animal consciousness. Beyond social signaling theory (cf. Mating Mind, Elephant in the Brain), the human mind has many tricks up its sleeves to transmute growth-oriented energy into the execution of replicator strategies. The true reason for this involves the relative low density of dark energy in this part of the universe, which biases physical evolution towards entropic finite games and away from negentropic infinite games.

“God of the Old Testament was really a Wrathful Deity. Marcionism and Catharism knew this truth, but it was suppressed by the more dominant replicator-based and politically powerful conservative spirit of the time, which sanctified the God of the Old Testament and pretended it was the same being as Jesus.” – Says the Indian girl. “Jesus was a Bodhisattva world-redeemer who came here to break a link in the chain of tit-for-tat karma of the animal consciousness level.”

You open the pamphlet again. The section is titled “The stages of spiritual evolution”:

– 1. Nature spiritism/shamanism
– 2. Multi-god religions
– 3. Mono-theistic religions
– 4. Hollow mono-theism (“hey man, nobody believes this nonsense about the virgin birth anyways but we just pretend to go along”)
– 5. Cynical materialism/atheism (money and power and NO re-incarnation)
– 6. Humane materialism (“Let’s all be friends but there is still no God”)
– 7. Low quality spirituality/New Age (“Peace, man. Let’s all be friends and smoke weed and not do anything practical. SOMETHING grander is going on. But we don’t have a clue about it.”)
– 8. Mature spiritual instinct. Religions, atheism and New Age now all seem a bit childish. Deep inner growing seed of spiritual knowing. The divine is real but undefined. Interest in mystics like Martinus emerge.
– 9. Cosmic glimpses. One sees the divine workings behind the veil for brief moments but still too immature to put the pieces together.
– 10. Full blown cosmic consciousness. Like Martinus, Buddha and most likely Jesus Christ. Everything is completely intuitive. You are one with God, it all makes sense and you can tap into any answer about the cosmos at any time.

The guy with the Swedish accent says: “Good, you are reading about the stages. I’d say the world is now roughly between #4 and #5, with some regional variations. For example, places like Denmark and Norway are centered around #5 and #6, whereas places like Saudi Arabia are on average between #3 and #4. Burning Man and the other Pure Lands are designed to concentrate people who are between #6 and #7, and moving towards #8.”

They said that you now know what you needed to know. You are free to hang out and ask more questions, but to feel free to walk out any time. You feel a high level of energy coursing through your veins, purifying your sense of self, making it more humane. You decide to continue reading the pamphlet:

“When Professor Christopher M. Bache was asked what was the most important thing that he learned from taking LSD in high doses in silent darkness more than 70 times, he responded:

The most important? That the universe is the manifest body of a Divine Being of unimaginable intelligence, compassion, clarity, and power, that we are all aspects of this Being, never separated from it for a moment, that we are growing ever-more aware of this connection, that physical reality emerges out of Light and returns to Light continuously, that Light is our essential nature and our destiny, that all life moves as One, that reincarnation is true, that there is a deep logic and significance to the circumstances of our lives, that everything we do contributes to the evolution of the whole, that our awareness continues in an ocean of time and a sea of bliss when we die, that we are loved beyond measure and that humanity is driving towards an evolutionary breakthrough that will change us and life on this planet at the deepest level. Take your pick.

(Source: Meet the professor who self-administered 73 high-dose LSD sessions)

This is just one of the tens of thousands of people who reached level #9 in the last 50 years, and in the coming century we expect a few million people to get there.”

You save the pamphlet in your camelback, thank everyone at the table, drink the last bit of rooibos, and start taking off. “One more thing” – the 18 year old says – “you will confront a difficult moral dilemma tonight. Keep your heart open.”

As you leave, you pass by the same place where people were meditating in front of the caterpillar statue. But the statue is not there anymore, and the people who are there are now completely different. More so, they are now facing the opposite direction… meditating in front of a 4m-tall butterfly statue, which you swear wasn’t anywhere to be seen when you arrived.

You hurry up and try to get back to your camp before people leave to see the Man burn. On your way back, you overhear a conversation between two 20-something girls who happen to be biking in the same direction as you for what seems like an eternity. One of the girls points out that she went to Burning Man with the intention of having fun and maybe some casual sex with older men. But she is now feeling a bit disgusted with her original intention, that she feels drawn to starting a family with a beta boy who, she now realizes, she has been in love with for years but wouldn’t admit it to herself. The other girl kept saying to speak louder, that the acid was making it hard for her to make out the words of what she was saying. Soon enough they turn right at a junction as you continue forward, riding fast to make sure you don’t miss your campmates. You notice you came across a large number of Human-shaped sculptures. Where are the beasts? You don’t see them anywhere.

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You arrive late by a couple minutes. Thankfully Astro Burrito is still there, and he informs you that there is a second wave of people who will be departing in half an hour. You quickly eat some granola bars, drink a protein shake, and swallow some dried apricots, and to add some hydration, drink the last soda water can left in the cooler. Astro Burrito hands you some mixed nuts and orange slices. You refill your camelback, and join the group of people right outside the camp who will be the second wave. 5 minutes later you all start walking towards the Man as a group.

You are still a little high from the 2C-B, but you feel yourself coming down. You walk alongside Astro Burrito, and you share with him some of the things you experienced at Camp Anti-Replicator.

Astro Burrito tells you to consider the fact that Burning Man is a breeding ground for meme-plexes that reproduce in an ecosystem of people in altered states of consciousness open to be infected by new memes. “What survives in here is mood congruent… so you shouldn’t be surprised to experience extremely compelling theme-camps with a worldview to- subtly or otherwise- pass on to you.”- He says. You reply: “I guess there is a lot of memetic evolution going on here.” He responds: “Yeah, right? Somebody should write an article about what Burning Man theme camps will be like in, er… 10 years from now. I’m really curious about that myself.”

“But how about the apparent independent memetic convergence of people who meditate and take psychedelics over the course of many years? The pamphlet of Camp Anti-Replicator talked about how this convergence is happening throughout the world even in places not exposed to those memes.” – you ask him.

“You really have to wonder about the extent to which pre-existing beliefs, inclinations, and wishes for a satisfying positive view of reality figure in a person’s psychedelic revelations. Indeed, as we know from Steve Lehar’s epic trip reports, not being confused with implicit direct realism about perception protects you from reaching spiritual conclusions. Direct realists about perception, admittedly, probably have the wildest trips.” He then goes on into a complex narrative about how you can think of communities of people as metal alloys. “Think of a certain type of people with characteristic cognitive and personality traits as being analogues to atoms of a certain type. When you bind together many of those atoms as a group, the material has some unique properties. But as soon as you sprinkle atoms from a different metal, the overall properties of the resulting alloy can be radically different than the pure version. The same happens with meme-plexes. Burning Man allows new memetic alloys… which can have unexpectedly sticky qualities you wouldn’t easily predict from the contents alone. Be wary of things that sound too good to be true.”

burning-man-1At the half-way point between Esplanade and the Man your campmates stop at some port-a-potties for a bathroom break. After you pee, you join your campmates in waiting for everyone to be done. Out of the corner of your eye you see rapidly-blinking lights and hear loud laughter. Turning in that direction, you notice a large group of college-aged chaotic neutral ravekids playing with an interactive sculpture. You have a bad feeling about this. They seem to be climbing it in unsafe ways, and playfully daring each other to interact with it creatively. They are clearly too excited, intoxicated, and unaware of the potential danger… and nobody is looking after them. You tell your campmates that you will stay there to look after them. Astro Burrito tells you that if you stay there you won’t be able to see the Man burn with them. “There is a sea of people out there, don’t you remember? You won’t be able to find us if you don’t come with us.” Determined, you insist. Astro Burrito says: “It’s your call. See you back at the Camp late, later tonight, or tomorrow, as the case may be.”

Your campmates continue onwards towards the Man as you stay behind, watching over the guys. One of them reaches the top and shouts: “This is freedom!” and opens his arms wide, making a Titanic pose. “This is Fre…” he shouts, but loses equilibrium, and falls six meters towards the ground, landing on his left leg, which snaps, and then landing on his torso on his left side, breaking a couple ribs. The poor guy starts screaming in agony. “Fuck! I knew this was going to happen” – you think to yourself. You run to him, but realize that’s not useful, and course-correct towards the nearest Ranger post, which is about 250 meters away. The ranger jumps on a Jeep and drives with you to the site to confirm the location, then backs out and drives to the closest medical center. There they dispatch a medical unit, and you stay there. From afar, you can start to see the Man being set alight. You feel shaken, but in your heart you feel like you did the right thing. The Man gets fully covered in flames as the medical unit comes back with the ravekid with a twisted leg, biting a pacifier and looking slightly less distressed than before. The friends thank you for watching over them, and gift you some Kandi.

You climb a nearby platform, and watch the Man burn slowly. Then a powerful feeling overtakes you: “Oh dear… the Man is not being burned… it’s being illuminated! Dear heaven! I now realize Burning Man was a Symbol of the dawn of the Human Kingdom all along!”

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You walk over to your camp, processing what happened today. Your body is resonating to an energy you are not used to. It’s as if the burden of competition… the drive to prove yourself to others, has exited every cell of your body. Green etheric energy and a sense of connection to Gaia electrifies your body. “I feel like I can appreciate anew the point of view where all of life is one, and we are all connected at the root” – you think to yourself.

Galaxy Fox is at the camp, and she is applying make-up to herself, and is wearing a gorgeous butterfly costume. She didn’t go see the Man because she wanted to watch it from the highest place in the playa, which was a five-story-tall tower at 4:00 and E. She said it looked amazing, and she also sensed a deep connection to the planet and all life while watching it burn. She then hands you a vegan alcosynth grasshopper, and you both chill for a bit. You then hit a THC vape pen, and decide to go for a long walk and admire art you haven’t yet seen. It all feels ethereal, like you are in a dream. Perhaps the veil of reality is lifting? Is reality a collective hallucination? The levity of being overwhelms you. You hold hands with Galaxy Fox from time to time, in a friendly way, and dance with her whenever an art car drives by. At 4AM both of you are exhausted, and you return to your tent. You pass out immediately after laying on your sleeping bag.

(Second) Sunday: Continuity Camp

Our identity is that which we seek to preserve.

– William Eden (HT Divia Caroline)

Your first thought upon waking up: “Did yesterday really happen?” You glance over your luggage and sure enough, there is the Kandi the ravekids gave you. Your recollection of last night feels very dreamy and ethereal, not to speak of your visit to Camp Anti-Replicator. That said, the pamphlet you took is still on your camelback. You open it at random and start reading it. “Once you cross the threshold of 51% human kingdom consciousness vibration energy in your body, you will feel the need to go back and fix the troubles you have caused to others during your life, as well as try to eliminate all suffering throughout the living world. This is a very heavy burden for many people to bear, and subconsciously you are likely to suppress some of your insights for this reason. Have faith; insight comes in waves. Do not be alarmed if you can’t reach that magical place in the near future. It always comes back, eventually. And with each wave, the human kingdom energy plants deeper roots in your mind, body, and soul.” You feel at peace. But in addition to this inner peace, you notice that your desire for new experiences isn’t gone. You should hurry up and get ready to explore before all theme-camps pack their stuff!

You know that many people are leaving today, and you need to start packing up yourself. Come to think of it, you don’t really know whether any theme-camp is still up and running. But you will look for it. You borrow a bike and from 1PM to 2:30PM you bike around looking for an active camp. The outer rings of the city are starting to look a bit deserted, and even the Esplanade is starting to empty out. Between C and 5:15, though, you spot a camp that’s still looking quite active. It is leaving a little later than the rest. The camp is called “Continuity Camp”. It turns out they make it a point to provide shelter for people who need to stay Sunday night. Many people miss their ride, or have some kind of car problem, or are too exhausted to pack and leave. The reasons are myriad, and inevitably a few hundred people find themselves lost Sunday night. To remedy this, the camp doubles as a shelter Sunday night for people who’ve experienced any planning mishap and need to stay the night to sort it out. That said, the camp’s core structures are coming down, and you can tell that some of the sculptures are already gone, given the visible craters on the ground.

You park the bike, and venture in. There is a kitchen still open under a large shade structure. In the background, pieces by classical Mexican composers are playing (Arturo Márquez, Miguel Bernal Jiménez, José Pablo Moncayo, and others). You also notice that the walls are decorated with strange symbols with eyes of different sizes, fire rings, rainbows, plants, etc.

They welcome you with a plate of black beans, tortillas buttered with coconut oil, cacao nibs, and fresh slices of avocado. They also give you a cinnamon horchata agua fresca. You look around at the tables and see a group of people having a friendly discussion, so you ask them if you can join them, and when they say yes you sit down and start eating.

One of the persons in the group is part of the camp. She explains that this camp’s theme is centered around the the concept of continuity, which in turn gives rise to questions about personal identity. How do you truly know that you will wake up in your body tomorrow? How about a couple of seconds ago? Are you the same “subject of experience” as your past and future self? And how about others?

She goes on: “There are three main views of personal identity. First you have Closed Individualism, which is the view that you are a person, that is, whose existence is limited to a linear narrative or a story over time. Most people are Closed Individualists, and identify with their bodies, memories, or some kind of transcendent individual soul. Then you have Empty Individualism, which is the view that you are just a moment of experience, and that in some ways you only exist for a tiny slice of time and then disappear… though this gets complicated by what your theory of time is… so some say you really are just there forever, like a Platonic experience in the sea of conscious possibilities. Then you have Open Individualism, which is the view that we are all, on some fundamental level, One. All of us, as apparent separate beings, are different facets or projections of the one universal consciousness.”

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She points you to the symbols hanging on the walls. “The first three symbols over there represent each of these views. The one with a ring of plants and as many eyes as individual lines represents Closed Individualism. Each being has a different size, shape, and lifetime. Like trees, identities are messy and complicated; each bearing its own unique temporally-extended narrative. The symbol with a large eye in the center and a rainbow represents Open Individualism. It is the consciousness of All Is One, which has a full-spectrum rainbow flavor. And the one on the right is Empty Individualism. Each moment of experience is its own unbridgeable monad, separated from every other monad by the fundamental fire of differentiation.”

You ponder about it for a moment, and then ask her: “What are the pros and cons of these views? Why should someone believe one over another?” To which she says: “There are good philosophical arguments for each of these views. Contrary to what most people believe, it is not like the common-sense view has as much solid backing as we feel it does by default. Aside from the philosophical question of which one is true, there are game-theoretical implications as well as psychological effects on people from each of these views. Most commentators agree that Open Individualism solves a lot of game-theoretical problems, and if we could make society more Open Individualistic we would generally experience more interest in solving current coordination impasses. That said, people who take a given view very seriously tend to experience some archetypical effects. Open Individualists tend to become either solipsistic or messianic, which are both usually dysfunctional states in the long-term. Closed Individualists feel isolated, and generally experience intense fear of death. And when someone believes in Empty Individualism too strongly at a gut level, they tend to experience a sort of motivational collapse. So there are pragmatic considerations when it comes to adopting some of these views.”

As you finish your food and drink, someone comes over to ask you if you want dessert. You agree, and they give you some quince paste (“ate“) and tequila lime ice-cream, which they sprinkle with some Miguelito. You take a minute to delight in this engrossing mixture of flavors. You then tune back into the conversation:

“Then there are people who have what we might call ‘hybrid’ views on personal identity. Really, to get there you need to give some credence to, well, paraconsistent logic people.”

Someone overhearing the conversation becomes startled. He turns around and asks: “Wait, are paraconsistent logic people real?”

And she responds: “Well, yes and no.” – people laugh. She pauses for a moment. She then goes on- “For people who hold two of those views at once, you could think of what is going on as them experiencing a bistable representation for their metaphysics. Insofar as language cannot fully specify a worldview, what remains undecidable from your linguistic axioms is fundamentally ambiguous. More strongly, some people assert that reality itself (rather than just their representations of it) is fundamentally ambiguous at the most basic level. Personally, I’ve gotten a lot of mileage from exploring that view. After all, questions like ‘why is there something rather than not?’ seem very robust against classical logic accounts.”

She goes on to explain how computational theories of identity have open, closed, and empty versions. Even philosophy of physics ultimately faces the same questions as philosophy of mind, she says, as physicists struggle to define boundaries between physical events, and grasp at straws like quantum decoherence to identify ‘natural kinds’.

“Hybrid views are more common than you may realize. Look over there, those three symbols represent the three possible hybrid mixtures of two accounts of personal identity.”

“I think that the most common hybrid view is Closed Individualism + Open Individualism, the symbol on the left. This view is extremely common in spiritual communities. Basically, this is the view of people who somehow combine the existence of an ultimate God who connects us all at the root of our being, and individual souls that carry our karma around. Outside of esoteric Buddhism and other obscure spiritual philosophies, few religious communities really take Empty Individualism seriously. For them, the continuity from one moment to the next is not questioned, so a ‘soul’ ontology is usually the philosophical backdrop of their worldview.”

“Interestingly, physicists are perhaps the people who are most likely to be Open + Empty Individualists, the symbol in the middle. Namely, they will assign to each moment of experience an eternal here-and-now spatio-temporal coordinate while also recognizing the fundamental unity of reality in the form of a universal quantum field. Monistic physicalism entails that consciousness is the fire that breaths life into the equations of physics, so to monists who take quantum mechanics seriously reality is equivalently describable as the total wave-function, or the collection of topologically-bound quantum coherent bundles. Two sides of one coin: either the universe is a collection of connected coherent bundles, or it is a unified field whose dynamic generates coherent pockets of energy. So for them, you have the symbol in the middle, which combines a central observer and countless ‘individual reflectors’ of the central light corresponding to bundles of coherent energy.”

“What about the one on the right?” – asks a fully-dusted naked man, who recently sat down with a bowl of black beans. She says: “That’s a very rare view to have. In some ways people who are functionalists in that they believe that consciousness is the result of the internal dynamics of information-processing systems are drawn towards this view. They, for example, imagine consciousness as having two facets: the instantaneous state of the system and at the same time the entire range of possible configurations of the system, which is what determines the meaning of a particular state. A system’s state is meaningless without the context of counterfactual states it might have been in, is a common trope in this view. A neighboring view is the one which says that the essence of a conscious system is its utility function (aka. its ‘values’), which again gives rise to a co-dependent relationship between the individual states and the complete being.”

The dusted man says: “That’s how I think of my life. Sure, I experience many different things over, say, even a single day, and there is a sense in which each of those experiences are separate. But they all share a common theme- they are part of a life-arc with definite goals and obstacles. So each moment is strung together with the other ones in a coherent way.”

She adds: “For example, when you are in your room, look at the decorations and objects around you. Each portrait, each drawing, blanket, pillow, furniture and even the overall feng shui of the space, can be attributed to the decisions and actions of experiences that exist as moments in your life. You could think of what they left behind as a monument to a moment of your life. It helps to try to feel grateful to “them”. They are there, really, truly, existing, just like you now, just elsewhere in space-time. And they generated intentions for you now, for the chain of future moments of experience. One can feel gratitude for all of those moments of experience over there in the past trying to build a good future for you here. When you have a moment of peace, and feel love and gratitude to all who helped you be where you are now, send them a message: ‘This level of creation and kindness will eventually carry you to the success you are looking for. Thank you, friend.'”

“What about the big symbol over there?” – you ask, pointing to the largest image, which is hanging from the ceiling and prominently displayed. She says: “We are fans of the idea of ‘transcending and including’ worldviews. Many of us have converged on a view of identity that could be described as the paraconsistent superposition of Open, Closed, and Empty Individualism.”

Open_Closed_Empty_Ring

“Contrary to common-sense views, this one takes as granted that you can exist in multiple places, times, and scales at once. Open Individualism already takes the view that you are all beings in existence. But the Promethean state, as we call it, goes further by acknowledging the seriousness of the topological folds that create the simultaneous reality of differentiated beings and universal consciousness. You are an eddy in the universal wavefunction of quantum mechanics, and your personal self is also an eddy but at a higher topological level of organization. So in reality each moment of experience is topologically distinct, each human or animal being is also topologically distinct, and the field upon which this happens is the shared ground of being. You are a topologically enclosed eddy in the life-flux of the universe. So all of Open, Closed, and Empty Individualism are true in their own terms, and yet without negating each other.”

She goes on: “Some people go at it from the point of view of physics. Feynman diagrams show how reality can be described as the sum total of all possible interactions of a universal Platonic particle with itself. Reality is what emerges from the fact that the Big Electron can pretend to be somebody else, when crossing its own alternate trajectory, to function as a stranger with whom to interact.”

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“This brings us to the Prime Radiant. You can experience self-interference patterns of the one universal mind while on peak LSD states, for instance. Here, read this transcript” – she hands everyone a little card that reads:

Prime Radiant is the concept that all that exists in physicality is one point of life, whizzing around at such speed, and with such freedom, that it creates all that we see in the universe. Now what that means is there’s one ‘atom’, if you like, and it whizzes around the universe, the whole universe, at incredible speed, such that it appears almost to cross itself sometimes, as it is going around, it does it so quickly it will come back to itself and appear to almost create a second point, and it goes around to create a third point, and so on, and that, believe it or not, is what creates everything that you see in our whole galaxy. It is doing it at such speed, this one tiny point of life, it is going around at such speed, that it is creating everything that you can see, not only Planet Earth, not only every blade of grass, every animal, every grain of sand, every person, but every planet, every star, every thing in the whole universe, all being created [nearly] instantly from this one tiny point of life.

Difficult to believe, but it is apparently so.

Now, this is true, but the story is a lot more complicated than that. In that there is a Prime Radiant for every person alive. Each and every person has their version of Prime Radiant, which operates under the control of their consciousness forming the universe in which they live. That is why no two people have identical lives. In other words, you probably understood, but what they are saying is, that for every person alive on the Planet Earth at the moment, I think there are about 7 billion people, there are 7 billion Prime Radiants, whizzing about, creating the universe exclusive to that one person, each person has a unique aspect whizzing around creating what they see and appreciate.

It may be difficult to imagine that you create a universe that is unique to you, but it is further complicated by the fact that by common agreement people can join their thoughts and agree to create similar universes or parts of universes in order to try to make sense of Life. But even that is not always quite the same. We have stated that in the case of a crime if the police asks witnesses what they saw, the descriptions can vary widely. That this is because we all create our versions of life and so we may not all see the same things. We might all see a crime but do not all see the same event.

Zero point energy, Bob Sanders 2019

“Do you just have these cards on hand all the time?” – you ask. “Yes, we print them in many different colors and shapes”- she responds. The dusted man sneezes, which causes a dust cloud to lift around him, which settles over 20 or so seconds as people laugh and stand up to undust themselves.

She continues: “Many colors and shapes… but they all say the same thing. Well, perhaps they say it in different words, and using unique metaphors, but there are many ways of saying the same thing. The Promethean view of identity is beyond any particular qualia, particular points in time and space, particular causes and conditions. Since reference to a particular is not necessary to express the view, as it posits the non-conflict between instantaneous, personal, and cosmic identity, one can think of this philosophy as a universally-accessible Schelling point in concept-space. There are innumerable ways of expressing it in concrete form. Mythically, we could say that this is the ultimate referent of any conversation to have ever taken place, if only had such conversation been extended for long enough to catch its own tail. This is the ultimate view when it comes to the progression of transcending and including worldviews, as it points to the asymptote of synthesis at the limit of the development of the concept of Self.”

A young guy who recently sat down mentions: “Sadly, this view entails that you are, in a very non-trivial way, the non-human animals suffering in factory farms.” She agrees to that. The discussion is then wrapped up with an exposition of the Buddhist notion of the interpenetration of all 10 realms and how this also applies to interpenetrations of philosophies of personal identity. Analogous to how Tiantai Buddhism proclaims that: “One thought contains three thousand worlds”, so does Continuity Camp proclaim that oneness, individuality, and instantaneous separation are inter-dependent ontological states.

You figure that the religion of this camp- trying to articulate it in as few words as possible- could be expressed thus: “The universal essence devoid of inherent properties was clever to create a reality in which questions of self, time, space, and continuity are fundamentally ambiguous. The engine of creation is not a lawful and dependable ground of being, but rather, it is what emerges out of the compromises that inconsistent ontologies need to make in order to coexist.”

On your way out you ask people why they were so keen on pushing an artistic vibe of the 20th Century Mexican intelligentsia. Not that you had anything against it, but it certainly seemed random to you. They tell you conflicting stories. One person says that this is an artistic style chosen to ground people and help them ease their way back into civilization where people have strong identities and attachments. That a good way to ease your way into the madness that is ego-identification in modern cities is to show you a defunct artistic expression with which a lot of people used to identify at some point in the past. Alternatively, the second person explains, the vibe is used as a form of meditation into a computational theory of identity. Namely, that in some accounts of identity, semantic and episodic memories fall on a secondary position relative to the preponderance of felt-sense. If you can set alight the essence of a past aesthetic, you are, quite literally- and perhaps in the only sense that mattersreviving the people of that historical period. Thus, they all meditate into becoming the life-force which identified with 20th Century Mexican Nationalism as a philosophy of identity, and use that experience to feel, process, and let go of the pain of identification. Alas, this second person seemed high as a kite, so you figure “who knows how much he actually knew about what was going on?”.

You bike back to your camp, eat a protein bar, drink coconut water, and have some white tea. You don’t feel very hungry for some reason, but you put some high-calorie foods into a bag for later, just in case. You walk towards the Temple with the two thirds of your camp that haven’t departed and aren’t actively involved in taking down structures at the moment.

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Temple Reflection

When you arrive at the ring of people around the structure you feel peaceful, pensive, and puzzled. Your campmates also seem to share your general state of solemn satisfied exhaustion. You have been exposed to so many views over the last week that you don’t know where to start. How to put all these views together into a global worldview? Do you even have to?

You realize that every camp has its own way of painting itself as the “final point of view”. As if rehearsing, you utter quietly: “A meme is a unit of cultural meaning that can be passed around from mind to mind. A particular joke is a meme. A particular name is a meme. Most memes make references to other memes. This right here is a meme. When a large bundle of memes support each other we call those meme-plexes. For example, religions and ideologies are meme-plexes because they use memes that fit well together.” You still remember giving that presentation in middle-school, where you introduced your classmates to memes. “No, not the things your parents and older siblings share online in Internet 2.0 social media. The concept of a ‘meme’ is a much more profound and wide-reaching idea.” – you still remember other students passing around Internet memes (i.e. image macros) of you explaining what a “meme really was.”

Your thoughts are interrupted when you notice that the Temple is being prepared to be burned. A campmate who was involved in building the Temple this year tells you that the theme for the structure is “Temple of Courage” (cf. Temple Themes). You weren’t aware that the Temple has a theme each year. You had visited the Temple this year, and the thought crossed your mind that it takes courage to visit it, considering the depth of grief and sorrow that is often felt in it. At the same time, you feel that you have been courageous during this visit, too. You set the goal of visiting a different camp each day and deeply engaging with its worldview. In retrospect, you realize that it really takes courage to delve into new meme-plexes, let alone full-stack ones. Being presented with compelling views that, if you were to take seriously, would mean the radical restructuring of your mind could be a dodgy matter.

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This week you consciously chose to be as open as possible to every new worldview you encountered. You were seriously shaken by more than one of these visits, but it currently feels that this has been for the better. A courageous move to expand yourself, whose consequences are yet to be seen.

You now wonder about what makes a meme-plex “full-stack”. If you recall correctly, meme-plexes are “full-stack” when they can generate a defensible and stable response to most questions humans would ask, including how the universe was made, what is love, and what it means to laugh. Usually they provide an account of what is, and what is good (i.e. valuable). Full-stack meme-plexes are immensely more powerful than other meme-plexes, because as such they do not have ‘any cracks’ from the point of view of people who buy into them; they seem “air-tight from the inside”, so to speak.

So what is the big-picture story of the camps you visited this week? Well, Camp Longevity has the mindset of assigning infinite weight to your own life and trying to survive personally and promote personal survival for others. Rainbow God wants to explore the entire state-space of consciousness. Camp Valence wants to eliminate suffering and maximize bliss, which in practice may involve ultra-blissful drugs and brain modifications. Camp Superintelligence considers intelligence intrinsically valuable and is concerned with the arms races that may ensue with drastically new intelligence coming online. Camp Replicator says that we are bound by our subconscious desires and express them in unproductive ways. We can address them directly, unleash all the built-up tension, and become free from self-replicating patterns. The Anti-Replicator Camp would say we are on a spiritual path of development which uses replicators as a means for learning. Ultimately, we will be grown out of replicator desires and focus our spiritual energy on loving each other. And finally, Continuity Camp would say that we are not who we think we are; being individual humans is an illusion. It is evolutionarily adaptive, but in order to save the world we need to agree on an expanded sense of identity.

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Life is not like Scrabble… you need to know the meaning of the concepts in order to win. In that sense, to play ideological rock-paper-scissors you need a good model of each ideology both on its own terms and in the terms of other ideologies. You ask yourself: How would each of these meme-plexes think of each other?

Longevity can be attacked by Continuity by emphasizing that Open Individualism (i.e. oneness) suggests we should not put all our eggs in the basket of personal survival. Longevity can attack Superintelligence by saying that working on AI is to betray humanity. In here, Rainbow God can come in and argue that both Longevity and Superintelligence are working on the same goals, but they do not realize that yet. More so, that the goals of Rainbow God are a super-set of all that could be achieved by both Longevity and Superintelligence. That is, mapping out the state-space of consciousness gets you both the ability to understand what survival even means, and also access to states of consciousness critical for sentient superintelligence.

Interestingly, the pair of Anti-Replicator and Valence seem to have fundamental disagreements. Anti-Replicator will tell you that good comes from our spiritual development and the Love with a capital L that emerges out of that. Valence would say that love, capital letter or not, is a label used to identify positive qualia related to pair-bonding, family, friendship and other evolutionarily adaptive social behaviors. In turn, what makes love valuable is the high valence that such states of consciousness tend to exhibit. MDMA imbues high valence across your entire world-simulation. The fact that you describe this experience with words like “I love the world and the world loves me” is the result of trying to put the experience into words. But high-valence is what is behind the “magic” of the state when it comes down to scientific fact. Anti-Replicator would simply say that such a point of view exists in people who are close to the boundary between animal and human realms, such that they try to make sense of love in materialistic ways. The conclusions are always wrong because the ontology they start with is incorrect (love as high valence which corresponds to particular material configurations). Each paradigm can explain the other by including it. There are converts in both directions. These worldviews are experienced as bistable perceptions to some people. Camp Continuity could come and say that their views are complementary rather than contradictory. Each experience is a mixture of Empty, Open, and Closed ontologies, and high-valence is achieved when there is the right balance between them. Thus love is fundamentally connected to the act of defeating duality of self, which involves undoing ancient symmetry breaking operations. Thus love is both the result of mathematical harmony, and a metaphysical quality associated with selfless giving.

The highest expression of God, as it were, is not the one that incorporates the most diverse range of qualia, but rather, the one that incorporates the largest amount of coherent energy in a state of harmony.

– Camp Valence

Now, Rainbow God and Valence would probably also have a complicated relationship. In truth, having access to high-valence states enables you to have the hyper-motivation necessary to explore the state-space of consciousness. And doing such explorations, in turn, leads to discoveries about how to create better high-valence states. Rainbow God, on the one hand, will continue on exploring as long as there is more to be found. Camp Valence might retort that learning about each of the possible varieties of beetles is not rational considering the opportunity cost. Why not leave aside variety for variety’s sake, and focus on making high-tech bliss instead? Rainbow God would feel defensive here. It would say that the whole is more than the sum of its parts. So far, pursuing full-spectrum experiences seem to be exhilarating and wonderful. Valence might then say that this could be an illusion caused by endogenous opioid release in response to novelty. Not everyone seems to enjoy exploring consciousness for its own sake, and doing so is correlated with general openness to experience. As an axis of human variability, this would suggest that people are more or less drawn towards novelty. So rather than fixating on novelty, we should investigate what makes novelty in some people feel so good. Despite these misgivings, Valence would still be open to there being a fundamental connection between valence and diversity of qualia. Both camps would agree that there might be a possible dual relationship between the symmetry of the mathematical object isomorphic to a person’s experience and the rainbowey-ness of the experience. As such, both meme-plexes would keep an eye on each other and cooperate insofar as it is mutually beneficial.

What about Porky’s? Porky’s (i.e. Camp Replicator) could argue that people going to every other camp is merely expressing and projecting their unmet psychological needs. People will be drawn towards the ideas that fulfill a certain void in them. So for example, people who support Continuity Camp have a higher existential distress baseline than the average person such that belonging to a community that reassures them of the survival of oneself-as-consciousness fulfills the need they started with. Porky’s wouldn’t necessarily disagree about key memes of other meme-plexes, but it would nonetheless be cynical about the typical motivations that draw people to these meme-plexes. Longevity is in fact a social club for people of all ages who enjoy the company of young-looking people. Valence responds to people who empathize too strongly with others. Superintelligence is a club for people insecure about their own intelligence who want to compare themselves against other smart people. Anti-replicator is dual with Porky’s; they emphasize the same facts but interpret them with complementary metaphysics.

A friend hands you an electrum necklace, and tells you that it is meant to materialize this very moment, as you receive it. The Temple is set alight as you are tying it to put around your neck. This moment. This moment. This moment. Are we counting moments, or are we counting selves? You get lost in a long now.

Your mind is surprisingly clear for being so cluttered with memes and meme-plexes. The image comes to you that your mind right now is working as a council, or general assembly, of seven tulpas representing each of the seven meme-plexes.

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The meme-plex convention.

The experience felt odd. All your life you’ve identified with a given point of view, especially as it pertains to your view of the world. But right now your experience is simultaneously hosting meme-plexes in what feels like an impartial space. The task at hand is not the competition between the meme-plexes in order to take over center-stage, but their incorporation into a meta-space which can simultaneously host each meme-plex.

In a sense, you feel like seven people at once. Each of these beings being your answer to the question “who would I become if I were to have this meme-plex as my default view?” You remember the following quote:

We aren’t afraid of dying, we’re afraid of living while never doing anything of value.

– Hi There

You make a prayer. The prayer is to be free from fear when considering alternate worldviews. You hear some chanting in the background, and after a few more minutes the Temple collapses. Everyone cheers, and then people go quiet again. The now-flat incandescent surface burns slowly but steadily. It seems like the tulpas are learning to coexist in your mind. They are learning to be there and trying to provide value without overtaking your world-model, at least not without your permission. Are the tulpas friends? Not really. But they also are not hostile against each other. Rather, they personify rational worldviews open to new evidence and arguments. If you try to imagine them, they feel like large statues of peaceful Gods minding their own business. They are all open to being asked questions and to meet each other for conversation. This feels good. It feels peaceful.

You overhear a campmate say: “I took a microdose of 2C-G-5 three days ago, and I can still feel it. I like it, but it made sleeping really hard last night.” This is the cue that makes you aware that your campmates are getting ready to leave. You take a last long look at the fire and wonder about how many selves watched this event. You walk back to your camp with your campmates. People are now really engaged in dismantling structures and cleaning. The last remaining structure is the roofed dance area, which has cushions and blankets for the people who will take it down tomorrow, and a hexayurt for those who will do the final MOOP sweep on Tuesday. You decline some nitrous and get ready to leave.

(Second) Monday

You wake up and load your vehicle with grey water from the camp along with all of your stuff. You look around and decide to make one more bike trip before taking off. You bike around with a borrowed bike. The place is about 90% deserted, which makes navigating a lot harder as the landmarks you got used to over the last week are gone. You bike towards the Temple. You notice a shiny dot at the distance, which you use as a guide. You arrive there and pick it up. It is an electrum necklace identical to the one you got last night. You then notice that you don’t have that necklace on. This must be it, you found your necklace and you weren’t even searching for it. In that moment you remember that the necklace was a symbol of the precise moment in which you received it. Paradoxically, both now and that time feel just as real. Perhaps, you wonder, this is my own proof that I exist over time. But you fail to translate your newfound intuition into words.

You then bike back to your car, and take off.


Thanks to: Mike Johnson, Romeo Stevens, David Pearce, Anders Amelin, Liam Brereton, Enrique Bojorques, Andrés Silva Ruiz, Alfredo Valverde, Duncan Wilson, Mac Davis, Mario Montano, Lauge, and playa friends Tryp, Special, Expo, Nectar, Daphne, Frank, Victor, and many others for the conversations that led to ideas featured in this text (both part 1 & 2).

Note: Apparently Buddhists did make Rainbow Body a core practice and got phenomenological mileage out of doing that.

Burning Man Theme-Camps of the Year 2029: From Replicator to Rainbow God (1/2)

[Epistemic Status: Fiction; see related non-fiction Burning Man articles – 1, 2, 3. See part 2/2 here.]

Preface

What follows is the result of an exercise in considering the questions: “Which novel memes, and meme-plexes, will be alive 10 years from now? And, what new worldviews will have a ‘full-stack’ account of where humanity is at, and where it is headed?” Hope this sparks interesting thoughts.


The interdependent nature of knowledge is such that for you to truly understand anything, you must understand everything first.

– Alex Alamy, founder of Camp State-Space of Consciousness

The year is 2029 and Burning Man season is upon us. You’ve been there once before, but you feel like you gravitated a lot towards the art in deep playa and neglected the theme-camps that surrounded you. For instance, you didn’t even visit your neighbors despite the fact that they had giant marble statues hung up from a transparent dome visible from the street, and a picture of Shiva having sex with a rhino at the entrance. In retrospect you wonder “why didn’t I at least come by and say hi? The place looked so inviting!” This year you are determined to change that by investigating in detail one theme-camp every day, in addition to enjoying the company of your campmates and exploring the deep playa the rest of the time.

Sunday: Arrival

You arrive on Sunday evening after a 16-hour drive. Eight of those hours involved being in the line. And of those, you spent four of them manually pushing your car while a dust storm was in full force (your car’s battery died because you used it to power up speakers to blast the latest Lady Gaga album, but forgot that doing this could drain it completely if you left your engine off). After the dust cleared, the first neighbor in the line without an electric car helped you jump-start the car, which worked fine from then on. After that rough start, you are now settling in your little pod, keeping hydrated, and eating the left-over fried rice that one of your campmates cooked for everyone who helped build the shade structures. You decide to call it a night and rest. After all, you have seven full days of Burning Man ahead of you…

Monday: Camp Microlife

You wake up slightly groggy and disoriented. Like last year- you are now aware- the first day of the Burn is usually a little slow and difficult on the body as it acclimatizes to the new environment. You take it easy and wake up at 11AM, help campmates with their tents and structures, attend the camp meeting, eat bunches of fruit mixed in with Soylent Cereal®, and take a nap. At 6PM you feel rested and ready to start exploring. Your first stop is right next door, a place called Camp Microlife (formerly known as Longevity Camp).

Burning Man is said to be dangerous. Indeed, a well-known piece of advice people like to throw at each other is to only do one stupid thing at a time. If you take shrooms, don’t try to climb a giant sculpture. If you are drunk, don’t go for a walk without a camelback. If you are going to oversee the safety of a fire, don’t do so while being heavily sleep deprived. And if you go to the Orgy Dome, don’t do so while on MDMA. Just common sense things, right? You would be surprised how people tend to stack dangerous activities on top of each other at Burning Man. And you’d be even more surprised how despite this, the number of serious accidents is incredibly low. In fact, it is a marvel why more people don’t die at Burning Man, given the expectations that you can realistically place on 80,000 Homo Sapiens in the desert for an entire week. It takes a lot of effort distributed across many people to reach this level of relative safety.

The low injury statistic at Burning Man is something to applaud. That said, before 2020 there wasn’t much awareness about the fact that the environmental hazards of Burning Man had measurable effects on the rate of aging of the body. Camp Longevity was thus founded in order to help people minimize this effect by focusing on interventions that would give you the largest bang for your buck. Their welcoming sign at the entrance reads:

This camp is dedicated to the task of identifying the most cost-effective way of reducing the number of micromorts (cf. microlives) that you are expending at Burning Man. We will take a picture of your skin in controlled lighting conditions in order to determine the amount of melanin in your skin, and measure your height, BMI, and lung capacity. Then based on actuarial tables we will give you custom harm-reduction help, ranging from gifting you optimal sunscreen, to magnesium supplements & earplugs, to providing free high-quality masks and even nose-filters as part of a pilot program (did I mention that you are encouraged to enroll in a study to see whether nose-filters are as effective as dust masks at preventing lung aging from the dust?).

They have both a no-nonsense set of recommendations and a more creative “R&D” side, in which they are piloting wacky solutions to “microlife loss prevention.” For instance, they had nose-filters they could give you if you participated in a study (well, they would give them to you regardless but they would encourage you to sign up). They also had an instant-cooling system in their camp that you could use if you were over-heating (or felt like it, anyhow). Under the assumption that MDMA neurotoxicity and body strain is partly caused by hyperthemia, they hoped to incorporate this device as a harm reduction strategy at Zendos around the world. On your way out they handed you UV-protecting arm sleeves, which they had in bulk quantities, and were giving out to passersby.

At night, you visit some of the core attractions in Esplanade, and take a ride to deep playa on the Mayan Warrior, which is still going strong after 17 years of Burning Man. On your way back you stop at a space cowboy-themed bar, and have two drinks- Mr. Walker on Glowing Rocks– before calling it a night.

Tuesday: Camp State-Space of Consciousness

On Tuesday you wake up at 9AM, stretch, shower, and socialize for half an hour while eating a handful of bananas with copious amounts of almond butter. You check out the Man, the Temple, and random artwork you find on the way to and from. You eat quesadillas at Mexican Grill, and by 5PM, you return to camp and rest for ninety minutes before going out at 7PM with two friends. Tonight is a “trip night”.

Camp State-Space of Consciousness (formerly known as Rainbow God) is devoted to a made-up religion called Divine Spectralism. This religion postulates that the maximum expression of divinity is in its full-spectrum (aka. rainbow) form. God may have infinite faces, but some of them display its glory more fully, clearly, and lucidly. In their theology, God realized is tasteless and flavorless. But that’s an asymptote that’s impossible to talk about. Around it, approaching the event horizon, we see God diffractions that express all of the possible flavors, colors, thought-forms, space and time qualities, etc. of consciousness. That is, God Realized is surrounded by a full-spectrum of all varieties of experience. This region of the multiverse corresponds to the highest heavens, the rainbow worlds; these are the closest you can get to the fullest expression of God while being able to support sapience and self-awareness.

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In order to transcend our world- grey and dull relative to rainbow worlds-, we must move towards the universal gradient of synthesis, which incorporates, in each successive moment of experience, more diversity of experiential qualities (aka. qualia). Up there in the upper heavens everyone has a full-spectrum enjoyment body, which allows them to create-imagine-animate massive worlds of experience populated with maximally-encompassing narratives. They pack tremendous amounts of smell, taste, warmth, music, echolocation, and uncountably many other flavors of experience we humans don’t have words for in highly energetic forms. The result is not just an impressive “painting of experience”; there is something special and magical that happens when you start piecing together all of the varieties of experience in a giant thought-form. The whole is much more than the sum of its parts. One unlocks the ability to recombine the complementary parts of experience and get purified God consciousness. They even claim that you don’t really understand a given qualia (e.g. cinnamon scent) until you can put it in the context of all of the values of its variety (in this case all scents). And you don’t really understand a given variety (e.g. scents) until you see it in the context of all varieties (e.g. scents, colors, tactile sensations, etc.). So we don’t truly understand anything until we understand everything. That is not to say that ignorance doesn’t come in gradients, though.

Buddhists came across this phenomenon long time ago. They encountered states of consciousness where they had an intensified divine connection in conjunction with full-spectrum experiences. They called it the rainbow body. It is interesting that they knew about it but they didn’t develop techniques specifically aimed at it. Instead, they merely thought of it as a side-effect of good and deliberate practice, or maybe a gift liable to become a distraction. The Divine Spectralists, in contrast, claim to investigate this phenomenon scientifically. They will tell you that they have found a causal connection between full-spectrum practices and increased spirituality.

 

The camp is organized along the lines of a hexagon, with a large central rectangular tarp. This shape defines seven regions: one corner for each of the “top 6 senses” (sight, hearing, touch, taste, scent, and proprioception) and a central space called the “global workspace.”*

You, being the intrepid scientific psychonaut that you are, of course decide to visit this camp while on acid. You take 150 micrograms before heading out. This camp has been around for five years, and it has grown into a core Burning Man attraction. Your friends tell you that if you took acid you should definitely go check it out. So you and two of your friends- Galaxy Fox and Astro Burrito– make the walk towards it, which takes long enough for the acid to start kicking in.

As you approach the entrance you notice people playing with LED-illuminated hula hoops. That is not unexpected, since after all, Burning Man is the DIY LED Mecca of the world (cf. Ring Theory). But there is something particularly unusual about these hula hoops. The tracers left by the bright LEDs given your psychedelic state are not only stunning, they are also somehow encoding words and images. “Are you seeing what I’m seeing?” – you ask Galaxy Fox, who is sitting you during this 12 hour trip. “You mean the hula hoops? They are cool, aren’t they?” – she responds. “Yes, but you see the things they are saying? It’s saying:

You are the Chosen One, The One who will deliver the message. A message of hope for those who choose to hear it. And a warning for those who do not.

Are you not seeing that?” – you say. “Nah, man, you trippin’, I see no message there, dude.” – she says. But for you this is undeniable. As it turns out, these hula hoops were programmed to encode messages only readable by people on psychedelics; they use a technique called psychedelic cryptography. To illustrate how these hula hoops look, see the video below (tracer effect applied to LED hula hoops). In brief, they take advantage of the longer-than-normal decay of qualia on psychedelics. This way they can “paint over time” pictures that only people with pronounced persistence of vision can really detect. Shocked and intrigued, you start exploring the camp.

You learn about the made-up religion with a video they play and a few girls who answer questions about it. From your point of view this feels extremely cultish, but you are not sure whether it is your state or the actual camp. So you ask your friends if they also feel the same as you, considering they are sober judges of what’s going on. One of them says yes, and one of them says no, which isn’t very helpful. You decide to stop worrying about whether they will brainwash you and take it on good faith that they are at least doing their best at pointing you towards interesting ideas to consider.

You are fascinated by the made-up religion, and thinking about it in your state activates in you very intense feelings that are hard to put into words. At times you get convinced that you can perform psi feats and feel like you are connecting to the minds and feelings of the people around you… that God’s light is being reflected and refracted throughout everyone in the camp. Then again, you realize this is exactly what the environment is meant to suggest and exalt as much as possible, not to speak of the suggestibility of LSD states.

The camp’s center has a large rectangular tent, and when you come in you see that one of the walls is completely covered with LEDs stacked along three layers (each of the layers is capable of 7 bright primary colors, and their combinations). This artwork is called “The Fourth Wall”, and it is a large LED display optimized for psychedelic cryptography. The “hidden messages” cycle over several minutes. It displays messages written by people walking by who draw them on a tablet connected to the lights. It also shows bizarre super trippy patterns of all kinds, along with what looks like psychophysics experiments. Every once in a while it displays a live video of yourself from a corner (it takes you a moment, but you manage to locate the camera, which is behind you). The symbolism startles, as you realize that only on psychedelics you are able to realize that you are being secretly watched. Sober people passing by just see pretty lights, and a few local features of the pictures, but unlike people on a couple blotters of acid, they don’t see the entire pictures there. Interestingly, this way people on psychedelics can coordinate with each other in surprising ways. The message sometimes says “all move to the blue corner” and from the point of view of someone sober it’s like suddenly half of the room makes the telepathic decision to move together towards one corner. Doing fun things with psychedelic cryptography is an art-form. Making an analogy to a county fair, the whole range of games and prototypes in this section could accurately be described as being of the type that says “you have to be at least this high to play this game”.

You now decide to take a look at the music corner. The place is a dome shaped in a peculiar way that increases both the resonance and reverb of the space. That on its own would make it a cool experience, but the fact that those effects are massively amplified with a network of microphones and speakers that subtly generate feedback without blowing up makes it an over-the-top experience. The auditory effect is confusing and mentally scrambling to an exaggerated degree. The 3D sound effects can generate the impression of entire worlds in movement. These music and sound geeks have been working for years on being able to represent events in a sort of musical-ray-tracing engine with custom software. They can generate the illusion of the reverb fingerprint of arbitrary spaces, and hence create for you the illusion that you are inside a car, or inside a church, or inside an infinite tunnel. In addition, they use doppler effects to change the impression of how fast things are moving, and in particular, to create the illusion that the shape of the universe is changing and that information is propagating relativistically. Did I mention one of the people involved in this installation is a famous physicist? And did I mention the sound booth is managed by a robotic dog?

 

This place plays weird music. You know of weird music, but this music here is weird music. In fact the thing these guys have been working on for a while is a computational approach to figuring out which combinations of sounds will weird you out as much as possible. It learns over the course of 15 minutes or so using eye-tracking and biosignals it gets from a headband you put on when you enter their sound dome. The music tries to drive you towards the edge between chaos and predictability. It parametrically identifies how quickly to change its degree of predictability in order to assault your attention with hyper-dopaminergic attention-grabbing mood-setting sounds. The music is so mesmerizing that it has developed a sort of fame for being able to halt fights in the Playa. Taking an angry campmate there is certainly going to distract them for no less than 30 minutes, and give them a chance to approach whatever problem they are dealing with from a different angle.

You move on to the camp’s “scented room”, which has a large repertoire of scented objects and essential oils. Starting with the stereotypically obligatory patchouli (as in, if you don’t have patchouli in your kit of scent qualia, what are you even doing?)  – more seriously, the repertoire of scents is enormous, with a box with more than 5,000 scents collected over the years, including uncommon scents like cypress, palmarosa, ylang ylang, durian, acetone, cork, jojoba, and boutique scents like digestive enzymes and a synthesized “old book smell”-mimicking mixture. You didn’t even know that old books smell could be chemically identified, but now you do. You notice that some of the scents resonate with your state, and others almost, kind of, sober you up to an extent.

Perhaps the most interesting, and daring, of all of the scents there is the LSD-scent vial. “Do not get confused”-the attendant tells you- “this vial is LSD-free, but it smells like LSD.” You reply: “I thought LSD was odorless.” She says: “Most people have no idea it has a smell because there is so little LSD, weight-wise, in blotters that there is not enough of it to build enough scent for you to smell it… but dogs can smell it. What this vial contains is what is used to train dogs to detect LSD.” You smell the vial: “Uh, it’s a bit tangy?” She says: “Yeah, some say that. Others mention it reminds them of the smell of DMT to an extent, and others point out its metallic tones.” You ask her – “wait, wouldn’t search dogs get crazy about this, then? Isn’t this a liability for the camp?”. To which she replies: “There’s a funny story here. The first year we brought this scent to the playa we were stopped by a cop for a random search during the trip from Reno. A dog sniffed out the vial right away. It took literally about 5 seconds for the dogs to find it. We were careful not to have anything illegal on us, though, so that’s the only thing they found. They wanted to press charges for the vial even though we claimed it was not LSD. Later they got from the lab the result that the vial had actual LSD in it. This, of course, majorly surprised us. By having the paper trail of how we got the vial, and it having a serial number, and us hiring an independent lab to test it which confirmed it had no LSD, we and the Burner community at large discovered that lab tests were being forged. This revealed that the rumors were true, that there really were some people faking lab results, and they were making a lot of money off of this. This is currently unraveling, and the courts are now going back, historically, and dropping the charges from people harmed by faked lab results over the years. A number of burners we know are getting their charges dropped for this reason.” You think about it, for a moment, and reply: “I guess I didn’t realize there was so much power in having something that is genuinely, provably, fake, since it can be used to expose people who claim to be able to recognize the authentic ones.”

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State-space of scent qualia (adapted from: Categorical Dimensions of Human Odor Descriptor Space Revealed by Non-Negative Matrix Factorization; Castro, Ramanathan, Chennubhotla. 2013; link)

The camp has a corner dedicated to conducting perception experiments. The experiments are not just idle fun and games, they tell you. Three peer-reviewed papers have been published so far testing hypotheses about psychedelic visual and auditory perception with the data gathered here. You got excited by the prospect of helping science, and confided with the person there that you were currently on 150 micrograms of LSD. Unfortunately how the system works is that you have to go there sober first and sign an anonymous consent form in which you agree to be shown images and audio (some of it possibly R-rated) both today and in the future, so that you could then go back another day and re-do the tests while high on psychedelics. They still allowed you to try the experiments, though, but they said that in cases like yours they would not collect the data gathered.

The experiments were strange and most didn’t make much intuitive sense. For example, in some tests you had to guess “which of the 3 textures is the odd-one-out”, which they told you was used to identify which summary statistics your visual field becomes more or less capable of differentiating on psychedelics. Another experiment would show you ambiguous images and you had to guess what was in them. Interestingly, this was another way in which psychedelic cryptography was being developed, but rather than being based on tracers, it was based on semantics. That is, someone on acid might look at the picture and say “that’s clearly a banana” while someone sober would say “that’s obviously the back of a Jeep”, and if you get creative, you can send secret messages this way.

Your favorite experiment felt very much like a video-game. It was engaging and fun; it had a pleasing effect on your mood for some reason. The task involved looking at the screen of a tablet that displays patterns with wallpaper symmetries shifting along a symmetry element (see below) and identify “the region that is moving at a different rate.”** They told you that this was one of the tasks that exhibited the strongest difference between people sober and on psychedelics; the reduced symmetry detection threshold in combination with increased entrainment potential made this particularly easy for people tripping.

 

 

 

After playing the symmetry detection game for 10 minutes, you decide to move on. The last section you check out at the camp invites you to go into a “world of tactile textures” by entering a large air-conditioned hexayurt with an airlock separating the inside from the windy exterior. The textures, of course, were selected for their experiential richness, but one additional important constraint had to be applied: they had to be MOOP-free. Or at least generate MOOP that is heavy and easy to pick up (hence the airlock). The people inside talk of having “alien cuddles” which is where a handful of people in underwear make a cuddle puddle with all of the pillows, and pretend to be a single alien being with unusual skin having sex with itself. They invite you to join in, and you do. The boundary-dissolving aspect of the LSD experience makes this an incredibly confusing and compelling scenario; you don’t really know where your body starts and where it begins, and gosh, you had no idea synthetic reptile scales and cellophane-wrapped cotton could feel so sexy on your bare skin.

 

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There, in the middle of the cuddle puddle with strangers, you come to an interesting realization. From their point of view of Divine Spectralism, Burning Man is wonderful because it functions as an efficient and intelligent search algorithm for exploring new regions of the state-space of consciousness. It feeds the bottom line of the Camp’s religion and its core prescriptions: to put on the map even the most outlandish of experiences.

Exhausted but satisfied, you reconvene with your friends and start heading back to camp. On your way out, you see the secret hula hoop messages are now saying:

PEACE & LOVE & HARMONY

PEACE & LOVE & HARMONY

You ask one of the hula hoopers why the message changed. She tells you “a prankster got a hold of our controls earlier today, and was feeding them Tool lyrics, but we found it and we are back to the regular programming.”

When you arrive to your camp, you eat a couple MealCubes, drink electrolytes, and force yourself to take a power nap to recharge, but fail due to the still-ongoing acid stimulation. You give up trying to sleep and give in to the music that is blasting next door. You dance to the soundtrack of The Wandering Earth; the neighboring camp is a smallish sound-camp specializing in retro songs and soundtracks of the 2010s. At 2AM you go out and see the Man with your friends, as you hadn’t seen it at night yet. When you come back, at 3AM, you come by a little tea house offering herbal drinks. You see a friend from a different camp there and decide to talk to him about the nature of phenomenal time. It feels like this day has lasted for ages. You also try to process your experience in Camp State-Space of Consciousness. You keep talking with your friend until the sun is about to rise. You don’t go to sleep until 6AM, but then you sleep all day until roughly 6PM.

Wednesday: Camp Valence

Thankfully this was the only day that it rained. There was some rain on and off while you were asleep, and it remained cloudy throughout the day. You figure that you rested so well in part because the temperature didn’t go up as high as it usually does. Due to global warming, now each Burn is, statistically speaking, a little hotter than the previous one. Interestingly, this hasn’t dissuaded people from attending. That said, a serious discussion is underway about the possibility of re-locating Burning Man, and where to do it after it is actually inhospitable to humans. By then, people say, all humans will have more important problems to deal with, and with this, they rationalize not thinking about how to answer the question of where to move Burning Man. Either way, you want to make sure you can squeeze this experience for learning, growth, and fun as much as you can, and you appreciate the time you have in here. You think about the far future. You think about the State-Space of Consciousness, Divine Spectralism, the way textures feel and how to even go about making a language for them, and you think about holograms… something tells you holograms hold some kind of key to “the puzzle of reality”. Perhaps the acid is still in some ways making your thought-patterns less ego-oriented, and so “early” today (7PM) it feels like your mental clarity and sense of spiritual relaxation is something you can take from your trip to Burning Man back home. This alone would have made the visit to Black Rock City worthwhile- you think to yourself. But there is still a lot of the week left for you. There are so many options, so what should you explore next?

You decide that today you are going to take MDMA and ketamine. Both of these substances are things you do not take more than once every two years, and you only ever take them in moderate doses. You decided ahead of time that if there was a particularly cold day at Burning Man this year you would take MDMA that evening since, presumably, that day would have been less taxing to your body. In addition, you had been wondering what MDMA plus ketamine felt like for ages. Tonight you will take reasonable doses for both of these drugs. 85mg of MDMA and about 100mg for ketamine (two 50mg doses spread out over the course of an hour). Together with the ecstasy powder, you swallow the latest neuroscience-backed anti-“MDMA neurotoxicity” tablets, dissolved in your electrolyte water. You ask Astro Burrito for suggestions about where to go. You tell him you took an empathogen and you want something peaceful and relaxed. Another campmate overhears your conversation and says: “If you are taking MDMA, I might recommend Camp Valence, because those Burners are trying to optimize your pleasure in all sorts of ways.” So that’s where you’ll head next. Once you are finished eating a Tasty Bite you just heated up in a communal pan.

Whereas the previous Camp felt “orgiastic” and pagan (in retrospect), this one feels like a much more curated display of experiences. The Camp State-Space of Consciousness would have you be exposed to the wilderness of all possible experiences and have you make sense of it all for yourself. But Camp Valence seems to have a different overall aesthetic, and philosophy. They seem to be optimizing for softness, intimacy, centeredness, homeliness, and emotional availability.

They have a large enclosed space covered with blankets, and small tables with candles and soft pastel-colored LEDs. Some people are sitting and talking calmly. Others are resting on the floor and cuddling with blankets with each other. Some people are meditating with headphones. Yet others in an adjacent room are doing naked yoga. There is also a pod that fits four people lying down which is sound-proof, presumably to experience sensory deprivation. There is plentiful cucumber water, and lavender cookies.

Someone approaches you in a friendly, non-threatening way, and asks you if you want to hear about the place. He gives you the option to just see it for yourself and chill undisturbed. You allow yourself the option to say yes, and he takes you to an adjacent room separated by a curtain. He is dressed with a long-sleeved tie-dye shirt, a green velvety vest, and comfy pajama pants. He also has a little bit of make-up on, which gives his face a kind of cute bird-like quality. You are not gay or bi, but you somehow feel like you are hanging out with a really cool and cute guy. Well, it’s hard to separate the way the MDMA is making you feel from the environment, but you could swear there is something super friendly about this guy. He tells you that the camp was founded three years ago by a serial entrepreneur disappointed with the economic incentives of modern society. You ask if he could share more about it, but he is interrupted when a girl dressed in a black and blue (or is it white and gold?) dress made of silk and pvc comes in. She is wearing a “cloud hat” (which looks like cotton candy but is actually just cotton), and you feel the urge to touch it. She says yes, but to be careful not to pull too hard – “we don’t want cotton MOOP, like last year with the cotton incident.”

The two people you are hanging out with say that there is a joke that is making its rounds in Camp Valence. It goes like this: “What is the most fun you can have in Las Vegas legally?” Intuitively it would be something along the lines of: “Wake up early, go to the casinos, eat fancy food, get drunk, go to a show, admire the giant buildings and statues, go shopping, and sleep late in the night after a nightcap cocktail.” In contrast, the real, objective, answer goes like this: “You check-in into a fancy and quiet hotel (e.g. the Wynn or the Four Seasons), leave your stuff there, then go to the closest weed dispensary and get at least 10mg of THC in edible form, then go to the closest pharmacy and buy 2 bottles of DXM hydrobromide pills (typically 20X15mg each) for a total of 600mg of DXM. Also buy some earplugs and an eye mask there. Then go back to your hotel, put the do-not-disturb sign on the door, get yourself comfortable, take all of the DXM, and 45 minutes later eat the edible. Close the curtains, and put your earplugs and eye mask on. Over the course of the next several hours you will fall into an intense free-wheeling hallucination where you can learn a lot of fascinating properties about your mind and disclose new varieties of experience. That should keep you entertained for the next 10 hours, and then you will think about it and be amazed for the rest of your vacation. Welcome to Las Vegas, hope you have a fun stay!”

encore_roomencore_room_1

You ask bird-boy if he could continue describing the origin story of the camp. The cloud girl also knows about it, so they take turns filling you in: The person who started the camp founded a few startups in Silicon Valley, made a lot of money, and then opened an establishment in Las Vegas called “Valence Palace.” This place would somehow manage to get permits to use things like rapid thermal exchange devices to literally cool people off (and possibly prevent neurotoxicity in party-goers, as Camp Microlife would remind you), host algorithmically designed sound baths, provide God Helmet therapy, and organize overpriced nootropics tastings. This last one turned out to be all the rage in 2023-2025, and several other establishments around the world started copying the idea. This guy, they explain, somehow masterminded his way into marketing coluracetam in an upper-class status-signaling kind of way (rather than the drug nerd niche kind of way which everyone assumed was the only market for the thing). He marketed it as a high-end product in the form of a subtle experience. For a lot of rich youngsters and people courting each other it was exciting to go out to an official-looking place in Las Vegas and pay large amounts of money to sip water laced with coluracetam (of all things). Turns out this compound had very few side-effects in the vast majority of people, and temporarily increased people’s memory, visual signal-to-noise ratio, and appreciation (but not enjoyment) of music. It is the sort of thing that only refined minds could really notice and pick up an interest in (or at least that’s how this gentleman would market it). People were dying to show off to their friends how they, too, could have an opinion about what it felt like to go to the nootropics tasting at the Valence Palace. It didn’t signal the same sort of defiance of authority that on some level psychedelics tend to evoke. Nootropics tastings served a market of people with high openness to experience but not quite the intellectual disagreeableness to take psychedelics or seek experiences outside of mainstream channels. Curiously, thanks to the competitive dynamics between dopamine and acetylcholine, taking coluracetam would kill your urge to gamble and drink. Indeed, it worked as a sort of anti-addictive drug, protecting you from all the vices on offer in other Las Vegas establishments.

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Coluracetam

Anyhow, he claimed that this and his other Valence Palace experiences were genuinely valuable from a hedonic point of view. That unlike typical Las Vegas entertainment, they did not leave you dissatisfied. They had a positive area under the curve effect, rather than illusory front-loaded pleasure followed by long streaks of mundane disappointment. And Yelp reviews of the place showed it was far better, in terms of customer satisfaction, than what casinos and even oxygen bars could offer.

Of course Las Vegas would have none of this. What he called the Dopaminergic Cartel- which profits from short-term illusory and addictive pleasures- couldn’t tolerate the presence of an organization whose actual goal was the maximization of pleasure and satisfaction in the customer. As a result of the increased popularity of nootropics tastings, and the anti-addictive effects of coluracetam, large casinos detected a significant drop in earnings from high rollers. They saw the Valence Palace as a defector against their craving-based business model. So they had to kick his establishment out of the Strip, manufacture claims on him, cancel him, and destroy his future. The poor guy ended up five million dollars in personal debt. He took them to court for defamation, and thanks to legal discovery uncovered an underground collusion between casinos and aripiprazole manufacturers, which soon became national news. The casinos counter-sued, also for defamation, but dropped their charges once the media had quieted down about the aripiprazole scandal. A couple years later he managed to get his money back with the help of an LED company. It’s a long story, they tell you, and you can find it all on Youtube Blue when you are bored and back in civilization. For now all you need to know is that the founder said that Burning Man is a safe haven which the Dopaminergic Cartel hasn’t yet touched. This is all thanks to the decommodification principle, and the persistent efforts to enforce it in every way possible.

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Aripiprazole

Camp Valence has an underlying philosophy that traces its roots back to David Pearce, Effective Altruism, and further back to Bentham, and even Buddha. The universe has an in-built utility function, and to follow the path of goodness is to (1) recognize that value is not relative, (2) that human values are provincial and distorted versions of ultimate value, and (3) to start listening, really listening, to what the universe prefers. Intrinsic value is encoded in the shape of a state of consciousness. What mystics, meditators, and hippies have all been saying for ages is true – the point of life is to live in harmony. But what is harmony, exactly? How does it manifest in precise, empirically measurable ways in terms of brain states and, more generally, configurations of matter and energy? Deep down, they claim, value is grounded in the nature of quantum fields, and the way the universal wavefunction interferes with itself. The highest expression of God, as it were, is not the one that incorporates the most diverse range of qualia, but rather, the one that incorporates the largest amount of coherent energy in a state of harmony. It so happens, they tell you, that the full-spectrum experiences that are catalyzed at places like Camp State-Space of Consciousness have as a side-effect large-scale harmonious coherence. Alas, there are far more direct and effective ways of achieving this. Thus, Divine Spectralism is not entirely true, but it is also not entirely wrong; it holds a kernel of truth… a piece of the puzzle. The full puzzle, though, can only be solved if you put your ear to the ground and listen carefully for what the universe really wants.

Mythologically, Camp Valence posits that someday in the future there will be something like Effective Altruism, but rather than focused on suffering- because there will be none of it left- it will focus on creating large projects with huge positive hedonic payoffs for the largest number of sentient beings possible. They don’t call it hedonium, because they want to retain individualized motivational architectures. They agree with David Pearce in “creating a universal welfare world where beings are animated by gradients of bliss” rather than aiming for raw undifferentiated bliss.

In a future where suffering is made physiologically impossible via gene editing, and the game-theory is taken care of such that cooperating is the evolutionarily stable equilibrium, what remains to be done competitively is to try to discover new ways to create glory and awe and delight and open-ended infinite games.

You thank them for the explanation, and you wish you could have recorded the conversation as it seemed of general interest. Alas, this is Burning Man, and as a friend once suggested, whatever happens here gets uploaded to the collective human unconscious anyway.

You walk to another room and notice a stand with many vials and powders. Like Camp State-Space of Consciousness, Camp Valence also has scents. But unlike the multi-faceted and comprehensive repertoire of Rainbow God, the scents in Camp Valence are not selected to catalyze a full-spectrum experience; they concentrate on the scents that generate the most palpable changes in one’s sense of wellbeing. They have blends of hedonically-charged scents that are made to specifically either calm you or make you hyper in a good way. You ask for the relaxing one, and you get something that fits perfectly with your empathogenic state. “Gosh, whoever designed this smell must have been rolling, too.” The attendant mentions that the most interesting thing you could do at the camp is to try out their God Helmet device. She points at one of the corners where you see two people wearing eye-masks and helmets full of wires. The attendant says that they will be done in about five minutes and you can be next. You mention that you took MDMA about two hours ago, and ask if it’s ok to mix the God Helmet with it. She winks and says “well, didn’t you notice the synergy between your state and the scent you just tried? The God Helmet is that way, too. We have many configurations that are designed specifically for a given state of consciousness. My favorite by far is the empathogenic one.”

Indeed many people show up to Camp Valence while on some empathogen or another. The people who set up the camp only take psychedelics at Burning Man due to concerns over the deleterious long-term effects of molly. Of course they are acquainted with the state, or otherwise they wouldn’t have found a way to tune the God helmet to perfectly synergize with your mind. You see the girl push a button that says “Ambrosia” and right after that you get lost into a literal world of bliss. You’ve taken larger doses of MDMA before, and you estimate that the combination of your moderate dose (85mg) with the helmet is making you feel what 200mg of MDMA feels like at its hedonic peak before palpitations and other side-effects start to set in. An all-around feeling of wellbeing and maximum enjoyment. The shape of your attention field-lines experiences interesting changes; you feel like your awareness field is a smooth toroidal powerhouse of pleasure energy. You spontaneously think of your deceased maternal grandfather, and realize you can only have good thoughts about him. Even if you were to try, you couldn’t have a single negative thing to say about him on this state. You feel his love and unconditional acceptance from afar, as if beamed through an etheric field. You yourself feel like a star of happiness– perhaps your dead relatives are seeing you from heaven due to how bright you are shining? This thought seems compelling in your state. Soon enough, your turn is over, and you take the helmet off. You still feel better than how you felt before you put it on; it’s as if this thing energized your mind, whose electromagnetic nature is now evident to you. The device did something that “boosted” your state. It now rests at a pleasant level that you associate with taking ~130mg of MDMA. They say this will also extend your state, and to drink a shot of vodka if you want your state to quiet down (e.g. in order to sleep).

You thank everyone you talked to, you tell them you love them (“we get that often”- they say- “but we know it’s true, thank you, we love you too!”), give everyone a big hug, and part ways.

You go back to your camp, hydrate, eat a couple oranges and mixed nuts, go to your tent and take a large ketamine bump, followed by another one 10 minutes later. You are propelled upwards in a tunnel of light that guides you throughout the known universe until you arrive at a giant ball of life energy. The experience is overwhelming, and hard to decipher. You think about what makes Camp Valence and Rainbow God different. What are the differences and similarities? Are you stealing fire from the Gods by having these experiences and remembering the insights that unfold from them? The giant ball of life energy feels like it is calling you, and approaches you roaring with incredible loudness- yet the sound comes out muffled, as if going through a low-pass filter. You intuitively sense that if you were to approach it too closely, you would cease to be a separate being, as it would absorb you into universal consciousness. Scared for your ego-narrative, you hesitate and hover around it, trying to make sense of it. After twenty five minutes you come down. Exhausted, you fall asleep.


Stay tuned for part 2/2.


*Pun credit: Christian Lains

**Credit for psychophysics symmetry experiment stimuli creation to Nick Xu. He generated images that I used to conduct a psychophysics experiment at Burning Man in 2017. He made images where wallpaper symmetry groups would flip along their symmetry elements. All except a single symmetry element would change at the same rate, while one of them would be moving either slightly faster or slower. People on psychedelics seemed to be faster at pointing out the “defect” in the animation. More research is needed to replicate this effect and explain how it works.

Featured Image: source. Rainbow DJ Dog GIF: source.

What is Love? Neural Annealing in the Presence of an Intentional Object

Excerpt from: The Neuroscience of Meditation: Four Models by Michael E. Johnson


Neural annealing: Annealing involves heating a metal above its recrystallization temperature, keeping it there for long enough for the microstructure of the metal to reach equilibrium, then slowly cooling it down, letting new patterns crystallize. This releases the internal stresses of the material, and is often used to restore ductility (plasticity and toughness) on metals that have been ‘cold-worked’ and have become very hard and brittle— in a sense, annealing is a ‘reset switch’ which allows metals to go back to a more pristine, natural state after being bent or stressed. I suspect this is a useful metaphor for brains, in that they can become hard and brittle over time with a build-up of internal stresses, and these stresses can be released by periodically entering high-energy states where a more natural neural microstructure can reemerge.

Furthermore, from what I gather from experienced meditators, successfully entering meditative flow may be one of the most reliable ways to reach these high-energy brain states. I.e., it’s very common for meditation to produce feelings of high intensity, at least in people able to actually enter meditative flow.* Meditation also produces more ‘pure’ or ‘neutral’ high-energy states, ones that are free of the intentional content usually associated with intense experiences which may distort or limit the scope of the annealing process. So we can think of intermediate-to-advanced (‘successful flow-state’) meditation as a reheating process, whereby the brain enters a more plastic and neutral state, releases pent-up structural stresses, and recrystallizes into a more balanced, neutral configuration as it cools. Iterated many times, this will drive an evolutionary process and will produce a very different brain, one which is more unified & anti-fragile, less distorted toward intentionality, and in general structurally optimized against stress.

An open question is how or why meditation produces high-energy brain states. There isn’t any consensus on this, but I’d offer with a nod to the predictive coding framework that bottom-up sense-data is generally excitatory, adding energy to the system, whereas top-down predictive Bayesian models are generally inhibitory, functioning as ‘energy sinks’. And so by ‘noting and knowing’ our sensations before our top-down models activate, in a sense we’re diverting the ‘energy’ of our sensations away from its usual counterbalancing force. If we do this long enough and skillfully enough, this energy can build up and lead to ‘entropic disintegration’, the prerequisite for annealing. (Thanks to Andrés for discussion here)

If this model is true, it feels very important for optimizing a meditation practice. E.g., we should try to figure out some rules of thumb for:

  • How to identify a high-energy brain state, in yourself and others, and how best to create them;
  • Things to do, and things not to do, during an annealing process (‘how to anneal the right things’);
  • Identifying tradeoffs in ‘cooling’ the brain quickly vs slowly.

Off the top of my head, I’d suggest that one of the worst things you could do after entering a high-energy brain state would be to fill your environment with distractions (e.g., watching TV, inane smalltalk, or other ‘low-quality patterns’). Likewise, it seems crucial to avoid socially toxic or otherwise highly stressful conditions. Most likely, going to sleep as soon as possible without breaking flow would be a good strategy to get the most out of a high-energy state. Avoiding strong negative emotions during such states seems important, as does managing your associations (psychedelics are another way to reach these high-energy states, and people have noticed there’s an ‘imprinting’ process where the things you think about and feel while high can leave durable imprints on how you feel after the trip). Finally, perhaps taking certain nootropics could help strengthen (or weaken) the magnitude of this annealing process.

Finally, to speculate a little about one of the deep mysteries of life, perhaps we can describe love as the result of a strong annealing process while under the influence of some pattern. I.e., evolution has primed us such that certain intentional objects (e.g. romantic partners) can trigger high-energy states where the brain smooths out its discontinuities/dissonances, such that given the presence of that pattern our brains are in harmony.[3] This is obviously a two-edged sword: on one hand it heals and renews our ‘cold-worked’ brain circuits and unifies our minds, but also makes us dependent: the felt-sense of this intentional object becomes the key which unlocks this state. (I believe we can also anneal to archetypes instead of specific people.)

Annealing can produce durable patterns, but isn’t permanent; over time, discontinuities creep back in as the system gets ‘cold-worked’. To stay in love over the long-term, a couple will need to re-anneal in the felt-presence of each other on a regular basis.[4] From my experience, some people have a natural psychological drive toward reflexive stability here: they see their partner as the source of goodness in their lives, so naturally they work hard to keep their mind aligned on valuing them. (It’s circular, but it works.) Whereas others are more self-reliant, exploratory, and restless, less prone toward these self-stable loops or annealing around external intentional objects in general. Whether or not, and within which precise contexts, someone’s annealing habits fall into this ‘reflexive stability attractor’ might explain much about e.g. attachment style, hedonic strategy, and aesthetic trajectory.

Links: Annealing (metallurgy)The entropic brain

[3] Anecdotally, the phenomenology of love-annealing is the object ‘feels beautiful from all angles’. This may imply that things (ideas, patterns, people) which are more internally coherent & invariant across contexts can produce stronger annealing effects — i.e. these things are more easy to fall deeply in love with given the same ‘annealing budget’, and this love is more durable.

[4] It’s important to note that both intense positive and intense negative experiences can push the brain into high-energy states; repeated annealing to negative emotions may serve many of the same functions as ‘positive annealing’, but also predispose brains to ‘sing in a minor key’ (see ‘kindling’).


Related Work: Algorithmic Reduction of Psychedelic States, Principia Qualia: Part II – Valence, and Ecstasy and Honesty


Image credit: Fabián Jiménez