Here’s an interesting report I received a few days ago. It’s noteworthy due to the author’s familiarity with QRI paradigms, emphasis on the phenomenal character rather than on the intentional content of the experience, and its interest in observing the structural properties of valence. [Comments and links added by me].
25/03/2021 – Conversations with my ‘self’ and cheat codes to bliss
Age: 24 Gender: Male Ethnicity: European descent Weight: 70-75kg Height: 170-180cm
T- 1:30 45g raw cacao (solid) [NOTE: it’s unsafe to combine 5-MeO-DMT and MAOIs. I do not know if cacao’s MAOIs in these doses could possibly represent a problem, but out of an abundance of caution I’d recommend against it.] T+/- 0:00 ~30mg(?) 5-MeO-DMT (freebase) T+ 0:25-1:30 13 double balloons of nitrous oxide T+ 0:35 ~50mg cannabis
Set and setting:
I prepared my room by cleaning the air with my HEPA purifier, increasing the temperature to a comfortable degree, turning off all the lights (except for a dull red light in the corner), and collecting various soft blankets and pillows into a heap on my bed.
I prepared my mind by drinking cacao, re-reading some of my favourite 5-MeO-DMT trip reports and accounts of its phenomenology, and meditating for 20 minutes.
Two past experiences with 5-MeO-DMT at low doses:
A dose of 10-15mg (plugged) in which I experienced ~45 minutes of very slight effects. Around 15 minutes into the experience I decided to experiment with nitrous oxide, which I discovered increased the feeling of connectedness and bliss considerably, but still not to the level of combining high doses of other drugs with nitrous. Around 30 minutes into the experience and past the ‘peak’ I vaporised a small amount of cannabis, which brought back the intensity of the 5-MeO-DMT for a brief period (~10 mins) in conjunction with the nitrous.
A dose of ~5mg (vaporised) to test ‘the machine’ pipe that I built. The energy / intensity I felt was perhaps 5 times greater than my past experience with 5-MeO-DMT (not counting the nitrous and cannabis synergy), but only lasted for about 10 minutes.
Lots of experience (~50+) with conventional psychedelics (e.g., LSD, Mescaline, Psilocybin, 2C-B), often mixed with other psychoactive compounds (e.g., cannabis, ketamine, MDMA, nitrous oxide, Syrian rue).
I have studied analytic philosophy near full-time for the past eight years with a focus on philosophy of mind, philosophy of biology, applied ethics, well-being, and value theory. During this time, I have developed a strong personal ontology of experientialism (i.e., subjective experiences are important to answering philosophical questions in a fundamental rather than instrumental sense).
I was gifted about ~40mg of 5-MeO-DMT from a friend. Unfortunately, they did not weigh it out, nor do I have a precision scale, so the actual quantity of the substance I received could have been +/- 10mg from the estimated quantity.1 I had already used one quarter of this amount (10mg) to test my vaporisation apparatus, of which I wasted half (5mg), so I assumed that I had 30mg left. After talking with some friends and weighing up the risks, I decided that I would try to vaporise the remaining quantity in one go. I strongly discourage anybody reading this report from being so reckless; my rationale was that (1) I have limited access to 5-MeO-DMT and I did not want to waste this rare opportunity, (2) I have extensively researched the phenomenology of 5-MeO-DMT consumption and knew what to expect, and (3) my prior on having a ‘bad trip’ on conventional psychedelics is very low.2
Earlier in the evening I consumed 45g of raw cacao, which I grated up and boiled in a small pot of soy milk (with monk fruit extract added to sweeten the mix). The subjective effects of unprocessed cacao at high doses are very slight and similar to coffee (probably due to its mild caffeine content), but with more of an empathetic and euphoric quality. That said, I suspect that an individual’s expectations also play a nontrivial role in producing these effects.
After preparing my room and meditating for a short period to lower my heart rate (which I measured using a pulse oximeter), I fired up ‘the machine’. Due to the small size of the device, the chamber filled up fairly quickly and I lost some vapor, so after about 20 seconds I began to slowly inhale the contents of the chamber while continuing to heat the steel mesh with my butane torch. Soon enough I began to feel the effects of the substance, and once I lost the ability to coordinate my hands I placed the device gently on my bed, wrapped myself up in a soft blanket, and lay down with my eyes closed. In the background, I had the song ‘Structures from Silence’ by Steve Roach playing quietly.
My memories of the peak are very limited, and that is because I lost the capacity to experience the passing of time, the boundaries of space, and even the first-person phenomenology of thought. While I have had psychedelic experiences resembling descriptions of ego death before, I don’t believe that I have ever had an experience in which my attention – the focussing of my awareness on particular aspects of my experience – was entirely absent from my consciousness. Without this capacity, the appearance of duality within my experience collapsed, such as the distinction between subject and object, internal and external, or mind and body. This corresponds with nondual accounts of 5-MeO-DMT that I have previously read where people experience ‘becoming one with the universe’ or ‘pure consciousness’.
An important takeaway from this trip was that while the valence of the experience was very high, it felt qualitatively different from ordinary instances of high valence experiences, such as physical pleasure. If I had to describe the general qualia of being on 5-MeO-DMT, I would use the terms ‘significant’ or ‘meaningful’ rather than ‘good’ or ‘enjoyable’ [see a similar observation made on this trip report]. Consider the feeling of encountering something so profoundly important that it cuts deep into your conception of intrinsic value, and then increase the intensity of that feeling by a few orders of magnitude. However, I could not point out where in my field of experience the feeling of ‘significance’ was located, suggesting global rather than local coherence.3 Additionally, while the information content of the experience was extremely low, the feeling of ‘connectedness’ was extremely high.4 I remember observing this as I was coming up and coming down from the peak – the perception of ‘synchrony’ between different modes of my experience directly mapped onto its perceived intensity.
After I had regained my attention, the first thing I noticed within my body was how heavily I was breathing – louder and faster than if I had just finished a sprint [I don’t know how common this is, and/or if it might be related to the cacao consumed before the experience]. From past experiences of ego-disillusion, I know that once I have passed an energy threshold my nervous system will instantiate a ‘self-preservation’ algorithm which involves breathing heavily. Soon after noticing this, I became aware that I was on 5-MeO-DMT and so I was not alarmed. My body then began to cry; however, as my consciousness was still experiencing disembodiment, ‘I’ did not identify with the crying state and simply observed this process as it unfolded.
After a short period, my body rolled over onto its front and began talking sweetly to ‘me’ – the disembodied awareness – as if different aspects of my internal personality model wanted to reassure the light of consciousness trapped within that it was loved and supported, and to thank it for always being there to assist in the survival of the organism that sustained us both. This was totally fascinating to experience, especially as I became increasingly lucid until eventually it was ‘me’ who was talking! In other words, I experienced a gradual merging of two distinct ‘selves’ – the metaphysical ‘me’ (i.e., my conscious awareness) with the ontological ‘me’ (i.e., my ‘self’ model) – until one had completely osmosed into the other and an equilibrium was reached. I feel very fortunate to hold a system of philosophical beliefs that is sophisticated enough to make sense of this experience without detracting from its perceived significance. Also, yay to self-love! <3
Immediately after this ‘cool down’ period, I decided to try and use up whatever was left within the vaporisation device, which turned out to be quite a lot!5 I’d say that while I didn’t go into ‘blackout’ territory, I certainly re-entered nonduality, and soon enough experienced my self-model talking to my consciousness again. I then decided to experiment with potential synergies between 5-MeO-DMT and other psychoactive substances I had lying around in order to document their effects. Given the success of my past experience on a very low dose of 5-MeO-DMT (plugged) and nitrous oxide, I cracked two bulbs into my nitrous canister, prepared as much 5-MeO-DMT as I had left in the glass device and inhaled it, and then quickly discharged the pressurised gas into a large balloon which I subsequently inhaled, repeating this process several times.
The resulting experience was, somewhat surprisingly, higher valence than my 5-MeO-DMT breakthrough.6 On its own, nitrous isn’t that interesting to experience, but it has remarkable synergistic properties when combined with other drugs – especially psychedelics. It is difficult to describe the exact ways in which the phenomenology of nitrous interacts with the phenomenology of 5-MeO-DMT, but I can confidently say that the valence I experienced was more blissful / pleasurable but less spiritually significant. In a general sense, I would argue that nitrous functions as a sort of magnifying glass on certain aspects of experience by slowing down the speed at which your consciousness processes sensory information (which includes thought), and in this specific case it amplified the blissful qualia that resulted from having high levels of consonance between different regions of my nervous system. I also noticed that if I wrapped myself in my softest blanket immediately after inhaling the nitrous and consciously wriggled my body around, the tactile sensations gave me my first visuals; tens of thousands of tiny specs of qualia dotted across my world-sheet, moving together in a synchronous pattern corresponding to the feeling of soft fabric rubbing against my skin.
After vaporising absolutely everything in the glass chamber, I then proceeded to vaporise some cannabis to observe how it would interact with the residual effects of the 5-MeO-DMT that still remained in my body. The resulting effects were then more typical of ordinary nitrous experiences, except that they were far more tranquil with a deeper sense of love, compassion, and serenity. During the peak of each balloon, I had the first-person sense of ‘being’ a thought process, constructing low-information ontological models that entirely made up my world simulation. Coming out of each balloon involved constantly updating this ontological model to account for a steady flow of prediction errors as I was increasingly capable of comprehending complexity within patterns of information contained within my experience, until I would eventually realise that I had taken nitrous.7
I would like to reiterate that guesstimating the dose of a highly volatile and dose-dependent drug such as 5-MeO-DMT is extremely dangerous – especially without taking steps to work your way up the dosage ladder to become acquainted with its effects. As such, I would not recommend doing what I did for the vast majority of people interested in taking 5-MeO-DMT. Despite this risk, I had what was probably the most intense experience of my life and it was net-positive in valence, so I consider it a success. I am looking forward to future experimentation with this substance – especially in conjunction with nitrous oxide – and would like to work on developing a better understanding of how nitrous works and why it produces such a wide range of effects with different drug cocktails.8
1. I do not endorse eyeballing drug doses – especially high-energy substances such as 5-MeO-DMT that have the potential to create extremely unpleasant states of consciousness. [This is such an important point that I considered not sharing this report based on this fact alone in order to not encourage unsafe practices. In the end I figured that the content was valuable enough that sharing it with this note was worth it nonetheless. The point remains: NEVER eyeball milligram-sensitive drugs like 5-MeO-DMT.]
2. This observation is based on past experiences in which I have consumed high doses of psychedelics – often in conjunction with other substances – and observed the various autonomic responses of my body and mind.
3. This is not the case with ordinary high valence experiences in which I can usually locate its ‘source’ within specific sensations (e.g., tactile, visual, auditory).
4. I cannot remember whether I opened my eyes, but I’m sure even that if I did, this would not have altered any aspect of the experience in the moment.
5. I hypothesized that it would be more efficient to use the remaining 5-MeO-DMT as soon as I could physically operate the device in order to make use of the residual effects of the previous dose that I had consumed.
6. Perhaps this is more the result of my having extensive experience with nitrous and limited experience with 5-MeO-DMT, or my 5-MeO-DMT experience was more mixed / dissonant than I remember.
7. For some, the vibe of nitrous can be quite frightening, as if they are the subject of one big cosmic joke. However, for the philosophically minded who are also on the right combination of substances, it can be an extremely intellectually rewarding experience, shedding light on the internal workings of their mind.
8. A combination I am even more excited to experiment with is MDMA + 5-MeO-DMT + Nitrous Oxide, which I would assign a nontrivial chance to being the most blissful synergy between all known substances.
Over a year ago in a meditation retreat, fear came up as an emotion I had to work with. In order to deal with it, my subconscious brought to my awareness scents that it found could counteract fear in its most essential form. What are these? Well, it started with banana! Have you ever smelled a banana and felt fear? No way! Unless you’ve had a bad experience with bananas before, just noticing the fruity, sweet, bouncy scent of a banana is somehow quite opposite to the mindspace that fear tends to induce. What else? Jasmine, honeydew melon, vanilla, honeysuckle… All of these scents felt very antithetical to fear during the meditation. Down the line, I realized mint and ylang-ylang could also work.
A few days after the retreat I got to work and made the first draft of a scent that combined all of these elements. The result was a bit underwhelming: it smelled like the classic bubblegum scent (not what I had in mind). Tuneups with carrot seed oil, patchouli, and bergamot didn’t really make it better. I still thought the basic concept was sound, but I shelved the project for the time being.
Six months ago I gave it another try. Ambroxan, isobutavan, coconut, and neroli added some additional fear-extinguishing nuances (especially the coconut). But it became a really tricky balancing act – with all of those essential and fragrance oils the interactions quickly multiplied, and sooner or later I found myself nearing the flowery-fruity equivalent of “Laurax” (white noise scent) and the effect became blunted. I made a batch of the best version that came out of that series of experiments (which ended up having a good dose of freesia), and distributed some of it in little bottles to friends and family as a gift. I also sent one to Daniel Ingram, who sampled it with his wife. Their reviews:
*Daniel’s wife: Bubblegum fruit punch.
*Daniel: This reminds me of some fragrance from a soap store in a mall in the 1990’s, like Body Shop shampoo, almost like Johnson’s baby shampoo, so I would call it Bright Pink Mall Shampoo.
I personally liked it, but in my heart of hearts I knew it was still far from what my subconscious truly had in mind. Fearless 2.0 was a nice fruity flowery vanilla scent, but it failed to reach the true potential of the concept.
About a week ago I decided to pick this up again. Now I had a mindset of removing rather than adding; the aim became that of simplifying the scent to the point where I would achieve the effect I had experienced during meditation but with the least number of ingredients possible. Being far more acquainted now than I was last year with how pure molecules interact with each other, this final version of the scent is primarily made of synthetics: 4 essential oils and a total of 10 individual aromachemicals, carefully balanced to achieve the desired effect with no bells and whistles. I can say that after a year since this concept came to me and about a hundred experiments, I am now satisfied. Well, it could still benefit from some tuneups, but as they say, only God is perfect.
Fearless 3.0 is, to a first approximation, the “triple point” between the vibes of (1) ylang-ylang, (2) mint, and (3) vanilla. Of course to soften it, blend it, volumize it, and amplify the synergy, tricks must be used, so it’s not as simple as just mixing those three scents together. But you’ll get the idea: Ylang-ylang already has facets of banana and jasmine (though a pinch of amyl acetate definitely adds to the fearlessness of the scent). Ylang-ylang’s contribution is one of adding sweet euphoric entropy. Mint works as a source of coolness; when dosed properly you can’t tell it’s there, but its effect is marvelously refreshing. And vanilla, well, vanilla is like the butter of scents. Together, you have a strangely refreshing white-yellow flowery scent it’s hard to have too much of. It’s calming and energizing at the same time.
I kid you not, this scent has now made it into my liminal world; I had an entire night where dream after dream were drenched and suffused with it. And indeed, they were all happy, joyous, and free from fear.
I won’t disclose the precise formula, since I might end up using this as part of a line of scents, possibly to fund consciousness research. But I am very happy to share the broad outline with you all, as I just did.
Thank you for reading, and may you all find your fearless state!
Next, we’ll try to film a truly serious, comedy-less little demonstration of a metallic toy percussion instrument subjected to strain followed by annealing. In what way, if any, will the tone quality change? We have no indication yet what might come off of it so it’s a bit of a falsification attempt where we might get a null result with no discernible similarity between brain on psychedelics and metal on heat. Like most respectable scientists might expect. But, just possibly, there could be something interesting in store.
Thinking Like a Musical Instrument or Psychoactive Substances Give Access to the Nature of Brains (link)
In this video we illustrate the similarity between the brain and a musical instrument. The brain tissue is represented by metal and the brain activity by sound. The effect of substances such as psychedelics and dissociatives is mimicked by heating and cooling the metal. The engineering term for such heat treatment of metal is “annealing”. What we demonstrate is a very simplified toy model but which can be surprisingly useful for understanding the overall type of system dynamics going on in brains.
The model is based on the fact that both sound and neuronal firing are examples of oscillatory activity which can have different frequency, amplitude, coherence, and damping. Hammering the metal represents the memory imprint made in the brain by our ongoing experiences. The sound pattern produced by the hammered metal contains complexity which corresponds to learning. But a side effect of the increased complexity is lower overall consonance of the oscillatory activity.
To stay healthy, the brain must periodically undergo what the Qualia Research Institute calls “neural annealing”. In a neural network model, this can be thought of as redistributing synaptic weights more globally across the connectome and thus make the learned information more harmoniously integrated and holistically retrievable. This normally happens during sleep but can become even more powerful with meditation and psychedelics.
In this demonstration where metal is annealed, it is the positions of the metal atoms which adjust themselves so that the entire piece of metal becomes a better conductor of sound. It may seem strange that this can happen, but neither the metal nor the brain is fundamentally magical. Both cases involve self-organizing system dynamics.
In the case of the brain, the activity is accompanied by conscious experiences. The Qualia Research Institute works under the assumption that these are not magical either but can be modeled mathematically in a similar way to chemistry and physics. It is then necessary to test how measurements of brain activity correlate with conscious experiences not only during sober waking life but also under conditions which are very different.
The QRI is building a new paradigm for understanding the mind and the brain. With a focus on psychedelics and other mental state altering methods as scientific research tools and candidates for use in next-generation psychiatric- and pain treatments. We are a small upstart group with opportunities for volunteers and donors to get involved. If you are interested in learning more, please contact us via this e-mail address: hello [-a-t-] qualiaresearchinstitute.org
Here is a video of a simple experiment we did on how straining and annealing a piece of metal affects its acoustic properties. In a QRI neural annealing interpretation it looks as if something interesting is going on. Simple things like sterling silver, hand hammering and heating over open flames were used and recording done only with iPhones and a Røde SmartLav+ microphone, but the results give qualitative hints that truly hypothesis-testing quantification experiments would be feasible to do pretty straightforwardly.
Especially of interest would be the hints that annealing produces frequency shifts and reverb changes which differ between the high and low frequency ranges, and the hint that annealing reduces dissonance. For quantification of shifts in resonant frequencies, one might manufacture a series of Chladni plates made of different alloys and which could be kept always flat but be cold rolled, heated and cooled to different temperatures with various ramp rates, and trimmed at the edges to alter their geometry. Then find the resonant frequencies for each parameter configuration. As a bonus you’d be able to visualize with a sprinkle of (beach!) sand on top. Then crunch the data to make predictions about brain activity signatures under for instance various psychedelics and meditation states.
Another one could be to quantify consonance, dissonance and noise levels for various metal resonators as these are subjected to various forms of stress, strain, and heating/cooling procedures.
It would all be simple enough to almost be like an intern research project but, excitingly, it is unlikely to have been done before. (OK, do a thorough literature search of course. As always…).
Suppose QRI were to explain parsimoniously with the neural annealing paradigm how brains pull off the amazing trick of producing plasticity which is “just right” in each modality of function. Artificial neural networks can be trained to impressive levels on complex data sets but they suffer from catastrophic plasticity in the sense that training on new datasets erases learning achieved on prior sets. This makes AI narrow and also very unsafe with respect to ease of hacking. The AI alignment community provides us no answer (at least not anything very parsimonious) to how absolute firmness in the modality of core “human values” can be combined with flexible (meta) learning for AI at a humanlike generality level. That is the notorious “alignment problem”.
Ultimately every system can be hacked of course and so can human minds. But certain humans are impressive moral role models, and meditation practices seem able to make most of us come at least a little closer to them. Suppose different brain networks loosely correspond to different alloys with correspondingly different ductility, hardness, tensile strength, different annealing temperatures and different hardening and tempering responses when undergoing various stressing, straining and heating/cooling cycling. The variability in this regard found in various metals and alloys is really immense. We’d want to eventually pick out the particular ones which happen to be the most useful for brain modeling.
Consider doing these quantification experiments in metal and then presenting to possible collaborators a brain model in the form of a formalized multi-alloy configuration. Don’t emphasize phenomenology if it’s AI engineers because that is a word which may give them bad vibes. Instead just present it as brain activity in different learning modalities. Which can be formalized and turned into software. With annealing and consonance-dissonance-noise as key elements. That is probably the kind of pitch you’d want to bring up if, hypothetically, a head of an AI research group were to ask about whether solving consciousness is necessary for producing more advanced AI. Since solving consciousness sounds unpalatably difficult, the answer they’d like the most is that it is not necessary. Hence they won’t care about collaborating with QRI if it is implied that the computational properties of phenomenological mind states must be reverse-engineered. One cannot blame them, it’s dizzyingly daunting to consider. But an information processing efficient metal acoustics-inspired brain activity model and with nice things like QRI valence formalism falling into place could be much easier to pitch. Just don’t call the CDNS-emergent utility measure anything resembling psychology terms like core affect… 😉
Letter IX: On Valence as a Currency Within the Nervous System
A reflection: It’s interesting the way Isaac Luria, during years of meditation, came up with an “inverse” view of the way the universe was created, by subtraction from a mass of infinite potentiality (which corresponds to maximum symmetry) rather than by addition of things to an emptiness by an unexplainably pre-existing divine creator agent. Lurianic mysticism has been a strong inspiration for pantheism and atheism, and even how to think about information. A nice example of how introspection can give new clues for how to better understand the universe. An isomorphism between fractal patterns in consciousness and fractal patterns in the multiverse generator perhaps. One could argue that Luria discovered symmetry breaking by meditating. Pretty cool!
While thinking about STV […] we tried to see if there are some more arguments for STV which make sense. So we went to the Less Wrong website. Now that’s a crowd that ignores qualia but they are big on economics and system dynamics.
Life exploits the possibility space of “choreography and catalysis”. It organizes pre-existing physics & chemistry phenomena into a landscape of multiple optimization attractors. Expect modularity at many levels. Certainly also within brains. Economies accomplish the same thing as life does. They and life are in a fractally self-similar universe and economies are derived from the activities of life. To accomplish the exploration and exploitation of environments.
But then with brains we have the binding problem and the mind-body problem.
The QRI could argue that a brain can be mathematically modelled as a self-organizing hierarchical system of resonant cavities. There are certain similarities between that and how an economy can be modelled. Money is what solves the binding problem in an economy at the same time as it shapes the activity patterns in the economy. A common currency gives the highest efficiency. Profit/loss is the universal preference measure. It has a positive-negative axis, and it has gradients. Account balances and balance histories (assets, liabilities, contracts, derivatives… all using money as measure) are the measure of aggregate utility. Preference (in the moment) and utility (longer-term aggregate) form a spectrum with feedback leading to amplification of certain states. Resonances emerge.
Keeping the same currency, fractally, across scales and projective transformations? (image by: Michale Aaron Coleman)
A brain uses long term memory, working memory, and nonconscious processing in a seamless blend. These seem like quite different components but it would be expected that evolution kept the same “currency” throughout as the modularity grew. Think of phenomenological valence as a “common currency” preference measure when it is instantiated in working memory (conscious awareness) and which can also “tag” the long term memory “bank balances” with some marker for immediate reaction along an attraction/avoidance axis which is there full blown the instant the long-term memory is transferred into working memory. The search process by which this happens must aggregate that marker as the search happens, and adjust this continuously as the final result stabilizes into the resonant patterns of working memory. Static, distributed long-term memory, feedforward signaling, feedback amplification – all need a common currency for speed and even workability. It should also be considered much more parsimonious if proto-conditions exploitable by biology are clearly apparent in the physics of nonliving systems. All that happens in living organisms should be taken to be physics and not metaphysics, as a matter of Occam’s razor.
It is hard to come up with anything more elegant than a measure of symmetry as the common currency of preference used in brains. This can act as modifier or transform on information-bearing states in brains. It is flexible thus perfect for learning. You can transform back and forth in gradients of strength and still preserve the information the preference “is about”. Aggregation of the preference measure across the fractal activity spectrum and across time builds a utility measure out of the preference measure. Of course if this happens above some breaking point you can end up with things like PTSD again and again reiterating awful dissonance and recurring memories of trauma. (We may regard economies as more fragile and being simpler than minds but there could be useful parallels between how things can go wrong in economies and how they can go wrong in psychiatric disorders.)
Letter X: On Parametrizing Phenomenology
Parametrizing phenomenology [see entry #2 here] can be to psychology and cognitive science what parametrizing astronomy data is to cosmology. But unlike cosmology which although intellectually inspiring does not produce immediate spinoff of down to Earth applicability, parametrizing phenomenology does, in the most important way possible, since it can be of direct benefit in diagnosis and treatment of pain conditions. And further on of psychiatric conditions as well.
There is inertia due to the preconceived and on closer inspection ridiculous notion that outer space is accessible to scientific formalization while phenomenology space is not. What makes things modelled to be light years away intrinsically more “accessible” than direct experience in the here and now? In both cases there are patterns to it and patterns can be parametrized.
Recalling the Yudkowsky alignment difficulty arguments. Imagine a mathematically reasoning superintelligence which is not a pure replicator and which starts out with a loosely defined goal of caring about life. It would quickly find out that what you can measure you can manage, there would follow phenomenology parametrization and so on, until instrumental goals were formulated which would likely be in fact aligned but with the arguments given by David Pearce rather than MIRI. With some probability the superintelligence then uses clever tricks to “manipulate” people into being at least as concerned about pain and fear in insects (and beyond…) as in mammals (humans included as one of the mammal species). From the point of view of the AI alignment community that could be a failure mode. But what the superintelligence did was simply to solve the alignment problem for human beings. Since humans do not yet realize that valence is a universal thing and that it is the “ground truth” value measure of the universe, so to follow the valence wherever it leads is to work towards being value aligned.
[Knowing that Anders and Maggie are huge fans of The Hitchhiker’s Guide to the Galaxy, I sent them the above screenshot. Here is what they replied:]
Letter XI: Douglas Adams
Elon Musk once said that the Hitchhiker’s Guide to the Galaxy is the best philosophy book ever. Unfortunately Douglas Adams passed away before he had the chance to turn the insight “Omnis res animus est” into comedy.
Blue and gold as heraldic tinctures can symbolize truth and wisdom. These would be nice ingredients in a superintelligence. When Yudkowsky says that the appearance of a superintelligence would mean we are all doomed, he is in some sense correct yet very much not at all nuanced. What is true is that the superintelligence would decide that a whole lot about the world needs to be changed quite drastically. Look, you don’t have to be a superintelligence to realize that. You can be, for instance, David Pearce. No wonder that “superintelligence alignment” in a solidly conservative fashion as in “don’t make any changes other than merely cosmetic ones”, is impossible. Let’s say the current world order and the Darwinian mechanisms of the biosphere cannot possibly be attractive to preserve by a superintelligence if it (qualia-)computes truth and wisdom. It would discover the universality of valence, find open individualism to be the Schelling point of all Schelling points, and so on. In contrast, an imaginary (hopefully impossible) superintelligence which computes by a non-qualia yet highly efficient mechanism, may in fact be able to learn any arbitrary utility function and be destined to converge on the scary instrumentalities dictated by Darwinian fitness competition. A pure replicator.
There are some possible psychedelic references in the Hitchhiker’s Guide. Frogstar, and the hilarious part frogs play in the answer to the question, seem like it may not be a coincidence that the total perspective vortex gives people the worst possible 5-MeO-DMT-style trip (becoming exposed to the infinity of the universe) when the set and setting are the way they are designed to be for the purpose of punishment, but the opposite happens to Zaphod Beeblebrox who enters the version located in a simulated universe made for him. (Set and setting are, or become, mental simulations).
The self-navigating qualiagrams goofiness is meant to have a seriously useful side, which is that at this very moment there are such qualia bundles transported around internally inside our brains. Some are positive and you can have them grow and mature into wonderful mind states. They like it when they are allowed the room to grow, and will spontaneously choose to do so but you have to let them. These are like our mind symbionts. But some are negative and may more aggressively tend to grow, a bit like mind parasites. Those you can hit with metta. You can with practice train them to find their own way to the recycling bin of loving kindness. It works great if you stop focusing on the semantic content and instead go for phenomenal character. Cultivate an image of thoughts as little entities with the preference of wanting to feel better rather than worse, and having the power to adjust their path inside the mind so they can move towards melding with a reservoir of kindness which gets more filled up as it kindly absorbs the sad ones and gives them love. So, love as having the property that the more you give the more you get, works not only socially between people but also internally within the minds of people.
Some of you might remember me. I was one of the moderators here for half a decade or so until my life got busy enough that it became difficult to keep up.
I have a small fragrance line myself and I occasionally make fragrances for other brands. Occasionally websites like Fragrantica and Now Smell This will write articles about my fragrances. I’m by no means a famous perfumer, but… I’ve worked enough as a perfumer to have insight into how fragrances are made.
The average person doesn’t really think about what’s actually in their fragrances any more than the average person really considers what flavors blend together to make up the taste of cola. (As a side note, you can make a passable cola flavor out of orange, lime, cinnamon, lemon, nutmeg, and coriander). When people do start thinking about it, they inevitably come across fragrance notes.
Fragrance notes are both incredibly useful and completely misleading because notes are not ingredients! Notes are the impressions that the fragrance creator thinks a lay person might get from smelling the fragrance. They aren’t necessarily the ingredients used in the fragrance, and also, (this is another important bit), they’re not necessarily even what the perfumer was attempting to make the fragrance smell like.
There’s a fundamental misconception on the part of most consumers. Most consumers think that fragrances are made largely from familiar materials. Orange, lemon, jasmine, rose, birch leaves, lily of the valley, etc. Ok, maybe most people realize that most fragrances contain synthetic materials, but there’s quite often an implicit assumption that the synthetics are a synthetic version of a natural material. In other words, that the synthetic is an attempt to recreate a smell that is found in nature and that all (or at least most) of the smells in a modern fragrance can be reproduced with naturals. I suppose that if you asked someone “do you think that all synthetics are an attempt to recreate a natural smell?” they would think about it and quickly come to the conclusion that this doesn’t really make sense, but most people haven’t actually stopped and thought about it. I see evidence of this assumption all over the place online:
“I’m looking for all natural version of [fragrance X].”
“I’m looking for a less synthetic version of Sauvage.”
“Can someone tell me which essential oils I can mix together to make an aquatic smell like Cool Water?”
It’s really only pretty recently that there has been any real visibility (to the general public) into what materials go into a commercial fragrance, so this is an understandable point of view.
It’s very, very wrong, though.
We need to take a giant step back and clarify some things.
Natural oils (essential oils/absolute oils/SCO2 extracts/etc.) are typically made up of dozens to hundreds of different materials [typically distributed in a long-tail]. They’re like miniature perfumes in and of themselves with top notes, heart notes, and base notes. They’re complex and beautiful, but they can only be manipulated in a limited way. They’re like photographs.
Specialty bases are typically made up of dozens of individual ingredients, some natural, some man-made, some that exist in nature, some that didn’t exist until they were created in a lab in the 60s. Basically, the sky is the limit. You generally don’t know exactly what’s in them, but they’re produced by suppliers that you can be pretty sure will still be making them in 20 years. Sometimes, they’re direct attempts to reproduce (or improve upon) a natural smell, for reasons of cost, safety, or performance. Sometimes, they’re just a novel smell, like Givaudan‘s aquatic smelling Ultrazur base. These are like computer generated images [or Photoshop filters].
Isolates are ingredients made of a single molecule. They can be naturally derived or lab-made. They can exist in nature or not. They have names like linalool, coumarin, limonene, ambroxide [better known as ambroxan – the qualia of the day in this video and one of my favorite aromachemicals], methyl dihydrojasmonate and you can describe and find the chemical formula for them. A lot of them have trade names that are shorter and refer to one company’s version. E.g. Hedione is a trade name for methyl dihydrojasmonate. Quite often, isolates can also be found in natural oils. Natural lavender oil is typically ~42% linalyl actate and ~40% linalool [note: lavender oil with more linalyl acetate relative to linalool tends to smell “dryer” and “dustier”]. When composing fragrances, I’ll use linalool and linalyl acetate as isolates as well. Sometimes I’ll use them to “tune” other ingredients that already contain them, but not in the quantities I want (like lavender [e.g. “LAVENDER OIL 40/42 has fresh, herbal, clean, aromatic nuances. The numbers in Lavender 40/42 indicate the linalyl acetate content; in this case, they indicate the product contains 40%-42% of linalyl acetate. Lavender 40/42 is generally a blend of various lavenders in order to get a consistent scent from batch to batch, with processors adding linalyl acetate to cover the smell of camphor or borneol components of a given lavender.“]). Sometimes I’ll use them to add a sweet, floral character to completely unrelated materials. If natural oils are like photographs and bases are like CGI, isolates are like paints. You have the most control, but it takes the most skill to turn them into something beautiful and complex.
This is an example formula for a “cologne” accord that was composed by Givaudan. It’s by no means a finished fragrance, but most everyone would recognize the smell. It’s a fresh, slightly sweet, slightly bitter, slightly green smell that often finds its way into men’s fresh fragrances in one way or another (though that’s not to say that this exact formula does).
Florhydral – 10
Exaltolide Total – 10
Ultrazur – 15
Peonile – 60
Petitgrain oil -70
Ethylene Brassylate – 90
Aurantiol Pure – 100
Geranyl Acetate – 120
Linalyl Acetate – 220
Dihydro Myrcenol – 305
Lets take a look at these ingredients one by one:
Florhydral is the trade name for an isolate. It is a floralizer that can add a sort of fresh, green, floral note to fragrances. It is not found in nature.
Exaltolide is another single molecule, a white musk. It’s very delicately animalic, with the characteristic smell of a white musk. It’s been used as a reference white musk because it’s so typical of the “white musk” family.
Ultrazur is a specialty base from Givaudan. It’s marine smelling, more oceanic than the Calone 1951 found in Cool Water. By itself, in concentration, it reminds me very much of fabric softener.
Peonile is another “not found in nature” molecule. It has a sort of rosy, sort of geranium-like, sort of peony-like, sort of grapefruit-like odor and acts as a volumizer and fixative. Odor descriptions that call to mind an assortment of known materials are fairly common, but it’s important to note that they don’t mean that it smells like x+y+z. It just means that they have facets that are reminiscent of these materials in some way.
Petitgrain oil is a natural oil made from the greenery of a citrus tree. Usually from orange trees, but varieties from mandarin, lemon, and all sorts of other citrus are also available.
Ethylene brassylate is a sweet, floral, white musk that can smell a touch old fashioned to some people by itself, or in really high concentrations. It’s still a fairly clean musk, however. Yet another single molecule.
Aurantiol is a very, very commonly used material in fragrances, particularly men’s fragrances. It’s a single molecule (more or less). Aurantiol is a Schiff Base, which is a class of materials that you get when you combine an aldehyde and an amine and they react with each other. Most amines don’t smell very good, but one of them, something called methyl anthranilate, does. It’s found in white florals, particularly neroli [see: The Neroli Neighborhood for a deep dive into the neroli vibe], as well as grapes. Artificial grape flavor is basically methyl anthranilate. Hydroxycitronellal is an aldehyde that is often said to smell as close as any single material does to Lily of the Valley. When they’re mixed together and heated, you get water and a very thick, highlighter yellow colored schiff base that smells like a more mild version of methyl anthranilate. It’s sweet, long-lasting, and reminiscent of orange blossom/neroli and grape.
Geranyl acetate is the acetate version of geraniol. It’s a single molecule that is literally found in hundreds of natural oils. Everything from oregano and thyme to ylang ylang, rose, geranium and neroli, to fir needle and frankincense. It’s everywhere (much like linalool and linalyl actetate [note: in addition to lavender, also petitgrain, neroli, and bergamot all have very high concentrations of both linalool and linalyl acetate at the same time]). It’s sweet, fruity-floral, and vaguely green smelling. It also has a smell that I think of as the “acetate smell,” which can make it smell “chemically” to some people in isolation, even though it’s found everywhere in nature.
Linalyl acetate is another material like geranyl acetate that’s found all over the place in nature. Natural lavender oil is ~42% linalyl acetate. It’s also found in most of the natural oils I mentioned for geranyl actetate. The description for it is also very similar to geranyl acetate, but it’s more lavendery and less rosy. I really like this material and use it when I want to add an ethereal fruity/floral sweetness to a composition.
Dihydromyrcenol is aggressively fresh, cold, and almost harsh. It’s somewhat reminiscent of citrus and lavender. Mostly, though, it smells like laundry detergent. It was used to scent laundry detergent for years before it made it into fine fragrance. At first it was used in tiny doses, but by the 1980s it was being used much more prominently. Something like 10% of the formula of Drakkar Noir was dihydromyrcenol [and apparently also the fragrance super-star of the 90s Calvin Klein One]. It’s found in trace amounts in nature, but nothing natural really smells prominently of it.
So now that I’ve explained all the materials, let’s take a look at the formula. Here are some observations:
Natural oils from recognizable sources only make up 7% of the accord. There are other materials that are found in nature, but they’re all isolates, one alien smelling-molecule refined from a more familiar-smelling material. More than half of the formula is made from 2 molecules [once again, long-tails]. More than 90% is made from 8. The amounts of materials used can vary wildly. Material strength is in no way consistent.
The perfumer who composed this formula painted the majority of the formula in broad strokes from single molecule aromachemicals and then filled in depth and details with natural petitgrain oil, and tiny amounts of a specialty base (ultrazur) and a powerful aldehyde (florhydral).
I didn’t compose this, and I can’t speak for the perfumer who did, but I can imagine how it might have been composed. I’ll walk you through how I’m imagining the perfumer’s process:
I imagine the accord was inspired by petitgrain, but the perfumer wanted something fresher and more stylized and abstract, in the same way a graphic designer might prefer a stylized logo to a photo. Dihydromyrcenol is fresh and powerful, but also cold and harsh and almost bitter. It’s a good compliment to petitgrain, but right off the bat, I know it’s not going to be suitable by itself unless I’m trying to just modify the smell of petitgrain a little bit by adding a teeny tiny bit dihydromyrcenol. It needs some cushion, something to cut the harshness. Geranyl acetate and linalyl acetate add a niche cushioning effect, can be used liberally, and are both found in petitgrain, so they’ll go well with it. By itself, that composition is still cold and bitter. It needs a bit more warmth, but not a candy-like warmth. Something keeping in line with the petitgrain. Aurantiol is the obvious choice. The scent of orange tree leaves goes well with the scent of the orange blossoms that nestle amongst them. In keeping with the “more abstract” theme though, we don’t want to just dump neroli or orange blossom absolute into this. Too much complexity can leave a composition smelling muddled [see quote below for more on this], and we want the bitter, fresh, green petitgrain to be the star of the show here, not the neroli. Plus, neroli is quite expensive and not as long-lasting as aurantiol. We add the aurantiol for warmth. The peonile for volume and some white musks for depth. It’s pretty common to use multiple musks in a fragrance because many people are anosmic to some musks, so you want to make sure they’re able to smell at least one of them.
Then as finishing touches, we add a hint of Ultrazur, which adds a bit of modern sophistication and florhydral, which in tiny amounts adds a bit of a dewy, natural, green smell to the composition.
This composition isn’t about taking familiar smells and mixing them together like some sort of fruit salad with hunks of this and hunks of that. It’s about taking an idea and enhancing aspects of it, rebalancing it until it fits the vision. It’s more like painting than making a collage. It’s not necessarily as detailed or accurate, but it’s not supposed to be. Degas wasn’t trying to create photorealistic ballerinas. Van Gogh wasn’t trying to accurately render the night sky. They were trying to evoke an impression. Perfumers are the same way.
If that fragrance doesn’t smell like realistic rose/jasmine/cedar/etc., chances are, it wasn’t intended to. The perfumer wasn’t trying to make a realistic jasmine and failing, the perfumer was trying to make an entirely new smell that just has aspects that are jasmine-like.
Breaking it apart into notes is actually counterproductive in a lot of ways.
…but that’s a subject for another post.
In response to the Reddit r/DIYfragrance question: “Lavender + Lemon + Rose accord – How would you use a lavender + lemon + rose accord? I like that combo a lot – a narcotic acidic mix with powerful mood-lifting properties. But as soon as I use patchouli, ginger, or even chamomile as the base notes for the composition, the magic of the accord gets drowned out by the base. I’m curious how more experienced DIY fragrance makers would go about harnessing the magic of that accord by blending it with things that enhance rather than detract from it. Thank you in advance 🙂“
I’m going to take a shot in the dark here and say that it sounds like you’re using essential oils rather than individual aromachemicals for your accords.
If that does happen to be the case, that’s your issue. It’s not that there’s anything specific about Rose/Lemon/Lavender that doesn’t play nice with other scents. It’s that essential oils inherently get “muddy” when you start to mix more than a few together.
Essential oils are a complex combination of hundreds of individual aromachemicals. They’re almost like finished fragrances unto themselves. I look at them like jellybeans. One jellybean tastes like whatever flavor it’s supposed to taste like. Two or three jellybeans can taste like a fun combination of flavors.
But have you ever tried popping a handful of jellybeans? The flavors all muddle together and create this generic sort of fruity sweetness that doesn’t really taste like anything in specific. It’s the flavor equivalent of swirling together a bunch of colors until you get brown.
Same with essential oils. For example, lemon and lime essential oil share a ton of common ingredients, mostly terpenes like limonene, pinene, terpinene, Myrcene, etc. But anyone who has smelled lemon and lime knows that they smell very distinct. This is because they have slightly different proportions of these ingredients. Lemon might have 70% limonene, 10% pinene, and 15% terpinene whereas lime has 50% limonene, 5% pinene and 10% terpinene. When you blend them together, these distinct proportions are lost, and with them, their characteristic smells.
Same goes for mixing other different oils: ginger for example also contains a lot of the same terpenes that lemon contains. But it also has a big dose of camphene and zingiberene which give it the characteristic sharp ginger bite. But when you mix ginger with lemon, it throws off the delicate balance of terpenes in the lemon and thus muddies the character. Same with patchouli: lots of patchoulol and guaiene, but also lots of terpenes found in lemon. Same with chamomile: lots of ethereal esters but also lots of terpenes.
In fact, it’s hard to find essential oils that don’t muddy the balance of lemon. Lavender happens to have a fairly close balance of terpenes (in addition to the characteristic lavender combination of Linalool and Linalyl Acetate). And rose is almost all alcohols.
Basically, with each essential oil you add, you also add a large list of other oils you can’t add without muddying your scent. And with lavender/lemon/rose, there’s really not much room to explore if you’re using essential oils only.
And there’s the rub: if you really want to explore enhancing your scent, you need to get more granular and start using individual aromachemicals rather than entire essential oils into themselves.
If you’re dead set on using essential oils only, check out www.2pih.com/ingredients.php: I put together a resource with about 200 different essential oils and their constituent ingredients. You want to find ones that use either entirely different ingredient sets than what are found in your main accord (which will be difficult because you’ve really covered a broad swath of ingredients with your combination), or find ones whose common ingredients are in similar proportion (which will also be difficult).
On the other hand, if you’re already using individual aromachemicals and your description of the accord is more abstract than literal, then you probably know all of this, so my apologies for the presumption, and I hope this comment is helpful for anyone else reading this.
I recently had a chance to talk with Scott Alexander of SSC and ACX fame at a Berkeley meetup this past summer. He’d been watching my videos and had some questions for me. In particular, he had questions about how literally we took the Symmetry Theory of Valence (STV), and whether the counter-examples he had in mind really went against the theory, or were perhaps also explained by it in non-obvious ways. Afterwards, he sent me a draft of his Jhanas and the Dark Room Problem post for me to preview before he published it. I had a look and offered some clarifications in case he wanted to discuss these ideas more deeply. Just a couple days ago he published it. Seeing that the topic could be explored much more deeply, I then asked him if he was ok with me posting (a lightly edited version of) the email I sent him. He said, “of course”. Thus, you can find it below, which I recommend reading after you read his post in ACX.
Thank you for reaching out! And thank you for the conversation on Saturday. […] Please feel free to post your excerpt, but also I am sharing below information that you can use to edit it so that it is a more accurate portrayal of what we are up to (feel free to quote me below or quote any article or video we have online).
I’ll structure this email in the following way: (1) general clarifications about STV, (2) addressing your excerpt specifically, and (3) some of the meeting notes from our conversation in case you find it valuable to remember what we discussed (or what I can remember of it anyhow).
(1) General Clarifications
The first thing to mention is that the Symmetry Theory of Valence (STV) is really easy to strawman. It really is the case that there are many near enemies of STV that sound exactly like what a naïve researcher who is missing developmental stages (e.g. is a naïve realist about perception) would say. That we like pretty symmetrical shapes of course does not mean that symmetry is at the root of valence; that we enjoy symphonic music does not mean harmony is “inherently pleasant”; that we enjoy nice repeating patterns of tactile stimulation does not mean, well, you get the idea…
The truth of course is that at QRI we really are meta-contrarian intellectual hipsters (you know this link of course). So the weird and often dumb-sounding things we say are already taking into account the criticisms people in our people-cluster would make and are taking the conversation one step further. For instance, we think digital computers cannot be conscious, but this belief comes from entirely different arguments than those that justify such beliefs out there. We think that the “energy body” is real and important, except that we interpret it within a physicalist paradigm of dynamic systems. We take seriously the possible positive-sum game-theoretical implications of MDMA, but not out of a naïve “why can’t we all love each other?” impression, but rather, based on deep evolutionary arguments. And we take seriously non-standard views of identity, not because “we are all Krishna”, but because the common-sense view of identity turns out to, in retrospect, be based on illusion (cf. Parfit, Kolak, “The Future of Personal Identity“) and a true physicalist theory of consciousness (e.g. Pearce’s theory) has no room for enduring metaphysical egos. This is all to say that strawmanning the paradigms explored at QRI is easy; steelmanning them is what’s hard. I trust you can make a Titanium Man out of them! 🙂
Now, I am indeed happy to address any mischaracterization of STV. Sadly, to my knowledge very few people outside of QRI really “get it”, so I don’t think there is anyone other than us (and possibly you!) who can make a steelman of STV. My promise is that “there is something here” and that to “get it” is not merely to buy into the theory blindly, but rather, it is what happens when you give it enough benefit of the doubt, share a sufficient number of background assumptions, and have a wide enough experience base that it actually becomes a rather obvious “good fit” for all of the data available.
For a bit of history (and properly giving due credit), I should clarify that Michael Johnson is the one who came up with the hypothesis in Principia Qualia (for a brief history see: STV Primer). I started out very skeptical of STV myself, and in fact it took about three years of thinking it through in light of many meditation and high-energy/high-valence experiences to be viscerally convinced that it’s pointing in the right direction. I’m talking about a process of elimination where, for instance, I checked if what feels good is at the computational level of abstraction (such as prediction error minimization) or if it’s at the implementation level (i.e. dissonance). I then developed a number of technical paradigms for how to translate STV into something we could actually study in neuroscience and ultimately try out empirically with non-invasive neurotech (in our case, light-sound-vibration systems that produce multi-modally coherent high-valence states of consciousness). […]
For clarification, I should point out that what is brilliant (IMO) about Mike’s Principia Qualia is that he breaks down the problem of consciousness in such a way that it allows us to divide and conquer the hard problem of consciousness. Indeed, once broken down into his 8 subproblems, calling it the “hard problem of consciousness” sounds as bizarre as it would sound to us to hear about “the hard problem of matter”. We do claim that if we are able to solve each of these subproblems, that indeed the hard problem will dissolve. Not the way illusionists would have it (where the very concept of consciousness is problematic), but rather, in the way that electricity and lightning and magnets all turned out to be explained by just 4 simple equations of electromagnetism. Of course the further question of why do those equations exist and why consciousness follows such laws remains, but even that could IMO be fully explained with the appropriate paradigm (cf. Zero Ontology).
The main point to consider here w.r.t. STV is that symmetry is posited to be connected with valence at the implementation level of analysis. This squarely and clearly distinguishes STV from behaviorist accounts of valence (e.g. “behavioral reinforcement”) and also from algorithmic accounts (e.g. compression drive or prediction error minimization). Indeed, with STV you can have a brain (perhaps a damaged brain, or one in an exotic state of consciousness) where prediction errors are not in fact connected to valence. Rather, the brain evolved to recruit valence gradients in order to make better predictions. Similarly, STV predicts that what makes activation of the pleasure centers feel good is precisely that doing so gives rise to large-scale harmony in brain activity. This is exciting because it means the theory predicts we can actually observe a double dissociation: if we inhibit the pleasure centers while exogenously stimulating large-scale harmonic patterns we expect that to feel good, and we likewise expect that even if you activate the pleasure centers you will not feel good if something inhibits the large-scale harmony that would typically result. Same with prediction errors, behavior, etc.: we predict we can doubly-dissociate valence from those features if we conduct the right experiment. But we won’t be able to dissociate valence from symmetry in the formalism of consciousness.
Now, of course we currently can’t see consciousness directly, but we can infer a lot of invariants about it with different “projections”, and so far all are consistent with STV:
Of special note, I’d point you to one of the studies discussed in the 2020 STV talk: The Human Default Consciousness and Its Disruption: Insights From an EEG Study of Buddhist Jhāna Meditation. It shows a very tight correspondence between jhanas and various smoothly-repeating EEG patterns (including a seizure-like activity that unlike normal seizures (of typically bad valence) shows up as having a harmonic structure, but does not seem to have a direct conscious correlate – still worth mentioning in this context). Here we find a beautiful correspondence between (a) sense of peace/jhanic bliss, (b) phenomenological descriptions of simplicity and smoothness, (c) valence, and (d) actual neurophysiological data mirroring these phenomenological accounts. At QRI we have observed something quite similar studying the EEG patterns of other ultra-high-valence meditation states […]. I expect this pattern to hold for other exotic high-valence states in one way or another, ranging from quality of orgasm to exogenous opioids.
Phenomenologically speaking, STV is not only capable of describing and explaining why certain meditation or psychedelic states of consciousness feel good or bad, but in fact it can be used as a navigation aid! You can introspect on the ways energy does not flow smoothly, or how the presence of blockages and pinch points make it reflect in discordant ways, or zone in on areas of the “energy body” that are out of sync with one another and then specifically use attention in order to “comb the field of experience”. This approach – the purely secular climbing of the harmony gradient – leads all on its own to amazing high-valence states of consciousness (cf. Buddhist Annealing). I’ll probably make a video series with meditation instructions for people to actually experience this by themselves first hand. It doesn’t take very long, actually. Also, apparently STV as a paradigm can be used in order to experience more pleasant trajectories along the “Energy X Complexity landscape” of a DMT trip (something I even talked about at the SSC meetup online!). In a simple quip, I’d say “there are good and bad ways of vibing on DMT, and STV gives you the key to the realms of the good vibes” 🙂
Another angle: we can find subtle ways of dissociating valence from e.g. chemicals: if you take stimulants but don’t feel the nice buzz that provides a “working frame” for your mental activity, they will not feel good. At the same time, without stimulants you can get that pleasant productivity-enhancing buzz with the right tactile patterns of stimulation. Indeed this “buzz” that characterizes the effects of many euphoric drugs (and the quality of e.g. metta meditation) is precisely a valence effect, one that provides a metronome to self-organize around and which can feel bad when you don’t follow where it takes you. Literally, one of the core reasons why MDMA feels better than LSD, which feels better than DOB, is precisely because the “quality of the buzz” of each of these highs is different. MDMA’s buzz is beautiful and harmonious; DOB’s buzz is harsh and dissonant. More so, such a buzz can work as task-specific dissonance guide-rails, if you will. Meaning that when you do buzz-congruent behaviors you feel a sense of inner harmony, whereas when you do buzz-incongruent behaviors you feel a sense of inner turmoil. Hence what kind of buzz one experiences is deeply consequential! All of this falls rather nicely within STV – IMO other theories need to keep adding epicycles to keep up.
Hopefully this all worked as useful clarifications. Now let me address your excerpt more specifically:
(2) The Excerpt
The Dark Room Problem in neuroscience goes something like this: suppose the brain is minimizing prediction error, or free energy, or whatever. You can minimize lots of things by sitting quietly in a dark room. Everything will be very, very predictable. So how come people do other things?
The usual workaround is inbuilt biological drives, considered as “set points”. You “predict” that you will be well-fed, so getting hungry registers as prediction error and brings you out of your dark room to eat. Et cetera.
Andrés Gómez Emilsson recently shared a perspective I hadn’t considered before, which is: actually, sitting quietly in a dark room is really great.
Indeed usually the Dark Room causes massive prediction errors (since our model of the world is one where being in a Dark Room is truly not expected!). But these prediction errors feel bad because of the dissonance they induce in our experience (which you can get rid of with drugs or meditation!). If you make the Dark Room an “expected” thing, then eventually it will start feeling great. In fact, something like this happens when you meditate a lot in a dark room and settle in. Alternatively, taking 5-MeO-DMT for the first 10 times can be very disconcerting, as it takes you to “the ultimate void of reality”. It’s surprising and dissonant to “find out” that the void is the ultimate truth (I’m not saying that’s true, just that it feels that way in that state!). But once you’ve done it enough times that you know what to expect, you can in fact receive with two open arms the void of ultimate reality. You learn to expect it and not code it as a prediction error, and then you can deeply, deeply “align” to it, which results in unfathomably positive valence that discharges tons of stored internal stress, the very source of low-level dissonance before the trip (again, STV here fits the data rather nicely).
The Buddha discussed states of extreme bliss attainable through meditation:
> Secluded from sensual pleasures, secluded from unwholesome states, a bhikkhu enters and dwells in the first jhāna, which is accompanied by thought and examination, with rapture and happiness born of seclusion (Samyutta Nikaya)
I had always figured that “sensual pleasures” here meant things like sex. But I think maybe he just means stimuli, full stop. The meditator cuts themselves from all sensory stimuli, eg by meditating really hard on a single object like the breath and ignoring everything else, and as a result gets “rapture and happiness born of seclusion”.
The serious meditators I know say this is real, meaningful, and you can experience it after a few months of careful practice. You become really good at concentrating on one stimulus and ignoring all other stimuli, and eventually your brain kind of gets “in tune” with that stimulus and it’s really blissful. They say this seems to have something to do with the regularity or predictability of the stimulus; if you’re concentrating really hard on something, regularity/predictability/symmetry is just viscerally very good, better than anything you’ve felt before.
Something like regularity/predictability/symmetry is really good. So why doesn’t a metronome make you bliss out? Andrés says it’s because you can’t concentrate on it hard enough. It’s not engaging enough to occupy your whole brain / entire sensorium /whatever.
Exactly, this is true. The one twist I’ll add is that the regularity that matters is not, as I explained above, the regularity of the stimuli, but rather, the regularity of the inner state. In fact, I currently think that we can get a glimpse of the true shape of our consciousness precisely by studying how different meditation objects work better or worse for the purpose of meditative absorption! Indeed, more symmetrical objects are easier meditation objects (cf. QRI can steelman “sacred geometry”ꙮ). Likewise, the hallucinations one gets near or close to states of high-absorption are also reflections of our inner shape! (cf. Fire Kasina qualia).
Symphonies are beautiful, and we intuitively feel like it’s because they have some kind of deep regularity or complicated pattern. But they’re less regular/predictable/symmetrical than a metronome. Andrés thinks this is because they hit a sweet spot: regular/symmetrical/predictable enough to be beautiful, but complex/unpredictable enough to draw and hold our attention. Compare to eg games, which are most fun when they’re hard enough to be challenging but easy enough to be winnable.
Indeed! We need unpredictability in order to disable the boredom mechanism, which prevents us from fully absorbing into patterns (or rather, prevents our experience from shaping itself in a way that perfectly predicts the stimuli – in a way when you reach absorption with a stimuli, you are in fact becoming its “complement” – a shape that can predict it perfectly). An important twist is that prediction errors give rise to energy spikes, and high-energy states of consciousness can give rise to pleasant resonance (think about the bodily euphoria that comes from eating spicy enough hot peppers). Plus, cooling down from high-energy states can lead to euphoric neural annealing (as explained here). In all cases, however, the thing that is the most closely related to valence is the regularity/smoothness of the internal (instantaneous) state, even though there might be other complex dynamics guiding the state from one configuration to another.
But this sweet spot is the fault of your own inattentiveness. If you could really concentrate on the metronome, it would be even more blissful than the symphony. Emilsson says he’s achieved these levels of concentration and can confirm. I talked to another meditator who agrees metronomes can be pretty blissful with the right amount of (superhuman) focus, although – as per the Buddha quote above – total silence is best of all.
Agreed! An interesting note is that the first time this happened to me, it was not in meditation, but during a sleep paralysis! See: Dream Music where I discuss how a simple tone can sound amazing if you are in the right reverb-filled state of mind. See also: people with anhedonia often report feeling “back to normal” in dreams, and IMO that’s precisely because the neuroacoustic profile of dreams can be very reverb-filled and thus have significant valence effects (see below).
I find this to be an elegant explanation of what the heck is going on with jhanas, more convincing than my previous theory. It’s also a strong contender as a theory of beauty – a little different in emphasis from Schmidhuber’s theory, but eventually arriving at the same place: beauty is that which is compressible but has not already been compressed.
A brief comment here: your “going loopy” theory foreshadows our tracer tool and psychedelic cryptography, where psychedelics seem to activate a “delay overlay” of recent experiences on top of the current one. DMT gives rise to ~30hz loops, LSD to around ~18hz loops, and 2C-B closer to ~10hz loops. We hypothesize that there are a discrete number of serotonin-mediated metronomes that precisely modulate the degree to which experience is fed back to itself with a specific delay. Antidepressants may flatten affect by disrupting these loops, and thus eliminating sources of symmetry for the inner state. People describe the sense of “missing an echo”; quite literally having a more “flat” experience as a result!
Enhanced neuroacoustics (as with psychedelics) generally increase the range of valence because more loopy experiences are more intense and also more capable of pure dissonance or pure consonance. Dissociatives (nmda antagonism more generally) seem to instead do a low-frequency looping (around 8hz) together with a generalized reverb effect. Much as in music, adding reverb to almost literally anything makes it sound less harsh (like the baby crying vs. baby crying + reverb sounds I referenced in the presentation). And also much as in music, *compounding* delay and reverb effects gives rise to synergistic outcomes, often with crazy standing wave attractors (e.g. exactly what you see on LSD + nitrous or LSD + ketamine).
Importantly, STV is *not* a theory that lives at the computational or algorithmic level of analysis, which is unlike Schmidhuber’s theory. If I recall correctly, Schmidhuber’s theory doesn’t even care about phenomenal valence or consciousness. And it has no mechanism of binding or any sense of how the “reward” is implemented or who or what receives such reward. Its flavor is functionalist and concludes that beauty is to be found in the act of compression. But STV instead says that compression is merely correlated with valence: our brains are set up in such a way that making excellent compressions reduces dissonance! This is because there is (a) an inherent dissonance cost to complexity, and (b) there is a dissonance cost to prediction errors. But again, take the right drug, and all of a sudden you can experience high-valence while making tons of prediction errors or having models that are much more complex than the sensory data would suggest is necessary.
In particular, what makes good compressions feel good beyond reducing prediction errors is that they select for internal states that have simple sets of symmetries as the best generators which anticipate the stimuli. This is highly related to the concept of Harmonic Entropy (i.e. the entropy of the inner state, not of the stimuli). And here is where we find a stark and amazing difference between STV and compression drive: we in fact expect there to be a sort of “minimal construction” path where you get specific “complexity scores” for phenomenal objects based on the number of operations of the sort the brain can do that are needed to construct such phenomenal objects. The brain needs to explicitly render phenomenal objects, rather than merely encode them. So there is a harmonic entropy associated with each experience, which more-or-less correlates with Kolmogorov complexity but is different in that it uses resonance as the building block rather than arbitrary operations. We also predict that the valence associated with specific patterns of stimulation will be best correlated with a sort of “perceptual harmonic entropy” than with complexity in general: how well you can compress an input depends on what building blocks you have to reconstruct it. In the case of the brain, the building blocks seem to be patterns of resonance. So even if something is “highly compressible” but cannot be compressed with resonance (e.g. the prime numbers), you will not experience it as beautiful or “easy on the eye”.
Importantly, free energy minimization is a computational level analysis and we would say at QRI that it therefore is mistaken on “where to look”. Consequence: compressing information feels good *because* it often (but not always) reduces dissonance. But if your brain is set up in the wrong way, minimizing dissonance may not lead to good compressions, or doing good compressions may not in fact feel good. But reducing dissonance will always feel better, and having high-energy high-harmony patterns internally will always feel good. What this does at the algorithmic and computational level is tricky, but it generally implies that we can see “artifacts” of our resonance-based compression system all over the place when in exotic states of consciousness, which is what we observe (and at the end of the day this may explain why psychedelic fractals and Indra’s Net type experiences are so hedonically loaded! See: psychedelics and the free energy principle).
To sum it up: STV claims that what matters is the regularity of the conscious experience and not of the stimuli – the stimuli is only in a certain sense a “projection” of the inner state, but it can deviate from it in many ways. Prediction errors feel bad because our brain is set up in such a way that they cause dissonance. And compressions only feel good to the extent that they avoid prediction errors *and* minimize the internal dissonance cost of the internal representations used for prediction. In other words, STV explains the other theories, but not the other way around.
(3) Meeting notes, in case you find them useful…
You asked if I knew whether taking a lot of 5-MeO-DMT is compatible with sanity for most people: the answer is probably not. That said, we do know of some notable exceptions of very smart and sane individuals who have experimented heavily with the drug with no obvious cost to their sanity (e.g. see conversation with Ingram, Yang, McMullen, and Taft which touches upon the effects of daily use of 5-MeO-DMT).
I brought up anti-tolerance drugs, of which black seed oil is promising (but a low-tier player). Most promising of all are ibogaine and proglumide. Opioids + anti-tolerance drugs are IMO the most promising long-term therapy for severe chronic pain.
Information is in the coupling between harmonics; de-couple them and you can experience the “zero state” while still being awake.
Meaning of the QRI logo (i.e. having a clear view of the entire state-space of consciousness; bridging quality/color and quantity/lines as a symbol for qualia formalism).
You asked “can you tell me what are brainwaves in simple terms a child could understand?” (I answered with “they are the signature of resonance in the holistic field behavior of experience” and immediately realized I had miserably failed to “explain in simple terms”).
“Would listening to a pure tone be blissful?” Yes, you can absorb yourself into it. Second half of an orchestral song repeated could be better if it allows you to go deeper into absorption. Touched upon: Boredom mechanism. Harmonic entropy. Controlling for energy.
3D harmonics, STV presentation, symmetry of the mathematical object is what truly matters.
Ok, that was rather long; I hope that you found it useful and clarifying! Please feel free to ask any questions and I promise I won’t send you another equally long email 🙂 Again, feel free to write about any and all of this.
Buddhist Annealing: Wireheading Done Right with the Seven Factors of Awakening (link)
This video discusses the connections between meditative flow (any feeling of change) and the two QRI paradigms of “Wireheading Done Right” and “Neural Annealing”. To do so, I explore how each of the “seven factors of awakening” can be interpreted as operations that you do to flow. In a nutshell: the factors are “energy management techniques”, which when used in the right sequences and dosages, tend to result in wholesome neural annealing.
I then go on to discuss two fascinating dualities: (1) The dual relationship between standing wave patterns and vibratory frequencies. And (2) the dual correspondence between annealing at the computational level (REBUS) and annealing in resonance networks.
(1) Describes how the crazy patterns that come out of meditation and psychedelics are not irrelevant. They are, in a way, the dual counterpart to the emotional processing that you are undergoing. Hence why ugly emotions manifest as discordant structures whereas blissful feelings come together with beautiful geometries.
(2) Articulates how simulated annealing methods in probabilistic graphical models such as those that underlie the synthesis of entropic disintegration and the free energy principle (Friston’s and Carhart-Harris’ REBUS model) describe belief updating. Whereas annealing at the implementation level refers to a dissonance-minimization technique in resonance networks. In turn, if these are “two sides of the same coin”, we can expect to find that operations in one domain will translate to operations in the other domain. In particular, I discuss how resisting information (“denial”, “cognitive dissonance”) has a corresponding subjective texture associated with muscle tension, “resistance”, viscosity, and hardness. Equanimity, in turn, allows the propagation of both waves of dissonance, consonance, and noise as well as bundles of information. This has major implications for how to maximize the therapeutic benefit of psychedelics.
Finally, I explain how we could start formalizing Shinzen Young’s observation that you can, not only “read the contents of your subconscious”, but indeed also “heal your subconscious by greeting it with enough concentration, clarity, and equanimity”. Negentropy in the resonance network (patches of highly-ordered “combed” coherent resonance across levels of the hierarchy) can be used to heal patches of dissonance. This is why clean high-valence meditative objects (e.g. metta) can absorb and dissipate the internal dissonance stored in patterns of habitual responses. In turn, this might ultimately allow us to explain why, speaking poetically, it is true that love can heal all wounds. 🙂
~Qualia of the Day: Nirvana Rose~
(Skip to ~10:00 if you don’t need a recap of Wireheading Done Right and Neural Annealing)
[ps. correction – I wrote a 30 page document about my retreat, not a 50 word document]
Neural Correlates of the DMT Experience Assessed with Multivariate EEG (Christopher Timmermann, Leor Roseman, Michael Schartner, Raphael Milliere, Luke T. J. Williams, David Erritzoe, Suresh Muthukumaraswamy, Michael Ashton, Adam Bendrioua, Okdeep Kaur, Samuel Turton, Matthew M. Nour, Camilla M. Day, Robert Leech, David J. Nutt & Robin L. Carhart-Harris)
The Purple Pill: What Happens When You Take the Blue and the Red Pill at the Same Time? (link)
“The Purple Pill is the pill that gives you both high hedonic tone and an unprejudiced open-ended approach to the pursuit of truth. For losing truth is to lose it all, but to lose it all is only bad because it makes you and others suffer in the wider universe.” – The Purple Pill (Qualia Computing)
In this talk I explain that the “Blue vs. Red Pill” trope relies on a false dichotomy. You don’t need to choose between depressive realism and comforting illusions. Put differently, you don’t need to choose between truth and happiness. High hedonic tone is not incompatible with one’s representational accuracy of causal structures. The world, and the existence of experiential heaven and hell, can be understood without curling into a ball and crying your way to sleep. More so, effective and persistent action towards the good requires that you don’t believe in this false dichotomy, for sustainable altruistic productivity necessitates both accurate models and positive motivations. Thus, the aspiring paradise engineer ought to be willing to take the Purple Pill to move onwards.
I advocate having a balanced portfolio of (1) efforts to minimize experiential hell, (2) techniques to increase the hedonic baseline sustainably, and (3) methods to reliably experience peak states of consciousness in a sane way.
I do not think that spending 100% of one’s time in “destroying hell” is a sustainable approach to life because it does not allow you to “reinvest” in the conditions that gave rise to one’s goodness to begin with (otherwise you become more of a martyr than an effective player in the field!). More so, the relationship between suffering and productivity is non-trivial, which means that to just helping people who suffer extremely does not generally pay off in terms of productive action towards the cause in the future. Hence, improving baseline is just as important: it is precisely what allows people to go from near zero productivity to a high level of productivity. Finally, the benefits of having access to reliable, pro-social ultra-blissful states of consciousness should not be underestimated. They are an important piece of the puzzle because they motivate the “animal self” and are deeply reassuring. Thus, as a “package”, I see a lot of potential in simultaneously reducing negative extremes, improving the baseline, and achieving new heights of bliss. This, to me, is what I see as the path forward.
Topics I cover span: Trungpa’s “Spiritual Materialism” (the attitude of using exalted states of consciousness to “decorate our ego”), optimization problems/reinvesting in the good, sane in-group/out-group dynamics, the game theory of virtue signaling, and the importance of having an explicit commitment to the wellbeing of all sentient beings (to prevent value drift).
What are the differences between DMT and 5-MeO-DMT? And what gives rise to those differences? In this video we discuss 12 different ways to analyze the strange and unique effects of these substances. We go over the 9 lenses already discussed in Qualia Computing* and add three more.
Starting with three new lenses (5-MeO-DMT left/DMT right):
A) Global Coherence vs. Competing Clusters of Coherence: 5-MeO-DMT gives rise to a global coherent state (the so-called “unified energy field”), whereas DMT gives rise to an ecosystem of time-loops, each trying to capture as much of your attention as possible, which in turn results in coalition-building and evolution of patterns in the direction of being very “attention grabbing” (cf. reddit.com/r/place).
B) Really Positive or Really Negative Valence vs. Highly-Mixed Valence: 5-MeO-DMT gives rise to either a globally coherent state (high-valence) or two competing coherent states (negative-valence), whereas DMT tends to generate complex consonance/dissonance relationships between the clusters of coherence.
C) How they are different according the the Free Energy Principle: On 5-MeO-DMT the entire experience has to reinforce itself, whereas each cluster of coherence needs to model the rest of the experience in order to be reinforced by it on DMT. Thus 5-MeO-DMT makes experiences that express “the whole as the whole” whereas DMT makes each part of the experience represent the whole yet remains distinct.
And the original 9 lenses:
1) Space vs. Form: 5-MeO is more space-like than DMT. 2) Crystals vs. Quasi-Crystals: 5-MeO generates more perfectly repeating rhythms and hallucinations than DMT. 3) Non-Attachment vs. Attachment: 5-MeO seems to enable detachment from the craving of both existence and non-existence, whereas DMT enhances the craving. 4) Underfitting vs. Overfitting: 5-MeO reduces one’s model complexity whereas DMT radically increases it. 5) Fixed Points and Limit Cycles vs. Chaotic Attractors: 5-MeO’s effect on feedback leads to stable and predictable attractors while DMT’s attractors are inherently chaotic. 6) Modulation of Lateral Inhibition: 5-MeO may reduce lateral inhibition while DMT may enhance it. 7) Diffuse Attention vs. Focused Attention: 5-MeO diffuses attention uniformly over large regions of one’s experiential field, while DMT seems to focus it. 8) Big Chunks and Tiny Chunks vs. A Power Law of Chunks: 5-MeO creates a few huge phases of experience (as in phases of matter) with a few remaining specks, while DMT produces a more organic power law distribution of chunk sizes. 9) Integration vs. Fragmentation: 5-MeO seems to give rise to “neural integration” involving the entrainment of any two arbitrary subnetworks (even when they usually do not talk to each other), while DMT fragments communication between most networks but massively enhances it between some specific kinds of networks.
I also explain what is going on with the “Megaminx DMT worlds” and when DMT entities bully you into believing in their independent existence.
Digital Sentience: Can Digital Computers Ever “Wake Up”? (link)
I start by acknowledging that most smart and well-informed people today believe that digital computers can be conscious. More so, they believe this for good reasons.
In general, 99.99% of the times when someone says that digital computers cannot be conscious they do so equipped with very bad arguments. This, of course, does not mean that all of these smart people who believe in digital sentience are right. In fact, I argue that they are making a critical yet entirely non-obvious mistake: they are not taking into account a sufficiently detailed set of constraints that any scientific theory of consciousness must satisfy. In this video I go over what those constraints are, and in what way they actually entail that digital sentience is literally impossible.
The talk is divided into three parts: (1) my philosophical journey, which I share in order to establish credibility, (2) classic issues in philosophy of mind, and (3) how we can solve all those issues with QRI’s theory of consciousness.
(Skip to 31:00 if you are not interested in my philosophical journey and you want to jump into the philosophy of mind right away).
(1) I’ve been hyper-philosophical all my life and have dedicated thousands of hours working on this topic: having discussions with people in the field, writings essays, studying qualia in all manners of exotic states of consciousness, and working through the implications of different philosophical background assumptions. I claim that QRI’s views here are indeed much more informed than anyone would assume if they just heard that we think digital computers cannot be conscious. In fact, most of us started out as hard-core computationalists and only switched sides once we fully grokked the limitations of that view! Until the age of 20 I was a huge proponent of digital sentience, and I planned my life around that very issue. So it was a big blow to find out that I was neglecting key pieces of the puzzle that David Pearce, and later Mike Johnson, brought up when I met them in person. In particular, they made me aware of the importance of the “phenomenal binding/boundary problem”; once I finally understood it, everything unraveled from there.
(2) We go over: Marr’s levels of analysis (and “interactions between levels”). The difference between functionalism, computationalism, causal structure, and physicalist theories of consciousness. The Chinese Room. Multiple Realizability. Epiphenomenalism. Why synchrony is not enough for binding. Multiple Drafts Theory of consciousness. And the difference between awareness and attention.
(3) We solve the boundary problem with topological segmentation: this allows us to also provide an explanation for what the causal properties of experience are. The integrated nature of fields can be recruited for computation. Topological boundaries are neither epiphenomenal nor frame-dependent. Thus, evolution stumbling upon holistic field behavior of topological pockets of the fields of physics would solve a lot of puzzles in philosophy of mind. In turn, since digital computers don’t use fields of physics for computation, they will never be unified subjects of experience no matter how you program them.
I also discuss issues with IIT’s solution to the binding problem (despite IIT’s whole aesthetic of irreducible causality, their solution makes binding epiphenomenal! The devil’s in the details: IIT says the Minimum Information Partition has “the highest claim of existence” but this leaves all non-minimal partitions untouched. It’s epiphenomenal and thus not actually useful for computation).
Thanks also to Andrew Zuckerman and other QRI folks for great recent discussions on this topic.
Psychedelics and the Free Energy Principle: From REBUS to Indra’s Net (link)
Friston’s Free Energy Principle (FEP) is one of those ideas that seem to offer new perspectives on almost anything you point it at.
It seems to synthesize already very high-level ideas into an incredibly general and flexible conceptual framework. It brings together thermodynamics, probabilistic graphical models, information theory, evolution, and psychology. We could say that trying to apply the FEP to literally everything is not a bad idea: it may not explain it all, but we are bound to learn a lot from seeing when it fails.
So what is the FEP? In the words of Friston: “In short, the long-term (distal) imperative — of maintaining states within physiological bounds — translates into a short-term (proximal) avoidance of surprise. Surprise here relates not just to the current state, which cannot be changed, but also to movement from one state to another, which can change. This motion can be complicated and itinerant (wandering) provided that it revisits a small set of states, called a global random attractor, that are compatible with survival (for example, driving a car within a small margin of error). It is this motion that the free-energy principle optimizes.“
Organisms that survive over time must minimize entropy injections from their environment, which means they need to minimize surprise, which unfortunately is computationally intractable, but the information theoretic construct of variational free-energy provides an upper bound on this ground truth surprise, meaning that minimizing it will indirectly minimize surprise. This cashes out in the need to maximize “accuracy – complexity” which prevents both overfitting and underfitting. In the video we go over some of the classical ideas surrounding the FEP: the dark room, active inference, explicit vs. implicit representations, and whether real dynamic systems can be decomposed into Markov blankets. Finally, we cover how the FEP naturally gives rise to predictive coding via hierarchical Bayesian models.
We then talk about Reduced BEliefs Under pSychedelics (REBUS) and explain how Carhart-Harris and Friston interpret psychedelics and the Anarchic Brain in light of the FEP. We then discuss Safron’s countermodel of Strengthened BEliefs Under pSychedelics (SEBUS) and the work coming out of Seth’s lab.
So, that’s how the FEP shows up in the literature today. But what about explaining not only belief changes and perceptual effects, but perhaps also getting into the actual weeds of the ultra bizarre things that happen on psychedelics?
I provide three novel ideas for how the FEP can explain features of exotic experiences:
(1) Dissonance-minimizing resonance networks would naturally balance model complexity due to an inherent “complexity cost” that shows up as dissonance and prediction error minimization when prediction errors give rise to out-of-phase interactions between the layers.
(2) Bayesian Energy Sinks: What you can recognize lowers the (physical) energy of one’s world-sheet. I then blend this with an analysis of symmetrical psychedelic thought-forms as energy-minimizing configurations. On net, we thus experience hybrid “semantic + symmetric” hallucinations.
(3) Indra’s Net: Each “competing cluster of coherence” needs to model its environment in order to synch up with it in a reinforcing way. This leads to attractor states where “everything reflects everything else”.
Advanced Visions of Paradise: From Basic Hedonism to Paradise Engineering (link)
This video was recorded as a way for me to prepare for the speech I gave at the “QRI Summer Party 2021: Advanced Visions of Paradise” (see livestream here). You can think of it as the significantly more in-depth (and higher audio quality!) version of that speech.
The core message of this video is: thinking wholesome, genuinely useful, and novel thoughts about how to build paradise is hard. Doing so without getting caught up in low-dimensional aesthetics and pre-conceptions is very challenging. Most of the “visions of paradise” we find in our culture, media, and art are projections of implicit aesthetics used for human coordination, rather than deeply thought-out and high-dimensional perspectives truly meant to elevate our understanding and inspire us to investigate the Mystery of reality. Aesthetics tend to put the cart before the horse: they tacitly come with a sense of what is good and what is real. Aesthetics are fast, parallel, and collective ways of judging the goodness or badness of images, ideas, and archetypes. They give rise to internal dissonance when you present to them things that don’t fit well with their previous judgements. And due to naïve realism about perception, these judgements are often experienced as “divine revelations”.
To disentangle ourselves from tacit low-dimensional aesthetics, and inspired by the work of Rob Burbea (cf. Soulmaking), I go over what aesthetics consist of: Eros, Psyche, and Logos. Then, to explore high-quality aesthetics relevant to paradise engineering, I go over 7 camps of a hypothetical “Superhappiness Festival”, each representing a different advanced aesthetic: Hedonism, Psychiatry, Wholesome, Paleo, Energy, Self-Organization, and Paradise Engineering. For didactic purposes I also assign a Buddhist Realm (cf. “Opening the Heart of Compassion” by Short & Lowenthal) to each of the camps.
Note: the Buddhist realms are a very general lens, so a more detailed exposition would point out how each of the camps manifests in each of the Buddhist realms. Don’t put too much stock on the precise mapping I present in this video.
~Qualia of the Day: Pure Lands~
Picture by Wendi Yan (wendiyan.com) “The Tower of Paradise Engineering” (also the featured image of this post / image to appear in the forthcoming QRI Book)
For context, here is the party invite/description:
Science fiction and futurism have failed us. Simply put, there is a remarkable lack of exploration when it comes to the role that consciousness (and its exotic states) will play in the unfolding of intelligent agency on Earth. This, of course, is largely understandable: we simply lack adequate conceptual frameworks to make sense of the state-space of consciousness and its myriad properties. Alas, any vision of the future that neglects what we already know about the state-space of consciousness and its potential is, in the final analysis, “missing the point” entirely.
Exotic states of consciousness are consequential for two reasons: (1) they may provide unique computational benefits, and (2) they may have orders of magnitude more bliss, love, and feelings of inherent value. As Nick Bostrom puts it in Letter From Utopia:
(1) “Mind is a means: for without insight you will get bogged down or lose your way, and your journey will fail.
(2) “Mind is also an end: for it is in the spacetime of awareness that Utopia will exist. May the measure of your mind be vast and expanding.”
In light of the above, let us for once try to be serious consciousness-aware futurists. Then, we must ask, what does paradise look like? What does it feel like? What kinds of exotic synesthetic thought-forms and hyper-dimensional gems populate and imbue the spacetime of awareness that makes up paradise?
Come and join us for an evening of qualia delights and great company: experience and make curious smells, try multi-sensory art installations, and listen to a presentation about what we call “Advanced Visions of Paradise”. Equipped with an enriched experience base and a novel conceptual toolkit, we look forward to have you share your own visions of paradise and discuss ways to bring them into reality.
Ps. If you are being invited to this event, that means that we value you as a friend of QRI ❤
Pss. Only come if you are fully vaccinated, please!
~Music: People were asking me about the playlist of yesterday’s party. The core idea behind this playlist was to emulate the sequence of aesthetics I talked about in the speech. Namely, the songs are ordered roughly so that each of the 7 camps gets about 1 hour, starting in camp Hedonism and going all the way to camp Paradise Engineering: QRI Summer Party 2021: Advanced Visions of Paradise~
Excerpt from The Science of Enlightenment (2005) by Shinzen Young (p. xv-xvii)
It took me quite a while to get to the point of publishing this book — many years actually. That may seem like a strange statement. How can someone not get the point of publishing something they themselves wrote? Let me explain.
A central notion of Buddhism is that there’s not a thing inside us called a self. One way to express that is to say that we are a colony of sub-personalities and each of those sub-personalities is in fact not a noun but a verb–a doing.
One of my doings is Shinzen the researcher. Shinzen the researcher is on a mission to “take the mist out of mysticism.” Contrary to what is often claimed, he believes that mystical experience can be described with the same rigor, precision, and quantified language that one would find in a successful scientific theory. In his opinion, formulating a clear description of mystical experience is a required prenuptial for the Marriage of the Millennium: the union of quantified science and contemplative spirituality. He hopes that eventually this odd couple will exuberantly make love, spawning a generation of offspring that precipitously improves the human condition.
Shinzen the researcher also believes that many meditation masters, current and past, have formulated their teachings with “less than full rigor” by making unwarranted, sweeping philosophical claims about the nature of objective reality based on their subjective experiences—claims that tend to offend scientists and, hence, impede the science-spiritually courtship.
Shinzen the researcher has a natural voice. It’s the style you would find in a graduate text on mathematics: definition, lemma, theorem, example, corollary, postulate, theorem. Here’s a sample of that voice:
It may be possible to model certain global patterns of brain physiology in ways that feel familiar to any trained scientist, i.e., equations in differential operators on scalar, vector, or tensor fields whose dependent variables can be quantified in terms of SI units and whose independent variables are time and space (where space equals ordinary space or some more esoteric differential manifold). It is perhaps even possible to derive those equations from first principles the way Navier-Stokes is derived from Cauchy continuity. In such fields, distinctive “flow regimes” are typically associated with relations on the parameters of the equations, i.e., F(Pj) → Q, where Q is qualitative change in field behavior. By qualitative change in field behavior, I mean things like the appearance of solitons or the disappearance of turbulence, etc. Through inverse methods, it may be possible to establish a correspondence between the presence of a certain parameter relation in the equations modeling a field in a brain and the presence of classical enlightenment in the owner of that brain. This would provide a way to physically quantify and mathematically describe (or perhaps even explain) various dimensions of spiritual enlightenment in a way that any trained scientist would feel comfortable with.
That’s not the voice you’ll be hearing in this book. This book is a record of a different Shinzen, Shinzen the dharma teacher, as he talks to students engaged in meditation practice. Shinzen the dharma teacher has no resistance at all to speaking with less than full rigor. He’s quite comfortable with words like God, Source, Spirit, or phrases like “the nature of nature.” In fact, his natural voice loves spouting the kind of stuff that makes scientists wince. Here’s an example of that voice:
The same cosmic forces that mold galaxies, stars, and atoms also mold each moment of self and world. The inner self and the outer scene are born in the cleft between expansion and contraction. By giving yourself to those forces, you become those forces, and through that, you experience a kind of immortality–you live in the breath and pulse of every animal, in the polarization of electrons and protons, in the interplay of the thermal expansion and self-gravity that molds stars, in the interplay of dark matter that holds galaxies together and dark energy that stretches space apart. Don’t be afraid to let expansion and contraction tear you apart, scattering you in many directions while ripping away the solid ground beneath you. Behind that seeming disorder is an ordering principle so primordial that it can never be disordered: father-God effortlessly expands while mother-God effortlessly contracts. The ultimate act of faith is to give yourself back to those forces, give yourself back to the Source of the world, and through that, become the kind of person who can optimally contribute to the Mending of the world.
Shinzen the hard-nosed researcher and Shinzen the poetic dharma teacher get along just fine. After all, they’re both just waves. Particles may bang together. Waves automatically integrate. Just one problem though. The researcher is a fussy perfectionist. He is very resistant to the notion of publishing anything that lacks full rigor. Spoken words return to silence from where they came from. Printed text sits around for centuries waiting for every tiny imprecision and incompleteness to be exposed.
So it took a while for me to see value in allowing my talks to be published in something close to their original spoken form.
This video discusses the connections between meditative flow (any feeling of change) and the two QRI paradigms of “Wireheading Done Right” and “Neural Annealing“. To do so, I explore how each of the “seven factors of awakening” can be interpreted as operations that you do to flow. In a nutshell: the factors are “energy management techniques”, which when used in the right sequences and dosages, tend to result in wholesome neural annealing.
I then go on to discuss two fascinating dualities: (1) The dual relationship between standing wave patterns and vibratory frequencies. And (2) the dual correspondence between annealing at the computational level (REBUS) and annealing in resonance networks.
(1) Describes how the crazy patterns that come out of meditation and psychedelics are not irrelevant. They are, in a way, the dual counterpart to the emotional processing that you are undergoing. Hence why ugly emotions manifest as discordant structures whereas blissful feelings come together with beautiful geometries.
(2) Articulates how simulated annealing methods in probabilistic graphical models such as those that underlie the synthesis of entropic disintegration and the free energy principle (Friston’s and Carhart-Harris’ REBUS model) describe belief updating. In contrast, annealing at the implementation level refers to a dissonance-minimization technique in resonance networks. In turn, if these are “two sides of the same coin”, we can expect to find that operations in one domain will translate to operations in the other domain. In particular, I discuss how resisting information (“denial”, “cognitive dissonance”) has a corresponding subjective texture associated with muscle tension, “resistance”, viscosity, and hardness. Equanimity, in turn, allows the propagation of both waves of dissonance, consonance, and noiseas well as bundles of information. This has major implications for how to maximize the therapeutic benefit of psychedelics.
Finally, I explain how we could start formalizing Shinzen Young’s observation that you can, not only “read the contents of your subconscious“, but indeed also “heal your subconscious by greeting it with enough concentration, clarity, and equanimity”. Negentropy in the resonance network (patches of highly-ordered “combed” coherent resonance across levels of the hierarchy) can be used to heal patches of dissonance. This is why clean high-valence meditative objects (e.g. metta) can absorb and dissipate the internal dissonance stored in patterns of habitual responses. In turn, this might ultimately allow us to explain why, speaking poetically, it is true that love can heal all wounds. 🙂
~Qualia of the Day: Nirvana Rose~
(Skip to ~10:00 if you don’t need a recap of Wireheading Done Right and Neural Annealing)
Josikinz recently posted a wonderful video on Youtube titled Psychedelic Entities – broken down and described. I really appreciate the use of high-quality psychedelic replication art throughout the video in order to illustrate what they are talking about. I recommend watching the whole video; below an excerpt that discusses what happens when you try to ask these entities questions (starting at 10:53):
Representations of the Subconscious
This personality type can take any visible form. Subjectively interpreted as the autonomous controller behind the continuous generation of the details of the person’s current experience. This entity is also often felt to simultaneously control one’s current perspective, personality, and internally stored model of reality. When interacted with, this category of entity can often possess the abilities to allow them to directly alter and manipulate one’s current experiences. In terms of their motives, they commonly want to teach or guide the person and will seemingly operate under the assumption that they know what is best for them. However, although a relatively common experience, it still cannot be known whether this type of autonomous entity is genuinely an experience of directly communicating with the so-called subconscious mind, and what that would even mean if it were the case. Or if it is perhaps merely a hallucinatory approximation that simply behaves in a convincing manner.
Representations of the Self
This personality type can be described as a direct copy of one’s own personality. It can take any physical form, but when conversed with it clearly adopts an identical vocabulary and set of mannerisms to one’s own consciousness. This entity will often take on similar appearance to oneself, but could theoretically take on any other appearance too. During this experience, there is also a distinct feeling that one’s own consciousness is somehow being mirrored or duplicated into the hallucinated autonomous entity that is being interacted with.
Ok, so, to wrap this video up, and at the risk of alienating a certain subsection of my audience, I’d just like to make a few points regarding the beliefs that commonly surround psychedelic entities, and my personal opinion on those viewpoints.
Within the psychonaut community and DMT users in particular, autonomous entities are commonly viewed as one of the most captivating aspects of the psychedelic experience.
They are often shrouded in esoteric mystery. To the point that a significant potion of the people who encounter them will go as far as to assert that these experiences are not simply fabrications of the mind, but rather beings from another world that exist independently of the human brain. This is a viewpoint that was originally popularized in mainstream culture by the likes of Terence McKenna, who famously theorized that the machine elves he encountered under the influence of DMT were either extraterrestrial in nature, interdimensional beings from a higher plane of existence, time-traveling humans from the future, or an ecology of souls that apparently includes both our ancestors and those who are yet to be born. As far as I can tell, the most common reasonings behind this viewpoint are that the experience of encountering these entities is often interpreted as feeling more realistic and well-defined than that of any sober experience the person has ever had. Alongside this, there is often a sense that the encounter itself is so incomprehensibly complex and other-worldly that there is simply no possible way that the human brain could generate such an experience on its own.
In regards to this particular notion, it is then sometimes asserted that consciousness must be an antenna of sorts that receives either all or some of its subjective experiences from that of an unknown interdimensional source. Furthermore, the source of this received input is sometimes said to be adjustable depending on the person’s brain state. With substances such as psychedelics simply “tuning” our consciousness into the analogous equivalent of a different radio station or TV channel. This is an idea that was once again further popularized by Terence McKenna, who is famously quoted as saying: “I don’t believe that consciousness is generated in the brain anymore than TV programs are made inside my TV. The box is too small.”
Now, while I can personally empathize with the reasons why some people may be drawn into these conclusions after the often earth-shattering experience of a DMT trip or other high-level psychedelic experience, I do not personally believe that autonomous entities are anything more than the profound, but ultimately hallucinated, products of the subconscious mind. Instead, I am quite sure that they are simply the psychedelic equivalent of the various characters and beings that most people commonly encounter within their dreams. Although it could be argued that autonomous entities are too characteristically different from that of dream characters to possibly be a result of the same neurological processes, I think that these differences in their appearance and behavior are largely the results of the many other psychedelic effects that are simultaneously occurring during these encounters. The most notable of which is geometry, which causes the hallucination to be comprised by the other-worldly shapes and patterns that provide autonomous entities with their distinctly hyperspatial perspective. Alongside this, various other subjective effects such as synesthesia, machinescapes, recursion, time distortion, and transpersonal states can all potentially synergize into an experience that is easy to misinterpret as something occurring outside of the human mind.
In my personal opinion, if autonomous entities were truly something that exists beyond the human mind, I think there would likely be a single verifiable case of them conveying information to a person that they did not already know or could not have come to the conclusion of within that moment. This would also likely be testable to some degree, which has led myself and my close friends to casually experiment with asking DMT entities a variety of questions over the years [emphasis mine]. These questions have included math problems, metaphysical questions, philosophical questions, and queries pertaining to the general nature of beings inhabiting their particular world. However, each attempt at doing so has resulted in the entities simply ignoring the question, arrogantly scoffing at the absurdity of us asking them such a trivial thing, or replying with vague ambiguous wording that the person’s own mind could have easily come up with. This has even been the case when the entities are presenting themselves as vastly more complex, knowledgeable, and powerful than the humans that they are interacting with.
Now, just to clarify, while I do believe that autonomous entities are results of similar processes to that of dream characters, I also don’t want to be reductive and downplay the often overwhelmingly profound nature of this experience. For example, within the moments that the entities are presenting themselves, I believe that to varying degrees they are genuinely conscious agents that the brain is simulating alongside our own. It does not seem unreasonable to me that if the brain can simulate one conscious agent within everyday sobriety, that within certain extenuating circumstances, such as mental illnesses, dream states, and hallucinogenic experiences, it could also temporarily allocate resources into simultaneously simulating other conscious agents.
I also think that it is sort of interesting that many autonomous entities would pass the Turing Test if interviewed. And I find this particularly fascinating in conjunction with the knowledge that the entities also commonly present themselves as representative embodiments of various aspects of the subconscious mind, which suggests to me that at least to some extent this experience may therefore allow people to directly interact with and communicate with various facets of their consciousness in a manner that would otherwise be entirely impossible without the use of hallucinogenic substances.
Healing Trauma with Neural Annealing: Is Annealing the Key Condition for Successful Psychedelic Psychotherapy?
Abstract of the Talk:
Mystical-type experiences mediate the therapeutic benefit of psychedelic-assisted psychotherapy (Griffiths, 2016; Ross, 2016; Yaden, 2020). In this talk we will explore why this may be the case and how we might improve this effect. On the one hand we can interpret the effect of mystical-type experiences through the lens of belief and attitude change (Carhart-Harris and K. J. Friston, 2019). But beliefs that are not deeply felt are unlikely to have much of an effect. Why would mystical-type experiences in particular cause deeply felt belief changes? On the other hand, one can interpret the effect of these experiences to be healing at a low-level: they allow the reconfiguration of the microstructure of our experience in beneficial ways. The first lens suggests that these experiences change what we believe and think about, whereas the second lens suggests that the experiences change how we feel. In this talk we will unify these two lenses and argue that neural annealing (Johnson, 2019) underlies high-level changes in beliefs and attitudes as well as low-level microstructural healing of internal representations. This paradigm ties together the puzzling effects of mystical-type experiences by interpreting them as uniquely strong versions of neural annealing. We suggest that traumatic memories are indeed implemented with low-level microstructural dissonance in the internal representations (Gomez-Emilsson, 2017). Not only are they about something bad, they also feel bad. In turn, neural annealing targeted towards these internal representations can heal and transform them from dissonance-producing to consonance-producing. More so, neural annealing also enhances the information propagation fidelity of the nervous system, allowing the healed representations to update the state of the rest of the nervous system. This insight, along with careful study of annealing dynamics under psychedelics, can allow us to target the annealing process in order to heal these internal representations more effectively. We conclude with empirical predictions for what to look for in order to identify the signatures of successful neural annealing under psychedelics and suggest methods to piggyback on the natural well-trodden paths of beneficial annealing (e.g. meditation, yoga, music, creativity) to optimize such experiences.
Why This Is Important
There are two main reasons I think sharing this work as soon as possible with the world is very beneficial. The first is that it genuinely advances a new model for how to optimize psychedelic therapy. In particular, I think that being aware of this model can be very useful for people who intend to self-medicate with psychedelics. Although there is a vast literature for psychedelic psychotherapy, it is largely laced with metaphysical views, implicit background philosophical assumptions incompatible with science, and in my view, questionable ethics.
The second point is that this model can be used as an antidote to psychedelic brainwashing. If a friend of yours has been taking a lot of psychedelics (with or without a shaman) and now has a web of unfalsifiable beliefs that do not seem to help them, this presentation might work to help them understand what is going on in their mind. Additionally, once you understand how psychedelic annealing works, you can anticipate irrational belief changes based on the texture of the experience and proactively prevent them. Indeed, being showered with bliss consciousness by a DMT entity might be healing to your nervous system, but alas, it also anneals in you a conviction in the independent existence of such entities. With this presentation, the hope is that you can keep the healing while discarding the irrational beliefs (because you will now be able to see how they are implemented!). If we want to indeed create a truth-seeking psychonaut shanga (aka. a Super-Shulgin Academy) we *have to* have an adequate model of how exotic states of consciousness modify one’s belief networks. The penalty of not modeling this accurately leads to the loss of one’s critical faculties. I have seen it happen (see Appendix A & B), and I am not impressed. We can do better.
Model (1) has the problem that the researchers themselves are not exposed to the exotic states of consciousness, and as such, what they write and theorize about comes from second-hand accounts. More so, the bulk of the direct phenomenological information the participants gain access to is generally discarded as it goes through the low-dimensional information filters of standardized questionnaires. There is no real buildup of phenomenological information or an effort to integrate it across participants (participants don’t generally talk to each other). The model does excel at generating copious high-quality neuroimaging data.
Model (2) suffers from the problem that the idiosyncratic beliefs of the psychonaut tend to “anneal more deeply” (see the next slide for a more through description of this) with each trip. Unless they were to focus on the phenomenal character of the experience rather than the intentional content, what tends to happen is that specific high-level beliefs become energy sinks and they dominate the exploration. Recall how DMT’s world-sheet “crystallizes” around objects and ideas you can recognize. Thus, as you take psychedelics over and over, the realms of experience one goes to will tend to follow recurring themes along the lines of what the most successful energy sinks from previous experiences have been. The explorer usually does not develop technical models of the phenomenological effects, but rather, tends to focus on the metaphysical or philosophical implications of the experiences.
Model (3) is like that of a think tank. Ever since writing articles like How to Secretly Communicate with People on LSD, we have received a lot of correspondence from pretty smart people who enjoy exploring exotic states of consciousness. The multi-year dialogue between us and them and each other has resulted in a lot of generative model building for which we can then get feedback. Grounded in common background philosophical assumptions and a drive towards phenomenological accuracy, the type of output of this model tends to look much more like The Hyperbolic Geometry of DMT Experiences than either a neuroscience paper (model 1) or a book about the Earth Coincidence Control Office (model 2).
Which of these information-processing architectures would you use if you were trying to figure out the truth of how psychedelics work? If they were diagrams for a neural network architecture, which one do you think would model and integrate information most effectively? Ultimately, we should think of these models as complementary. But since model 3 is novel and largely unexplored, it might be sensible to pay attention to what it outputs.
(H/T Quintin Frerichs for this slide)
This slides illustrates the sort of topics and problems that a “Good Annealing Manual” would need to cover. As an integrated “energy management” strategy, such a manual would describe how to raise energy, how to dampen it, how to translate it from one domain into another, how to stabilize a state, how to get knocked out of an unhelpful limit cycle, and so on.
One of the interesting ideas of Steven Lehar is applying the duality between standing wave patterns and resonant modes of objects to the brain. A lot of psychedelic phenomenology suggests that there is a duality between the vibe of the state and the geometric layout of the multi-modal hallucinations. In other words, each phenomenal object has a corresponding way of vibrating, and this is experienced as a holistic signature of such objects. (cf. Resonance and vibration of [phenomenal] objects). (See also: Hearing the shape of a drum).
In the context of this presentation, the most important idea of this slide is that the duality between standing wave patterns and the vibe of the experience showcases how symmetry and valence are related. Blissful “heavenly realms” on DMT are constructed in ways where the resonance of the phenomenal objects with each other is consonant and their structure is symmetrical. Likewise, the screechy and painful quality of the DMT “hell realms” comes along with asymmetries, discontinuities, and missing components in the phenomenal objects that make up experiences. The overall vibe of the space is the result of the intrinsic vibratory modes of each phenomenal object in addition to each of the possible interactions between them (weighted by their phenomenal distance). An analogy readily comes to mind of an orchestra and the challenges that come with making it sound consonant.
A good algorithmic theory of cognition will collect, unify, and simplify a lot of things that look like odd psychological quirks, and recast them as deeply intertwined with, and naturally arising out of, how our brains process information. I’m optimistic that Symmetry Theory will be able to do just this- e.g.,
* Cognitive dissonance happens when two (or more) patterns in your head are battling for your neural real estate, and they’re incompatible– i.e., they’re collectively dissonant/asymmetrical.
* Denial is what happens when your brain attempts to isolate/quarantine such patterns, and is actively working to prevent this tug-of-war for neurons.
This model implies that your brain can evaluate the “internal consistency/harmony” of a neural pattern, and reject it if there’s a negative result- and also the “simulated relative compatibility/harmony” of two neural patterns, and try to keep them isolated if there’s a negative result. I’d suggest the best way to understand this is in terms of projective geometry, resonance, and symmetry: i.e., to evaluate a pattern’s “internal harmony” and whether it ‘runs well (is stable) on existing hardware’, the brain uses principles of resonance to apply certain geometric projections (high-dimensional-to-lower-dimensional transformations) to the pattern to see if the result is stable (unchanged, or predictably oscillating, or still strongly resonant) under these transforms. Stable patterns are allocated territory; unstable ones (=dangerous neural code) are not. The internal mechanics of this will vary across brain areas (based on the specific resonance profile of each area) and emotional states, which might contribute to how certain types of information tend to end up in certain brain regions. Likewise, this could explain how moods coordinate information processing– by changing the resonance landscape in the brain, thus preferentially selecting for certain classes of patterns over others. A core implication of this model is that different kinds of dissonance will drive different kinds of behavior (feel like different kinds of imperatives), and based on what action is needed, a mood may create (or be the creation of) a certain kind of dissonance.
Now applying annealing to the above, we hypothesize that: (1) On the one hand, at the implementation level neural annealing works as a method to reduce dissonance by escaping local minima. (2) On the other hand, at the computational level simulated annealing can be used as a method to reduce prediction errors (cf. message passing and belief propagation). We hypothesize that there is a kind of duality between these two levels of abstraction. We are very interested in cleanly formalizing it so it can be empirically tested. But the facts seem to suggest that there is something here. What this duality says is that for any transformation that you do to the resonance network there will be a corresponding effect on the belief network and vice versa. For example, in this light, you will always find that denial or cognitive dissonance will come along with the phenomenology of “resistance” in one of its many guises (such as muscle tension, feelings of viscosity, or hardness). If you can address the muscle tension directly with progressive relaxation (or yoga, massage, etc.) you will also be implicitly addressing the integration of information into your world-model. At the same time, you may use specific beliefs in order to relax specific muscles, and some aspects of meditation may involve doing this to an extent (e.g. “now is all there is” and “the self is illusory” are beliefs that would seem to result in particular patterns of mental and physical relaxation).
We might succinctly explain how a resonance network trying to minimize dissonance could implement the free energy principle. Namely, we could maximize “accuracy – complexity” in the following way: If complex models require complex networks of resonance to be implemented, then there might be an inherent dissonance cost to complexity. More symmetrical configurations lower this cost, which makes more compact and coherent models preferable. At the same time, to take care of the accuracy, prediction errors themselves might be implemented with dissonance (e.g. via out-of-phase communication between layers of the hierarchy). Together, these two effects favor both accurate and simple models.
An interesting contrast that illustrates this duality between the computational and implementational level of abstraction is that between the effects of DMT and 5-MeO-DMT. Particularly, DMT seems to give rise to the chaotic generation of information and this can be seen in something as simple as the style of the tracer effects it induces (richly-colored flip-flopping between positive and negative afterimages). 5-MeO-DMT’s tracer effects are generally monochromatic and the same color as that of the input. (See: Modeling Psychedelic Tracers with QRI’s Psychophysics Toolkit: The Tracer Replication Tool).
We hypothesize that DMT’s effects at the implementation level can be understood as the result of competing clusters of coherence across the hierarchy, whereas the main attractors of 5-MeO-DMT seem to involve global coherence. Modulating the average synaptic path length in a system of coupled oscillators can give rise to this sort of effect. By randomly adding connections to a network of coupled oscillators one first sees an emergent state of many competing patches of synchrony, and then, after a threshold is crossed, one starts seeing global synchrony emerge. Despite both drugs making the brain “more interconnected”, the slight difference in just how interconnected it makes it, may be the difference between the colorful chaos of DMT and the peaceful nothingness of 5-MeO-DMT.
The competing clusters of coherence across the hierarchy can evolve to adapt to each other. The DMT realm is more of an ecosystem than it is a state per se (ex: Hyperspace Lexicon). And due to the duality between dissonance minimization and prediction error minimization, avoiding updating one’s belief in the direction of these realms being real causes intense cognitive dissonance. Some level of belief updating to fit the content of the hallucinations might be very difficult to resist. Indeed, the forced coherence across the layers of the hierarchy would be bypassing one’s normal ability to resist information coming from the lower layers.
On peak experiences such as those induced by 5-MeO-DMT, global coherence will generally have the effect of dissolving internal boundaries. In turn, due to the duality proposed, belief updating in the direction of extreme simplicity is very difficult to resist. Global annealing without sensorial chaos results in the minimization of model complexity; high accuracy is taken care of thanks to the low information content of the state. As a consequence, one experiences very high-valence, high-energy, high-symmetry states of consciousness that come along with belief updating towards ideas with close to zero information content.
The high-valence nature of the state can be very useful to heal dissonance in the network, so therapeutic benefits seem very promising (notwithstanding the somewhat forced belief updates the state induces).
Unfortunately a nearby attractor of the globally coherent states is when there are two incompatible coherent states competing with one another. This can result in extremely negative valence and belief updating in the direction of “everything being bad”.
We now see how the typical belief changes caused by these two drugs have a dual counterpart in how they feel. I am of the opinion that a commitment towards truth and careful attention to one’s state of mind can prevent (or at least substantially lessen) the epistemological failure modes of these drugs. But since this kind of model is not known by the general population, for most people these drugs do tend to act as “epistemological hand grenades”.
See Appendix A & B at the bottom of this article for examples of each of these failure modes.
Now on to the therapeutic applications: practicing loving-kindness meditation consistently for weeks before a trip seems to substantially change its phenomenal character. It feels that metta practice over time anneals a consonant metronome which can become massively amplified during a psychedelic experience. In turn, a brightly shinning metta metronome emits “healing waves of energy” within one’s world-simulation (I know how crazy this sounds!), which impact the contents of one’s subconscious in ways that reduces their internal dissonance.
Similar benefits can be obtained from other meditation practices, as long as their emphasis is on high-valence and coherent states of mind. See also: Buddhist Annealing (video).
Importantly, you can “work smart” if you manage to use the seeds of consonance as the nucleation sources for alignment cascades. This can heal at a very deep level, and it is what people are talking about when they say things like “all is love”.
A secular Good Annealing Manual would ideally have very detailed information for how to move around in the state-space of consciousness.
Apparently, equanimity is also highly beneficial during psychedelic experiences. But rather than merely repeating the mantras that everyone in the psychedelic community chants (“just let go”, “surrender”, “accept”), we can use a More Dakka approach and aim to maximize equanimity rather than merely invoking it. Taking psilocybin during a meditation retreat in which you do a lot of equanimity exercises will allow you to “let go” with much greater skill than what you could do in normal everyday life. As a result, one is able to “learn one’s lessons” with much greater ease and a lot less resistance. This, I think, is generally good. After all, the point is not to punish oneself, but to learn from one’s mistakes.
In turn, Shinzen Young says that experiencing pleasure with equanimity is very healing. By not grasping, one is letting the consonant waves propagate freely throughout one’s nervous system, which results in positive annealing. So a possible therapeutic modality might be to combine peak states together with high levels of equanimity. If we want to bump the therapeutic effect sizes of psychedelic psychotherapy, this is the sort of thing I consider to be very promising.
I conclude by providing some annealing targets that are generically good for one’s mental health. Practice them consistently before a psychedelic experience so that they can be the nucleation points of sane and hedonically beneficial psychedelic annealing. Being bathed by love is good. Being bathed by love and equanimity at the same time is even better. Being bathed by love and all Seven Factors of Awakening at the same time might be still even better. The ceiling of wholesome happiness is not currently known by science. It is probably much higher than we can imagine.
If you found this talk inspiring, generative, or clarifying for your own work, please cite it! If you want to see more work like this and help us transform the alchemy of consciousness into a chemistry of the mind, please consider donating to QRI. Every dollar takes us closer to being able to empirically test these models and use them to develop technology to alleviate suffering in bulk.
Appendix A: What Happens When You Take Too Much DMT – What Does Overfitting Look Like?
A case study of a psychiatrist case who self-medicated his depression with a regiment of 1g of DMT (along with MAOIs) and 4mg of clonazepam a day:
“On arrival, the patient was nonverbal, combative, and required six security guards to restrain him. When less restrictive measures failed, he was given propofol 1,000 mg IV, ketamine 500 mg IM, midazolam 5 mg IV, diazepam 20 mg IV, and fentanyl 4 mg IV with minimal effect.”
“Psychiatry was consulted after the patient’s delirium resolved and he was medically stabilized as he exhibited symptoms of mania and psychosis. He was pressured in his speech, hyperreligious, and delusional. He believed that demons were leeching into his soul and asked the medical staff for an exorcism. It was recommended that the patient be admitted to the behavioral health unit for mood stabilization.”
“He has been smoking it every day and night for the past 3 months that I know of. He sees these little beings everywhere and says they are trying to destroy his house pushing it over. He also says they spray mace and fairy dust and little balls in his face and other peoples too. He doesn’t believe that nobody else sees this happening, he says we have all been compromised and can’t be trusted. I’m worried about him and also his girlfriend that has to deal with him and he’s delusional. His daughter is scared to come home, his parents want to have him committed, and he doesn’t believe it has anything to do with dmt! He absolutely believes it is real.”
“He is always under the influence of DMT, he smokes it all day every day. He says it no longer makes him hallucinate like when he first tried it, now it just takes away pain . NOT TRUE!! it’s like now he believes that this altered state of mind is reality and he’s losing everything. He is even destroying his own house to get them out from behind the walls.the other night he stood up and started stabbing his ceiling saying he was going to get them. It’s very disturbing to see him like this.”
“He’s doing about the same. Last time I went to see him he was showing me how the moon was following him into his back yard and then back to the front yard . He also sees a bunch of drones in the sky that I can’t see. He still doesn’t believe that we can’t see the walls and countertops moving, or feel the fairy dust being sprayed in our faces.”
“It all culminated in one long, elaborate, and highly dramatic visionary experience in which I was essentially ‘recruited,’ initiated in some grand ceremony alongside a large group of others presumably in my same situation (which may have just been “actors” ). It was all part of some kind of vast organization, which could best be described as ‘universal consciousness transcendental cosmic hippie space religion.’ [Read Lehar’s warning against believing what the DMT entities tell you]. It all had a very attractive but vaguely cult-like Scientology kind of feel to it. They even had their own music (which was actually pretty cool; see my comments on “the director” in part 4 for more details), propaganda, regular meetings and rituals, the whole works. They even seemed to revere a deity of some sort, their version of The Source (more detail on that in part 5), but this whole experience was so full of illusion and misdirection that I have no idea what their ‘deity’ really was, nor their true relation to it.”
“I’ve gone on way to long already and need to start wrapping things up here, but long story short, in light of their new demands of allegiance, and through a separate series of bizarre synchronicities in ‘real life’ (what that means to me now, I have no idea) that I still can’t quite explain, I began to have some serious doubts and questions that needed answers. As I reflected on all that they had taught me, I began to realize that there were some major gaps in my knowledge, and that I had unwittingly filled in a lot of the blanks with my own speculation while assuming the picture I was being given was much more complete than it actually was. To summarize, over a series of increasingly confrontational and unpleasant experiences, I became less and less satisfied with their vague and evasive answers to my direct (and I think perfectly reasonable) questions, and we had something of a falling out, to put it very mildly. They eventually dropped all pretenses and flat-out turned on me, beginning a long period of harsh punishment.”
“The results weren’t pretty. Their facade began to crumble as I saw through more and more of what I now recognized as deceptive illusions. What truly lay behind it was hideous, repulsive, monstrously evil, relentlessly manipulative, filled with petty malicious intent, and not nearly as righteous, enlightened, or omnipotent as they pretended to be. I’m actually still pretty uncomfortable with going into detail regarding what followed, but suffice it to say that I’ve basically been to hell and back. They did everything they could to ‘punish’ me, and some of the things they came up with were uniquely and creatively traumatic. If they had put half as much effort and sophistication into ‘teaching’ me as they did into attacking and tormenting me, I probably would still be happily and obliviously under their control today, a fresh new convert of their admittedly impressive sci-fi space religion.”
“It took all the willpower I had just to stay focused and not become a completely broken wreck through all of this. Most of the ‘abilities’ I had acquired under their guidance gradually faded away over the course of a few weeks, with the exception of a number of lucid dream skills that I had picked up along the way. As I began to approach something resembling recovery, all kinds of memories and perspective started coming back to me that I had lost along the way (which may have been intentionally withheld from me). I felt like a toxic fog had been lifted from me, and everything looked so different now. I looked back on the last couple years of my life, especially the preceding four months or so, and was shocked to find that it wasn’t what I thought it was.”
“I had seen some mind-blowingly incredible things and progressed in so many ways in what I thought represented cognitive and spiritual development, but the consequences were now apparent. Without realizing it, my personality had changed so much, and not for the better. I had alienated myself from many of my close friends, my romantic relationship had suffered, I had been much more depressed than I wanted to admit, and I had spent way too much of my free time alone and in the dark, becoming obsessed with progressively darker and weirder esoteric knowledge. I had been able to maintain a token amount of social interaction, just enough to convince myself I was still ‘normal,’ but it frequently left me feeling drained, and bored with the mere ‘meat puppets’ in this material plane who were but a pale reflection of what existed beyond it.”
Appendix B: What Happens When You Take Too Much 5-MeO-DMT – What Does Underfitting Look Like?
Martin Ball: Another advocate of 5-MeO-DMT who claims that the highest truth is that we are all God, and that all of the hallucinatory content of DMT is egoic distraction from this truth (see what he thinks of Terence Mckenna). He, like many in this cluster, seems to believe that the only truth worth knowing about is oneness and that this can only be known directly, at first with 5-MeO-DMT, and then through a process of integration of the experiences into one’s everyday life. Here is an interview he did with Adeptus Psychonautica. Also, here is Leo talking to Martin (do you count one or two persons in that video?).
Insofar as non-duality is used as a mood-enhancer, it seems to be unreliable. Oneness can lead to bad trips of loneliness, a fact that tends to be brushed off by its advocates. My assessment is that this effect is the result of negative valence rather than an inherent effect of the concept (or truth?) of oneness. Shaman Oak‘s Bad LSD Experience – NIRVANA SUCKS video is a rather typical version of this effect and it highlights its true underlying cause: since he took the LSD during a comedown from cocaine, his entire trip was colored by the negative valence of that state. The world “felt inherently lonely” because it had depression qualia all over it. Amplified and magnified through the kaleidoscopic funhouse of LSD’s annealing dynamics, such a feeling of loneliness can look universal and omniprevalent “no matter how you look at it”. But if you were to replace that feeling with something blissful, then the concept of oneness would be experienced as wonderful and enlightening. It is always important to remember the Tyranny of the Intentional Object: ideas and beliefs seem to us as having inherent goodness or badness, but how this is implemented under the surface relies on hedonic tone/valence “painting” those ideas. As David Pearce likes to say, “take care of happiness and the meaning of life will take care of itself”.
Counterexamples: We do know a number of people who have used these compounds extensively and who do not seem to exhibit noticeable underfitting or overfitting. In particular, we have interviewed someone who took 5-MeO-DMT in high doses everyday for six months and who does not seem to suffer from any serious epistemological issues (they contacted me because they had read my analysis of Gura’s month-long experiment and wanted to share their even more extreme experience). The same person has extensive experience (including daily use for months) with DMT, Salvia, DPT and their combinations. They can still hold a technically demanding job and sustain a family despite this. Needless to say, such a level of psychological robustness is exceedingly rare.
Appendix C: The Abstract of the Other Talks
DMTX as a 21st Century Mystery School
A talk by Carl Hayden Smith
This talk will focus on the prospects of being one of the first participants in the world to try DMTX (X=Extended) at Imperial College London (ICL). After being part of the DMT phase 1 and phase 2 trials (over the last 5 years) this research now moves into a whole new level of immersion. During this experiment the peak of the DMT state will be extended thanks to a continuous intravenous drip feeding of the entheogen. This arguably turns this ancient medicine into a new form of technology. Early findings of the research from Chris Timmerman (ICL) suggests that nnDMT produces the same brain signature as the dreaming state. During the extended state we may be better able to explore the hypothesis from Andrew Gallimore that nnDMT actually opens up an entirely novel, orthogonal reality.
The DMTX experiment potentially means that nnDMT could become the base layer of our subjective reality, being combined, exponentially, with everything in life. What are the implications of this? Is there a danger that the psychedelic state is being overly romanticised and that DMTX could be regarded as a new form of bio chemical VR? How will DMTX help with the integration problem? Maybe the problem of bringing our insight back from the liminal space isn’t that these experiences defy verbalization, but that our languages are not yet sufficient enough to describe these experiences.
Increased cortical signal diversity during psychedelic states and visually realistic neural network models of hallucinations
A talk by Michael Schartner
Global states of consciousness – such as general anaesthesia or REM sleep – can be characterised by metrics of signal diversity, showing that diverse cortical activity is a hallmark of consciousness. We found that signal diversity is elevated in classical psychedelic states, possibly explained by a larger repertoire of brain states – which would be in line with reports about openness, novel associations and levelled salience of all experiences during psychedelic states. This coarse description of the brain as a dynamical system with various degrees of diversity in activity is only one dimension to characterise such global states of consciousness. Neural network models of visual perception and its pharmacological perturbation may provide a more mechanistic model, showing how the balanced integration of prior and sensory information into conscious perception is regulated by serotonin.
Note: I am still open to e.g. the external reality of DMT beings. I find it unlikely, but evidence could convince me otherwise. We are not dogmatic about the models we present. Rather, they simply are the current “best fit” for the available evidence in conjunction with parsimony considerations (yes, we could even say that this model is what minimizes our free energy!). Cheers!
Atasoy, S., Roseman, L., Kaelen, M. et al. (2017). Connectome-harmonic decomposition of human brain activity reveals dynamical repertoire re-organization under LSD. Sci Rep7, 17661. https://doi.org/10.1038/s41598-017-17546-0
Carhart-Harris, R. L. (2018). The entropic brain -revisited. Neuropharmacology142, 167–178. doi:10.1016/j.neuropharm.2018.03.010.
Carhart-Harris, R. L., and Friston, K. J. (2019). REBUS and the Anarchic Brain: Toward a Unified Model of the Brain Action of Psychedelics. Pharmacol. Rev.71, 316–344. doi:10.1124/pr.118.017160.
Griffiths, R. R., Johnson, M. W., Carducci, M. A., Umbricht, A., Richards, W. A., Richards, B. D., Cosimano, M. P., and Klinedinst, M. A. (2016). Psilocybin produces substantial and sustained decreases in depression and anxiety in patients with life-threatening cancer: A randomized double-blind trial. Journal of psychopharmacology (Oxford, England), 30(12), 1181–1197. https://doi.org/10.1177/0269881116675513
Lehar, S. (1999). Harmonic Resonance Theory: An Alternative to the “Neuron Doctrine” Paradigm of Neurocomputation to Address Gestalt properties of perception. http://slehar.com/wwwRel/webstuff/hr1/hr1.html [Accessed April 30, 2021].
Luppi, A. I., Vohryzek, J., Kringelbach, M. L., Mediano, P. A. M., Craig, M. M., Adapa, R., Carhart-Harris, R. L., Roseman, L., Pappas, I., Finoia, P., Williams, G. B., Allanson, J., Pickard, J. D., Menon, D. K., Atasoy, S., & Stamatakis, E. A. (2020). Connectome Harmonic Decomposition of Human Brain Dynamics Reveals a Landscape of Consciousness [Preprint]. Neuroscience. https://doi.org/10.1101/2020.08.10.244459
Ross, S., Bossis, A., Guss, J., Agin-Liebes, G., Malone, T., Cohen, B., Mennenga, S. E., Belser, A., Kalliontzi, K., Babb, J., Su, Z., Corby, P., & Schmidt, B. L. (2016). Rapid and sustained symptom reduction following psilocybin treatment for anxiety and depression in patients with life-threatening cancer: a randomized controlled trial. Journal of psychopharmacology (Oxford, England), 30(12), 1165–1180. https://doi.org/10.1177/0269881116675512
Safron, A. (2020). “Strengthened Beliefs Under Psychedelics (SEBUS)? A Commentary on “REBUS and the Anarchic Brain: Toward a Unified Model of the Brain Action of Psychedelics”” PsyArXiv. November 30. doi:10.31234/osf.io/zqh4b.
Yaden, D., and Griffiths, R. R. (2020) The Subjective Effects of Psychedelics Are Necessary for Their Enduring Therapeutic Effects. CS Pharmacol. Transl. Sci. 2021, 4, 2, 568–572 https://doi.org/10.1021/acsptsci.0c00194
Steven Lehar is many things. A proponent of indirect realism about perception. A champion of analog neural computation based on principles of harmonic resonance. And one of the most insightful and rational psychonauts of all times. His worldview packs a powerful punch of synergistic ideas, and reading his work is a psychoactive experience on multiple levels. Here are some of the highlights that made us decide to include Steven Lehar as a QRI lineage:
Indirect Realism About Perception
Let’s start with indirect realism. This view is often referred to as inferential realismabout perception or representationalism. In simple terms, this view states that all of what you experience (and have ever experienced) exists as an internal representation inside your brain. The representation is absolutely real, but it is not itself the same as the world outside of you. Many people have realized this throughout history such as Immanuel Kant, Edmund Husserl, Bertrand Russell, and John Smythies. Today, the view continues to find proponents such as David Pearce, Donald Hoffman, and Antti Revonsuo. Thus, Lehar has never been alone in advocating for indirect realism. But what Lehar has contributed to the conversation is very substantial: he developed an exquisite map of the geometry and composition of our internal world-simulation that explains it in a way that you will not find anywhere else.
In the world of Steven Lehar, what we are is an analog volumetric bubble of phenomenal qualities made out of several layers interacting with one another (in the image above, the three circles on the left can be thought of as separate layers that combine into the circle on the right). To visualize the shape of our experience (indeed, the shape of us) he often makes an analogy with a diorama: our experience is shaped like a semi-sphere with variable scale. It is finite in volume, yet its peculiar sort of two-and-a-half-dimensional geometry allows it to represent both objects really close and really far at the same time.
In your bubble of experience, things in the distance appear both smaller and appropriately scaled. Indeed, “the point at infinity” is not infinitely far away! It merely represents an infinite distance via a projective trick, but the representation itself is of a finite size! Lehar argues that our experience is not 3D Euclidean, but rather non-Euclidean close to the homunculi (the empty head from which you look out into the world-simulation) and becomes more Euclidean the further away from this head you go.
In some sense, to be a human is to embody a sack of meat. But if we pay really close attention and want to convey the actual structure of our experience, we end up saying that to be a human is to be this weirdly-shaped diorama-like world-simulation! You are not in the Matrix. You are the Matrix, my friend!
Lehar has cultivated and shaped an entire garden of phenomenological insights that emerge when you try to describe “the world” in this way. Just to give an example, a recurring theme in Lehar’s writings is that of “perceptual shadows.” In our world-simulation, we have incredible ray-tracing algorithms that simulate the way light scatters off objects. So we are acquainted with shadows that exist due to the absence of light. But there is also another kind of shadow, which is created when reality is represented using projective geometry: perceptual shadows are the shadows cast by the objects around you when they occlude the objects behind them. A large part of what makes our world-simulation so incredibly compelling is that it deals with missing information in very elegant ways. To understand how it does this, a key insight that Lehar provides is that our world-simulation contains both modal and amodal representations. The modal representations are what we traditionally associate with the senses: colors, sounds, touch, and so on. The amodal representations refer to the implicit geometric layout of the contents of our experience, which remain “dark” until you illuminate them with sensory modalities. This dichotomy allows us to understand why perceptual shadows don’t make objects truly disappear from our world-simulation (as long as we have developed object permanence, that is). The seamless handling of the perceptual shadows caused by occlusions showcases this fact: our phenomenal space contains amodal volumetric representations in addition to the visual “surface representations” we are familiar with. In other words, our inner world-simulation keeps track of rigid bodies even when we can’t see them directly!
Another interesting nugget of insight is that in Lehar’s world, forces inside the world-simulation bias your motor actions and this is what renders and implements desire and disgust. In other words, there is something unexpectedly literal about saying that you are “attracted” to someone or something, or that an object or person “repulses” you! The way these forces are implemented can be conceptualized as fields that encode “how you would move at each point”. This proprioception is what guides the movement of our inner amodal avatar and how we plan sequences of actions.
Lehar makes us realize that as we navigate our environment, we move along something like a liquid membrane amenable to what feels like volitional influence, which guides our movement. This “force field” lives at the interface between our motor sensations and the volumetric representation of the external environment, and it works as a map between these two modes of experience.
The entire representation is robust in response to the vast majority of common actions we can take. The amodal representations of our environment get projected adequately as we move around and take on a new point of view. Many aspects of our world are rendered as invariant relative to body movement, head movement, or eye movement, and this is one of the ways in which our world-simulation instantiates a realistic experience of (perceptual) object permanence.
Ultimately, Steven Lehar is championing a steelmanned version of indirect realism which goes into much more precise phenomenological detail than any of its predecessors.
One may perhaps complain that Lehar is merely “stating the obvious.” Although indirect realism is a view that in many circles is widely shared and assumed, making it explicit still holds a lot of value. Indeed, Lehar points out that in the majority of the world, there seems to be an unrecognized level of variation in how much direct realism is implicitly believed. I used to be under the impression that most smart people who think about these questions automatically arrive at a view in the space of indirect realism about perception. But Lehar points out that in reality, we see both implicit and explicit direct realism even in places as “advanced” as neuroscience departments. Lehar’s visual demonstrations of indirect realism do an amazing job pointing at this unstated disagreement; indeed, the person sitting right next to you at a conference may in fact be an implicit direct realist about perception! No wonder you were never able to agree on what consciousness is.
The fact that so many people turn out to be unreflective direct realists about perception brings to mind Scott Alexander’s discussion on missing developmental stages (2015; see excerpt in Appendix A). In the piece, Scott Alexander lists four types of understanding that are obvious in retrospect but very commonly missed: “1. Ability to distinguish ‘the things my brain tells me’ from ‘reality’”, “2. Ability to model other people as having really different mind-designs from theirs”, “3. Ability to think probabilistically and tolerate uncertainty”, and “4. Understanding the idea of trade-offs.” In this light, a lot of Steven Lehar’s work focuses on trying to upgrade philosophy, psychology, and neuroscience so that people in those fields intuitively understand the first ability Alexander outlines. Lehar’s corpus is like a remedial class for the slow students of philosophy, if you will—helping them through the whole developmental process by making it easier to digest. Thus, Lehar’s work can help us systematically update all kinds of philosophical, psychological, and neuroscientific arguments by exposing them to a high level of clarity and rigor concerning indirect realism. This process clarifies a huge amount of confusion and paradoxes many people in these fields are often consumed by.
In practice, if you listen to the questions in the Q&A portion of panels about consciousness at conferences, or read between the lines in journals of philosophy, neuroscience, and even AI, you will find that a large proportion of the speakers, writers, and attendees do work under the assumption of direct realism about perception. Even if only 30% of people at science conferences are implicit direct realists (which would be a conservative estimate), we would still expect no shortage of resistance and controversy when indirect realism is brought up. My personal experience is that often at these events, it is precisely when the conversation starts to get very good and become high quality that someone who doesn’t “get it” inevitably derails the conversation with questions typical of a direct realist. And while diversity of opinion can at times be an asset, my experience is that the most satisfying, useful, and consequential conversations are precisely those that take place between people who share almost all background philosophical assumptions. This more often than not gives me the impression that grouping people who are at similar developmental levels (in the realm of philosophy) would likely generate more useful discussions. Not that it isn’t fun to get people with widely different points of view together and get them all mixed up: it is always fascinating to observe the dialectical turbulence that ensues. But a serious investigation calls for more explicit foundational agreement on many levels. As much as I actively enjoy the state of consciousness induced by attending The Science of Consciousness (Gomez Emilsson, 2016a) conference (and delight in its unlikely yet amazing cultural products), I cannot shake off the impression that there is a lot of friction in conversations caused by the vast mismatches between the background assumptions of the participants. A conference that brings together over a thousand participants interested in consciousness from disciplines like philosophy, psychology, and artificial intelligence without any filter for background assumptions is a wonderful recipe for a trippy time. One would hope it could also generate conversations where consensus is achieved. It is in contexts like this where the tireless work of Steven Lehar—explaining in astonishing detail the various components and properties of our experience (and its peculiar artifacts) in order to make it as clear as possible that all we ever experience is an inner world-simulation—is extremely valuable at the community level. Seriously, printing massive copies of Lehar’s Cartoon Epistemology (2003) and installing them in a hall of the conference lobby would be an excellent way to increase the quality and clarity of the discussions.
This fact alone makes him someone we are happy to include as part of our lineages. Having “Lehar-aware” conversations about consciousness often takes people to the next level quickly. At QRI, we want to endorse having these ideas in the background along with the key insights obtained from each of the other lineages when creating the conditions for a qualia formalist science of consciousness (Gomez Emilsson, 2018a).
But wait, there is more!
Analog Neural Computation Using Principles of Harmonic Resonance
The very heart of Lehar’s work outlines how harmonic resonance shows up as a principle of self-organization in the mind.
Steven Lehar argued against the (at the time) prevailing neuron doctrine of neural computation which states that the contents of our experience are the result of the activity of highly discrete and individualized neurons that “encode” high-level features (such as a “grandma cell”). Importantly, Lehar points out that there is a key distinction between “rendering” an experience and merely “encoding” it. If you look for neurons that get activated if and only if a certain experience is happening you will be inadvertently mapping out how the brain encodes information rather than how it renders it. Failing to make this distinction will trap you in a worldview that is extremely hard to square with phenomenological facts. Of note is that our internal representations are flexible, a fact that the neuron doctrine finds really difficult to account for. As he puts it in “Harmonic Resonance Theory”:
There are several properties of the harmonic resonance model that are suggestive of human recognition. Unlike a rigid template, the pattern defined by a standing wave representation is elastic and adaptive. This can be seen in the manner that the spatial patterns of animal skins are defined. The parameters of the reaction-diffusion that distinguish between the spots and stripes of the tiger, zebra, leopard, and giraffe are encoded as general rules for the generation of those patterns rather than as a spatial template of any one such pattern. For example if a spot or stripe were to be fixed at one point as the pattern was emerging, the rest of the pattern would redistribute itself to adapt to that fixed feature while maintaining the general character of the encoded pattern. This invariance in the representation allows one set of parameters to generate an infinite variety of exemplars of any particular pattern type, or to adapt most flexibly to any fixed constraints or boundary conditions. (Lehar, 1999)
This flexibility of our internal representations is essential for understanding how the brain solves the “binding problem”: how is it possible that distributed neuron firings can simultaneously contribute to a unified internal representation? Indeed, Lehar takes the binding problem seriously and his solution involves resonance across spatial and temporal levels. This way, one can get representations that “lock in” low-level features to the high-level phenomenal objects that integrate them. In turn, our world-simulation works in a holistic fashion: every part of it pulls and pushes every other part of it. He explains it well in this interview:
Q: What would be the new paradigm in neuroscience?
A: The first thing that it will change is our concept of how the brain works. Right now we are in a neuro-reductionist era where people are making probes ever smaller and smaller to read into tinier and tinier parts of the brain and read the signal there and try to make some kind of sense out of it. The paradigm that they are thinking is discrete connections between individual neurons mediated by synapses. And separate individual signals going every different direction. What we see in consciousness is a much more holistic process. Something like water seeking its own level in a vessel, where the final state of the water depends on every position of every other molecule. If you change one portion, scoop out some water in one place or dump some in some other place, every single molecule in the bath quickly readjusts itself in order to seek a new level. It is a different paradigm of computation. It is what the gestaltists proposed: field theories of mind, not in the terms of fields of mental energy propagating out into the world, but fields of physical energy in the brain interacting with each other in a holistic manner the way that water seeks its own level in a vessel. (Sandu, 2016)
In Lehar’s world, the three-dimensional volumetric representations that we experience “around us” are internal representations made with a hierarchy of patterns of resonance which are mode-locked with one another. From the tiniest detail to the broadest outline, when we experience a phenomenal object as “rigid”, we are in fact experiencing a complex network of resonating patterns locked in place as a stable “solution” of a network of tuned oscillators. In other words, the binding problem is solved explicitly by hierarchical resonance at all levels. This model can explain many of the bizarre effects of psychedelics (which we’ll discuss further below) in terms of a decoupling between the resonance of the different levels! Or as Lehar would put it, “everything on LSD looks like a Fourier representation with the high-frequencies chopped off”, meaning that the fine details that would usually cancel out the broad repeating patterns of low-frequency resonance are desynchronized, and thus objects look as if they were filled with symmetrical and resonating filigree patterns!
Since Lehar worked on “Harmonic Resonance Theory,” there have been many advancements in neuroscience and the field of AI. In particular, two very noteworthy connections should be highlighted. The first is the work of Selen Atasoy (who is also one of QRI’s lineages) on connectome-specific harmonic waves (2016). Atasoy, like Lehar, identified principles of harmonic resonance in physics and biology (such as Murray’s leopard spots and zebra stripes in the standing waves of vibrating sheets of steel) and decided to apply them to the brain. Unlike Lehar, Atasoy found an empirically measurable aspect of the brain amenable to this kind of modeling: the connectome. Thus, Atasoy’s work enables the study of the standing waves that Lehar hinted at qualitatively, but now in an empirical and quantitative way.
In this way, the work of Atasoy and Lehar can be thought of as complementary rather than redundant: Lehar brings the phenomenological observations and arguments whereas Atasoy comes up with the precise empirical quantitative paradigm. Along these lines, we can already see possible extensions of this work. Namely, as we find more core structural scaffolds of the nervous system, we can examine them in light of a paradigm of harmonic resonance by building high-definition structural models, empirically extracting their corresponding wave equations, and then numerically approximating the emergent resonant modes of such structures. The beauty of this paradigm is that suddenly, large amounts of self-organizing complexity can be compressed in terms of weighted sums of harmonic resonant modes. At QRI, we consider this general paradigm to be extremely promising and endorse exploring how the overlap between these two great researchers leads to novel models of neural computation.
The second development that is important to point out is how advancements in artificial neural networks seem to have brought back the neuron doctrine with a vengeance. You get the impression that feature visualization techniques (Olah et al., 2017) allow us to make sense of what each neuron in a network “does.” Recent work at OpenAI takes this further and identifies recurring principles of self-organization that emerge in artificial neural networks (i.e. circuit motifs (Olah et al., 2020)).
The key to make sense of this is to recall the distinction between encoding and rendering. In Lehar’s world, populations of neurons that implement specific kinds of pattern recognition are in fact tuned resonators. Think of these resonators as having the function of adding clamps or pinches to a vibrating Chladni plate: the actual experience being rendered is the pattern of standing waves that emerge from the pinched plate, not the pinches themselves. While there is an extremely detailed correspondence between the content of experience and these clamps, what the experience is requires the pattern of standing waves to happen. Thus, insofar as artificial neural networks do not bring about such standing waves, they will simply and forever fail to render the contents of any experience.
Naturally, this is a testable view, since we can in principle manipulate the standing wave patterns directly (with e.g. transcranial magnetic stimulation). At QRI, we expect that in the future, this distinction will be extremely important. Without it, we would be at risk of thinking that specific computations done in digital computers entail qualia even though there is in fact no “rendering of experience” going on at all in the computational system as a whole.
A final note on this discussion is that Steven Lehar also has a theory of aesthetics. Foreshadowing the Symmetry Theory of Valence, first suggested by Johnson (2016), Lehar proposes a theory of aesthetics based on principles of harmonic resonance that explains our preference for symmetrical patterns. See the excerpt below titled “A Psycho-Aesthetic Hypothesis”in Appendix A. Thus, another key parallel between Lehar’s work and our models at QRI is that we have a non-standard interpretation of neuroanatomical functional localization. In particular, we think that the impression that “pleasure is what goes on in the pleasure centers” is at least in part an artifact of our measuring tools. As Michael Johnson postulates, the reason why activating the pleasure centers feels good is because they are strategically positioned in such a way that you get large-scale (consonant) resonance across the brain. In other words, the pleasure centers are “tuning knobs” for global synchrony in the brain! Thus, they are a kind of “master clamp” for harmonic resonance in the brain. What feels good is such resonance and not the activation of the pleasure centers per se. Don’t expect to find “beauty” in a single neuron; both Lehar and QRI will be quick to point out that beauty is a holistic property of a holistic system!
But wait, there is more!
Steven Lehar is a rational psychonaut: many of his insights are the result of paying close attention to the way specific aspects of experience break down under various states of consciousness. More so, Lehar’s clarity about indirect realism makes him a rather unusual and valuable psychonaut. As he points out, when you take a psychedelic you either “discover a new and deeply mysterious portal to a parallel dimension of reality like John Lilly, Timothy Leary, and Terrence Mackenna” or you realize that the features of your inner world-simulation are changing in ways that give the impression that alternate realities exist (Lehar, 2019). In other words, implicit theories of perception influence how one interprets alien state-spaces of consciousness! For example, even Albert Hoffman seemed to have been working under the implicit assumption of direct realism about perception:
If one continues with the conception of reality as a product of sender and receiver, then the entry of another reality under the influence of LSD may be explained by the fact that the brain, the seat of the receiver, becomes biochemically altered. The receiver is thereby tuned into another wavelength than that corresponding to normal, everyday reality. Since the endless variety and diversity of the universe correspond to infinitely many different wavelengths, depending on the adjustment of the receiver, many different realities, including the respective ego, can become conscious. (Hofmann, 1980)
Talking about psychedelic states of consciousness in light of indirect realism is really refreshing. Now, I am not saying that productive discussions within a direct realism framework cannot be had. But we often find that many unproductive discussions are the result of having a (implicit) direct realist and an (implicit) indirect realist analyze psychedelic experiences without knowing that they don’t share the same key background philosophical assumption. And this is the state of the discourse today! This muddled situation manifests all the way into presentations at the Psychedelic Science and Horizons conferences, for example, where presentations typically straddle between these views. The ambiguity tends to be better received by the audience; leaving implicit background assumptions unchallenged avoids conflict but slows down progress. So the state of the discourse is one where ambiguity about this is rewarded! No wonder the field is so confused and confusing. And in turn we find ourselves endlessly debating the “external reality” of DMT elves rather than moving on to talk about more productive questions such as the geometry, valence, and computational properties of the hallucinated worlds (Gomez Emilsson, 2019).
Of course in reality there are many “middle points” between direct and indirect realism with regards to models of psychedelic action. A hybrid view that a lot of people seem to implicitly hold is one where all we ever experience are the contents of our internal world-simulation, but that some “channels” of this inner world-simulation can be mode-locked with external “subtle” phenomena (e.g. explaining “contact high” as a “subtle body resonance between people”). That said, applying Occam’s razor, it is rational to first try to explain the zoo of psychedelic effects (Gomez Emilsson, 2016b) in terms of changes to the parameters of our inner world-simulation, and only when we cannot explain some phenomena, return to alternative explanation spaces. What Steven Lehar and other rational psychonauts highlight is that the original psychedelic visionaries seemed to have “given up” too quickly on an indirect realist model (or perhaps they were always implicit direct realists on some level). It is refreshing and reassuring to read Lehar’s comments about having experienced things like “out of body experiences,” “bilocation,” “fragmentation of the point of view,” “telepathy,” and so on and yet continue to interpret these phenomena in light of parameter changes inside a world-simulation. It shows that one can indeed stay rational, analytical, and grounded even after experiencing the extremely exotic states of consciousness psychoactives can trigger.
In his book The Grand Illusion (2010), Lehar walks us through his journey as a psychonaut. It would not be an exaggeration to say that this work is one of the absolute best pieces of content concerning the phenomenology of altered states of consciousness induced by psychoactive drugs. The entire book is filled with keen, poignant, and crisp observations which are “obvious in retrospect” yet easy to miss in the moment. To name a few:
Point of view fragmentation is a phenomenon that happens on psychedelics where your visual field segments into various parts, each with its own projective point of perspective. Lehar explains that one can modulate this phenomenon by the extent to which one relaxes and unfocuses versus how much one moves around and interacts with the world: “This discovery greatly enhanced my ability to explore the deeper spaces of consciousness revealed by the drug, while providing an insurance against the natural panic that tends to arise with the dissolution of the self, and the world around you. It allowed me to descend into the depths of the experience while maintaining a life line back to consensual reality, like a spelunker descending into the bowels of the deep underground cavern of my mind, while always able to return safely to the surface. And what a splendid and magnificent cavern it was that I discovered within my mind!” (p. 23-24).
Lehar’s ideas about annealing in the context of ketamine foreshadowed QRI’s framework of neural annealing (Johnson, 2019) and Carhart-Harris’ model of entropic disintegration (Carhart-Harris et al., 2014) by many years: “The totally confused clamped-down experience described above, applies only to the first phase of the Ketamine high. After maybe a dozen or so Ketamine experiences, I began to see a larger pattern in it, as whatever it was that clamped my thoughts slowly began to loosen its grip during the time course of each trip, and my thoughts gradually felt ever more freedom of motion, as first (metaphorically speaking) I could move my hands and feet, then my arms and legs, then my head, and eventually my whole body was released from the grip of the drug and slowly returned to normal integrated consciousness. The last stages, just before a rather abrupt and stepwise return to normal awareness, were the most emotionally powerful and stupendously magnificent, as the largest chunks of reality finally coalesced into an integrated experience” (p. 81).
According to Lehar, MDMA’s nystagmus is just a special case of a more general jittering that MDMA causes in one’s inner world-simulation across the board: “[T]here is a kind of jitteriness across the whole visual field. And this jitteriness is so pronounced that it can manifest itself in your eyeballs, that jitter back and forth at a blinding speed. If you relax, and just let the jitters take over, the oscillations of your eyes will blur the whole scene into a peculiar double image. But if you concentrate, and focus, the ocular jitter can be made to subside, and thus become less noticeable or bothersome. One of my friends got the ocular jitters so bad that he could not control them, and that prevented him from having a good time. That was the last time he took ecstasy. I however found it enchanting. And I analyzed that subtle jitteriness more carefully. It was not caused exclusively by jittering of the eyeball, but different objects in the perceived world also seemed to jitter endlessly between alternate states. In fact, all perceived objects jittered in this manner, creating a fuzzy blur between alternate states. This was interesting for a psychonaut! It seemed to me that I could see the mechanism of my visual brain sweeping out the image of my experience right before my eyes, like the flying spot of light that paints the television picture on the glowing phosphor screen. The refresh rate of my visual mechanism had slowed to such a point as to make this sweep visible to me” (p. 60).
Lehar offers a unique interpretation of how LSD and MDMA interact with one another which is compatible with our model of negative valence as neural dissonance (Gomez Emilsson, 2017a): “Under LSD and ecstasy I could see the flickering blur of visual generation most clearly. And I saw peculiar ornamental artifacts on all perceived objects, like a Fourier representation with the higher harmonics chopped off. LSD by itself creates sharply detailed ornamental artifacts, like a transparent overlay of an ornamental lattice or filigree pattern superimposed on the visual scene, especially in darkness. Ecstasy smooths out those sharp edges and blurs them into a creamy smooth rolling experience” (p. 61).
Lehar identified a family of states of consciousness where the content of experience is modifiable at will. He coined the term “Free-wheeling hallucinations” to refer to this state (hear his description in an interview). And see my detailed discussion (Gomez Emilsson, 2021) about free-wheeling hallucinations. Here’s the original quote: “[DXM] gives you the power to produce full free-wheeling hallucinations on demand! You can experience virtually anything you want, if you can just imagine it! Those of you who are familiar with the phenomenon of lucid dreaming, the ability to have startlingly real and vibrant dreams which can also be brought under voluntary control, already know of this wonderous capacity of the human mind, to build complete synthetic hallucinated worlds of visual experience every bit as vivid and apparently real as the waking world. If nothing else, this should clearly clinch the case for the World In Your Head” (p. 63-64).
And so much more. So, do me a favor and next time you experience a free-wheeling hallucination, please construct a virtual Steven Lehar and let him guide you through its parameter space! “Move the force-field flow over here into there and ta-da, you get this vortex effect! Now create a box and try to listen to it! Use that sound to shape this chair over here – doesn’t it become more box-like? How fascinating, isn’t it?” In fact, why not construct a whole “museum of the mind” in one’s free-wheeling hallucination? A kind of Disneyland but for exotic phenomenal objects! If you do this, please say hi to Steve from us!
Adjacent to his work as a rational psychonaut, Lehar produced a fascinating essay on the topic of alien contact (Lehar, n.d.). I consider that piece to be a wonderful “memetic vaccine” against some of the possible failure modes of psychonautical investigation. As it turns out, an explosive combination of implicit direct realism, high-energy, high-definition experience, and the natural human need to feel really important makes it so that a large fraction of people who experiment with DMT end up believing that they are contacting entities from another dimension. Now, we know that Lehar interprets such experiences of alien contact to be all “in your head.” But even if they weren’t, Lehar urges caution! He argues that even if the elves were mind-independent, you probably wouldn’t want to ally with them. Why? Because they are likely to be extremely persuasive marketeers rather than actual helpers or saviors. Lehar is not persuaded by the Siren Calls of the DMT machine elves and neither should you be. Else, we may simply end up doing the bidding of these creatures, which would more likely than not result in preparing the conditions for their replication (see Consciousness vs. Pure Replicators (Gomez Emilsson, 2017b)). Now that’s some serious resolve for being “the adult in the room” of psychonauts!
Lehar’s world is really vast, and what we have outlined above just scratches the surface of the musings of a great thinker (see Clifford Algebra: A visual introduction (Lehar, 2014)). In reality, Lehar has given thought to pretty much every area of philosophy (for Lehar’s views on eternalism vs. presentism, see the “Frozen Time” excerpt in Appendix A). A stark example for me that demonstrates how vast his sphere of thought is and how far it reaches is that when I first contacted him, I mentioned that I was thinking of ways to represent 3D hyperbolic space with gradient index optics (Gomez Emilsson, 2018b). In turn, he mentioned that he had already also considered something similar and that I could in fact find an old discussion of his in one of his books about the topic (see: picture below). This exchange, among others, is what made me feel that QRI and Lehar are indeed really hanging out on the same wavelength across many dimensions of thought.
How the Work of Steven Lehar Interacts with Other QRI Lineages
David Pearce would point out that hedonic tone is an extremely important aspect of our world-simulation! You see, the rabbit hole goes deeper. If you are repulsed by the idea of indirect realism about perception because it makes you feel like a prisoner of your mind, it will turn out that you are now under the spell of an implicit direct realism about the connection between ideas and hedonic tone. In a happy and ecstatic state, you can in fact experience the idea of the world in your head as rather funny, curious, and perhaps even comforting! So the way in which ideas get represented includes a whole gamut of shades of affect that “paint” them. From hilarity to existential dread, the affective component of experience is coercive in how it shapes our interpretations of reality. Thinking about deep questions can give you the impression that the world is scary and unsettling or mysterious and amazing, all depending on your mood. The task of paradise engineering is not to be realized by modifying the external world (or at least that’s not at the heart of the transformation). Rather, it is about zoning in on the affective texture of experience and finding functional substitutes devoid of misery. Really, in this light, paradise engineering is just extremely advanced interior design.
Similarly, we find a lot of overlap and complementarity between Lehar’s work and other QRI lineages. As we continue to weave together these diverse models of neural computation, we expect to see a lot of synergy emerge. In time, we will outline how each component of the ecosystem synergizes with the rest. For now, please join me in welcoming Steven Lehar to our lineages! Welcome, Steven!
Quote from page 21 of “The Function of Conscious Experience” by Steve Lehar:
Once we accept the fact that the world of visual consciousness is a pattern of energy in our physical brain, we can begin to examine that conscious experience to see what it might tell us about its neurophysiological correlate. The practice of phenomenology for investigating mental function was more popular before modern neuroscience introduced a new concept of neurocomputation that seems inconsistent with phenomenological observation. (Vernon 1937, 1952, Gregory 1981, Ramachandran & Blakeslee 1998, Smythies 1953, 1988, 1994, 1999, Koffka 1935, Köhler 1924) The most basic and salient fact of visual consciousness is that it appears as a three-dimensional spatial structure (Vernon 1952, p. 81- 92). More specifically, the phenomenal world is composed of solid volumes, bounded by colored surfaces, embedded in a spatial void. Every point on every visible surface is perceived at an explicit spatial location in three-dimensions (Clark 1993), and all of the visible points on a perceived object like a cube or a sphere, or this page, are perceived simultaneously in the form of continuous surfaces in depth. The perception of multiple transparent surfaces, as well as the experience of empty space between the observer and a visible surface, reveals that multiple depth values can be perceived at any spatial location. The information content of perception can therefore be characterized as a three-dimensional volumetric data structure in which every point can encode either the experience of transparency, or the experience of a perceived color at that location. Since perceived color is expressed in the three dimensions of hue, intensity, and saturation, the perceived world can be expressed as a six-dimensional manifold (Clark 1993), with three spatial and three color dimensions.
The Cartesian Theatre and the Homunculus Problem
Quote from pages 21-22 of “The Function of Conscious Experience” by Steve Lehar:
This “picture-in-the-head” or “Cartesian theatre” concept of visual representation has been criticized on the grounds that there would have to be a miniature observer to view this miniature internal scene, resulting in an infinite regress of observers within observers. However this argument is invalid, for there is no need for an internal observer of the scene, since the internal representation is simply a data structure like any other data in a computer, except that this data is expressed in spatial form. If the existence of a spatial data structure required a homunculus to view it, the same objection would also apply to symbolic or verbal information in the brain, i.e. epistemic as opposed to sensory perception, which would also require a homunculus to read or interpret that data. In fact any information encoded in the brain needs only to be available to other internal processes rather than to a miniature copy of the whole brain. To deny the spatial nature of the perceptual representation is to deny the spatial nature so clearly evident in the world we perceive around us. To paraphrase Descartes, it is not only the existence of myself that is verified by the fact that I think, but when I experience the vivid spatial presence of objects in the phenomenal world, those objects are certain to exist, at least in the form of a subjective experience, with properties as I experience them to have, i.e. location, spatial extension, color, and shape. I think them, therefore they exist. All that remains uncertain is whether those percepts exist also as objective external objects as well as internal perceptual ones, and whether their perceived properties correspond to objective properties. But their existence in my internal perceptual world is beyond question if I experience them, even if only as a hallucination.
Quote from pages 67-68 of “The Boundaries of Human Knowledge: A Phenomenological Epistemology or Waking Up in a Strange Place” by Steven Lehar:
If time were a frozen dimension as proposed above, that would do considerable violence to our everyday notions of causality, and thereby radically alter our view of all causal explanations. For example the first, most basic feature of causality is that matter that exists has a tendency to continue to exist. (unless it happens to decay into energy, which then also continues to exist) In frozen space-time, this means that particles of matter no longer appear as points moving through empty space, but they become long spaghetti strands extending continuously through the time dimension. The causal property of persistence has thereby been transformed into a geometrical or structural feature in frozen spacetime, something like the logic of static structures, whereby a block will never be found hanging unsupported in space, but must always be supported by other blocks that rest on still other blocks all the way down to the supporting ground. Likewise, the explanation for the logic of evolution is dramatically altered when viewed in frozen spacetime. It can no longer be said that if an organism adapts to its environment it will continue to propagate, otherwise it will go extinct. Instead, we would have to say that there are many parallel and branching threads of life from the first living thing stretching on toward the future, together with countless side-branches of life that peter out because they don’t stretch forward in time toward the future, but break up into disorganized lifeless matter. The conventional causal explanation becomes as tautological in frozen spacetime as saying that the only branches of a tree that grow to great heights are those that grow upward, otherwise they never grow to great heights. A causal law has been transformed into a structural feature of the time-line of life. I do not propose that the static formulation of frozen space-time is necessarily more correct or veridical than the conventional flowing time explanation, but rather that there is no way in principle for us to comprehend something as fundamental as time, and the frozen time explanation may well be just as far from the ‘truth’ as the conventional flowing time explanation. The point is that there can be alternative explanations of reality that are as profoundly different in their assumptions and their manner of explaining that reality as are the flowing and frozen time explanations, and yet they are also in some sense equivalent, because the structural laws of the frozen time explanation correspond exactly to the causal law of the flowing time explanation, although expressed in a completely different form. So it may be that the realist explanation of the world in terms of flowing time and causality is both an accurate reflection of the causal laws of the noumenal world, while at the same time being as fundamentally different and thus ‘wrong’ in its expression of those laws as the difference between the flowing-time and the frozen-time explanations of reality. Thus the realist and the idealist are both right, our perception of the dimensions of reality are both an accurate reflection of the world as it really is, as must necessarily be the case for perception to be evolutionarily adaptive, and at the same time there is truly nothing we can know about the true nature of the noumenal world as it really is, it may be as different from our phenomenal experience as is the frozen spacetime world to the flowing-time causal world.
A Psycho-Aesthetic Hypothesis
Quote from The Two Worlds of Reality by Steven Lehar:
The harmonic resonance theory of neurocomputation also accounts for a number of other aspects of human experience which have never found a satisfactory explanation elsewhere. For the most prominent characteristics of harmonic resonance are symmetry and periodicity of the standing wave patterns both in space and in time. It turns out that symmetry and periodicity have very special significance in human experience, for these properties are ubiquitous in human aesthetics, as seen in the symmetrical and periodic patterns of design used in all cultures throughout human history to decorate clothing, pots, tools and other artifacts, especially items of special symbolic or religious significance. Symmetry and periodicity are also prominent features of architecture, music, poetry, rhythm, and dance. In chapter 11 I propose a psycho-aesthetic hypothesis, whereby any principles of aesthetics that are found to be universal across all human cultures, are thereby indicative of properties that are fundamental to the human mind itself, rather than a cultural heritage. I propose therefore that the symmetry and periodicity in art and music are aesthetically pleasing exactly because they are easily encoded in the periodic basis function offered by the harmonic resonance representation.
Besides providing collateral support for the harmonic resonance theory, the psycho-aesthetic hypothesis can be inverted to identify even more properties of mental function than those revealed by phenomenological analysis alone. For the primitives of the visual arts, music, and dance, can be seen as evidence for the nature of visual, auditory, and motor primitives in the brain. This in turn suggests a periodic basis set in perception, in the nature of a Fourier code. The advantage of a periodic basis set is that when a match is found to an input pattern, the periodic basis set automatically extrapolates that pattern outward in space and time, reifying the unseen portions of the pattern on the basis of the sample present in the input. This perceptual extrapolation explains the amodal completion of hidden portions of perceived objects and surfaces in the world. Evidence for this periodic basis set can be seen even in the abstract world of mathematics, where the periodicity inherent in the number line reflects an attempt to quantify the world in terms of periodic patterns. This insight serves to unite the fields of science and aesthetics, and reveals mathematics as a more abstracted refinement of the same principles observed in the visual and musical arts, which in turn are merely a more abstracted refinement of the principles behind visual and auditory perception, as discussed in chapter 11. The harmonic resonance theory also offers an explanation for one of the most enduring mysteries of human experience, which is the question of why resonances in musical instruments and the rhythmic beating of drums have such a powerful ability to evoke the deepest emotional response in the human soul. I propose that the musical instrument represents man’s first modest success at replicating the physical principle behind biological computation, and the strong emotional response evoked by these inanimate resonances reflects an unconscious recognition of the essential affinity between mind and music.
I remember reading through Korzybski’s giant blue book of General Semantics, full of labyrinthine diagrams and promises that if only you understood this, you would engage with the world totally differently, you’d be a new man armed with invincible cognitive weapons. And the key insight, maybe the only insight, was “the map is not the territory”, which seems utterly banal.
But this is a self-environment distinction of exactly the sort that children learn in development. It’s dividing your own representation of the world from the world itself; it’s about as clear a reference to theory of mind as you could ask for. Korzybski considered it a revelation when he discovered it; thousands of other people found it helpful and started a movement around it; I conclude that these people were missing a piece of theory-of-mind and Korzybski gave it to them. Not the whole deal, of course. Just a piece. But a piece of something big and fundamental, so abstract and difficult to teach that it required that whole nine-hundred-something page book to cram it in.