El Cielo is an album about lucid dreaming, dreamless sleep, and sleep paralysis. I love the fact that a rock band takes dreaming states of consciousness seriously enough to record an entire album dedicated to them. The line “I, too, once thought the radio played” reminded me of the times I’ve thought music was playing while I was experiencing a sleep paralysis.
Convincing auditory hallucinations do seem to be commonplace during such states, and ample anecdotal evidence supports this fact. The music experienced can either be (1) generated on the fly, (2) a faithful reproduction of a song one knows, (3) an altered version of a song one has heard and remembers, or even (4) a reproduction of a song one has heard but isn’t aware of at the time.
Examples of (1) and (2) are alluded to by this experience report found on the website DreamViews:
I love listening to music in sleep paralysis. The other day it was “I Love it Loud” by Kiss. The song that forms up is usually something fresh in my mind, maybe something listened to earlier. It’s like having headphones in, the sound quality is that good. What songs do you get?
And here is FlacidSteel from Reddit relating their experience:
That happens to me when I am in the right mindset to have a lucid dream. It normally comes as the sound of the radio next to my bed, or sometimes the TV. When I finally realize I didn’t leave the radio/TV on is when I realize I’m dreaming and gain control of my dream, almost like a reality check. One time I could have sworn the garbage men were outside and I woke up and it was hours before they came. Sleep paralysis hallucinations can be the most convincing and terrifying experienced.
I’ve experienced (3) but I haven’t seen an explicit account online. There is at least one account for (4): the music might have been stored in auditory memory but not semantically.
Sleep paralysis for me comes about once a month, and lucid dreams about every two months. Like many, I’ve heard Bach Cello Suite No.1. and other classics. I once heard the Harry Potter and the Philosopher’s Stone movie soundtrack playing perfectly for what seemed like many tracks. I think that learning about japanoise changed what my mind thought of as acceptable mood-setting melodies. So when I first started contemplating the emotional character of arbitrary sounds and I fell into a sleep paralysis my mind played a concert that combined noise music and Bach. That time I had the ability to modulate the ratio of noise music to Bach music and see how the various proportions changed the mood I experienced. Noise blunted the quality and emotional depth of Bach. On the other hand, noise did not make me commit to any particular pattern.
Our minds can create pleasant music on the fly featuring synthesizer sounds, flutes, pianos, duck quacks, elephant trumpets, and so on. Sleep paralysis allows you to experience a broad range of deeply emotional sounds of uncharted varieties. If you are in search of a bang rather than a slow burn, I would point you to the very start of the hypnagogic state. Once a sleep paralysis has gotten going it will creep for a good 5 to 15 minutes depending on your ability to reconfigure it to a better state. Some people use their extremities to bootstrap a wave of wakefulness by energizing little pulsed ripples in one’s toes and fingers until you have yourself wiggling out of the state. The methods to deal with the aftermath of entering a sleep paralysis are myriad. But let’s talk about the point before getting into it. There isn’t a better place to arrest a sleep paralysis than at its very beginning. It’s like a loud sound in the distance is trying to set the mood and seduces you so that you agree to abide by its emotional parameters. When you fully let go for a moment, that’s the real onset of a hypnagogic state. One can hear bangs right there – one can experience sounds with climaxes! Kitchen pots colliding, balloons exploding, water splashing, 80s drums. If you want to interrupt a sleep paralysis you have to contend with the mood-setting forces of the initial hypnagogic bang. Be brave; apply the mental move of either “internalism of meaning” or semantic nihilism and prevent the loud sound from convincing the rest of your experiential world to settle in on this “new world”. If you are quick to detect the hypnagogic sleight of hand and you act decisively, a sleep paralysis can be cut right at the nub.
During sleep paralysis, hearing any kind of sound is possible, really. The generality of it is remarkable. But perhaps more relevant still is the fact that dream music is often experienced as being emotionally compelling. “Like music is supposed to be heard”- I once thought as a kid waking up from a dream with a soundtrack. It is almost like the music is a manifestation of the mood one is in. Deep down, one’s own felt-sense of aliveness provides the constraints for the type of music that will resonate with you on a given night. In turn, having slept well through the night helps you internalize a certain mood, to imagine worlds within certain affective constraints. Some people remark that dream phenomenology is emotion-driven rather than emotion-responsive. What one sees is a projection of one’s mood, the semantic congruence being imposed in often symbolic and round-about ways. It’s like when you’ve had a conversation with someone a thousand times, so you come at it with a certain attitude. “Whatever you say, no, because I’ve seen it all and I’ve always said no. Try me.” And so the dream generates images and scenes and it is somehow always implied that what happens is part of the plot. Contradictions are quickly incorporated rather than a source of questioning. Sleep paralysis has this quality, but it also has the wakeful emotion-responsive quality too. So you are in the weird position of experiencing this strange feedback effect that has a certain mood, and is trying to express its excess energy in whatever way is possible, and you have your ego who is more critical and expects certain behaviors from the world. In a way you can think of this situation as having two metallic blades spinning very fast right next to each other, and they are tied together with a complicated arrangement of pulleys and levers. If you do it right and manage to keep the balance right, no harm done. But if you mess up you can experience super strange dissonant couplings and bizarre vibrations, few of which are strictly pleasant, and most of which are sharp and rather uncomfortable.
It’s no wonder some people get traumatized from experiencing sleep paralysis. I assume very few families have a parent-child vocabulary so well developed as to be able to carefully explain sleep paralysis phenomenology in a way that will work at pointing to the thing when it finally happens for the first time. Indeed, what is so stunning about the state is perhaps precisely that which people have the hardest time verbalizing. Namely, the fact that the phenomenal character of this state is almost entirely having to do with its ambiance rather than the intentional objects present. People come out of the state saying “there was a man on top of me” or “I felt like my arms were tied to the bed” which although true, completely misses the essential character of the state, the fact that it had this peculiar dreamy subtlety that embedded a mood into everything it touched. The often Halloweenesque scenic mist that comes with a sleep paralysis is rather paranormal-themed. On a bad night, the ambiance of a sleep paralysis can feel quite inviting to zombies, demons, and vultures as thought-forms. Likewise, the thought-forms can take the shape of angry sounds and dissonant percussions. It is incredible just how powerful of a filter hedonic tone exerts on reality. For that exact same reason, it does happen to be the case that some sleep paralyses are filled with extraordinary beauty and delight. The negative hedonic tone is not intrinsic to the state, although it may seem so at the time. For whatever reason, most humans’ experience with sleep paralysis is of the negative variety, but for most sufferers every once in a while the experience comes with pleasant qualities. Indeed, there is no reason to think that devoid of evolutionary selection pressures, exotic states of alertness should come with a pre-defined hedonic tone. On the contrary, I would expect them to be fully programmable.
Anyhow, some people, myself included, have experienced sleep paralysis in which the sounds heard were of extraordinary beauty. Most people will be skeptical that the music our brains can compose on the fly in a good mood sleep paralysis is genuinely good. I’ve gone through several stages on this matter. At first I treated it as self-evidently true that the music was beautiful. Then I questioned my memory and convinced myself that my brain was fabricating the music after the fact and that I was under the illusion that it was beautiful to begin with. Then I finally memorized a little melody I heard and it was nice but too small to say much about when I woke up, so I suspected again that my brain could compose great music if I just let it do it on that state. But finally I realized that the melody is in fact quite irrelevant. What matters is the mood, and the state itself, the good mood sleep paralysis itself is in a way expressing its positive valence via sounds, but if you were to listen to them in a normal state, they wouldn’t resonate in the same way. They wouldn’t produce the same peculiar echoing along one’s subjective arrow of time (cf. The Pseudo-Time Arrow).
Naïvely one may think: let us put musicians in good mood sleep paralysis and produce great music very easily. The problem is not that you will not get melodies and rhythms out. It’s that they will not create the same emotional impression they did in the person in the state in which they were generated.
Rather, what we ought to do is figure out in what ways good mood sleep paralysis states enable a wider range of emotional contrast for phenomenal music. That’s the real question. How can we import the (good) emotional depth of sleep paralysis into the wakeful state? Deep down I suspect this comes down to disabling the boredom mechanism. It is not so much that good mood sleep paralysis is great at composing music, and more that it can create a dreamy “enjoyment body” for the music. The thought-forms there can be entranced with harmonic patterns much more easily than those present while awake.
In the general case I suspect that the music produced is entirely new… it’s the emotional character that convinces you that it is so profound, not its resemblance to a previously heard soundtrack. To reword: the precise melody of the music one experiences on dream states is almost irrelevant to understanding that world of experience. It’s the resonant echoey quality of the state that gives such a remarkable emotional depth to those imagined/experienced sounds.
Perhaps the fact that dream music can be profoundly emotionally compelling is a special case of the more general feature of such states: that the brain is in some ways more resonant than usual. Music might be just one manifestation of this general effect, others being unlocking rarely-felt emotions, body vibrations, or even things like feeling that you are being electrocuted. If resonance is the key, we could predict that a sufficiently trained lucid dreamer will be able to generate musical experiences that are surprisingly simple in their complexity and yet stunningly deep in their emotional character. What is the CDNS of a dream state? This story doesn’t end here.
[at 12:40] Q: Is the content of our experience epistemological?
A: If you take the right combination of psychedelic substances* you can get yourself in a state which is a full free-wheeling hallucination, which looks every bit as real as this world, and yet you know it’s not real because of the crazy things that happen in that world. You can have direct conscious control of those objects. You can say “give me a table” and a table will appear right in front of you as real as a solid table. Now, the first time you have this experience you think “Oh My God! What is this? What’s going on?” And the most profoundly shocking thing about the experience is the complete and total absence of your own body at the center of the experience. So here you have a space, somewhat like this space you see in this room… but there’s nobody in it! And yet the space is crammed full of images that morph rapidly from one to another through all kinds of crazy contortions. And your sense of your own self is forced to migrate away from the body that’s no longer there and takes up residence in the space itself, and you become aware of the fact that there is this spherical theater of the mind in which images are generated by your mind, full three-dimensional solid-looking real images with color, and lightning, and shadow, and mirror image effects, and reflections, and refractions. Everything we see in the normal world, and yet obviously they are not images of the world, they are images that are generated inside the mind. And that there shows that the space of our experience is a representational space that’s capable of maintaining images, but that the images have no real external reality- unless they happened to be coupled to external events. And this is the distinction that many seers and thinkers have made between the imaging mechanism that’s capable of generating images, and the images that it generates.
* Which drug combinations produce free-wheeling hallucinations? We find a more in-depth description of the phenomenon in Lehar’s book The Grand Illusion. The type of drug combo reported to lead to free-wheeling hallucinations in this book involves mixing a dissociative (DXM, PCP, Ketamine) and a psychedelic or psychedelic-like substance (LSD, Mescaline, even THC). For example DXM + THC (marijuana) is the first combination reported to produce this effect. Later on Ketamine + LSD + THC is proposed as the most effective method to achieve this state.
Here is an excerpt from the book that discusses the phenomenon in detail (pgs. 63-70 and 109):
Around the time I was experimenting with ecstasy and LSD, I discovered a whole new class of drugs, the dissociative drugs. Unbeknownst to me at the time, my experiments with Nitrous Oxide had been my first foray into the dissociative realm. Perusing on the internet brought my attention to Dextromethorphan, or DXM, known in the drug world as “Robo”, because it is the active ingredient in Robitussin DM, the cough medicine. Following my education on the internet, I took my first Robo experience by slugging down a whole bottle of the sickly sweet Robitussin syrup, which I could only hold down for a while before it all came back up again. The result was a state of profound mental befuddlement. I really had no clue at all. I became very uncoordinated, and could only move slowly like a sloth, for fear of losing my balance and falling over. And my thoughts shrank down to a tiny trickle of one intense but simple thought at a time. It was only by accident that I discovered the unique power of Robo. I was lying on my bed, probably wondering why I was doing this to myself, when I noticed a peculiar phenomenon. When I closed my eyes, the world around me failed to disappear! There it was, bold as brass, right there before me in all its color and glory, while my eyelids were firmly closed! I blinked open, then closed again. No difference! My eyelids had become transparent! I could see right through them! What was actually happening was that my mind had made an image of the world before me, partly as a visual after-image, and partly by visual memory and perceptual filling-in, and it was presenting that image to me with eyes closed as if my eyes were still open! It was absolutely extraordinary! It was only on a later occasion, several years later, that I discovered that these hallucinations need not be boring copies of consensual reality, as had occurred in this case, but if you just ask for them to present something more interesting, they will happily oblige! In other words, Robo gives you the power to produce full free-wheeling hallucinations on demand! You can experience virtually anything you want, if you can just imagine it! Those of you who are familiar with the phenomenon of lucid dreaming, the ability to have startlingly real and vibrant dreams which can also be brought under voluntary control, already know of this wondrous capacity of the human mind, to build complete synthetic hallucinated worlds of visual experience every bit as vivid and apparently real as the waking world. If nothing else, this should clearly clinch the case for the World In Your Head.
On the internet I later read about robo parties where people would assemble in one room, consume Robo simultaneously, then they lie back and close their eyes and share a collective hallucination. For example they might agree in advance to take a trip to the moons of Mars. Then they all lie down and close their eyes, and their collective trip would begin. One will say “fasten your seat belts”, another will hit the launch button, a third might remark on the rumble of the rocket and the view of the sky out the viewport, and everything that they describe is hallucinated by everyone else simultaneously, although each in their own personal way, so they are literally sharing a single consensual experience, except this time totally de-coupled from objective external reality. The very existence or possibility of this capacity is very instructive of the principles behind human perception.
In my own solitary explorations of the dissociated state I put this imaging power to the test, with a combination of Robo and Marijuana. This time I had read about a chemical procedure by which one can separate the Robo from the Robitussin DM with an acid / base reduction process. I carefully followed the directions in my kitchen, and what emerged after a couple of hours of mixing and boiling, was a glob of clear goo at the bottom of my beaker. I tasted it, and it tasted like hell fire! It was inconsumable! So I stirred it up with some orange juice and slugged it all down. I immediately felt very very sick, and after no more than about a minute, it all came back up again, to my great relief. But the chemical had done its thing, and I was plunged into a state of the deepest mental confusion. I retreated to my tripping room and reclined on my recliner, took a few notes in my notebook, and recorded the time. The image of the clock, and everything else in the room, was double. Even with an effort of will, I could not fuse my binocular vision, so it became more easy and comfortable to just close my eyes. What followed was some number of hours of the wildest mental confusion, with senseless whirling images tumbling through my mind, one following the next in completely senseless procession. I just let it go and went for the ride, having lost all sense of who or even what I was, or where I was located. All that existed for me was those chaotic tumbling patterns.
In any case, I “awoke” the next morning in a very gray and colorless foggy space with little in the way of mental images, just a gray sense of being trapped within the vast cavern of my mind. I opened my eyes to a double-image world, and found the pipe thoughtfully pre-loaded with marijuana that I had left for myself, along with the clock and notepad, before launching into the experience the day before. And sure enough, consistent with my new theory, after smoking the pipe, I closed my eyes and found that the internal world was now splashed with color and light and all kinds of interesting shapes and patterns. I had arrived in the state I had been targeting all along.
Once I realized that I was in the free-wheeling hallucination stage, I took a look at the experience. Where was my body? I was in a space somewhat like the last room I remembered being in, but I had no body! Or did I? When I looked down at my hands, (with eyes actually closed) there they were, floating in space, disconnected from anything else. And the rest of my body was just gone! Or was it? When I asked myself about it, there it was! Or I could make it disappear again at will! My choice! I was like God who can think any thought, and it becomes reality. So I thought to myself “let there be a table”, and there was a table! Right there in front of me! A rectangular top, four legs, aspect ratio about 1:2, just your typical canonical table. And I could rotate it in my mind’s eye to see it from any angle I chose, and I could translate, rotate, and zoom my viewpoint by just wishing it. I could even turn my viewpoint upside-down. I tried it! And when I zoomed in to examine the table closer I discovered a strange thing. If I did not bother to imagine a body for myself, then I had a disembodied experience, like the view from an eyeball floating in empty space. I could see a view from a point, but there was no body or self at that point. And in this disembodied state there was no longer an objective sense of scale. When I zoomed in to take a closer look at the table there was no distinction between my looking from closer, and the table simply zooming to larger size. Zooming in on the table was at the same time shrinking down to the size of an ant. This gave direct meaning to Empedocles’s dictum that man is the measure of all things.
But there were limits to what I was able to image. For example I tried to fulfill one of my long time fantasies, and fly a Spitfire in aerial combat in the Battle of Britain. “Let there be a spitfire cockpit around me”, I commanded, and there it was, with a view of the English countryside from 20,000 feet. But the picture was not very good. I could only see one instrument at a time on the panel, and even that only with an effort, and the view of the world around me was very sketchy and simplistic, so I gave it up after a while. I guess there are limits to the power of imagination in the dissociated state. It is extraordinarily difficult to keep one’s head in such a dissociated state. The free-wheeling hallucination stage follows only after a period of such profound confusion and dissociation that no coherent pictures can form, there is just a wild roller-coaster ride of one fantastical vision after another in such a nonsensical sequence as to make your head spin. When things settle down a bit, and your experience settles into a more stable, coherent state, it is hard to remember that this journey was taken for a purpose, and that the scientific psychonaut should remember to observe and remember as much as he can. The experience is generally a chaotic blur, with little flashes of imagery that are later recalled piecemeal. For example I remember seeing a head, in 3-D right before me, but it was flickering and flashing at a truly blinding rate between millions of variations, a black face, a white face, a man, a woman, an ape, an android, but flashing so fast between these countless alternatives like fanning rapidly through a picture book with your thumb. I found it extraordinary that my mind was capable of such rapid switching of imagery, especially considering the fact that the mind is slowed considerably by the effects of dissociative drugs, and that was probably the only reason that I could distinguish the fleeting individual heads at all. Under more normal consciousness the many heads blur into one general head of indefinite features, the general concept of head that applies to all heads, and thus to none individually. In retrospect, after much contemplation of this and other similar experiences, I came to hypothesize that I was seeing the method by which the brain expresses the general concept, which it does apparently in a very literal way, as a kind of probabilistic superposition of mutually inconsistent alternatives through which it cycles at a blinding speed. This is what your visual system does in a flash when a new face appears, before settling on the one face recreated from memory that best fits the sensory evidence before us. This was a profoundly moving discovery.
The dissociative state does more than just dissociate your experience from the external world, creating a solipsistic inner experience, but it also dissociates one brain area from another, causing a mental fragmentation in which one no longer feels like a single individual, but as a kind of fragmented collective consciousness almost like a multiple-personality syndrome, or a cacophony of asynchronous “group thought”. The most direct and obvious manifestation of this strong dissociation was seen in vision turning double, as also happens when one is profoundly drunk. It just becomes too great an effort to keep the two eyes fused, so one tends to relax and just let the world turn double, each eye ignoring the experience of the other, and thus, it is normally more relaxing and less disturbing to simply close your eyes, and in the dissociated state this does nothing to reduce the vividness or clarity of the experience. Thoughts also dissociate from each other, allowing one part of your mind to think one thing, while another part thinks something completely different. Your mind becomes a cacophony of discordant voices, you lose your sense of being a single self. This also was a fascinating experience with profound philosophical implications.
There is a strange sense of space that takes over as your world of experience becomes dissociated, as your perceived body fragments into a million pieces and dissolves seamlessly into the surrounding world of non-self, or perhaps it is more accurate to say that the self expands outward to encompass the whole world of your experience. Your self is transformed from a central body-shaped object, to a larger spatial void that is just crammed full of images madly morphing from one pattern to the next. This world is your all, it is the screen that defines the maximum extent of your possible experience, just as a television screen, with its glowing colored dots, defines the full range of all possible images that can be expressed in that gamut of colors. And during the free-wheeling hallucination stage, I would experience a succession from one moving experience to the next, from Egyptian pyramids in a desert, to the mountains of Mars, to people, faces, creatures, concepts, and wild pattens in an endless state of flux. It is one thing to read about these experiences as happening to someone else, but it is quite another to “be” those endless visions, and to have them be as real to you as any experience in the real world!
I came to call this phenomenon the “egg world”, a roughly ellipsoidal volume of space stretching to often dark shadowy and indistinct limits, like the dome of the sky matched by the bowl of an inverted sky, but with a curious missing hemifield back behind what would have been behind my head, a volumetric space in which the images appear, morphing from one interpretation to the next, like a surrealistic painting by Dali. In fact, the radical transformation of one object to something completely different, was typical of the visual transformations, they tended to shift abruptly like one of those Gestalt illusions where a young lady is transformed into an old hag, and back again. In this profound state of intoxication I lost all sense of the distinction between the world itself and the experience of it in my mind. I got the sense that I was directly experiencing the cataclysmic transformation of the universe, or at least the only universe of which I was aware, and that whole universe was exploding into senseless fragments. I felt I was witnessing the cataclysmic birth or death of the entire universe, witnessed not by viewing from the outside, but by being the universe undergoing those cataclysmic events. There was nothing else beyond myself that entered into my awareness, I was isolated in a kind of “brain in a vat” solipsistic experience disconnected from external reality.
And yet at the same time I had a sense that my universe was finite and bounded, delimited by the outer shell of the egg-like space, a surface whose distance was indefinite or fuzzy, or changeable, not unlike the space you see before you with eyes closed, or in pitch darkness, and the dimensions of that space seemed to depend on what was being imaged in that space. I had a claustrophobic sensation of being trapped within the confines of this egg-shaped world, and in that thought was embodied the notion of the possible existence of something else beyond, of the great infinite blackness of non-experience beyond the limits of my experienced world.
And with that thought, there came another, which I found even more moving still. With that thought came a thought, why do I have to be trapped within my own self? Why can’t this beautiful energetic spirit that is me, escape the confines of my brain, and go out into the external world? Not as a supernatural spirit, I don’t believe in those. But as a resonance in some kind of resonator built for that purpose, that operates on the same essential principles as the resonance in our brain. Why don’t we build machines that have the same power of dynamic image generation as our brain, and thus, create consciousness beyond the biological mind? And if we can create resonators that replicate the principle of the human brain, we can then interconnect them in a global network, where the images in the various resonators would be coupled with each other so as to produce a single emergent global mind, distributed across all the resonators in the network. It is hard to express the profoundly moving nature of that thought. This was the philosophy of experience seen in a completely different light.
There was another aspect of the dissociated psychedelic experience that impressed itself on me, and that was the sound that I heard. Although I tended not to notice unless I attended to it deliberately, there was a strange and constant sound in the background during all these experiences, and that sound could be described as the thrumming of some great machine, or the drone of enormous deep organ pipes that vibrated to the core of my soul. There was a kind of “chugga chugga chugga” or “thumpa thumpa thumpa” sound, but that was only one component. On top of that were higher pitched and faster cycling sounds all the way to the highest audible tone, and these sounds were rich and deep and periodic and chaotic, all at the same time, impossible to describe. I came to believe that this was the sound that my brain makes when it is thinking. This is the sound of thought.
Ketamine marked for me the final shattering of the last vestiges of the naïve illusion that what we are seeing in experience is the world itself. After you have lived through as many free-wheeling hallucinations as I have, you realize that your mind is first and foremost, a magnificent three-dimensional holographic image projection mechanism, capable of rendering some truly awesome experienced scenes, with incredible capacities for generating texture, patterns, shapes, transparency, color, light and shadow, multiple illumination, radiance or self-illuminance, mirror reflections, and refraction as through water or glass. Our visual mind works like a modern ray-tracing algorithm that creates synthetic scenes using fractal algorithms complete with illumination and shadow, except it is capable of generating the most complex scenes in a fraction of a second, and hundreds of these images per second! Once you have seen how vivid and clear and complex a world your mind is capable of fabricating in an instant of time, you must acknowledge both a deep appreciation for the outstanding capacity of the brain to pull off that stunt, and at the same time, a deep awe at the thought of the real world itself, beyond our experience, of which the world of experience is no more than a cartoon caricature over-simplification.
It is worth complementing Lehar’s report with the findings of another lucid psychonaut, James L. Kent of Psychedelic Information Theory. He also identifies the “psychedelic + dissociative” combination as an area of special interest for studying hallucinations. That said, he also points out that if one takes this combo in conjunction with an acetylcholine promoter of some sort the experience can easily become overwhelming and uncontrollable (crossing the boundary between fun and free-wheeling to unpleasantly chaotic and out of control; cf. criticality):
The ACh promotion of dreaming and REM has been demonstrated in animal research, but only subjectively reported and presumed in humans. Subjective reports of combining both the dissociative ketamine and the psychedelic LSD with pre-doses of galantamine and choline (both acetylcholine promoters) indicates that ACh promoters facilitate emotionally intense eidetic hallucinations, sometimes uncomfortable or unpleasant in nature, emerging beyond the subject’s capacity to control. This demonstrates that the production of eidetic imagery in response to ACh modulation is a spontaneous and automatic function of memory consolidation that cannot be easily controlled by the will or intent of the subject. The spontaneous production of salient eidetic memory makes psychedelics a useful tool in psychotherapy, but the uncontrollable flood of eidetic imagery may not always be pleasant for the subject. States of intense eidetic hallucination may be associated with memory regression, imprinting, reconsolidation, and neuroplasticity.
Neural annealing: Annealing involves heating a metal above its recrystallization temperature, keeping it there for long enough for the microstructure of the metal to reach equilibrium, then slowly cooling it down, letting new patterns crystallize. This releases the internal stresses of the material, and is often used to restore ductility (plasticity and toughness) on metals that have been ‘cold-worked’ and have become very hard and brittle— in a sense, annealing is a ‘reset switch’ which allows metals to go back to a more pristine, natural state after being bent or stressed. I suspect this is a useful metaphor for brains, in that they can become hard and brittle over time with a build-up of internal stresses, and these stresses can be released by periodically entering high-energy states where a more natural neural microstructure can reemerge.
Furthermore, from what I gather from experienced meditators, successfully entering meditative flow may be one of the most reliable ways to reach these high-energy brain states. I.e., it’s very common for meditation to produce feelings of high intensity, at least in people able to actually enter meditative flow.* Meditation also produces more ‘pure’ or ‘neutral’ high-energy states, ones that are free of the intentional content usually associated with intense experiences which may distort or limit the scope of the annealing process. So we can think of intermediate-to-advanced (‘successful flow-state’) meditation as a reheating process, whereby the brain enters a more plastic and neutral state, releases pent-up structural stresses, and recrystallizes into a more balanced, neutral configuration as it cools. Iterated many times, this will drive an evolutionary process and will produce a very different brain, one which is more unified & anti-fragile, less distorted toward intentionality, and in general structurally optimized against stress.
An open question is how or why meditation produces high-energy brain states. There isn’t any consensus on this, but I’d offer with a nod to the predictive coding framework that bottom-up sense-data is generally excitatory, adding energy to the system, whereas top-down predictive Bayesian models are generally inhibitory, functioning as ‘energy sinks’. And so by ‘noting and knowing’ our sensations before our top-down models activate, in a sense we’re diverting the ‘energy’ of our sensations away from its usual counterbalancing force. If we do this long enough and skillfully enough, this energy can build up and lead to ‘entropic disintegration’, the prerequisite for annealing. (Thanks to Andrés for discussion here)
If this model is true, it feels very important for optimizing a meditation practice. E.g., we should try to figure out some rules of thumb for:
How to identify a high-energy brain state, in yourself and others, and how best to create them;
Things to do, and things not to do, during an annealing process (‘how to anneal the right things’);
Identifying tradeoffs in ‘cooling’ the brain quickly vs slowly.
Off the top of my head, I’d suggest that one of the worst things you could do after entering a high-energy brain state would be to fill your environment with distractions (e.g., watching TV, inane smalltalk, or other ‘low-quality patterns’). Likewise, it seems crucial to avoid socially toxic or otherwise highly stressful conditions. Most likely, going to sleep as soon as possible without breaking flow would be a good strategy to get the most out of a high-energy state. Avoiding strong negative emotions during such states seems important, as does managing your associations (psychedelics are another way to reach these high-energy states, and people have noticed there’s an ‘imprinting’ process where the things you think about and feel while high can leave durable imprints on how you feel after the trip). Finally, perhaps taking certain nootropics could help strengthen (or weaken) the magnitude of this annealing process.
Finally, to speculate a little about one of the deep mysteries of life, perhaps we can describe love as the result of a strong annealing process while under the influence of some pattern. I.e., evolution has primed us such that certain intentional objects (e.g. romantic partners) can trigger high-energy states where the brain smooths out its discontinuities/dissonances, such that given the presence of that pattern our brains are in harmony. This is obviously a two-edged sword: on one hand it heals and renews our ‘cold-worked’ brain circuits and unifies our minds, but also makes us dependent: the felt-sense of this intentional object becomes the key which unlocks this state. (I believe we can also anneal to archetypes instead of specific people.)
Annealing can produce durable patterns, but isn’t permanent; over time, discontinuities creep back in as the system gets ‘cold-worked’. To stay in love over the long-term, a couple will need to re-anneal in the felt-presence of each other on a regular basis. From my experience, some people have a natural psychological drive toward reflexive stability here: they see their partner as the source of goodness in their lives, so naturally they work hard to keep their mind aligned on valuing them. (It’s circular, but it works.) Whereas others are more self-reliant, exploratory, and restless, less prone toward these self-stable loops or annealing around external intentional objects in general. Whether or not, and within which precise contexts, someone’s annealing habits fall into this ‘reflexive stability attractor’ might explain much about e.g. attachment style, hedonic strategy, and aesthetic trajectory.
 Anecdotally, the phenomenology of love-annealing is the object ‘feels beautiful from all angles’. This may imply that things (ideas, patterns, people) which are more internally coherent & invariant across contexts can produce stronger annealing effects — i.e. these things are more easy to fall deeply in love with given the same ‘annealing budget’, and this love is more durable.
 It’s important to note that both intense positive and intense negative experiences can push the brain into high-energy states; repeated annealing to negative emotions may serve many of the same functions as ‘positive annealing’, but also predispose brains to ‘sing in a minor key’ (see ‘kindling’).
In response to the Quora question “I feel like a lot of evil actions in the world have supporters who justify them (like Nazis). Can you come up with some convincing ways in which some of the most evil actions in the world could be justified?” David Pearce writes:
“Tout comprendre, c’est tout pardonner.”
(Leo Tolstoy, War and Peace)
“Despite everything, I believe that people are really good at heart.”
The risk of devising justifications of the worst forms of human behaviour is there are people gullible enough to believe them. It’s not as though anti-Semitism died with the Third Reich. Even offering dispassionate causal explanation can sometimes be harmful. So devil’s advocacy is an intellectual exercise to be used sparingly.
That said, the historical record suggests that human societies don’t collectively set out to do evil. Rather, primitive human emotions get entangled with factually mistaken beliefs and ill-conceived metaphysics with ethically catastrophic consequences. Thus the Nazis seriously believed in the existence of an international Jewish conspiracy against the noble Aryan race. Hitler, so shrewd in many respects, credulously swallowed The Protocols of the Elders of Zion. And as his last testamentdisclosed, obliquely, Hitler believed that the gas chambers were a “more humane means” than the terrible fate befalling the German Volk. Many Nazis (Himmler, Höss, Stangl, and maybe even Eichmann) believed that they were acting from a sense of duty – a great burden stoically borne. And such lessons can be generalised across history. If you believed, like the Inquisition, that torturing heretics was the only way to save their souls from eternal damnation in Hell, would you have the moral courage to do likewise? If you believed that the world would be destroyed by the gods unless you practised mass human sacrifice, would you participate? [No, in my case, albeit for unorthodox reasons.]
In a secular context today, there exist upstanding citizens who would like future civilisation to run “ancestor simulations”. Ancestor simulations would create inconceivably more suffering than any crime perpetrated by the worst sadist or deluded ideologue in history – at least if the computational-functional theory of consciousness assumed by their proponents is correct. If I were to pitch a message to life-lovers aimed at justifying such a monstrous project, as you request, then I guess I’d spin some yarn about how marvellous it would be to recreate past wonders and see grandpa again.
And so forth.
What about the actions of individuals, as distinct from whole societies? Not all depraved human behaviour stems from false metaphysics or confused ideology. The grosser forms of human unpleasantness often stem just from our unreflectively acting out baser appetites (cf. Hamiltonian spite). Consider the neuroscience of perception. Sentient beings don’t collectively perceive a shared public world. Each of us runs an egocentric world-simulation populated by zombies (sic). We each inhabit warped virtual worlds centered on a different body-image, situated within a vastreality whose existence can be theoretically inferred. Or so science says. Most people are still perceptual naïve realists. They aren’t metaphysicians, or moral philosophers, or students of the neuroscience of perception. Understandably, most people trust the evidence of their own eyes and the wisdom of their innermost feelings, over abstract theory. What “feels right” is shaped by natural selection. And what “feels right” within one’s egocentric virtual world is often callous and sometimes atrocious. Natural selection is amoral. We are all slavesto the pleasure-pain axis, however heavy the layers of disguise. Thanks to evolution, our emotions are “encephalised” in grotesque ways. Even the most ghastly behaviour can be made to seem natural –like Darwinian life itself.
Are there some forms of human behaviour so appalling that I’d find it hard to play devil’s advocate in their mitigation – even as an intellectual exercise?
Well, perhaps consider, say, the most reviled hate-figures in our society – even more reviled than murderers or terrorists. Most sexually active paedophiles don’t set out to harm children: quite the opposite, harm is typically just the tragic by-product of a sexual orientation they didn’t choose. Posthumansmay reckon that all Darwinian relationships are toxic. Of course, not all monstrous human behavior stems from wellsprings as deep as sexual orientation. Thus humans aren’t obligate carnivores. Most (though not all) contemporary meat eaters, if pressed, will acknowledge in the abstract that a pig is as sentient and sapient as a prelinguistic human toddler. And no contemporary meat eaters seriously believe that their victims have committed a crime (cf. Animal trial – Wikipedia). Yet if questioned why they cause such terrible suffering to the innocent, and why they pay for a hamburger rather than a veggieburger, a meat eater will come up with perhaps the lamest justification for human depravity ever invented:
This time David Chalmers brought the Meta-problem of Consciousness into the overall conversation by making a presentation about his paper on the topic. I think that this was a great addition to the conference, and it played beautifully as a tone-setter.
“The meta-problem of consciousness is (to a first approximation) the problem of explaining why we think that there is a problem of consciousness.”
And of all of his works, I would argue, discussing the meta-problem of consciousness is perhaps one of the things that will help advance the field of consciousness research the most. In brief, we are in sore need of an agreed-upon explanation for the reasons why consciousness poses a problem at all. Rather than getting caught up in unfruitful arguments at the top of the argumentative tree, it is helpful to sometimes be directed to look at the roots of people’s divergent intuitions. This tends to highlight unexpected differences in people’s philosophical background assumptions.
And the fact that these background assumptions are often not specified leads to problems. For example: talking past each other due to differences in terminology, people attacking a chain of reasoning when in fact their disagreement starts at the level of ontology, and failure to recognize and map useful argumentative isomorphisms from one ontology onto another.
Having the Meta-Problem of Consciousness at the forefront of the discussions, in my appraisal of the event, turned out to be very generative. Asking an epiphenomenalist, an eliminativist, a panprotopsychist, etc. to explain why they think their view is true seemed less helpful in advancing the state of our collective knowledge than asking them about their thoughts on the Meta-Problem of Consciousness.
(2) Qualia Formalism in the Water Supply
At the Qualia Research Institute we explicitly assume that consciousness is not only real, but that it is formalizable. This is not a high-level claim about the fact that we can come up with a precise vocabulary to talk about consciousness. It is a radical take on the degree to which formal mathematical models of experience can be discovered. Qualia Formalism, as we define it, is the claim that for any conscious experience, there exists a mathematical object whose properties are isomorphic to the phenomenology of that experience. Anti-formalists, on the other hand, might say that consciousness is an improper reification.
For formalists, consciousness is akin to electromagnetism: we started out with a series of peculiar disparate phenomena such as lightning, electricity, magnets, static-electricity, etc. After a lot of work, it turned out that all of these diverse phenomena had a crisp unifying mathematical underpinning. More so, this formalism was not merely descriptive. Light, among other phenomena, were hidden in it. That is, finding a mathematical formalism for real phenomena can be generalizable to even more domains, be strongly informative for ontology, and ultimately, also technologically generative (the computer you are using to read this article wouldn’t- and in fact couldn’t -exist if electromagnetism wasn’t formalizable).
For anti-formalists, consciousness is akin to Élan vital. People had formed the incorrect impression that explaining life necessitated a new ontology. That life was, in some sense, (much) more than just the sum of life-less forces in complex arrangements. And in order to account for the diverse (apparently unphysical) behaviors of life, we needed a life force. Yet no matter how hard biologists, chemists, and physicists have tried to look for it, no life force has been found. As of 2018 it is widely agreed by scientists that life can be reduced to complex biochemical interactions. In the same vein, anti-formalists about consciousness would argue that people are making a category error when they try to explain consciousness itself. Consciousness will go the same way as Élan vital: it will turn out to be an improper reification.
In particular, the new concept-handle on the block to refer to anti-formalist views of consciousness is “illusionism”. Chalmers writes on The Meta-Problem of Consciousness:
This strategy [of talking about the meta-problem] typically involves what Keith Frankish has called illusionism about consciousness: the view that consciousness is or involves a sort of introspective illusion. Frankish calls the problem of explaining the illusion of consciousness the illusion problem. The illusion problem is a close relative of the meta-problem: it is the version of the meta-problem that arises if one adds the thesis that consciousness is an illusion. Illusionists (who include philosophers such as Daniel Dennett, Frankish, and Derk Pereboom, and scientists such as Michael Graziano and Nicholas Humphrey) typically hold that a solution to the meta-problem will itself solve or dissolve the hard problem.
In the broader academic domain, it seems that most scientists and philosophers are neither explicitly formalists nor anti-formalists. The problem is, this question has not been widely discussed. We at QRI believe that there is a fork in the road ahead of us. That while both formalist and anti-formalist views are defensible, there is very little room in-between for coherent theories of consciousness. The problem of whether qualia formalism is correct or not is what Michael Johnson has coined as TheReal Problem of Consciousness. Solving it would lead to radical improvements in our understanding of consciousness.
What a hypothetical eliminativist about consciousness would say to my colleague Michael Johnson in response to the question – “so you think consciousness is just a bag of tricks?”: No, consciousness is not a bag of tricks. It’s an illusion, Michael. A trick is what a Convolutional Neural Network needs to do to perform well on a text classification task. The illusion of consciousness is the radical ontological obfuscation that your brain performs in order to render its internal attentional dynamics as a helpful user-interface that even a kid can utilize for thinking.
Now, largely thanks to the fact that Integrated Information Theory (IIT) is being discussed openly, qualia formalism is (implicitly) starting to have its turn on the table. While we believe that IIT does not work out as a complete account of consciousness for a variety of reasons (our full critique of it is certainly over-due), we do strongly agree with its formalist take on consciousness. In fact, IIT might be the only mainstream theory of consciousness that assumes anything resembling qualia formalism. So its introduction into the water supply (so to speak) has given a lot of people the chance to ponder whether consciousness has a formal structure.
(3) Great New Psychedelic Research
The conference featured the amazing research of Robin Carhart-Harris, Anil K. Seth, and Selen Atasoy, all of whom are advancing the frontier of consciousness research by virtue of collecting new data, generating computational models to explain it, and developing big-picture accounts of psychedelic action. We’ve already featured Atasoy’s work in here. Her method of decomposing brain activity into harmonics is perhaps one of the most promising avenues for advancing qualia formalist accounts of consciousness (i.e. tentative data-structures in which the information about a given conscious state is encoded). Robin’s entropic brain theory is, we believe, a really good step in the right direction, and we hope to formalize how valence enters the picture in the future (especially as it pertains to being able to explain qualia annealingon psychedelic states). Finally, Anil is steel-manning the case for predictive coding’s role in psychedelic action, and, intriguingly, also advancing the field by trying to find out in exactly what ways the effects of psychedelics can be simulated with VR and strobe lights (cf. Algorithmic Reduction of Psychedelic States, and Getting Closer to Digital LSD).
(4) Superb Aesthetic
The Science of Consciousness brings together a group of people with eclectic takes on reality, extremely high Openness to Experience, uncompromising curiosity about consciousness, and wide-ranging academic backgrounds, and this results in an amazing aesthetic. In 2016 the underlying tone was set by Dorian Electra and Baba Brinkman, who contributed with consciousness-focused music and witty comedy (we need more of that kind of thing in the world). Dorian Electra even released an album titled “Magical Consciousness Conference” which discusses in a musical format classical topics of philosophy of mind such as: the mind-body problem, brains in vats, and the Chinese Room.
The Science of Consciousness conference carries a timeless aesthetic that is hard to describe. If I were forced to put a label on it, I would say it is qualia-aware paranormal-adjacentpsychedelicmeta-cognitivefuturism, or something along those lines. For instance, see how you can spot philosophers of all ages vigorously dancing to the empiricists vs. rationalists song by Dorian Electra (featuring David Chalmers) at The End of Consciousness Party in this video. Yes, that’s the vibe of this conference. The conference also has a Poetry Slam on Friday in which people read poems about qualia, the binding problem, and psychedelics (this year I performed a philosophy of mind stand-up comedy sketch there). They also play the Zombie Blues that night, in which people take turns to sing about philosophical zombies. Here are some of Chalmers’ verses:
I act like you act
I do what you do
But I don’t know
What it’s like to be you
What consciousness is!
I ain’t got a clue
I got the Zombie Blues!!!
I asked Tononi:
“How conscious am I?”
He said “Let’s see…”
“I’ll measure your Phi”
He said “Oh Dear!”
“It’s zero for you!”
And that’s why you’ve got the Zombie Blues!!!
Noteworthy too is the presence of after-parties that end at 3AM, the liberal attitude on cannabis, and the crazy DMT art featured in the lobby. Here are some pictures we took late at night borrowing some awesome signs we found at a Quantum Healing stand.
Panpsychism Made Practical
No Zombies Allowed: Human or Zombie? Get Tested Here
(5) We found a number of QRI allies and supporters
Finally, we were very pleased to find that Qualia Computing readers and QRI supporters attended the conference. We also made some good new friends along the way, and on the whole we judged the conference to be very much worth our time. For example, we were happy to meet Link Swanson, who recently published his article titled Unifying Theories of Psychedelic Drug Effects. I in fact had read this article a week before the event and thought it was great. I was planning on emailing him after the conference, and I was pleasantly surprised to meet him in person there instead. If you met us at the conference, thanks for coming up and saying hi! Also, thank you to all who organized or ran the conference, and to all who attended it!
QRI members, friends, and allies
What I Would Like to See More Of
(1) Qualia Formalism
We hope and anticipate that in future years the field of consciousness research will experience an interesting process in which theory proponents will come out as either formalists or anti-formalists. In the meantime, we would love to see more people at least taking seriously the vision of qualia formalism. One of the things we asked ourselves during the conference was: “Where can we find other formalists?”. Perhaps the best heuristic we explored was the simple strategy of going to the most relevant concurrent sessions (e.g. physics and consciousness, and fundamental theories of consciousness). Interestingly, the people who had more formalist intuitions also tended to take IIT seriously.
(2) Explicit Talk About Valence (and Reducing Suffering)
To our knowledge, our talks were the only ones in the event that directly addressed valence (i.e. the pleasure-pain axis). I wish there were more, given the paramount importance of affect in the brain’s computational processing, its role in culture, and of course, its ethical relevance. What is the point of meaning and intelligence if one cannot be happy?
There was one worthy exception: at some point Stuart Hameroff briefly mentioned his theory about the origin of life. He traces the evolutionary lineage of life to molecular micro-environmental system in which “quantum events [are] shielded from random, polar interactions, enabling more intense and pleasurable [Objective Reduction] qualia. ” In his view, pleasure-potential maximization is at the core of the design of the nervous system. I am intrigued by this theory, and I am glad that valence enters the picture here. I would just want to extend this kind of work to include the role of suffering as well. It seems to me that the brain evolved an adaptive range of valence that sinks deep into the negative, and is certainly not just optimizing for pleasure. While our post-human descendants might enjoy information-sensitive gradients of bliss, us Darwinians have been “gifted” by evolution a mixture of negative and positive hedonic qualia.
Related to (2), we think that one of the most important barriers for making progress in valence research is the fact that most people (even neuroscientists and philosophers of mind) think of it as a very personal thing with no underlying reality beyond hearsay or opinion. Some people like ice-cream, some like salads. Some people like Pink Floyd, others like Katy Perry. So why should we think that there is a unifying equation for bliss? Well, in our view, nobody actually likes ice-cream or Pink Floyd. Rather, ice-cream and Pink Floyd trigger high-valence states, and it is the high valence states that are actually liked and valuable. Our minds are constructed in such a way that we project pleasure and pain out into the world and think of them as necessarily connected to the external state of affairs. But this, we argue, is indeed an illusion (unlike qualia, which is as real as it gets).
Even the people in the Artificial Intelligence and Machine Consciousness plenary panel seemed subject to the Tyranny of the Intentional Object. During the Q&A section I asked them: “if you were given a billion dollars to build a brain or machine that could experience super-happiness, how would you go about doing so?” Their response was that happiness/bliss only makes sense in relational terms (i.e. by interacting with others in the real world). Someone even said that “dopamine in the brain is just superficial happiness… authentic happiness requires you to gain meaning from what you do in the world.” This is a common view to take, but I would also point out that if it is possible to generate valence in artificial minds without human interactions, generating high valence could be done more directly. Finding methods to modulate valence would be done more efficiently by seeking out foundational qualia formalist accounts of valence.
(4) Bigger Role for the Combination Problem
The number of people who account for the binding problem (also called the combination or boundary problem) is vanishingly small. How and why consciousness appears as unitary is a deep philosophical problem that cannot be dismissed with simple appeals to illusionism or implicit information processing. In general, my sense has been that many neuroscientists, computer scientists, and philosophers of mind don’t spend much time thinking about the binding problem. I have planned an article that will go in depth about why it might be that people don’t take this problem more seriously. As David Pearce has eloquently argued, any scientific theory of consciousness has to explain the binding problem. Nowadays, almost no one addresses it (and much less compellingly provides any plausible solution to it). The conference did have one concurrent session called “Panpsychism and the Combination Problem” (which I couldn’t attend), and a few more people I interacted with seemed to care about it, but the proportion was very small.
(5) Bumping-up the Effect Size of Psi Phenomena (if they are real)
There is a significant amount of interest in Psi (parapsychology) from people attending this conference. I myself am agnostic about the matter. The Institute of Noetic Science (IONS) conducts interesting research in this area, and there are some studies that argue that publication bias cannot explain the effects observed. I am not convinced that other explanations have been ruled out, but I am sympathetic to people who try to study weird phenomena within a serious scientific framework (as you might tell from this article). What puzzles me is why there aren’t more people advocating for increasing the effect size of these effects in order to study them. Some data suggests that Psi (in the form of telepathy) is stronger with twins, meditators, people on psychedelics, and people who believe in Psi. But even then the effect sizes reported are tiny. Why not go all-in and try to max out the effect size by combining these features? I.e. why not conduct studies with twins who claim to have had psychic experiences, who meditate a lot, and who can handle high doses of LSD and ketamine in sensory deprivation tanks? If we could bump up the effect sizes far enough, maybe we could definitively settle the matter.
(6) And why not… also a lab component?
Finally, I think that trip reports by philosophically-literate cognitive scientists are much more valuable than trip reports by the average Joe. I would love to see a practical component to the conference someday. The sort of thing that would lead to publications like: “The Phenomenology of Candy-Flipping: An Empirical First-Person Investigation with Philosophers of Mind at a Consciousness Conference.”
The Cards and Deck Types of Consciousness Theories
To make the analogy between Magic decks and theories of consciousness, we need to find a suitable interpretation for a card. In this case, I would posit that cards can be interpreted as either background assumptions, required criteria, emphasized empirical findings, and interpretations of phenomena. Let’s call these, generally, components of a theory.
Like we see in Magic, we will also find that some components support each other while others interact neutrally or mutually exclude each other. For example, if one’s theory of consciousness explicitly rejects the notion that quantum mechanics influences consciousness, then it is irrelevant whether one also postulates that the Copenhagen interpretation of quantum mechanics is correct. On the other hand, if one identifies the locus of consciousness to be in the microtubules inside pyramidal cells, then the particular interpretation of quantum mechanics one has is of paramount importance.
Consciousness as the Result of Action-Oriented Cognition (not explicitly named)
Higher Order Thought Theory (HOT)
So how has the meta-game changed since then? Based on the plenary presentations, the concurrent sessions, the workshops, the posters, and my conversations with many of the participants, I’d say (without much objective proof) that the new meta-game now looks more or less like this:
Orchestrated Objective Reduction (Orch OR)
Integrated Information Theory (IIT)
Entropic Brain Theory (EBT)
Global Neuronal Workspace Theory (GNWS)
Prediction Error Minimization (PEM)
Panprotopsychist as a General Framework
Harmonic-Resonant Theories of Consciousness
It seems that Higher Order Thought (HOT) theories of consciousness have fallen out of favor. Additionally, we have a new contender on the table: Harmonic-Resonant Theories of Consciousness is now slowly climbing up the list (which, it turns out, had already been in the water supply since 2006 when Steven Lehar attended the conference, but only now is gathering popular support).
Given the general telos of the conference, it is not surprising that deflationary theories of consciousness do not seem to have a strong representation. I found a few people here and there who would identify as illusionists, but there were not enough to deserve their place in a short-list of dominant deck types. I assume it would be rather unpleasant for people with this general view about consciousness to hang out with so many consciousness realists.
A good number of people I talked to admitted that they didn’t understand IIT, but that they nonetheless felt that something along the lines of irreducible causality was probably a big part of the explanation for consciousness. In contrast, we also saw a few interesting reactions to IIT – some people said “I hate IIT” and “don’t get me started on IIT”. It is unclear what is causing such reactions, but they are worth noting. Is this an allergic reaction to qualia formalism? We don’t have enough information at the moment to know.
The spiritual side of consciousness research is liable to overfocus on ethics and mood hacks rather than on truth-seeking. The problem is that a lot of people have emotionally load-bearing beliefs and points of view connected to how they see reality’s big plot. This is a generalized phenomenon, but its highest expression is found within spiritually-focused thinkers. Many of them come across as evangelizers rather than philosophers, scientists, explorers, or educators. For example: two years ago, David Pearce and I had an uncomfortable conversation with a lady who had a very negative reaction to Pearce’s take on suffering (i.e. that we should use biotechnology to eradicate it). She insisted suffering was part of life and that bliss can’t exist without it (a common argument for sure, but the problem was the intense emotional reaction and insistence on continuing the conversation until we had changed our minds).
We learned our lesson – if you suspect that a person has emotionally load-bearing beliefs about a grand plan or big spiritual telos, don’t mention you are trying to reduce suffering with biotechnology. It’s a gamble, and the chance for a pleasant interaction and meaningful exchange of ideas is not worth the risk of interpersonal friction, time investment, and the pointlessness of a potential ensuing heated discussion.
This brings me to an important matter…
Who are the people who are providing genuinely new contributions to the conversation?
There is a lot of noise in the field of consciousness research. Understandably, a lot of people react to this state of affairs with generalized skepticism (and even cynicism). In my experience, if you approach a neuroscientist in order to discuss consciousness, she will usually choose to simply listen to her priors rather than to you (no matter how philosophically rigorous and scientifically literate you may be).
And yet, at this conference and many other places, there are indeed a lot of people who have something new and valuable to contribute to our understanding of consciousness. So who are they? What allows a person to make a novel contribution?
I would suggest that people who fall into one of the following four categories have a higher chance of this:
People who have new information
Highly creative people with broad knowledge of the field
New paradigm proposers
For (1): This can take one of three forms: (a) New information about phenomenology (i.e. rational psychonauts with strong interpretation and synthesis skills). (b) New third-person data (i.e. as provided by scientists who conduct new research on e.g. neuroimaging). And (c) new information on how to map third-person data to phenomenology, especially about rare states of consciousness (i.e. as obtained from people who have both access to third-person data sources and excellent experienced phenomenologists). (a) Is very hard to come by because most psychonauts and meditators fall for one or more traps (e.g. believing in the tyranny of the intentional object, being direct realists, being dogmatic about a given pre-scientific metaphysic, etc.). (b) Is constrained by the number of labs and the current Kuhnian paradigms within which they work. And (c) is not only rare, but currently nonexistent. Hence, there are necessarily few people who can contribute to the broader conversation about consciousness by bringing new information to the table.
For (2): Great synthesizers are hard to come by. They do not need to generate new paradigms or have new information. What they have is the key ability to find what the novel contribution in a given proposal is. They gather what is similar and different across paradigms, and make effective lossless compressions – saving us all valuable time, reducing confusion, and facilitating the cross-pollination between various disciplines and paradigms. This requires the ability to extract what matters from large volumes of extremely detailed and paradigm-specific literature. Hence, it is also rare to find great synthesizers.
For (3): Being able to pose new questions, and generate weird but not random hypotheses can often be very useful. Likewise, being able to think of completely outrageous outside-the-box views might be key for advancing our understanding of consciousness. That said, non-philosophers tend to underestimate just how weird an observation about consciousness needs to be for it to be new. This in practice constrains the range of people able to contribute in this way to people who are themselves fairly well acquainted with a broad range of theories of consciousness. That said, I suspect that this could be remedied by forming groups of people who bring different talents to the table. In Peaceful Qualia I discussed a potential empirical approach for investigating consciousness which involves having people who specialize in various aspects of the problem (e.g. being great psychonauts, excellent third-person experimentalists, high-quality synthesizers, solid computational modelers, and so on). But until then, I do not anticipate much progress will come from people who are simply very smart and creative – they also need to have either privileged information (such as what you get from combining weird drugs and brain-computer interfaces), or be very knowledgeable about what is going on in the field.
And (4): This is the most difficult and rarest of all, for it requires some degree of the previous three attributes. Their work wouldn’t be possible without the work of many other people in the previous three categories. Yet, of course, they will be the most world-changing of them all. Explicitly, this is the role that we are aiming for at the Qualia Research Institute.
In addition to the above, there are other ways of making highly valuable contributions to the conversation. An example would be those individuals who have become living expressions of current theories of consciousness. That is, people who have deeply understood some paradigm and can propose paradigm-consistent explanations for completely new evidence. E.g. people who can quickly figure out “what would Tononi say about X?” no matter how weird X is. It is my view that one can learn a lot from people in this category. That said… don’t ever expect to change their minds!
A Final Suggestion: Philosophical Speed Dating
To conclude, I would like to make a suggestion in order to increase the value of this and similar conferences: philosophical speed dating. This might be valuable for two reasons. First, I think that a large percentage of people who attend TSC are craving interactions with others who also wonder about consciousness. After all, being intrigued and fascinated by this topic is not very common. Casual interest? Sure. But obsessive curiosity? Pretty uncommon. And most people who attend TCS are in the latter category. At the same time, it is never very pleasant to interact with people who are likely to simply not understand where you are coming from. The diversity of views is so large that finding a person with whom you can have a cogent and fruitful conversation is quite difficult for a lot of people. A Philosophical Speed Dating session in which people quickly state things like their interest in consciousness, take on qualia, preferred approaches, favorite authors, paradigm affinities, etc. would allow philosophical kindred souls to meet at a much higher rate.
And second, in the context of advancing the collective conversation about consciousness, I have found that having people who know where you are coming from (and either share or understand your background assumptions) is the best way to go. The best conversations I’ve had with people usually arise when we have a strong base of shared knowledge and intuitions, but disagree on one or two key points we can identify and meaningfully address. Thus a Philosophical Speed Dating session could lead to valuable collaborations.
And with that, I would like to say: If you do find our approach interesting or worth pursuing, do get in touch.
Till next time, Tucson!
* In Chalmer’s paper about the Meta-Problem of Consciousness he describes his reason for investigating the subject: “Upon hearing about this article, some people have wondered whether I am converting to illusionism, while others have suspected that I am trying to subvert the illusionist program for opposing purposes. Neither reaction is quite correct. I am really interested in the meta-problem as a problem in its own right. But if one wants to place the paper within the framework of old battles, one might think of it as lending opponents a friendly helping hand.” The quality of a philosopher should not be determined only by their ability to make a good case for their views, but also by the capacity to talk convincingly about their opponent’s. And on that metric, David is certainly world-class.
I had two or three such experiences on my new batch of LSD, taking perhaps 2 or 3 “hits” (tabs) each time (presumed to be about  micrograms, or “mikes” per tab). And each time the experience became somewhat more familiar, and I learned to think more clearly under its influence. In July 1990 I took a trip to Europe with Tim, a colleague from work, because we were both presenting posters at a neural network conference in Paris, and the company where we worked very kindly funded the travel expenses. Tim and I took this opportunity to plan a little excursion around Europe after the conference, visiting Germany, Austria, Italy, and Switzerland touring in a rented car. When we got to Austria we bought a little tent at a camping store, then we hiked up an enormous mountain in the Alps, and spent the day sightseeing at the top. When I told Tim that I happened to have some LSD with me, his eyes lit up. It turns out he too had been a hippy in his youth, and had even attended the original Woodstock, so he immediately warmed to the idea of taking LSD with me on a mountain top, although he had not done psychedelic drugs in over a decade. So there in the most stupendous and idyllic setting of a mountain in the Austrian alps, early the next morning after camping overnight, we consumed five hits of LSD each, and spent the day in profound wonder at the glory of creation!
I made a few new and interesting discoveries on that mountain top in Austria. First of all, I learned to have a great deal more control of the experience in the following manner. I discovered that the effects of LSD become markedly stronger and more pronounced when you sit still and stare, and clear your mind, much like a state of zen meditation, or pre-hypnotic relaxation. When you do this under LSD, the visual world begins to break up and fragment in a most astonishing way. You tend to lose all sense of self, that is, you lose the distinction between self and non-self. This can be a very alarming experience for those who are prone to panic or anxiety, or for those who insist on maintaining a level of control and awareness of themselves and the world around them. But I also discovered that this mental dissociation and visual confusion can be diminished, and normal consciousness can be largely restored by simply looking around, moving about, and interacting actively with the world around you. Because when you do this, suddenly the world appears as a solid and stable structure again, and your familiar body reappears where it belongs at the center of your world of experience. This discovery greatly enhanced my ability to explore the deeper spaces of consciousness revealed by the drug, while providing an insurance against the natural panic that tends to arise with the dissolusion of the self, and the world around you. It allowed me to descend into the depths of the experience while maintaining a life line back to consensual reality, like a spelunker descending into the bowels of the deep underground cavern of my mind, while always able to return safely to the surface. And what a splendid and magnificent cavern it was that I discovered within my mind!
One of the most prominent aspects of consciousness that has puzzled philosophers and psychologists for centuries is the unity of conscious experience. We feel that we live in a world that surrounds our body, and that world appears as a single “picture” or volumetric spatial structure, like a theatre set, every piece of which takes its proper place in the panorama of surrounding experience. It has always been somewhat difficult to grasp this notion of conscious unity, because it is difficult to even conceptualize the alternative. What would consciousness be like if it were not unified? What does that even mean? Under LSD you can discover what non-unified consciousness is like for yourself, and that in turn by contrast offers profound insights as to the nature and meaning of unified consciousness. Again, the most interesting revelations of the psychedelic experience are not confined to that experience itself, but they reveal insights into the nature of normal conscious experience that might otherwise be missed due to its familiarity. In fact, I realized much later, even normal consciousness has aspects which are not unified.
The most familiar example of non-unified consciousness is seen in binocular vision. Under normal conditions the two eyes view the same scene and produce a three-dimensional “picture” in the mind that is a unified construction based on the information from both eyes simultaneously. But everyone knows the experience of double vision. For those with greater control over their own visual function, double vision is easily achieved by simply staring into space and relaxing the eyes. As a vision scientist myself, I have trained myself to do this so as to be able to “free fuse” a binocular pair of left-eye, right-eye images to create the perception of a 3D scene. For those who have difficulty with this, a similar experience can be had by holding a small mirror at an angle close in front of one eye, so as to send very different images into the two eyes. Whichever way you do it, the result is rather unremarkable in its familiarity, and yet when you think of it, this is in fact an example of disunity of conscious experience that is familiar to one and all. For what you see in double vision is actually two visual experiences which are seen as if they are superimposed in some manner, and yet at the same time they are also experienced each in its own separate disconnected space. It is generally possible to observe the correspondence between these two disconnected visual experiences, for example to determine which point in one eye view relates to a particular point in the other, as if viewing two slide transparencies that are overlaid on top of one another, although this correspondence is shifting and unstable, as the vergence between your two eyes tends to wander when binocular fusion is broken. But in fact it is more natural to simply ignore that correspondence and to view the two visual experiences as separate and disconnected spaces that bear no significant spatial relation to each other. When the images in our two eyes do not correspond, we tend to focus on one while ignoring the other, like an experienced marksman who no longer has to close his idle eye while aiming a gun. And yet, although the image from the idle eye is generally ignored, it has not left consciousness entirely, and with an effort, or perhaps more accurately, with an absence of effort or focus, it is possible to experience both views simultaneously.
In the trance-like state of yoga-like meditation performed under LSD, the entire visual world breaks up and fragments in this manner into a multitude of disconnected parallel conscious experiences, each one only loosly related spatially to the other experiences in the visual field. The effect is much enhanced by the fact that your eyes actually diverge or relax in this mental state, as they do under binocular fission, and this helps trigger the state of visual confusion as your mind gives up on trying to make sense of what it is seeing. As in Zen meditation, the LSD trance state is a passive or receptive state of consciousness that allots equal attention, or perhaps lack of attention, to all components of experience, which is why they appear in parallel as separate disconnected pieces. The state of normal active consciousness resists this kind of parallel confusion, and tends to select and focus on the the most significant portion, like the marksman aiming a gun, suppressing alternative experiences such as the view from the idle eye.
The deep LSD-induced trance state can be easily broken by simply moving the eyes, so conversely, the deeper states are achieved by complete mental and physical relaxation, with glazed eyes staring blankly into space. But of all the separate fragments of visual experience observed in this mental state, there is one special fragment located at the very center of the visual field, the foveal center, that appears somewhat sharper and clearer than the rest of the visual field. In fact, the visual fragmentation is somewhat like a kind of tunnel vision in which the peripheral portions of the visual field break off and disconnect from this central portion of the experience. But while the peripheral fragments become separated from the whole, they are never entirely and completely independent, but appear to interact with each other, and especially with the central foveal image in characteristic ways. For example if the foveal image shows a couple of blades of grass, twitching and dancing in the wind, then if any of the peripheral fragments of visual experience happen to show a similar image, i.e. blades of grass at a similar angle and twitching and dancing in synchrony with those in the foveal view, then the central and peripheral images become instantly coupled into a larger unified perceptual experience of a global motion sweeping through the image. Instead of a million blades of grass each twitching individually, we perceive the invisible wind as a wave of synchronous motion that sweeps invisibly across the blades of grass. The waves of motion caused by the wind are perceived as waves of energy across the visual field, a perceptual experience of something larger than the individual grass blades that collectively give rise to it. By careful adjustment of my state of relaxation, I found I could relax until the visual world fragmented into a million independent experiences, and I could gently bring it back into focus, as first a few, and then ever more of the fragmented visual experiences coupled together into fewer separate, and eventually a single unified global experience, much like the moment of binocular fusion when the two monocular images finally lock into each other to produce a single binocular experience.
When the visual world was locked into a unified perceptual experience, even then there were instabilities in local portions of the scene. A little detail seen in distant trees appears first as a mounted horseman, then pops abruptly into a hand with three fingers extended, then to a duck on a branch, then back to the mounted horseman, all the while the actual shape and color perceived remain unchanged, it is only the interpretation, or visual understanding of that pattern that switches constantly, as when a child sees mountains and castles in the clouds. One of the many possible interpretations is of a dead tree with leafless branches, (the veridical percept of what was actually there) and that is the only alternative that enters consciouseness under normal circumstances. The effect of LSD is to make the visual system more tolerant of obvious contradictions in the scene, such as a giant horseman frozen in a line of trees. The effect is like those surrealistic Dali paintings, for example the Three Ages of Man, shown in Figure 2.1, where one sees a single coherent scene, local parts of which spontaneously invert into some alternative interpretation. This is very significant for the nature of biological vision, for it shows that vision involves a dynamic relaxation process whose stable states represent the final perceptual interpretation.
There was another interesting observation that I made that day. I noticed that under LSD things appear a little more regular and geometrical than they otherwise do. It is not the shape of things that is different under LSD, but rather the shape of the things we see in objects. For example a cloud is about as irregular and fragmented a shape as a shape can be, and yet we tend to see clouds in a simplified cartoon manner, as a little puff composed of simple convex curves. A real cloud under closer inspection reveals a ragged ugly appearance with very indefinite boundaries and irregular structure. Under LSD the cloud becomes even more regular than usual. I began to see parts of the cloud as regular geometrical shapes, seeing the shapes in the shapes of the cloud as if on a transparent overlay.
Another rather astonishing observation of the LSD experience was that the visual world wavered and wobbled slowly as if the visual scene was painted on an elastic canvas that would stretch over here while shrinking over there, with great waves of expansion and contraction moving slowly across the scene, as if the whole scene was “breathing”, with its component parts in constant motion relative to each other. This was perhaps the most compelling evidence that the world of experience is not the solid stable world that it portrays. Figure 2.2 shows a sketch I made shortly after my alpine mountain adventure to try to express the wavery elasticity and the visual regularity I had observed under LSD. This picture is of course an exaggeration, more of an impression than a depiction of how the experience actually appeared.
The geometrical regularity was particularly prominent in peripheral vision, when attending to the periphery without looking to see what is there. Usually peripheral vision is hardly noticed, giving the impression of a homogeneous visual field, but under LSD the loss of resolution in peripheral vision becomes more readily apparent, especially when holding a fixed and glassy stare. And in that periphery, objects like trees or shrubs appear more regular and geometrical than they do in central vision, like artificial Christmas trees with perfectly regular spacing of brances and twigs. Again, it was not the raw image in the periphery that appeared regular or geometrical, but rather it was the invisible skeleton of visual understanding derived from that raw colored experience that exhibits the more regular features. And suddenly I could see it. This is the way the visual system encodes visual form in a compact or compressed manner, by expressing shape in terms of the next nearest regular geometrical form, or combination of forms. Children draw a tree as a circular blob of leaves on top of a straight vertical trunk, or a pine tree as a green triangle with saw-tooth sides. It is not that we see trees in those simplified forms, but rather that we see those simplified forms in the trees, and the forms that we perceive in these invisible skeletons are the expression of our understanding of the shapes we perceive those more irregular forms to have. This was later to turn into my harmonic resonance theory of the brain, as I sought an explanation for this emerging regularity in perception, but in 1990 all I saw was the periodicity and the symmetry, and I thought they were profoundly beautiful.
My friend Tim who had not done LSD for many years, responded to this sudden 5 hit dose by going into a state of complete dissociation. He lay down on the forest floor with glassy eyes, muttering “It is TOO beautiful! It is TOO beautiful!” and he did not respond to me, even when I stared him straight in the face. He reported afterwards that he found himself in a giant Gothic cathedral with the most extravagantly elaborate and brightly painted ornamental decorations all around him. This too can be seen as an extreme form of the regularization discussed above. Under the influence of this powerful dose, Tim’s visual brain could no longer keep up with the massive irregularity of the forest around him, and therefore presented the forest in simplified or abbreviated form, as the interior of a Gothic cathedral. It captures the large geometry of a ground plane that supports an array of vertical columns, each of which fans out high overhead to link up into an over-arching canopy of branches. The only difference is that in the Gothic cathedral the trees are in a regular geometrical array, and each one is a masterpiece of compound symmetry, composed of smaller pillars of different diameters in perfectly symmetrical arrangements, and studded with periodic patterns of ribs, ridges, or knobby protruberances as a kind of celebration of symmetry and periodicity for their own sake. There is a kind of geometrical logic expressed in the ornamental design. If part of the cathedral were lost or destroyed, the pattern could be easily restored by following the same logic as the rest of the design. In information-theoretic terms, the Gothic cathedral has lots of redundancy, its pattern could be expressed in a very much simpler compressed geometrical code. In Tim’s drug-addled brain his visual system could only muster a simple code to represent the world around him, and that is why Tim saw the forest as a Gothic cathedral. Under normal conditions, the additional information of irregularity, or how each tree and branch breaks from the strict regularity of the cathedral model of it, creates the irregular world of experience that we normally see around us. This suggests that the beautiful shapes of ornamental art are not the product of the highest human faculty, as is commonly supposed, but rather, ornamental art offers a window onto the workings of a simpler visual system, whose image of the world is distorted by artifacts of the representational scheme used in the brain. The Gothic cathedral gives a hint as to how the world might appear to a simpler creature, a lizard, or a snake, to whom the world appears more regular than it does to us, because its full irregularity is too expensive to encode exhaustively in all its chaotic details. Of course the flip-side of this rumination is that the world that we humans experience, even in the stone-cold sober state, is itself immeasurably simpler, more regular and geometric, that the real world itself, of which our experience is an imperfect replica. In the words of William Blake, “If the doors of perception were cleansed, everything would appear to man as it is, infinite.”
While I was a PhD student at Boston University, my parents owned a beautiful ski lodge house in the picturesque town of Mittersill in the mountains of New Hampshire, and on spring breaks or long week-ends I would invite my friends, the other PhD candidates, up to Mittersill where we would take long hikes up the mountain, and spend evenings by the fireplace. I introduced a small circle of my friends to the illuminating experience of LSD, in the hopes of sharing some of my perceptual discoveries with them, and perhaps inducing them to learn to use the experience to make discoveries of their own. Eventually Mittersill became associated in our minds with these group trips with an ever-shrinking circle of true diehard psychonauts, making our regular pilgrimage up the mountain in search of Truth and to touch the face of God. We always brought a goodly supply of Happy T’Baccy, which provides a beautiful complement and bemellowment to the otherwise sometimes sharp and jangly LSD experience. Our pattern was usually to arrive on a Friday night, cook up a great feast, and spend an evening by the fire, drinking beer and/or wine and passing the pipe around until everyone felt properly toasted. The talk was often about the workings of mind and brain, since we were all students of cognitive and neural systems. We were all adept computer programmers and well versed in mathematics as part of our PhD studies, so we all understood the issues of mental computation and representation, and I found the conversations about the computational principles of the mind, to be most interesting and intellectually stimulating. This was the high point of my academic career, this is why people want to be scientists. The next morning we would rise early, and after a hearty breakfast, we would all set off up the mountain, which was a steep brisk climb of two or three hours. About half way up the mountain, at a carefully pre-planned time, we would stop, and each “dose up” with our individually chosen dose of LSD for the occasion, timed to reach the peak of the experience about the time we reached the peak of the mountain. Then we would continue our climb through the rich lush mountain forests of New Hampshire to the top of Maida Vale, the sub-peak next to Canon Mountain, from whence a stupendous view opened up across to Canon Mountain and the vast valley below. We would settle ourselves comfortably at some location off the beaten track, and spend the best hours of the day just dreaming crazy thoughts and drinking in the experience
By now I had perfected my introspective techniques to the point that I could voluntarily relax my mind into a state of total disembodiment. The visual world began to fragment, first into two large pieces as binocular fusion was broken, then into a few smaller fragments, and eventually into a miriad of separate fragments of consciousness, like the miriad reflections from a shattered mirror. I was fascinated by this state of consciousness, and how different it was from normal consensual reality. Most alarming or significant was the total absence of my body from its normal place at the center of my world. As the world began to fragment, my body would fragment along with it, disconnected pieces of my body seeming to exist independently, one part here, another over there, but in separate spaces that did not exist in a distinct spatial relation to each other, but as if in different universes, like reflections from different shards of a shattered mirror. And as the visual world attained total fragmentation, all evidence of my body completely vanished, and I lived the experience of a disembodied spirit, pure raw experience, just sensations of color, form, and light. I felt safe and secure in this environment among friends, so I did not mind the total vulnerability afforded by a complete functional shutdown of my mind in this manner. Besides, I had learned that I could snap back together again to a relatively normal consciousness at will, simply by getting up and looking around, and interacting with the world. I was endlessly fascinated by the state of complete disembodiment, and one feature of it impressed itself on me again and again, the geometric regularity of it all. There was a powerful tendency for everything to reduce to ornamental patterns, geometrical arrangements of three-dimensional shapes, like so many glistening gems in a jewelry store, with rich periodic and symmetrical patterns in deep vibrant colors. The deeper I plunged into the experience, the simpler and more powerfully emotive those patterns became. And since my body had totally vanished, these patterns were no longer patterns I viewed out in the world, but rather, the patterns were me, I had become the spatial patterns which made up my experience. I began to see that symmetry and periodicity were somehow primal to experience.
I remember lying on my back and watching the clouds in the sky overhead. Weather patterns are often chaotic at the tops of mountains, and on more than one occasion we were located at a spot where the clouds that formed on the windward side of the mountain were just cresting the summit, where they would dissove in a continuous process of chaotic fragmentation, a veritable Niagra Falls of nebular dissolution, evocative of the fragmentation of my psychedelic experience. The shattered shreds of cloud, viewed from this close up, were about the most ragged and irregular shapes you could imagine, and yet under the influence of the drug I kept seeing fleeting geometrical patterns in them. There were great circular pinwheels and arabesques, patterns like those carved in the doors of Gothic cathedrals, but each flashing in and out of brief existence so quickly that it would be impossible to draw them. I began to realize that the human mind is one great symmetry engine, that the mind makes sense of the world it sees by way of the symmetries that it finds in it. Symmetry is the glue that binds the fragments of experience into coherent wholes.
Figure 2.3 shows a series of paintings by artist Louis Wain, that I find very evocative of the LSD experience. Wain suffered a progressive psychosis that manifested itself in his art, which was originally quite realistic, becomming progressively more abstract and ornamental, in the manner I observed in the various stages or levels of my LSD dissociation. Figure 2.3 A shows a fairly realistic depiction of a cat, but there are curious artifacts in the textured background, a mere hint of periodicity breaking out. I would see such artifacts everywhere, almost invisible, fleeting, and faint, reminiscent of the ornamental pinstripe patterns painted on trucks and motorcycles, a kind of eddy in the stream of visual consciousness as it flows around visual features in the scene. As I descended into the fully dissociated states, the patterns would become more like Figure 2.3 B, C, and D, breathtakingly ornate, with many levels of compound symmetry, revealing the eigenfunctions of perceptual representation, the code by which visual form is represented in the brain.
At times we would break free from our individual reveries, and share absurd nonsensical conversations about our observations. One time, looking down at the vast valley stretching out below us, a vista that seemed to stretch out to distances beyond comprehension, my old friend Peter said that it was hard to tell whether all that scenery was just “way out there”, or was it “way WAY out there?” Of course we both laughed heartily at the absurdity of his statement, but I knew exactly what he meant. When viewing such a grand vista under normal consciousness, one is deeply impressed by the vastness of the view.
But under the influence of the drug, the vista somehow did not look quite as large as we “knew” that it really was. What Peter was saying was that for some strange reason, the world had shrunken back in on us, and that magnificently vast valley had shrunken to something like a scale model, or a diorama, where it is easy to see how vast the modeled valley is supposed to be, but the model itself appears very much smaller than the valley it attempts to portray. What Peter was observing was the same thing I had observed, and that was beginning to even become familiar, that the world of our experience is not a great open vastness of infinite space, but like the domed vault of the night sky, our experience is bounded by, and contained within, a vast but finite spherical shell, and under the influence of psychedelic drugs that shell seemed to shrink to smaller dimensions, our consciousness was closing in on its egocentric center. Many years later after giving it considerable thought, I built the diorama shown in Figure 2.4 to depict the geometry of visual experience as I observed it under LSD.
And when I was in the completely disembodied state, my consciousness closed in even smaller and tighter, the range of my experience was all contained within a rather modest sized space, like a glass showcase in a jewelry store, and the complexity of the patterns in that space was also reduced, from the unfathomably complex and chaotic fractal forms in a typical natural scene, to a much simpler but powerfully beautiful glistening ornamental world of the degree of complexity seen in a Gothic cathedral. The profound significance of these observations dawned on me incrementally every time we had these experiences. I can recall fragmentary pieces of insights gleaned through the confusion of our passage down the mountain, stopping to sit and think wherever and whenever the spirit took us. At one point three of us stopped by a babbling brook that was crashing and burbling through the rocks down the steep mountain slope. We sat in silent contemplation at this primal “white noise” sound, when Lonce commented that if you listen, you can hear a million different sounds hidden in that noise. And sure enough when I listened, I heard laughing voices and honking car horns and shrieking crashes and jangly music and every other possible sound, all at the same time superimposed on each other in a chaotic jumbled mass. It was the auditory equivalent of what we were seeing visually, the mind was latching onto the raw sensory experience not so much to view it as it really is, but to conjure up random patterns from deep within our sensory memory and to match those images to the current sensory input. And now I could see the more general concept. We experience the world by way of these images conjured up in our minds. I came to realize why the LSD experience was enjoyed best in outdoors natural settings, and that is because the chaos of a natural scene, with its innumerable twigs and leaves and stalks, acts as a kind of “white noise” stimulus, like the babbling brook, a stimulus that contains within it every possible pattern, and that frees our mind to interpret that noise as anything it pleases.
On one occasion, on arrival back down at the lodge, our minds were still reeling, and we were not yet ready to leave the magnificence of the natural landscape for the relatively tame and controlled environment indoors, so Andy and I stopped in the woods behind the house and just stood there, like deer in the headlights, drinking in the experience. It was a particularly dark green and leafy environment in the shadow behind the house, with shrubs and leaves at every level, around our ankles, our knees, our shoulders, and all the way up to a leafy canopy high overhead, and at every depth and distance from inches away to the farthest visible depths of the deep green woods. The visual chaos was total and complete, the world already fragmented into millions and millions of apparently disconnected features and facets uniformly in all directions, that it hardly required LSD to appreciate the richness of this chaotic experience. But under LSD, and with the two of us standing stock still for many long minutes of total silence, we both descended into a mental fragmentation as crazy as the fragmented world around us. My body disappeared from my experience, and I felt like I became the forest; the forest and all its visual chaos was me, which in a very real sense it actually was. And in that eternal timeless moment, wrapped in intense but wordless thought, I recognized something very very ancient and primal in my experience. I felt like I was sharing the experience of some primal creature in an ancient swamp many millions of years ago, when nature was first forging its earliest models of mind from the tissue of brain. I saw the world with the same intense attentive concentration, bewilderment, and total absence of human cogntive understanding, as that antediluvian cretaceous lizard must have experienced long ago and far away. The beautiful geometrical and symmetrical forms that condensed spontaneously in my visual experience were like the first glimmerings of understanding emerging in a primitive visual brain. This is why I do psychedelic drugs, to connect more intimately with my animal origins, to celebrate the magnificent mental mechanisms that we inherit from the earliest animal pioneers of mind.
One time after we had descended from the mountain and were sitting around the lodge drinking and smoking in a happy state of befuddlement, a peculiar phenomenon manifested itself that made a deep impression on me. It was getting close to supper time and somebody expressed something to that effect. But our minds were so befuddled by the intoxication that we could only speak in broken sentences, as we inevitably forgot what we wanted to say just as we started saying it, instantly confused by our own initial words. So the first person must have said something like “I’m getting hungry. Do you think…” and then tailed off in confusion. But somebody else would immediately sense the direction that thought was going, and would instinctively attempt to complete the sentence with something like “…we otta go get…” before himself becoming confused, at which a third person might interject “…something to eat?” It does not sound so remarkable here in the retelling, but what erupted before our eyes was an extraordinarily fluid and coherent session of what we later referred to as group thought, where the conversation bounced easily from one person to the next, each person contributing only a fragmentary thought, but nobody having any clear idea of what the whole thought was supposed to be, or how it was going to end. What was amazing about the experience was the coherence and purposefulness of the emergent thought, how it seemed to have a mind of its own independent of our individual minds, even though of course it was nothing other than the collective action of our befuddled minds. It was fascinating to see this thought, like a disembodied spirit, pick up and move our bodies and hands in concerted action, one person getting wood for the fire, another getting out a frying pan, a third going for potatoes, or to open a bottle of wine, none of it planned by any one person, and yet each person chipped in just as and when they thought would be appropriate, as the supper apparently “made itself” using us as its willing accomplices. It was reminiscent of the operational principle behind a ouija board, where people sitting in a circle around a table, all rest an index finger on some movable pointer on a circular alphabet board, and the pointer begins to spell out some message under the collective action of all those fingers. At first the emergent message appears random, but after the first few letters have been spelled out, the participants start to guess at each next letter, and without anyone being overtly aware of it, the word appears to “spell itself” as if under the influence of a supernatural force. As with the ouija board, none of us participating in the group thought experience could hold a coherent thought in their head, and yet coherent thoughts emerged nevertheless, to the bewilderment of us all. And later I observed the same phenomenon with different LSD parties. I have subsequently encountered people well versed in the psychedelic experience who claim with great certainty to have experienced mental telepathy in the form of wordless communication and sharing of thoughts. But for us hard-nosed scientific types, the natural explanation for this apparently supernatural experience is just as wonderous and noteworthy, because it offers a hint as to how the individual parts of a mind act together in concert to produce a unified coherent pattern of behavior that is greater than the mere sum of its constituent parts. The principle of group thought occurs across our individual brains in normal sober consciousness as we instinctively read each other’s faces and follow each other’s thoughts, and it is seen also whenever people are moving a heavy piece of furniture, all lifting and moving in unison in a coherent motion towards some goal. But the psychedelic experience highlighted this aspect of wordless communication and brought it to my attention in clearer, sharper focus.
As the evening tailed on and the drug’s effect gradually subsided in a long slow steady decline, we would sit by the fire and pass a pipe or joint around, and share our observations and experiences of the day. At one point Lonce, who had just taken a puff of a joint, breathed out and held it contemplatively for a while, before taking a second puff and passing it on to the next person in the circle. I objected to this behavior, and accused Lonce of “Bogarting” the joint – smoking it all by himself without passing it along. Lonce responded to this with an explanation that where he comes from, people don’t puff and pass in haste, but every man has the right to a few moments of quiet contemplation and a second puff before passing it along. That was, he explained, the civilized way of sharing a joint. So we immediately adopted Lonce’s suggestion, and this method of sharing a joint has henceforth and forever since been referred to by us as the “Lonce Method”.
As I have explained, the purpose of all this psychonautical exploration was not merely for our own entertainment, although entertaining it was, and to the highest degree. No, the primary purpose of these psychonautical exploits was clear all along at least in my mind, and that was to investigate the theoretical implications of these experiences to theories of mind and brain. And my investigations were actually beginning to bear fruit in two completely separate directions, each of which had profound theoretical implications. At that time I was studying neural network theories of the brain, or how the brain makes sense of the visual world. A principal focus of our investigation was the phenomena of visual illusions, like the Kanizsa figure shown in Figure 2.5 A. It is clear that what is happening here is that the visual mind is creating illusory contours that link up the fragmentary contours suggestive of the illusory triangle. In our studies we learned of Stephen Grossberg’s neural network model of this phenomenon. Grossberg proposed that the visual brain is equipped with oriented edge detector neurons that fire whenever a visual edge passes through their local receptive field. These neurons would be triggered by the stark black / white contrast edges of the stimulus in Figure 2.5 A. A higher level set of neurons would then detect the global pattern of collinearity, and sketch in the illusory contour by a process of collinear completion. These higher level “cooperative cells” were equipped with much larger elongated receptive fields, long enough to span the gap in the Kanizsa figure, and the activation of these higher level neurons in turn stimulated lower level local edge detector neurons located along the illusory contour, and that activation promoted the experience of an illusory contour where there is none in the stimulus
I believed I was seeing these illusory contours in my LSD experience, as suggested by all the curvy lines in my sketch in Figure 2.2 above. But I was not only seeing the contours in illusory figures, I was seeing “illusory” contours just about everywhere across the visual field. But curiously, these contours were not “visible” in the usual sense, but rather, they are experienced in an “invisible” manner as something you know is there, but you cannot actually see. However I also noticed that these contours did have an influence on the visible portions of the scene. I have mentioned how under LSD the visual world tends to “breathe”, to waver and wobble like a slow-motion movie of the bottom of a swimming pool viewed through its surface waves. In fact, the effect of the “invisible” contours was very much like the effect of the invisible waves on the surface of the pool, which can also be seen only by their effects on the scene viewed through them. You cannot see the waves themselves, all you can see is the wavering of the world caused by those waves. Well I was observing a very similar phenomenon in my LSD experience. I devised a three-dimensional Kanizsa figure, shown in Figure 2.5 B, and observed that even in the stone-cold sober state, I could see a kind of warp or wobble of the visual background behind the illusory contour caused by the figure, especially if the figure is waved back and forth gently against a noisy or chaotic background. So far, my LSD experiences were consistent with our theoretical understanding of the visual process, confirming to myself by direct observation an aspect of the neural network model we were currently studying in school.
But there was one aspect of the LSD experience that had me truly baffled, and that was the fantastic symmetries and periodicities that were so characteristic of the experience. What kind of neural network model could possibly account for that? It was an issue that I grappled with for many months that stretched into years. In relation to Grossberg’s neural network, it seemed that the issue concerned the question of what happens at corners and vertices where contours meet or cross. A model based on collinearity alone would be stumped at image vertices. And yet a straightforward extension of Grossberg’s neural network theory to address image vertices leads to a combinatorial explosion.The obvious extension, initially proposed by Grossberg himself, was to posit specialized “cooperative cells” with receptive fields configured to detect and enhance other configurations of edges besides ones that are collinear. But the problem is that you would need so many different specialized cells to recognize and complete every possible type of vertex, such as T and V and X and Y vertices, where two or more edges meet at a point, and each of these vertex types would have to be replicated at every orientation, and at every location across the whole visual field! It just seemed like a brute-force solution that was totally implausible.
Then one day after agonizing for months on this issue, my LSD observations of periodic and symmetrical patterns suddenly triggered a novel inspiration. Maybe the nervous system does not require specialized hard-wired receptive fields to accomodate every type of vertex, replicated at every orientation at every spatial location. Maybe the nervous system uses something much more dynamic and adaptive and flexible. Maybe it uses circular standing waves to represent different vertex types, where the standing wave can bend and warp to match the visual input, and standing waves would explain all that symmetry and periodicity so clearly evident in the LSD experience as little rotational standing waves that emerge spontaneously at image vertices, and adapt to the configuration of those vertices. Thanks to illegal psychotropic substances, I had stumbled on a staggeringly significant new theory of the brain, a theory which, if proven right, would turn the world of neuroscience on its head! My heart raced and pounded at the implications of what I had discovered. And this theory became the prime focus of my PhD thesis (Lehar 1994), in which I did computer simulations of my harmonic resonance model that replicated certain visual illusions in a way that no other model could. I had accomplished the impossible. I had found an actual practical use and purpose for what was becoming my favorite pass-time, psychedelic drugs! It was a moment of glory for an intrepid psychonaut, a turning point in my life. Figure 2.6 shows a page from my notebook dated October 6 1992, the first mention of my new theory of harmonic resonance in the brain.
Compare the above descriptions of point-of-view fragmentation, visual coherence, and symmetry as experienced on LSD, with our very own account of symmetrical pattern completion during psychedelic experiences as presented in Algorithmic Reduction of Psychedelic States (slightly edited for clarity):
Lower Symmetry Detection and Propagation Thresholds
Finally, this is perhaps the most interesting and ethically salient effect of psychedelics. The first three effects (tracers, drifting, and pattern recognition) are not particularly difficult to square with standard neuroscience. This fourth effect, while not incompatible with connectionist accounts, does suggest a series of research questions that may hint at an entirely new paradigm for understanding consciousness.
We have not seen anyone in the literature specifically identify this effect in all of its generality. The lowering of the symmetry detection threshold really has to be experienced to be believed. We claim that this effect manifests in all psychedelic experiences to a greater or lesser extent, and that many effects can in fact be explained by simply applying this effect iteratively.
Psychedelics make it easier to find similarities between any two given phenomenal objects. When applied to perception, this effect can be described as a lowering of the symmetry detection threshold. This effect is extremely general and symmetry should not be taken to refer exclusively to geometric symmetry.
How symmetries manifest depends on the set and setting. Researchers interested in verifying and exploring the quantitative and subjective properties of this effect will probably have to focus first on a narrow domain; the effect happens in all experiential modalities.
Credit: Chelsea Morgan from PsychonautWiki and r/replications
Symmetry detection during psychedelic experiences requires that one’s attention interprets a given element in the scene as a symmetry element. Symmetry elements are geometrical points of reference about which symmetry operations can take place (such as axes of rotation, mirror planes, hyperplanes, etc.). In turn, a collection of symmetry elements defines a symmetry structure in the following way: A symmetry structure is a set of n-dimensional symmetry elements for which the qualities of the experience surrounding each element obeys the symmetry constraints imposed by all the elements considered together.
Psychedelic symmetry detection can be (and typically is) recursively applied to previously constructed symmetry structures. At a given time multiple independent symmetry structures can coexist inside an experience. By guiding one’s attention one can make these structures interact and ultimately merge. Formally, each symmetry structure is capable of establishing a merging relationship with another symmetry structure. This is achieved by simultaneously focusing one’s attention on both. These relationships are fleeting, but they influence the evolution of the relative position of each symmetry element. When two symmetry structures are in a merging relationship, it is possible to rearrange them (with the aid of drifting and pattern recognition) to create a symmetrical structure that incorporates the symmetry elements of both substructures at once. To do so, one’s mind can either detect one (or several) more symmetry elements along which the previously-existing symmetry elements are made to conform, or, alternatively, if the two pre-existing symmetry structures share a symmetry element (e.g. an axis of rotation of order 3), these corresponding identical symmetry elements can fuse and become a bridge that merges both structures.
Surprisingly, valence seems to be related to psychedelic symmetry detection. As one constructs symmetry structures, one becomes aware of an odd and irresistible subjective pull towards building even higher levels of symmetry. In other words, every time the structure of one’s experience is simplified by identifying a new symmetry element in the scene, one’s whole experience seems to snap into a new (simplified) mode, and this comes with a positive feeling. This feeling can take many forms: it may feel blissful, interesting, beautiful, mind-expanding, and/or awe-producing, all depending on the specific structures that one is merging. Conversely when two symmetry structures are such that merging them is either tricky of impossible, this leads to low valence: frustration, anxiety, pain and an odd feeling of being stuck between two mutually unintelligible worlds. We hypothesize that this is the result of dissonance between the incompatible symmetry structures.
If one meditates in a sensorially-minimized room during a psychedelic experience while being aware that one’s symmetry detection threshold has been lowered by the substance, one can recursively re-apply this effect to produce all kinds of complex mathematical structures that incorporate complex symmetry element interactions. In other words, with the aid of concentration one can climb the symmetry gradient (i.e. increase the total number of symmetry elements) up to the point where the degrees of freedom afforded by the symmetry structure limit any further element from being incorporated into it. We will call these experiences peak symmetry states.
Future research should explore and compare the various states of consciousness that exhibit peak symmetry. There is very likely an enormous number of peak symmetry states, some of which are fairly suboptimal and others that cannot be improved upon. If there is a very deep connection between valence, symmetry, information and harmony, it would very likely show in this area. Indeed, we hypothesize that the highest levels of valence that can be consciously experienced involve peak symmetry states. Anecdotally, this connection has already been verified, with numerous trip reports of people achieving states of unimaginable bliss by inhabiting peak symmetry states (often described as fractal mandala-like mirror rooms).
The range of peak symmetry states include fractals, tessellations, graphs, and higher dimensional projections. Which one of these states contains the highest degree of inter-connectivity? And if psychedelic symmetry is indeed related to conscious bliss, which experience of symmetry is human peak bliss?
Higher Order Symmetry
Mirror Symmetry Tessellation
The pictures above all illustrate possible peak symmetry states one can achieve by combining psychedelics and meditation. The pictures illustrate only the core structure of symmetries that are present in these states of consciousness. What is being reflected is the very raw “feels” of each patch of your experiential field. Thus these pictures really miss the actual raw feelings of the whole experience. They do show, however, a rough outline of symmetrical relationships possible in one of these experiences.
Since control interruption is also co-occurrent with the psychedelic symmetry effect, previously-detected symmetries tend to linger for long periods of time. For this reason, the kinds of symmetries one can detect at a given point in time is a function of the symmetries that are currently being highlighted. And thanks to drifting and pattern recognition enhancement, there is some wiggle room for your mind to re-arrange the location of the symmetries experienced. The four effects together enable, at times, a smooth iterative integration of so many symmetries that one’s consciousness becomes symmetrically interconnected to an unbelievable degree.
What may innocently start as a simple two-sided mirror symmetry can end up producing complex arrangements of self-reflecting mirrors showing glimpses of higher and higher dimensional symmetries. Studying the mathematical properties of the allowed symmetries is a research project that has only just begun. I hope one day dedicated mathematicians describe in full the class of possible high-order symmetries that humans can experience in these states of consciousness.
Anecdotally, each of the 17 possible wallpaper symmetry groups can be instantiated with this effect. In other words, psychedelic states lower the symmetry detection threshold for all of the mathematically available symmetrical tessellations.
All of the 17 2-dimensional wallpaper groups can be experienced with symmetry planes detected, amplified and re-arranged during a psychedelic experience.
Revising the symmetrical texture repetition of grass shown above, we can now discover that the picture displays the wallpaper symmetry found in the lower left circle above:
In very high doses, the symmetry completion is so strong that at any point one risks confusing left and right, and thus losing grasp of one’s orientation in space and time. Depersonalization is, at times, the result of the information that is lost when there is intense symmetry completion going on. One’s self-models become symmetrical too quickly, and one finds it hard to articulate a grounded point of view.
LSD-like states allow the global binding of otherwise incompatible schemas by softening the degree to which neighborhood constraints are enforced. The entire experience becomes a sort of chaotic superposition of locally bound islands that can, each in its own way, tell sensory-linguistic stories in parallel about the unique origin and contribution of their corresponding gestalts to the narrative of the self.
This phenomenon forces, as it were, the onset of cognitive dissonance between incompatible schemas that would otherwise evade mutual contact. On the bright side, it also allows mutual resonance between parts that agree with each other. The global inconsistencies are explored and minimized. One’s mind can become a glorious consensus.
Each square represents, and carries with it, the information of a previously experienced cognitive gestalt (situational memories, ideas, convictions, etc.). Some gestalts never come up together naturally. The LSD-like state allows their side-by-side comparison.
In therapy, LSD-like states had been used for many decades in order to integrate disparate parts of one’s personality into a (more) coherent and integrated lifeworld. But scientists at the beginning didn’t know why this worked.
The Turing module then discovered that the kaleidoscopic world of acid can be compared to raising the temperature within an Ising model. If different gestalts imply a variety of semantic-affective constraints, kaleidoscopic Frame Stacking has the formal effect of expanding the region of one’s mind that is taken into consideration for global consistency at any given point in time. The local constraints become more loose, giving global constraints the upper hand. The degree of psychedelia is approximately proportional to the temperature of the model, and when you let it cool, the grand pattern is somewhat different. It is more stable; one arrives at a more globally consistent state. Your semantic-affective constraints are, on the whole, better satisfied. The Turings called this phenomenon qualia annealing.
Ising Model – A simple computational analogy for the LSD-induced global constraint satisfaction facilitation.
If one ups the dose a little bit and lands somewhere in the range between 4 to 8 mg, one is likely to experience what Terrence McKenna called “the Chrysanthemum”. This usually manifests as a surface saturated with a sort of textured fabric composed of intricate symmetrical relationships, bright colors, shifting edges and shimmering pulsing superposition patterns of harmonic linear waves of many different frequencies.
Depending on the dose consumed one may experience either one or several semi-parallel channels. Whereas a threshold dose usually presents you with a single strong vibe (or ambiance), the Chrysanthemum level often has several competing vibes each bidding for your attention. Here are some examples of what the visual component of this state of consciousness may look like.
Chrysanthemum with multuple symmetry channels
The visual component of the Chrysanthemum is often described as “the best screen saver ever“, and if you happen to experience it in a good mood you will almost certainly agree with that description, as it is usually extremely harmonious, symmetric and beautiful in uncountable ways. No external input can possibly replicate the information density and intricate symmetry of this state; such state has to be endogenously generated as a a sort of harmonic attractor of your brain dynamics.
You can find many replications of Chrysanthemum-level DMT experiences on the internet, and I encourage you to examine their implicit symmetries (this replication is one of my all-times favorite).
In Algorithmic Reduction of Psychedelic States we posited that any one of the 17 wallpaper symmetry groups can be instantiated as the symmetries that govern psychedelic visuals. Unfortunately, unlike the generally slow evolution of usual psychedelic visuals, DMT’s vibrational frequency forces such visuals to evolve at a speed that makes it difficult for most people to spot the implicit symmetry elements that give rise to the overall mathematical structure underneath one’s experience. For this reason it has been difficult to verify that all 17 wallpaper groups are possible in DMT states. Fortunately we were recently able to confirm that this is in fact the case thanks to someone who trained himself to do just this. I.e. detecting symmetry elements in patterns at an outstanding speed.
An anonymous psychonaut (whom we will call researcher A) sent a series of trip report to Qualia Computing detailing the mathematical properties of psychedelic visuals under various substances and dose regimens. A is an experienced psychonaut and a math enthusiast who recently trained himself to recognize (and name) the mathematical properties of symmetrical patterns (such as in works of art or biological organisms). In particular, he has become fluent at naming the symmetries exhibited by psychedelic visuals. In the context of 2D visuals on surfaces, A confirms that the symmetrical textures that arise in psychedelic states can exhibit any one of the 17 wallpaper symmetry groups. Likewise, he has been able to confirm that every possible spherical symmetry group can also be instantiated in one’s mind as a resonant attractor on these states.
The images below show some examples of the visuals that A has experienced on 2C-B, LSD, 4-HO-MET and DMT (sources: top left, top middle, the rest were made with this service):
The Chrysanthemum level interacts with sensory input in an interesting way: the texture of anything one looks at quickly becomes saturated with nested 2-dimensional symmetry groups. If you took enough DMT to take you to this level and you keep your eyes open and look at a patterned surface (i.e. statistical texture), it will symmetrify beyond recognition. A explains that at this level DMT visuals share some qualities with those of, say, LSD, mescaline, and psilocin. Like other psychedelics, DMT’s Chrysanthemum level can instantiate any 2-dimensional symmetry, yet there are important differences from other psychedelics at this dose range. These include the consistent change in ambiance (already present in threshold doses), the complexity and consistency of the symmetrical relationships (much more dense and whole-experience-consistent than is usually possible with other psychedelics), and the speed (with a control-interruption frequency reaching up to 30 hertz, compared to 10-20 hertz for most psychedelics). Thus, people tend to point out that DMT visuals (at this level) are “faster, smaller, more detailed and more globally consistent” than on comparable levels of alteration from similar agents.
Now, if you take a dose that is a little higher (in the ballpark of 8 to 12 mg), the Chrysanthemum will start doing something new and interesting…
(3) The Magic Eye Level
A great way to understand the Magic Eye level of DMT effects is to think of the Chrysanthemum as the texture of an autostereogram (colloquially described as “Magic Eye” pictures). Our visual experience can be easily decomposed into two points-of-view (corresponding to the feed coming from each eye) that share information in order to solve the depth-map problem in vision. This is to map each visual qualia to a space with relative distances so (a) the input is explained and (b) you get recognizable every-day objects represented as implicit shapes beneath the depth-map. You can think of this process as a sort of hand-shake between bottom-up perception and top-down modeling.
In everyday conditions one solves the depth-map problem within a second of opening one’s eyes (minus minor details that are added as one looks around). But on DMT, the “low-level perceptions” looks like a breathing Chrysanthemum, which means that the top-down modeling has that “constantly shifting” stuff to play with. What to make of it? Anything you can think of.
There are three major components of variance on the DMT Magic Eye level:
Texture (dependent on the Chrysanthemum’s evolution)
World-sheet (non-occluduing 3D1T depth maps)
Extremelly lowered information copying threshold.
The image on the left is a lobster, the one on the center is a cone and the one to the right contains furniture (a lamp, a chair and a table). Notice that what you see is a sort of depth-map which encodes shapes. We will call this depth-map together with the appearance of movement and acceleration represented in it, a world-sheet.
The world-sheet encodes the “semantic content” of the scene and is capable of representing arbitrary situations (including information about what you are seeing, where you are, what the entities there are doing, what is happening, etc.).
It is common to experience scenes from usually mundane-looking places like ice-cream stores, play pens, household situations, furniture rooms, apparel, etc.. Likewise, one frequently sees entities in these places, but they rarely seem to mind you because their world is fairly self-contained. As if seeing through a window. People often report that the worlds they saw on a DMT trip were all “made of the same thing”. This can be interpreted as the texture becoming the surfaces of the world-sheet, so that the surfaces of the tables, chairs, ice-cream cones, the bodies of the people, and so on are all patterned with the same texture (just as in actual autostereograms). This texture is indeed the Chrysanthemum completely contorted to accommodate all the curvature of the scene.
Magic Eye level scenes often include 3D geometrical shapes like spheres, cones, cylinders, cubes, etc. The complexity of the scene is roughly dose-dependent. As one ups the highness (but still remaining within the Magic Eye level) complex translucid qualia crystals in three dimensions start to become a possibility.
Whatever phenomenal objects you experience on this level that lives for more than a millisecond needs to have effective strategies for surviving in an ecosystem of other objects adapted to that level. Given the extremely lowered information copying threshold, whatever is good at making copies of itself will begin to tesselate, mutate and evolve, stealing as much of your attention as possible in the way. Cyclic transitions occupy one’s attention: objects quickly become scenes which quickly become gestalts from which a new texture evolves in which new objects are detected and so on ad infinitum.
A reports that at this dose range one can experience at least some of the 230 space groups as objects represented in the world-sheet. For example, A reports having stabilized a structure with a Pm-3m symmetry structure, not unlike the structure of ZIF-71-RHO. Visualizing such complex 3D symmetries, however, does seem to require previous training and high levels of mental concentration (i.e. in order to ensure that all the symmetry elements are indeed what they are supposed to be).
There is so much qualia laying around, though, at times not even your normal space can contain it all. Any regular or semi regular symmetrical structure you construct by centering your attention prone to overflow if you focus too much on it. What does this mean? If you focus too much on, for example, the number 6, your mind might represent the various ways in which you can arrange six balls in a perfectly symmetrical way. Worlds made of hexagons and octahedrons interlocked in complex but symmetrical ways may begin to tesselate your experiential field. With every second you find more and more ways of representing the number six in interesting, satisfying, metaphorically-sound synesthetic ways (cf. Thinking in Numbers). Now, what happens if you try to represent the number seven in a symmetric way on the plane? Well, the problem is that you will have too many heptagons to fit in Euclidean space (cf. Too Many Triangles). Thus the resulting symmetrical patterns will seem to overflow the plane (which is often felt as a folding and fluid re-arrangement, and when there is no space left in a region it either expands space or it is felt as some sort of synesthetic tension or stress, like a sense of crackling under a lot of pressure).
Heptagonal tiling of the Poincaré disk representing the 2D hyperbolic space.
Order-7-3 rhombille tiling
In particular, A claims that in the lower ranges of the DMT Magic Eye level the texture of the Chrysanthemum tends to exhibit heptagonal and triheptagonal tilings (as shown in the picture above). A explains that at the critical point between the Chrysanthemum and the Magic Eye levels the intensity of the rate of symmetry detection of the Chrysanthemum cannot be contained to a 2D surface. Thus, the surface begins to fold, often in semi-symmetric ways. Every time one “recognizes” an object on this “folding Chrysanthemum” the extra curvature is passed on to this object. As the dose increases, one interprets more and more of this extra curvature and ends up shaping a complex and highly dynamic spatiotemporal depth map with hyperbolic folds. In the upper ranges of the Magic Eye level the world-sheet is so curved that the scenes one visualize are intricate and expansive, feeling at times like one is able to peer through one’s horizon in all directions and see oneself and one’s world from a distance. At some critical point one may feel like the space around one is folding into a huge dome where the walls are made of whatever texture + world-sheet combination happened to win the Darwinian selection pressures applied to the qualia patterns on the Magic Eye level. This concentrated hyperbolic synesthetic texture is what becomes the walls of the Waiting Room…
As suggested by the quotes above, psychedelic symmetries are extremely beautiful. This is puzzling for most worldviews. But once you take into account the Tyranny of the Intentional Object and the Symmetry Theory of Valence, it begins to make sense why peak symmetry on psychedelics is so delightfully amazing (sometimes unimaginably better than a great orgasm or a back-rub on ecstasy). In this vein, we are proud to point out that we have worked out some precise, empirically testable, predictions based on connectome-specific harmonic waves and the symmetry theory of valence (see: Quantifying Bliss).
Interestingly, the process of point-of-view fragmentation and subsequent annealing to global geometric coherence is hinted at by John C. Lilly in his book Programming and Metaprogramming in the Human Biocomputer (you can read the relevant quote here: Psychedelic alignment cascades).
As evidenced in Steven Lehar’s writeup (and the other quotes and references provided above), we could say that giving psychedelics to brilliant people with a scientific background in cognitive science and natural philosophical talent does indeed have the ability to expand our evidential base for the nature of consciousness and the way our brains work.
It is thus far more useful for the advancement of the science of consciousness to allocate such experiences to serious scientifically-minded psychonauts than it is to give those same agents to people with pre-scientific frameworks. The phenomenological descriptions and insights provided by a single Steven Lehar on acid are worth a thousand Buddhists, French Existentialists, poets, and film-makers on LSD.
Either way, it is unconscionable that today most leading academics working on the problem of consciousness have no personal experience with these agents, nor they show much interest in the alien state-spaces that they disclose. That’s about as weird as physicists only showing interest in what happens at room-temperature, even though most precise mathematical theories of the physical world can only be tested in extreme conditions (such as high-energy particle collisions). Just as we can expect that a few observations of the behavior of matter in extreme conditions will provide a lot more information than thousands of observations of matter in known “everyday” conditions, the ultimate nature of qualia is most likely to be understood by studying its properties in extreme (e.g. high-energy) neuronal environments.
“It seems plain and self-evident, yet it needs to be said: the isolated knowledge obtained by a group of specialists in a narrow field has in itself no value whatsoever, but only in its synthesis with all the rest of knowledge and only inasmuch as it really contributes in this synthesis toward answering the demand, ‘Who are we?'”
– Erwin Schrödinger in Science and Humanism (1951)
“Should you or not commit suicide? This is a good question. Why go on? And you only go on if the game is worth the candle. Now, the universe is been going on for an incredibly long time. Really, a satisfying theory of the universe should be one that’s worth betting on. That seems to me to be absolutely elementary common sense. If you make a theory of the universe which isn’t worth betting on… why bother? Just commit suicide. But if you want to go on playing the game, you’ve got to have an optimal theory for playing the game. Otherwise there’s no point in it.”
In this article we provide a novel framework for ethics which focuses on the perennial battle between wellbeing-oriented consciousness-centric values and valueless patterns who happen to be great at making copies of themselves (aka. Consciousness vs. Pure Replicators). This framework extends and generalizes modern accounts of ethics and intuitive wisdom, making intelligible numerous paradigms that previously lived in entirely different worlds (e.g. incongruous aesthetics and cultures). We place this worldview within a novel scale of ethical development with the following levels: (a) The Battle Between Good and Evil, (b) The Balance Between Good and Evil, (c) Gradients of Wisdom, and finally, the view that we advocate: (d) Consciousness vs. Pure Replicators. More so, we analyze each of these worldviews in light of our philosophical background assumptions and posit that (a), (b), and (c) are, at least in spirit, approximations to (d), except that they are less lucid, more confused, and liable to exploitation by pure replicators. Finally, we provide a mathematical formalization of the problem at hand, and discuss the ways in which different theories of consciousness may affect our calculations. We conclude with a few ideas for how to avoid particularly negative scenarios.
Throughout human history, the big picture account of the nature, purpose, and limits of reality has evolved dramatically. All religions, ideologies, scientific paradigms, and even aesthetics have background philosophical assumptions that inform their worldviews. One’s answers to the questions “what exists?” and “what is good?” determine the way in which one evaluates the merit of beings, ideas, states of mind, algorithms, and abstract patterns.
Kuhn’s claim that different scientific paradigms are mutually unintelligible (e.g. consciousness realism vs. reductive eliminativism) can be extended to worldviews in a more general sense. It is unlikely that we’ll be able to convey the Consciousness vs. Pure Replicators paradigm by justifying each of the assumptions used to arrive to it one by one starting from current ways of thinking about reality. This is because these background assumptions support each other and are, individually, not derivable from current worldviews. They need to appear together as a unit to hang together tight. Hence, we now make the jump and show you, without further due, all of the background assumptions we need:
These assumptions have been discussed in previous articles. In the meantime, here is a brief description: (1) is the claim that consciousness is an element of reality rather than simply the improper reification of illusory phenomena, such that your conscious experience right now is as much a factual and determinate aspect of reality as, say, the rest mass of an electron. In turn, (2) qualia formalism is the notion that consciousness is in principle quantifiable. Assumption (3) states that valence (i.e. the pleasure/pain axis, how good an experience feels) depends of the structure of such experience (more formally, on the properties of the mathematical object isomorphic to its phenomenology).
(4) is the assumption that people’s behavior is motivated by the pleasure-pain axis even when they think that’s not the case. For instance, people may explicitly represent the reason for doing things in terms of concrete facts about the circumstance, and the pleasure principle does not deny that such reasons are important. Rather, it merely says that such reasons are motivating because one expects/anticipates less negative valence or more positive valence. The Tyranny of the Intentional Object describes the fact that we attribute changes in our valence to external events and objects, and believe that such events and objects are intrinsically good (e.g. we think “icecream is great” rather than “I feel good when I eat icecream”).
Physicalism (5) in this context refers to the notion that the equations of physics fully describe the causal behavior of reality. In other words, the universe behaves according to physical laws and even consciousness has to abide by this fact.
Open Individualism (6) is the claim that we are all one consciousness, in some sense. Even though it sounds crazy at first, there are rigorous philosophical arguments in favor of this view. Whether this is true or not is, for the purpose of this article, less relevant than the fact that we can experience it as true, which happens to have both practical and ethical implications for how society might evolve.
Finally, (7) Universal Darwinism refers to the claim that natural selection works at every level of organization. The explanatory power of evolution and fitness landscapes generated by selection pressures is not confined to the realm of biology. Rather, it is applicable all the way from the quantum foam to, possibly, an ecosystem of universes.
The power of a given worldview is not only its capacity to explain our observations about the inanimate world and the quality of our experience, but also in its capacity to explain *in its own terms* the reasons for why other worldviews are popular as well. In what follows we will utilize these background assumptions to evaluate other worldviews.
The Four Worldviews About Ethics
The following four stages describe a plausible progression of thoughts about ethics and the question “what is valuable?” as one learns more about the universe and philosophy. Despite the similarity of the first three levels to the levels of other scales of moral development (e.g. this, this, this, etc.), we believe that the fourth level is novel, understudied, and very, very important.
1. The “Battle Between Good and Evil” Worldview
“Every distinction wants to become the distinction between good and evil.” – Michael Vassar (source)
Common-sensical notions of essential good and evil are pre-scientific. For reasons too complicated to elaborate on for the time being, the human mind is capable of evoking an agentive sense of ultimate goodness (and of ultimate evil).
Good vs. Evil? God vs. the Devil?
Children are often taught that there are good people and bad people. That evil beings exist objectively, and that it is righteous to punish them and see them with scorn. On this level people reify anti-social behaviors as sins.
Essentializing good and evil, and tying it up to entities seems to be an early developmental stage of people’s conception of ethics, and many people end up perpetually stuck in here. Several religions (specially the Abrahamic ones) are often practiced in such a way so as to reinforce this worldview. That said, many ideologies take advantage of the fact that a large part of the population is at this level to recruit adherents by redefining “what good and bad is” according to the needs of such ideologies. As a psychological attitude (rather than as a theory of the universe), reactionary and fanatical social movements often rely implicitly on this way of seeing the world, where there are bad people (jews, traitors, infidels, over-eaters, etc.) who are seen as corrupting the soul of society and who deserve to have their fundamental badness exposed and exorcised with punishment in front of everyone else.
Traditional notions of God vs. the Devil can be interpreted as the personification of positive and negative valence
Implicitly, this view tends to gain psychological strength from the background assumptions of Closed Individualism (which allows you to imagine that people can be essentially bad). Likewise, this view tends to be naïve about the importance of valence in ethics. Good feelings are often interpreted as the result of being aligned with fundamental goodness, rather than as positive states of consciousness that happen to be triggered by a mix of innate and programmable things (including cultural identifications). More so, good feelings that don’t come in response to the preconceived universal order are seen as demonic and aberrant.
From our point of view (the 7 background assumptions above) we interpret this particular worldview as something that we might be biologically predisposed to buy into. Believing in the battle between good and evil was probably evolutionarily adaptive in our ancestral environment, and might reduce many frictional costs that arise from having a more subtle view of reality (e.g. “The cheaper people are to model, the larger the groups that can be modeled well enough to cooperate with them.” – Michale Vassar). Thus, there are often pragmatic reasons to adopt this view, specially when the social environment does not have enough resources to sustain a more sophisticated worldview. Additionally, at an individual level, creating strong boundaries around what is or not permissible can be helpful when one has low levels of impulse control (though it may come at the cost of reduced creativity).
On this level, explicit wireheading (whether done right or not) is perceived as either sinful (defying God’s punishment) or as a sort of treason (disengaging from the world). Whether one feels good or not should be left to the whims of the higher order. On the flipside, based on the pleasure principle it is possible to interpret the desire to be righteous as being motivated by high valence states, and reinforced by social approval, all the while the tyranny of the intentional object cloaks this dynamic.
TVTropes has a great summary of the sorts of narratives that express this particular worldview and I highly recommend reading that article to gain insight into the moral attitudes compatible with this view. For example, here are some reasons why Good cannot or should not win:
Good winning includes: the universe becoming boring, society stagnating or collapsing from within in the absence of something to struggle against or giving people a chance to show real nobility and virtue by risking their lives to defend each other. Other times, it’s enforced by depicting ultimate good as repressive (often Lawful Stupid), or by declaring concepts such as free will or ambition as evil. In other words “too much of a good thing”.
Now, the stated reasons why people might buy into this view are rarely their true reasons. Deep down, the Balance Between Good and Evil is adopted because: people want to differentiate themselves from those who believe in (1) to signal intellectual sophistication, they experience learned helplessness after trying to defeat evil without success (often in the form of resilient personal failings or societal flaws), they find the view compelling at an intuitive emotional level (i.e. they have internalized the hedonic treadmill and project it onto the rest of reality).
In all of these cases, though, there is something somewhat paradoxical about holding this view. And that is that people report that coming to terms with the fact that not everything can be good is itself a cause of relief, self-acceptance, and happiness. In other words, holding this belief is often mood-enhancing. One can also confirm the fact that this view is emotionally load-bearing by observing the psychological reaction that such people have to, for example, bringing up the Hedonistic Imperative (which asserts that eliminating suffering without sacrificing anything of value is scientifically possible), indefinite life extension, or the prospect of super-intelligence. Rarely are people at this level intellectually curious about these ideas, and they come up with excuses to avoid looking at the evidence, however compelling it may be.
For example, some people are lucky enough to be born with a predisposition to being hyperthymic (which, contrary to preconceptions, does the opposite of making you a couch potato). People’s hedonic set-point is at least partly genetically determined, and simply avoiding some variants of the SCN9A gene with preimplantation genetic diagnosis would greatly reduce the number of people who needlessly suffer from chronic pain.
But this is not seen with curious eyes by people who hold this or the previous worldview. Why? Partly this is because it would be painful to admit that both oneself and others are stuck in a local maxima of wellbeing and that examining alternatives might yield very positive outcomes (i.e. omission bias). But at its core, this willful ignorance can be explained as a consequence of the fact that people at this level get a lot of positive valence from interpreting present and past suffering in such a way that it becomes tied to their core identity. Pride in having overcome their past sufferings, and personal attachment to their current struggles and anxieties binds them to this worldview.
If it wasn’t clear from the previous paragraph, this worldview often requires a special sort of chronic lack of self-insight. It ultimately relies on a psychological trick. One never sees people who hold this view voluntarily breaking their legs, taking poison, or burning their assets to increase the goodness elsewhere as an act of altruism. Instead, one uses this worldview as a mood-booster, and in practice, it is also susceptible to the same sort of fanaticism as the first one (although somewhat less so). “There can be no light without the dark. And so it is with magic. Myself, I always try to live within the light.” – Horace Slughorn.
Additionally, this view helps people rationalize the negative aspects of one’s community and culture. For example, it not uncommon for people to say that buying factory farmed meat is acceptable on the grounds that “some things have to die/suffer for others to live/enjoy life.” Balance Between Good and Evil is a close friend of status quo bias.
Hinduism, Daoism, and quite a few interpretations of Buddhism work best within this framework. Getting closer to God and ultimate reality is not done by abolishing evil, but by embracing the unity of all and fostering a healthy balance between health and sickness.
It’s also worth noting that the balance between good and evil tends to be recursively applied, so that one is not able to “re-define our utility function from ‘optimizing the good’ to optimizing ‘the balance of good and evil’ with a hard-headed evidence-based consequentialist approach.” Indeed, trying to do this is then perceived as yet another incarnation of good (or evil) which needs to also be balanced with its opposite (willful ignorance and fuzzy thinking). One comes to the conclusion that it is the fuzzy thinking itself that people at this level are after: to blur reality just enough to make it seem good, and to feel like one is not responsible for the suffering in the world (specially by inaction and lack of thinking clearly about how one could help). “Reality is only a Rorschach ink-blot, you know” – Alan Watts. So this becomes a justification for thinking less than one really has to about the suffering in the world. Then again, it’s hard to blame people for trying to keep the collective standards of rigor lax, given the high proportion of fanatics who adhere to the “battle between good and evil” worldview, and who will jump the gun to demonize anyone who is slacking off and not stressed out all the time, constantly worrying about the question “could I do more?”
David Chapman’s HTML book Meaningness might describe both of the previous worldviews as variants of eternalism. In the context of his work, eternalism refers to the notion that there is an absolute order and meaning to existence. When applied to codes of conduct, this turns into “ethical eternalism”, which he defines as: “the stance that there is a fixed ethical code according to which we should live. The eternal ordering principle is usually seen as the source of the code.” Chapman eloquently argues that eternalism has many side effects, including: deliberate stupidity, attachment to abusive dynamics, constant disappointment and self-punishment, and so on. By realizing that, in some sense, no one knows what the hell is going on (and those who do are just pretending) one takes the first step towards the “Gradients of Wisdom” worldview.
At this level people realize that there is no evil essence. Some might talk about this in terms of there “not being good or bad people”, but rather just degrees of impulse control, knowledge about the world, beliefs about reality, emotional stability, and so on. A villain’s soul is not connected to some kind of evil reality. Rather, his or her actions can be explained by the causes and conditions that led to his or her psychological make-up.
Sam Harris’ ideas as expressed in The Moral Landscape evoke this stage very clearly. Sam explains that just as health is a fuzzy but important concept, so is psychological wellbeing, and that for such a reason we can objectively assess cultures as more or less in agreement with human flourishing.
Indeed, many people who are at this level do believe in valence structuralism, where they recognize that there are states of consciousness that are inherently better in some intrinsic subjective value sense than others.
However, there is usually no principled framework to assess whether a certain future is indeed optimal or not. There is little hard-headed discussion of population ethics for fear of sounding unwise or insensitive. And when push comes to shove, they lack good arguments to decisively rule out why particular situations might be bad. In other words, there is room for improvement, and such improvement might eventually come from more rigor and bullet-bitting. In particular, a more direct examination of the implications of: Open Individualism, the Tyranny of the Intentional Object, and Universal Darwinism can allow someone on this level to make a breakthrough. Here is where we come to:
4. The “Consciousness vs. Pure Replicators” Worldview
I will define a pure replicator, in the context of agents and minds, to be an intelligence that is indifferent towards the valence of its conscious states and those of others. A pure replicator invests all of its energy and resources into surviving and reproducing, even at the cost of continuous suffering to themselves or others. Its main evolutionary advantage is that it does not need to spend any resources making the world a better place.
Presumably our genes are pure replicators. But we, as sentient minds who recognize the intrinsic value (both positive and negative) of conscious experiences, are not pure replicators. Thanks to a myriad of fascinating dynamics, it so happened that making minds who love, appreciate, think creatively, and philosophize was a side effect of the process of refining the selfishness of our genes. We must not take for granted that we are more than pure replicators ourselves, and that we care both about our wellbeing and the wellbeing of others. The problem now is that the particular selection pressures that led to this may not be present in the future. After all, digital and genetic technologies are drastically changing the fitness landscape for patterns that are good at making copies of themselves.
In an optimistic scenario, future selection pressures will make us all naturally gravitate towards super-happiness. This is what David Pearce posits in his essay “The Biointelligence Explosion”:
As the reproductive revolution of “designer babies” gathers pace, prospective parents will pre-select alleles and allelic combinations for a new child in anticipation of their behavioural effects – a novel kind of selection pressure to replace the “blind” genetic roulette of natural selection. In time, routine embryo screening via preimplantation genetic diagnosis will be complemented by gene therapy, genetic enhancement and then true designer zygotes. In consequence, life on Earth will also become progressively happier as the hedonic treadmill is recalibrated. In the new reproductive era, hedonic set-points and intelligence alike will be ratcheted upwards in virtue of selection pressure. For what parent-to-be wants to give birth to a low-status depressive “loser”? Future parents can enjoy raising a normal transhuman supergenius who grows up to be faster than Usain Bolt, more beautiful than Marilyn Monroe, more saintly than Nelson Mandela, more creative than Shakespeare – and smarter than Einstein.
In a pessimistic scenario, the selection pressures lead to the opposite direction, where negative experiences are the only states of consciousness that happen to be evolutionarily adaptive, and so they become universally used.
There is at least some encouraging facts that suggest it is not too late to prevent a pure replicator takeover. There are memes, states of consciousness, and resources that can be used in order to steer evolution in a positive directions. In particular, as of 2017:
There is a large fraction of the population who is altruistic and would be willing to cooperate with the rest of the world to avoid catastrophic scenarios.
Happy people are more motivated, productive, engaged, and ultimately, economically useful (see hyperthimic temperament).
Many people have explored Open Individualism and are interested (or at least curious) about the idea that we are all one.
A lot of people are fascinated by psychedelics and the non-ordinary states of consciousness that they induce.
MDMA-like consciousness is both very positive in terms of its valence, but also, amazingly, extremely pro-social, and future sustainable versions of it could be recruited to stabilize societies where the highest value is the collective wellbeing.
It is important to not underestimate the power of the facts laid out above. If we get our act together and create a Manhattan Project of Consciousness we might be able to find sustainable, reliable, and powerful methods that stabilize a hyper-motivated, smart, super-happy and super-prosocial state of consciousness in a large fraction of the population. In the future, we may all by default identify with consciousness itself rather than with our bodies (or our genes), and be intrinsically (and rationally) motivated to collaborate with everyone else to create as much happiness as possible as well as to eradicate suffering with technology. And if we are smart enough, we might also be able to solidify this state of affairs, or at least shield it against pure replicator takeovers.
The beginnings of that kind of society may already be underway. Consider for example the contrast between Burning Man and Las Vegas. Burning Man is a place that works as a playground for exploring post-Darwinean social dynamics, in which people help each other overcome addictions and affirm their commitment to helping all of humanity. Las Vegas, on the other hand, might be described as a place that is filled to the top with pure replicators in the forms of memes, addictions, and denial. The present world has the potential for both kind of environments, and we do not yet know which one will outlive the other in the long run.
Formalizing the Problem
We want to specify the problem in a way that will make it mathematically intelligible. In brief, in this section we focus on specifying what it means to be a pure replicator in formal terms. Per the definition, we know that pure replicators will use resources as efficiently as possible to make copies of themselves, and will not care about the negative consequences of their actions. And in the context of using brains, computers, and other systems whose states might have moral significance (i.e. they can suffer), they will simply care about the overall utility of such systems for whatever purpose they may require. Such utility will be a function of both the accuracy with which the system performs it’s task, as well as its overall efficiency in terms of resources like time, space, and energy.
Simply phrased, we want to be able to answer the question: Given a certain set of constraints such as energy, matter, and physical conditions (temperature, radiation, etc.), what is the amount of pleasure and pain involved in the most efficient implementation of a given predefined input-output mapping?
The image above represents the relevant components of a system that might be used for some purpose by an intelligence. We have the inputs, the outputs, the constraints (such as temperature, materials, etc.) and the efficiency metrics. Let’s unpack this. In the general case, an intelligence will try to find a system with the appropriate trade-off between efficiency and accuracy. We can wrap up this as an “efficiency metric function”, e(o|i, s, c) which encodes the following meaning: “e(o|i, s, c) = the efficiency with which a given output is generated given the input, the system being used, and the physical constraints in place.”
Now, we introduce the notion of the “valence for the system given a particular input” (i.e. the valence for the system’s state in response to such an input). Let’s call this v(s|i). It is worth pointing out that whether valence can be computed, and whether it is even a meaningfully objective property of a system is highly controversial (e.g. “Measuring Happiness and Suffering“). Our particular take (at QRI) is that valence is a mathematical property that can be decoded from the mathematical object whose properties are isomorphic to a system’s phenomenology (see: Principia Qualia: Part II – Valence, and also Quantifying Bliss). If so, then there is a matter of fact about just how good/bad an experience is. For the time being we will assume that valence is indeed quantifiable, given that we are working under the premise of valence structuralism (as stated in our list of assumptions). We thus define the overall utility for a given output as U(e(o|i, s, c), v(s|i)), where the valence of the system may or may not be taken into account. In turn, an intelligence is said to be altruistic if it cares about the valence of the system in addition to its efficiency, so that it’s utility function penalizes negative valence (and rewards positive valence).
Now, the intelligence (altruistic or not) utilizing the system will also have to take into account the overall range of inputs the system will be used to process in order to determine how valuable the system is overall. For this reason, we define the expected value of the system as the utility of each input multiplied by its probability.
(Note: a more complete formalization would also weight in the importance of each input-output transformation, in addition to their frequency). Moving on, we can now define the overall expected utility for the system given the distribution of inputs it’s used for, its valence, its efficiency metrics, and its constraints as E[U(s|v, e, c, P(I))]:
The last equation shows that the intelligence would choose the system that maximizes E[U(s|v, e, c, P(I))].
Pure replicators will be better at surviving as long as the chances of reproducing do not depend on their altruism. If altruism does not reduce such reproductive fitness, then:
Given two intelligences that are competing for existence and/or resources to make copies of themselves and fight against other intelligences, there is going to be a strong incentive to choose a system that maximizes the efficiency metrics regardless of the valence of the system.
In the long run, then, we’d expect to see only non-altruistic intelligences (i.e. intelligences with utility functions that are indifferent to the valence of the systems it uses to process information). In other words, as evolution pushes intelligences to optimize the efficiency metrics of the systems they employ, it also pushes them to stop caring about the wellbeing of such systems. In other words, evolution pushes intelligences to become pure replicators in the long run.
Hence we should ask: How can altruism increase the chances of reproduction? A possibility would be for the environment to reward entities that are altruistic. Unfortunately, in the long run we might see that environments that reward altruistic entities produce less efficient entities than environments that don’t. If there are two very similar environments, one which rewards altruism and one which doesn’t, the efficiency of the entities in the latter might become so much higher than in the former that they become able to takeover and destroy whatever mechanism is implementing such reward for altruism in the former. Thus, we suggest to find environments in which rewarding altruism is baked into their very nature, such that similar environments without such reward either don’t exist or are too unstable to exist for the amount of time it takes to evolve non-altruistic entities. This and other similar approaches will be explored further in Part II.
A key insight is that the formalization presented above is agnostic about one’s theory of consciousness. We are simply assuming that it’s possible to compute the valence of the system in terms of its state. How one goes about computing such valence, though, will depend on how one maps physical systems to experiences. Getting into the weeds of the countless theories of consciousness out there would not be very productive at this stage, but there is still value in defining the rough outline of kinds of theories of consciousness. In particular, we categorize (physicalist) theories of consciousness in terms of the level of abstraction they identify as the place in which to look for consciousness.
Behaviorism and similar accounts simply associate consciousness to input-output mappings, which can be described, in Marr’s terms, as the computational level of abstraction. In this case, v(s|i) would not depend on the details of the system as much as in what it does from a third person point of view. Behaviorists don’t care what’s in the Chinese Room; all they care about is if the Chinese Room can scribble “I’m in pain” as an output. How we can formalize a mathematical equation to infer whether a system is suffering from a behaviorist point of view is beyond me, but maybe someone might want to give it a shot. As a side note, behaviorists historically were not very concerned about pain or pleasure, and there cause to believe that behaviorism itself might be anti-depressant for people for whom introspection results in more pain than pleasure.
Functionalism (along with computational theories of mind) defines consciousness as the sum-total of the functional properties of systems. In turn, this means that consciousness arises at the algorithmic level of abstraction. Contrary to common misconception, functionalists do care about how the Chinese Room is implemented: contra behaviorists, they do not usually agree that a Chinese Room implemented with a look-up table is conscious.*
As such v(s|i) will depend on the algorithms that the system is implementing. Thus, as an intermediary step, one would need a function that takes the system as an input and returns the algorithms that the system is implementing as an output, A(s). Only once we have A(s) we would then be able to infer the valence of the system. Which algorithms, and for what reason, are in fact hedonically-charged has yet to be clarified. Committed functionalists often associate reinforcement learning with pleasure and pain, and one could imagine that as philosophy of mind gets more rigorous and takes into account more advancements in neuroscience and AI, we will see more hypothesis being made about what kinds of algorithms result in phenomenal pain (and pleasure). There are many (still fuzzy) problems to be solved for this account to work even in principle. Indeed, there is a reason to believe that the question “what algorithms is this system performing?” has no definite answer, and it surely isn’t frame-invariant in the same way that a physical state might be. The fact that algorithms do not carve nature at its joints would imply that consciousness is not really a well-defined element of reality either. But rather than this working as a reductio-ad-absurdum of functionalism, many of its proponents have instead turned around to conclude that consciousness itself is not a natural kind. This does represent an important challenge in order to define the valence of the system, and makes the problem of detecting and avoiding pure replicators extra challenging. Admirably so, this is not stopping some from trying anyway.
Finally, Non-Materialist Physicalism locates consciousness at the implementation level of abstraction. This general account of consciousness refers to the notion that the intrinsic nature of the physical is qualia. There are many related views that for the purpose of this article should be good enough approximations: panpsychism, panexperientialism, neutral monism, Russellian monism, etc. Basically, this view takes seriously both the equations of physics and the idea that what they describe is the behavior of qualia. A big advantage of this view is that there is a matter-of-fact about what a system is composed of. Indeed, both in relativity and quantum mechanics, the underlying nature of a system is frame-invariant, such that its fundamental (intrinsic and causal) properties do not depend on one’s frame of reference. In order to obtain v(s|i) we will need to obtain this frame-invariant description of what the system is in a given state. Thus, we need a function that takes as input physical measurements of the system and returns the best possible approximation to what is actually going on under the hood, Ph(s). And only with this function Ph(s) we would be ready to compute the valence of the system. Now, in practice we might not need a plank-length description of the system, since the mathematical property that describes it’s valence might turn out to be well-approximated with high-level features of it.
The main problem with Non-Materialist Physicalism comes when one considers systems that have similar efficiency metrics, are performing the same algorithms, and look the same in all of the relevant respects from a third-person point, and yet do not have the same experience. In brief: if physical rather than functional aspects of systems map to conscious experiences, it seems likely that we could find two systems that do the same (input-output mapping), do it in the same way (algorithms), and yet one is conscious and the other isn’t.
This kind of scenario is what has pushed many to conclude that functionalism is the only viable alternative, since at this point consciousness would seem epiphenomenal (e.g. Zombies Redacted). And indeed, if this was the case, it would seem to be a mere matter of chance that our brains are implemented with the right stuff to be conscious, since the nature of such stuff is not essential to the algorithms that actually end up processing the information. You cannot speak to stuff, but you can speak to an algorithm. So how do we even know we have the right stuff to be conscious?
The way to respond to this very valid criticism is for Non-Materialist Physicalism to postulate that bound states of consciousness have computational properties. In brief, epiphenomenalism cannot be true. But this does not rule out Non-Materialist Physicalism for the simple reason that the quality of states of consciousness might be involved in processing information. Enter…
The Computational Properties of Consciousness
Let’s leave behaviorism behind for the time being. In what ways do functionalism and non-materialist physicalism differ in the context of information processing? In the former, consciousness is nothing other than certain kinds of information processing, whereas in the latter conscious states can be used for information processing. An example of this falls out of taking David Pearce’s theory of consciousness seriously. In his account, the phenomenal binding problem (i.e. “if we are made of atoms, how come our experience contains many pieces of information at once?”, see: The Combination Problem for Panpsychism) is solved via quantum coherence. Thus, a given moment of consciousness is a definite physical system that works as a unit. Conscious states are ontologically unitary, and not merely functionally unitary.
If this is the case, there would be a good reason for evolution to recruit conscious states to process information. Simply put, given a set of constraints, using quantum coherence might be the most efficient way to solve some computational problems. Thus, evolution might have stumbled upon a computational jackpot by creating neurons whose (extremely) fleeting quantum coherence could be used to solve constraint satisfaction problems in ways that would be more energetically expensive to do otherwise. In turn, over many millions of years, brains got really good at using consciousness in order to efficiently process information. It is thus not an accident that we are conscious, that our conscious experiences are unitary, that our world-simulations use a wide range of qualia varieties, and so on. All of these seemingly random, seemingly epiphenomenal, aspects of our existence happen to be computationally advantageous. Just as using quantum computing for factorizing prime numbers, or for solving problems amenable to annealing might give quantum computers a computational edge over their non-quantum counterparts, so is using bound conscious experiences helpful to outcompete non-sentient animals.
Of course, there is yet no evidence of macroscopic decoherence and the brain is too hot anyway, so on the face of it Pearce’s theory seems exceedingly unlikely. But its explanatory power should not be dismissed out of hand, and the fact that it makes empirically testable predictions is noteworthy (how often do consciousness theorists make precise predictions to falsify their theories?).
Whether it is via quantum coherence, entanglement, invariants of the gauge field, or any other deep physical property of reality, non-materialist physicalism can avert the spectre of epiphenomenalism by postulating that the relevant properties of matter that make us conscious are precisely those that give our brains a computational edge (relative to what evolution was able to find in the vicinity of the fitness landscape explored in our history).
Will Pure Replicators Use Valence Gradients at All?
Whether we work under the assumption of functionalism or non-materialist physicalism, we already know that our genes found happiness and suffering to be evolutionary advantageous. So we know that there is at least a set of constraints, efficiency metrics, and input-output mappings that make both phenomenal pleasure and pain very good algorithms (functionalism) or physical implementations (non-materialist physicalism). But will the parameters necessitated by replicators in the long-term future have these properties? Remember that evolution was only able to explore a restricted state-space of possible brain implementations delimited by the pre-existing gene pool (and the behavioral requirements provided by the environment). So, in one extreme case, it may be the case that a fully optimized brain simply does not need consciousness to solve problems. And in another extreme, it may turn out that consciousness is extraordinarily more powerful when used in an optimal way. Would this be good or bad?
What’s the best case scenario? Well, the absolute best possible case is a case so optimistic and incredibly lucky that if it turned out to be true, it would probably make me believe in a benevolent God (or Simulation). This is the case where it turns out that only positive valence gradients are computationally superior to every other alternative given a set of constraints, input-output mappings, and arbitrary efficiency functions. In this case, the most powerful pure replicators, despite their lack of altruism, will nonetheless be pumping out massive amounts of systems that produce unspeakable levels of bliss. It’s as if the very nature of this universe is blissful… we simply happen to suffer because we are stuck in a tiny wrinkle at the foothills of the optimization process of evolution.
In the extreme opposite case, it turns out that only negative valence gradients offer strict computational benefits under heavy optimization. This would be Hell. Or at least, it would tend towards Hell in the long run. If this happens to be the universe we live in, let’s all agree to either conspire to prevent evolution from moving on, or figure out the way to turn it off. In the long term, we’d expect every being alive (or AI, upload, etc.) to be a zombie or a piece of dolorium. Not a fun idea.
In practice, it’s much more likely that both positive and negative valence gradients will be of some use in some contexts. Figuring out exactly which contexts these are might be both extremely important, and also extremely dangerous. In particular, finding out in advance which computational tasks make positive valence gradients a superior alternative to other methods of doing the relevant computations would inform us about the sorts of cultures, societies, religions, and technologies that we should be promoting in order to give this a push in the right direction (and hopefully out-run the environments that would make negative valence gradients adaptive).
Unless we create a Singleton early on, it’s likely that by default all future entities in the long-term future will be non-altruistic pure replicators. But it is also possible that there are multiple attractors (i.e. evolutionarily stable ecosystems) in which different computational properties of consciousness are adaptive. Thus the case for pushing our evolutionary history in the right direction right now before we give up.
Coming Next: The Hierarchy of Cooperators
Now that we covered the four worldviews, formalized what it means to be a pure replicator, and analyzed the possible future outcomes based on the computational properties of consciousness (and of valence gradients in particular), we are ready to face the game of reality in its own terms.
Team Consciousness, we need to to get our act together. We need a systematic worldview, availability of states of consciousness, set of beliefs and practices to help us prevent pure replicator takeovers.
But we cannot do this as long as we are in the dark about the sorts of entities, both consciousness-focused and pure replicators, who are likely to arise in the future in response to the selection pressures that cultural and technological change are likely to produce. In Part II of The Universal Plot we will address this and more. Stay tuned…
* Rather, they usually claim that, given that a Chinese Room is implemented with physical material from this universe and subject to the typical constraints of this world, it is extremely unlikely that a universe-sized look-up table would be producing the output. Hence, the algorithms that are producing the output are probably highly complex and using information processing with human-like linguistic representations, which means that, by all means, the Chinese Room it very likely understanding what it is outputting.
** Related Work:
Here is a list of literature that points in the direction of Consciousness vs. Pure Replicators. There are countless more worthwhile references, but I think that these ones are about the best: