Writer: Anonymous (here substituted as “Bill”)
Dose: 2 blotters
I remember at one point feeling and saying that I was on the “sandy beaches of time.” Normally there are story arcs to events. There’s peak arousal and closure. But the hoffman [“LSD blotter”] was sustained arousal. In an expected upbeat I found a downbeat. All downbeats. So I found myself with extra moments unexpectedly. Moments that normally would have been blank or dim transitions were just as full as the moments they connected. The idea of the “sandy beaches of time” came from the feeling of rolling around in the sand on the inclines. Imagine you’re floating in water and then you wash on shore. Then you’re on the sand. That’s a feeling of unexpected support. You’re lying passively and find yourself on solid ground somehow. That’s how I felt that I found myself (without trying or initiating a thought) supported unexpectedly in additional moments. This reminds me of the experience I had on a stronger dose in 2016 (same number of blotters but higher potency due to freshness) where I always felt “in the middle of my thought.” It’s like there’s a moment of height and openness at the peak of the thought where you expand open to figure out how you’re going to fit together the structural pieces of the highest level of organization of the thought. But I was continually in the middle of the thought and never finishing a thought, I felt. I tried a lot harder to have complete well formed thoughts back then too, so the experience would have been more notable. In general this time I was least excited or interested at all. Quite passive and peaceful, but not exploring with great energy or amusement. It was a lower dose. I thought it was going to be difficult and possibly be my first bad trip, but when I did them I saw as always that psychedelics are nice to me and weed is the only one who occasionally gets medieval. When I figure out my van and living situation I will definitely seek out more hoffmans and things like it, because they have a certain potential to make my mind work better and they don’t seem to make me insane at all. On weed I can picture some bad day it getting me into a fetal position, but on psychedelics I have a relaxed “power pose.”
I also slightly expanded my sense of unifying with the perceptual (and otherwise conceived/imagined) environment. I’m putting on equal footing (there’s that equal footing theme again… In an article (link) the author used the phrase on “equal footing” once. I had an idea to explain the equal footing phenomenon but I forget what it was). I feel like my implicit understanding of “merge your awareness with the world around you” increased and so I didn’t have to try so hard to figure it out. At this point I started to reflect on the kind of spiritual poverty of the spiritual ideas and theories I had and would often think about. The ideas I have often come from a dim dull state of mind. Anyway the merging came at the same time as understanding objects on their own terms. So rather than forcing a single texture onto two objects to see them both, I would see both objects with their own unique shapes and the only thing bridging them together was my awareness. That felt like the cubism people talk about in psychedelics (by the way Brahms is notoriously full of time distortions and musical cubism and disintegrations. The very long lines and irregular rhythms (implying a much lengthier process to “resolve,” i.e., achieve a full round of symmetry) are like the decreased decay of stuff in the mindstream. You can use sentences, words, sounds, symbols in a way that sustain moments of that openness, the middle-of-the-thought, and use sleight of hand to keep it from compensating or closing back down.). So I’d put on equal footing perceptions and all the notions I had which would be replaced by syntheses. Like I’d see a plane out the window and have a notion of the distance I was from it and then the notion of the angle of the distance line on my body and the plane, maybe picturing the underside of the plane and then the point of view from the plane looking back down, and I thought these images were all valid, and with the cubism going on it seemed to put the plane and the skyspace relationship to me on equal footing as myself, so I would see and not identify with my physical body and it’s vantage point and I would begin to get a sense of omniscience. Normally I’d reject this and say, “Well, look, we can take the pieces of the collage and infer that there’s only one body with eyes who can see and a brain that can think… it’s not like the plane actually sees or thinks” and yet I was going beyond that somehow. The panpsychism I’ve long subscribed to is like particulate panpsychism. It’s just like molecules and atoms have basic building blocks of complicated mechanical chemical processes, likewise simple consciousness properties of the oxygen atom and the carbon atom are modified by complex activities. However, the way I always thought of it wasn’t very smart. It wasn’t distributed consciousness at all. Nor did the consciousnesses of particles grow or interact or form “consciousness molecules” out of consciousness atoms. It was only the ability of surrounding forces to dance upon a carbon atom’s surface that I could imagine some experience arising. As for the human state—there are billions of consciousnesses and you just happen to be the one seeing this or hearing that or having the feeling of talking. In fact, all these examples of phenomenal experience would be vastly too complicated. But it’s no problem when you don’t believe in binding to suppose that I’m not a single person who talks and hears single sounds, but I’m an army of tiny mind particles that contribute their own tiny dust threads to experience… an experience that remains unbound and separate from all the other threads. So something like mind dust.
The cubism, by the way, was like dissociation, except that, like with the sandy beaches of time rushing in to provide an unexpected moment of support, there was always some unexpected maximally abstract unity support rushing in to bridge the disperate cubist pieces. That bridge was found in ongoing openness to find out. It was like an exercise in faith, and, in turn trust and compassion.
Anyway, that’s one kind of panpsychism. Another kind is nihilistic. Something about my coefficients was altered. Something normally was disproportional in my approach to panpsychism. Something similarly was out of place in the approach to open individualism. Well, the hoffman seemed to tune me a bit and adjust the amount of belief and nihilism and so on I was going into it with to give me a fuller experience. It turns out that what I see as “taking at face value” is actually an important state of openness. One doesn’t truly take it at face value because one isn’t ever pretending to have complete knowledge, but one does take something without devoting so much resource to reconceiving it in order to conform to one’s beliefs. The hoffman experience was generally very in favor of bottom up mindfulness. Let go of socially motivated reasoning and imaginary conversations trying to prove yourself to ignorant people with no imaginations who want to ruin everything good… just put your energy into understanding something with openness and then you’ll see it. I got higher understandings or understandings I realized I otherwise wouldn’t get.
The experience really gave me a strong sense of the doom of my life while at the same time making me light hearted about it and trying to show me around. Normally I’m scared that a psychedelic is going to be like weed and be scary, but it never is. In fact the hoffman took me around my room to see that in some areas where there was some mess or something that I projected an ugly identity onto (like I see my shoes and the first thing I think is, “That’s asperger’s shoes. Those are the shoes someone with asperger’s wears.” So I have my social “identity disturbance” imbued into virtually all the objects around me. Any object that signifies someone else in my life is imbued with boogeymen and gremlins of the relationship I have with that person). I’m oppressed by my room and the needless flavoring of everything with stigma and shame… it’s so comprehensive that I’ve lost the sensitivity to it. It’s like a fish in water, I’m drowning in stigma to the point that I take it for granted and no longer realize there’s any other way of being. So the hoffman tried to show me around my room and show me there aren’t any boogey man and reconnect me to the personality I do have which isn’t aspergery and is fine and contradicts the stigmas. Every time I look in the mirror I see someone more attractive than I expected to see. I think this started in middle school. I always always always underestimate my appearance by quite a bit. And I load my self image with all those bad stigmas. Going to the mirror is like a reality check, but it’s worn out because I’m largely desensitized to it. But the hoffman helped me see that being aspergery or any other stigma was an unnecessary self-fulfilling trap I didn’t have to go down because I did have… I was in good standing and nothing meant I had to be aspergers. My posture my voice my skin etc.., all was fine.
But the hoffman did go over my life. I expected it would attack me about my relationship with my family (which I stigmatize myself for… “I must be some kind of deranged monster” is a load I begin every thought on the matter with) and turn me vegan, but it’s never what you expect. It wasn’t a fear based assault but it was really sane and reasonable. It gave me a sense of the trap I’m in. I ordinarily only feel one part of the trap at once, like I’m in a maze going from one dead end to another. But the hoffman gave me a sense of all the traps of my life I’m in at once. Yet I was lighthearted and amused and smiling about it. I was ego dead but I didn’t even know it. It’s like my ego left without making a sound. Another thing is that it isn’t necessarily key to have no ego, but it is key to be in the moment which is often conflated with having no ego. Like if you’re alone walking and having an inner monologue conversation, that’s probably being lost in thought having some imaginary future conversation and that exemplifies the problems and life-of-it’s-own of the ego. But it actually could be that one is checking into the present moment continuously and one is having that conversation for the nobody, for the consciousness. After all, the consciousness divided and packaged into different points of view and bodies in an audience is the same as the consciousness you have, so why not have the conversation before it? I used to regiment being in the moment, a certain grid of checkpoints of checking in. But that top-down systematic way of being mindful doesn’t work because I find shortcuts and seem to be beyond the age where I can keep going back to the beginner’s mind in a subject and question everything I know to the point where I am not allowed those shortcuts. Further those shortcuts are easy to take without knowing it. They masquerade as true mindfulness. So an informal bottom up spontaneous not regimented continuous mindfulness is important. I like the short ego stories mentioned… (to be continued… must use bathroom now)
I like the idea of short duration egos/stories Mike Johnson mentioned in his recent meditation article. I used to have long systematic stories with regimented moderately high frequency check ins with the present moment proportional to what I used to call “salience essentialism” (a silly name, but the idea of making some element of information that’s only found in a state of lots of reflection and skepticism and metacognitions essential). But, as I said, I can’t do that regimentation anymore, so I’m going with Mike Johnson’s idea of short egos linked together. To have short ego stories that remain close to the present it’s key not only to bring a story to a natural end soon but also to not linger on that ending. If you linger on that ending rather than immediately continuing the moment, keep it rolling in a new moment, then you end up just getting lost in a nothingness epilogue to the story. Useless. You can’t end and then stop with nothing to continue with. So key to keeping short ego stories is also continually making them. Always be shedding light on the situation (keep no secrets. The ego performer has no secrets to keep as the actor. Continually to unravel it in any situation it finds itself. Don’t worry about nullifying a previous performance…because the previous performance was never meant to fool you as complete reality. Hold onto no pretense, but continue to act while shedding light always. A dance without deceit.)
Rather than being mindful to grasp the moment, to pas a yes/no test, I be mindful anew each time. Every time I be mindful is a new way of being mindful, and it’s about quickly jumping to the moment. When you’re really mindful like this listening to Beethoven’s cello sonata, you can’t tell if it’s you that’s singing or the cello. It feels like your own mind almost. I used to be a yes/no tester. I would have a preconceived idea of reality I strove for. But now I’m not doing that. I’m letting go of all my notions and quickly coming to the moment with openness.
One more word on the cubism thing. It’s related very much, I think, to the feeling of open individualism as well as the sandy beaches of time thing because each item has with it it’s own competing structure. Normally we resolve things into one system, but this cubism takes different elements on-their-own-terms, which means there are terms and structures and systems and orientations attached to them. In these systems are simulated the ego and its orientation to things. It’s like when you have some words and are deciding what sentence to make of them you ordinarily subordinate certain words to other words (the main verb being at the highest level of organization), but instead this cubism would have competing sentences for different words. It wouldn’t force the collapse of one structure or system for the other. Likewise the feeling of always being in the middle of one’s thought (or the sandy beaches of time) is like the noncollapse of the thought structure. There are many overlapping thoughts, all of them in the middle, rather than one thought with a start and a finish spanning several moments. You see? I think a similar thing can explain the proliferation of selfhood in objects in one’s perceptual/imagined environment. You go beyond your ordinary selfhood sense structure and see no problem attaching it to multiple things, like anthropomorphizing things with your sense of orientation and first person perspective. This gives rise to a sense of perspective that is beyond seeing and hearing and all the ordinary things. Yet what is it? Alas, perspective as a concept is only as advanced as the abstraction of perceptions and imaginations and so on, so we don’t actually have a more advanced concept of perception/perspective-having. What we have is the abstraction that’s forced upon us by the cubism and multiplication of competing perspective-having structures attached to different objects. All we know is that whatever it is must go beyond any individual object and is seen only when you’re continually opening up to the idea by watching the cubism unfold. So it’s easy to understand how this is all just a conceptual trick of the mind, but it has a very good way of taking everything you know and all your beliefs and spinning those into the picture to convince you of something beyond all that still. And I really do like to believe the idea of a perspective that transcends my human situated perspective of sense organs and a center of imaginations. I’d like the floating above everything and seeing the symphony. I see how MC Escher pictures are very evocative here, because you have competing “structures” or competing whatevers… competing resolutions. MC Escher is a form of cubism in this way.
Another thing I notice is a decrease in bad compulsions. Generally psychedelics relieve anxiety and obsessions and stuff like that. I have this nasty habit of looking at attractive people and getting a pang of pain and loneliness and stuff. My work involves me being on social media all day long, so I often see a lot of attractive people and it’s just a pang of badness. But fighting with the compulsion is no good either. Flee it. I’ve got to stop correcting past mistakes. Short ego story. Don’t go down one road and then smack your forehead and then reverse and go back down another road. Nobody wants to see you back up. It’s not valuable. You’re not submitting or apologizing to anyone. Once you go down one road simply poof out of existence and then poof back into existence on the right road. No ego story of grinding corrections and punishments and obstacles. Just skip ahead to the right spot the moment you notice a better spot. Ordinarily seeing or hearing attractive people makes me tense up and go ouch and feel a dose of desperation and so on. This time I’m not doing that. I find that I’m lucky that I haven’t had that and a state of not clinging and so on is naturally here (I’m not anxiously monitoring my clinging level). I think it’s good to just zip to the right moment, the right thought and not spend time wrestling with the thing trying to undo it explicitly. Learn the habit of bypassing it, not reversing it. Don’t even expedite reversal. There should be no struggle to correct anything. Rather just jump freely to a better state of mind. But that’s easier said than done. I think it’s very hard to see the possibility of freedom in the present when faced with very strong recurrent thoughts or states of mind that one doesn’t want. It feels like the only hope of getting out of there is by contending with it, reversing it. But I’m suggesting that actually one can unlearn ever going down the wrong path in the first place (as opposed to learning to make the mistake and then the correction) and that is found in the present, the elusive present we overlook (or underlook). In fact, the present moment isn’t known to you yet while you’re still trying to struggle to escape the undesirable thought pattern. Trust that it will show you the way and open up to you as you open up to it. It will progressively open up, and you’ll say, “Oh, I see now.”
So short stories are good, being in the moment is good. The intentional object is particularly tyrannical (ref) when it lives in a long story. Short stories can still have intentional objects. Things can have purposes, there can be a point, but the point should be found in the present (or the very very near future). When you find yourself having imaginary conversations for the future, then quickly start speaking that to the present. Whom are you talking to? Nobody. The nobody of the now (or yourself, or the non-people of the now) is a perfectly interesting audience. You have within your consciousness basically what any audience can actually supply anyway. Consciousness differentiated through filters of points of view and personality and so on is only just the same as what you have in your “solitary” conversation.
Well anyway, I found myself having a bit of a love for the present. I like knowing that fulfillment is found in the present. It is beautiful and wholesome. I like not being chained to anxieties and compulsions. I like the spontaneousness of the higher rate of mindfulness. I don’t normally have so much mindfulness and trying with much effort to be mindful backfires. As explained above about reversing mistakes, today I was quickly and without making a fuss finding myself snapping back into the present. Rather than trying to make an ordeal of an error report trying to diagnose the lapse in mindfulness and see to it that it doesn’t happen again, I let go of that controlling and just join the present moment “ready to rock” as [person] from [previous job] would put it.
Here’s part of the trip report. I wrote the other half of it in a paper notebook:
5:10PM I recorded everything earlier in a notebook.
Wow so much easier to type fast. Anyway I see how the ego and the self, I created a dark scary world of doubt and fear and shame for this Bill character. It’s just a character. Bring as many emotional resolutions as possible to make the story have as happy an ending as can be, but ultimately just don’t forget it’s all fiction.
And I guess that’s key. The fears of the hellishness of being a “bad human” and so on…all fictions of the Bill story in the world, in consensus reality. Make the story look nice, but see through it. It’s just a story for some TV viewer. I’m so predictable, what I’m paranoid about, what my hang ups are, etc… How the grass is greener on the other side of being social.
But this trip, rather than dipping me in guilt and attacking me with my own problems is actually more like a refresher on how these places aren’t full of boogeymen like I think they are, and if I just realized this I’d have a better day. But ultimately the desperateness and the loneliness and so on…gosh what a drag. On and on and on being upset about my life. I cultivate a sense of loss before fulfilling it. I should instead not have any needs and just pursue excitement… It’s interesting to think about whether you can get anywhere in life or have a very interesting time without those needs and voids held open by fear.
5:19PM I think I watch Minecraft playthroughs as a surrogate for socializing. Now without getting emotional or caught up in the Bill story, let’s just assess whether this is necessary.
5:25PM I’m listening to music. I’m admiring the majesty of some things in it. CPE bach. Just like Huxley said about my nonself being the non self of that chair leg, I identify as a non self with the non self of the grand music at points. Anyway, I notice how a lot of my enjoyment of music is really grinding and unpleasant. Forceful and full of pain like fighting through wounds, forcing your way through barbed wire. It’s senseless, isn’t it? If I can control it and enjoy music without this forceful stuff, this suffering forcefulness and longing and neediness and narrowness.
5:30PM Those headphones cause such misery. I get lost in those things. I’m getting a bit morbid, aren’t I? I’m not coming down but I’m tired and maybe my blood sugar is lower or something.
9:51PM Watched the Terence McKenna in Prague with Ram Das and Shulgin and others (link 1, link 2). Fascinating. Then I listened to this I noticed how this time I did acid my mind didn’t expand very much at all. I feel old and like my brain is stuck in certain ways of seeing things. I do have a gentle calling to feel myself situated in terms of nature and evolution and the mystery of the universe…I just want to see the open night sky like our ancestors did, but not clouded by all these paved roads and jobs and clocks and so on. Missing the moment for some future goal, measured by time and streets and so on. I liked what Watts said about playing a musical instrument for the enjoyment of music and not to do secondary things like make money or impress an audience. Now one could say that their goal is to impress audiences and so one isn’t “playing music” but one is “impressing audiences” and happening to play music. But I like the idea of only playing music in an innocent way because of the pleasure the noise gives. Unlocking the song by learning the music is rewarded by the music as it comes along. Not the prospect of performing or this becoming a dance of your ego or something. That’s kind of the problem. At least not living acts for the present well enough. That’s what I meant a couple weeks ago about having present moment self goals. Have goals for the moment. Don’t do stuff for later. The goal shouldn’t be set on some fulfillment of something later on. Why? Because people who say things like that have broken heads and my head is broken so I say stuff like that. Anyway, when I play music it should be to produce sound. When I try to get a self image, a social ego, a sense of my social personality, it shouldn’t be aimed at a future date. I should be genuine where I am, even if I’m alone. That is the moment. When it happens, it isn’t practice for some future performance. I’m not scripting. Rather, that is it. That was the moment to make the joke or be clever or do something. If I’m alone, that’s who I do it for. I do it for myself and nobody. I don’t do it for anybody, at least nobody to be abstracted and conceived in a later date. What happens happens then…what happens in the moment stays in the moment. Right now, who am I journaling with? Whom am I talking to? Wow, I can’t even believe I’ve got the depth to question that. Above I mentioned how not expanded my mind felt. Well I’m not very reflective, and the fact I just brought up the question who I am journaling for shows that thing. A lot of life has been lived in these journals. Some good, a lot bad. I can imagine myself throwing my journals away. I can imagine my laptop getting stolen or destroyed or lost. I no longer am hoarding up notes on philosophy projects. So what is this all for? Well, it’s all for itself. And right now it feels better. This feels like a good use of my time and a legitimate experience of living. Nothing lacks. I don’t need to add on some need to escape here and strive for a better place. Apples and oranges. This is adequate in itself. What I do, I must enjoy doing for the sake of itself. I don’t read books to build a vocabulary and a wit so I can talk to people. I have to enjoy reading the books and having that vocabulary and wit as the reader. Not for some future moment. The journey of a book isn’t an overture to something else. It is the journey. I need really to start becoming intrinsically motivated by everything I do, see things as ends in themselves. Really end. Not mindfulness to some other place. I make this mistake all the time. I think of the future now, of the future present moment mindfulness state. I’ve got to enjoy the mindfulness I already have before I can progress further…or rather before it can progress to unfold and intensify. I have to appreciate the experience of education I’m getting by reading a book, raw education however unglamorous and rudimentary, before my education can grow and intensify.
Sunk cost is big when trying to improve yourself (referring back to Alan Watts talk there). If I haven’t already implemented these notes about living in the present moment, then why do I think I can? Seems like the game has run stale. I’ve been narrowly focused and in sunk cost and escapism and I need to just let go of the outcome and step back and observe. Just like what I said about the stand-up comedian’s ego filtering out the amount of feedback based on how massively they’d have to renovate their act—they’re unwilling to open themselves up to just assess what’s wrong and fix it because they’re trying to open up to a small amount, one repair guy and see what he says and see if he recommends a follow up repair guy when he can’t figure it out, and then two slightly more in-depth expert repair guys come by and so on….why is this progression of repairmen economical? It is if you have no idea what’s wrong with your electricity in your house, but if you are a standup comedian and your ability to correct your act depends on your ability to recognize what’s wrong with it and you have access to that consultation, why limit yourself by peeking through a half closed eye? Why not just open up and see the whole situation? You won’t waste time…oh so much time you’ll spend fighting your way back up from the later stage repair men to earlier repair men…correcting later stage specific advanced diagnoses but still something’s wrong but it’s simpler than before. Just always wrestling with the errors in your performance trying to keep them in the simple no biggie zone rather than in the serious fail zone. But if only you were willing to open your eyes fully to see the true extent of the problems, then you could fix them all.
10:30PM Down with an edible. Wow, surprised how powerful the acid still is. Let’s see I took one at 12:33PM and the other at 1:49PM. Well, and I just took an edible. A tinge of regret because it’ll dull and otherwise contaminate the acid, but I’m getting tired so it wasn’t like I was going to get much out of it anyway. Alas, I’m still looking for gold to fill my notebooks for for later reading. I still take notes for the future. I should see notes as what they really are, which is just prosthetics for the experience of narratives in the present moment. Nothing more. (And I’m often blind to that possibility! I’m blind to the potential of the present! I only think in terms of future stuff. I just overlook the present.)
10:36 Wow that Alan Watts talk though. I know I always can’t help but put in my disclaimers. I don’t even feel like going through the various examples of why I have critical reasoning bla bla bla (don’t think of me as a stupid sheep). Just how helpless I seem to be in my current mode of doing things to get myself to live in the present and for the present. I don’t make decisions. I don’t decide what meanings my words have. I rather sit there passively waiting for the right words to come and fill in. I could do with some asserting myself more. But when the moment is right, when it gives energy rather than drains.
And rather than striving for an answer for a theory about consciousness or something or reality or whatever crazy… that is so rewarding that it can be done for itself in the moment. Think about consciousness. The mystery of the ever elusive background. The unknown is stimulating. It is exciting. Seeing the implications of the unknown and questioning old frameworks is enjoyable. It just is. 🙂
11:30PM Just took my second edible. (Saw: Alan Watts – Nature of God)
12:31AM Only do things for the now. Don’t solve problems for the future. Propose solutions for the future in the now. It’s a present act. You’re just exercising talking and proposing and speculating recreationally for the present. You ‘re not putting your will into the future. And the idea I have is that the bleakness of my life is in my head. Living in a van can be positive. I can have a happier social life. But doubts just feed. They’re demonic. They love sadness like heroin. They love to feed on the anxieties about not being able to make friends, of how poor my track record has been, how my life used to be in my control and going in a direction has now fallen so dramatically in a different way….The doubt tempts you. The decisions stop being made in the present moment. IT says “Hold on now. Think about this…” as it proceeds, foot in the door, to tempt you to sadness and doubt, as if there’s some social reward for having a sufficiently pessimistic view.